In order to make Hip Hop’s history widely and freely available to the public, the Cornell Hip Hop Collection began digitizing portions of its archives in 2012. Additional collections will be digitized in the future, as copyright, permissions, and resources permit.
Cornell serves as the home of the archive of Joe Conzo, Jr., called “The man who took Hip-Hop’s baby pictures” by the New York Times, Conzo captured images of the South Bronx between 1976 and 1984. The Hip Hop Collection has scanned and digitally preserved all of Joe’s negatives from this era. More than 6,000 of them are freely available for public browsing in this digital collection, thanks to the generosity of Joe Conzo, Jr.
Bill Adler, the first VP of Publicity for Def Jam Recordings, 1984-1990, spent decades collecting extensive documentation on Hip Hop’s origins and growth. At the core of his archive are files on more than 1400 Hip Hop artists and groups from the 1970s to the present. The Cornell Hip Hop Collection is digitizing Bill’s deep Hip Hop files; images will be added in batches over the next several years. Materials digitized to-date can be searched in this digital collection.
The Cornell Hip Hop Collection preserves nearly 1,000 early Hip Hop flyers contained in multiple archives. These flyers preserve the raw data of Hip Hop ca 1977-1983, from the era when Hip Hop was primarily a live, performance-based culture based in New York City. Nearly 500 of them have been digitized and are freely searchable in this digital collection.
As part of Afrika Bambaataa’s archive in the Cornell Hip Hop Collection, this digital collection contains images of selected 12" vinyl records from Bambaataa’s music collection--records that he numbered, signed with his name, and often annotated as he acquired them from the late 1960s into the early 1980s. The collection shows nearly 1,400 of the earliest 12" records Bambaataa owned, representing a small subset of his famed record collection. Bambaataa’s early vinyl record collection offers essential information on Hip Hop culture’s many visual and sonic influences. You will see an eclectic mix of soul, funk, rock, R&B, disco, and African and Latin music--genres that formed the basis of Hip Hop’s musical identity before recorded "rap music" was popularized by the entertainment industry beginning in 1979. This digital collection also offers a diverse tapestry of album art documenting the many looks, attitudes and ideas that artists contributed to the era. The collection can be browsed in the order Bambaaataa acquired his records. It can also be searched by title, artist, or by categories of alterations or annotations such as “Zulu Nation Sure Shots,” albums on which he indicated his preferred tracks.
Digital Preservation Work In Progress - Coming Soon
Ernie Paniccioli is a Cree photographer, author and activist who has been capturing Hip Hop culture on film for the past 40 years. He is widely celebrated as one of Hip Hop’s important photographers. The Cornell Hip Hop Collection preserves his entire archive and has digitized a large percentage of his slides and negatives. Ernie Paniccioli has given his permission to make nearly 20,000 images from his files freely searchable by the public.
Charlie Ahearn is an American film director and video artist. He is best known as the director and producer of Wild Style (1983), celebrated as the first feature film to document Hip Hop culture. The Cornell Hip Hop Collection preserves Charlie Ahearn’s Hip Hop archive, and has digitized more than 700 photographs and art work relating to the production and promotion Wild Style to make them freely searchable by the public.