Ken Feingold papers, 1970-2021
Collection Number: 8244

Announcement for Gallery A-402, California Institute of the Arts, Venice, CA, screenings with Matt Mullican, Jim Welling, others, ca. early 1970s; Exhibition announcment "Opaque Paradise" early film screenings, California Institute of the Arts, January 1974; Press release and announcement card for "Films by Ken Feingold," Theatre Vanguard, April 1974; "Art + Cinema"; Press release with artist's statement for Millenium Film Workshop, New York, NY, October 19 1974 (2 versions); Announcement and installation photograph for Feingold installation "Subject," University of California at Irvine, April 7-13, 1975; Publicity materials "New American Filmmakers Series," Whitney Museum of American Art, New York, March 5-May 27, 1975; Publicity materials "Southland Video Anthology," Long Beach Museum of Art, June 8-September 7, 1975, artists include Lynda Benglis, Raindance, Nam Jun Paik, William Wegman, others; Announcement for Ken Feingold, Jane Reynolds, Davd Salle at Claire Copley Gallery, Los Angeles, CA, July 1975; Announcement for "Three Dozen +," faculty and students of the California Institute of the Arts, September 21- November 1975; Announcement for "L.A.#1," Exposition Park, Los Angeles, CA, October 10-November 23, 1975

Catalogs and publicity materials for "Word Works," exhibtion at San Antonio College, artists include Allan Kaprow, Eleanor Antin, John Baldessari, Douglas Huebler, others

"On Approaching a Lexicon of Circumstance; Without Illustration: Introduction" article for World Magazine by Ken Feingold

Publicity materials for "Text and Image at the Whitney Museum of American Art," February 11-17, 1976; Poster and catalogue for "New American Filmmakers: Selections from the Whitney Museum of American Art Film and Video Program"

Ken Feingold letter to LAICA Journal "re: article about my films" January 1977; LAICA Journal April-May 1977

Poster for Moving Image/Makers artist collective in Minnesotta, Fall/Winter 1977; Catalogue for Premieres recontres international d'art contemporain Montréal 1977; Schedule for Berlin film Festival 77/78; Program and announcements for "Twin Cities Filmmaker: Ken Feingold," Walker Art Center, Minneapolis, MN, March 9, 1978; Announcements for screenings at Artists Space, New York, NY, with Joan Jonas, John Baldessari, others, March-April, 1978

Studio photograph, "Previews of the Modern World," 1978 (work never exhibited)

"Red Cell," diagrams, floor plans, paint swatch, reference photographs, press clippings, booklet with text by Feingold, Kiehle Gallery, St. Cloud State University, MN

"Time Bomb," diagrams, floor plans, reference photographs, Gallery 209, University of Wisconsin, Stout

Correspondence with Callie Angel, floorplan with installation sketch, press release (2 copies), text by Feingold "Notes Around Sexual Jokes," publicity materials

Exhibition catalogue and sketch for "Portrait of Descartes with Live Rats and Birds," exhibited in "Installation: Video," Hallwalls, Buffalo, NY, May 1980, additional artists include Dara Birnbaum, Brian Eno, others

"Water Falling from One World to Another (Part I/Version i)," BAMPFA, June 15, 1980; Flyer and poster for benefit for the San Francisco Institute of Art Film/Video Dept, January 1982; The Kitchen Video Distribution 1983

"Notes on Work in Video," essay by Feingold on works "5dim/MIND" and others, February 1983; "When Words Become Works: Video Program" essay by Feingold for exhibtion organized by Feingold, artists include William Wegman, Bruce Nauman, Mike Kelley, others

Whitney Biennial catalogue, video and film Program, press featuring "New Building Under the Water," Whitney Museum of American Art, New York, NY, March 15-May 29, 1983, artists include Gary Hill, Martha Rosler, Stan Vanderbeek, Bill Viola, others

"Afterimage" journal, October 1983; Fall calendar, Anthology Video Program artists include Tony Conrad, Les Levine, Tony Oursler, others, New York, NY; The Contemporary Art Television Fund flyer; 2e Edition Festival International Du Nouveau Cinema, Montreal, Quebec, November 14-20, 1983

Publicity materials for "5 dim/MIND," presented in "Headhunters," LACE, Los Angeles, September 10-October 15, 1983, "New Forms of Television," curated by Amy Taubin, The Kitchen, New York, NY, October 1-29, 1983; Video Free America, San Francisco, CA, November 14; The Walker Art Center, December 6, 1983; ICA Currents "Prime Time: Ken Feingold," January 1984

Afterimage January 1984; Exhibition catalogue "From TV to Video" l'immagine elettronica, Bologna, Italy, 25-29 February 1984; Brochure for 14. Internationales forum, Berlin, Germany, 18-28 February, 1984; "We Live in the Image/We Don't Want to Live in the Image," essay by Feingold, "Media Source" exhibition, Gallery of the Minneapolis College of Art & Design, 1984; Publicity materials "Minnesota Video Artists Touring Exhibition," September 1984-August 1986; Publicity materials "Video: A Retrospective Part I," Long Beach Museum of Art, Long Beach, CA, September 9-November 4, 1984, artists include Ant Farm, Nam June Paik, Muntadas, Chris Burden; Exhibition booklet 2e Rio, Rio de Janeiro, October 1984

Feingold announcement for "The Double," September 1984; Publicity materials for "Mediated Narratives," ICA Currents, Boston, MA, November 1984, "Signal Approach," The Funnel, February 13, 1985

Publicity materials "Public Domain: 14 Video Makers" curated by Ilene Segalove, LACE, Los Angeles, January 16-February 16, 1985

Transcript, "Video Viewpoints Presentation" by Ken Feingold, Museum of Modern Art, New York, NY, March 4, 1985; Presentation notes for "Video Viewpoints Presentation" by Ken Feingold, notes on videos "5dim/MIND" and "The Double" (two versions), publicity materials

Publicity materials for "Signs," curated by Ned Rifkin, The New Museum, NY, April 27- July 7, 1985, artists include Jenny Holzer, Matt Mullican, John Knight

Publicity materials "La Montage Comme la Ligne du Monde," Center for Media Art, Paris, France, May 6-7, 1985

Catalogue, reviews "The Whitney Biennial," The Whitney Museum of American Art, March 13-June 2, 1985

Publicity materials "AFI National Video Festival" September 13-19, 1985

Newsletter "Changing Channels," September October 1985, TV Guide listing November 22, 1985, publicity materials "Cat Fund Presents" and "Currents," ICA, Boston, MA, September 19-November 24, 1985, artists include Dara Birnbaum, James Benning, Ilene Segalove, others; "The Electronic Image" UCVideo, Minneapolis, MN, October November-December 1985, review by GAry Reynolds in "Vinyl," December 1985

"The Independent" journal, September 1985; Electronic Arts Intermix, "New Tapes" distribution catalogue September 1985; Video catalogue, "Art Metropole," 1985/86

Exhibition program, catalogue, curatorial statement, "California Video: A Historical Perspective," 1st international Video Week, Geneva Switzerland, November 14-18, 1985; Correspondence with Kira Perov

Catalogue, "Talking Back to the Media," November 1985; "Mediamatic" magazine, December 1985

"High Performance" Journal, Spring 1986; Brochure for "Theatre Tape Festival," Amsterdam, the Netherlands, March 9-31, 1986 (2 copies); Stedelijk Museum Whitney Biennial film video program, Amsterdam, the Netherlands, February 16- March 7, 1986; "Afterimage" journal, March 1986; "Video Tape Review" catalogue and postcard with available Feingold videos, Video Databank, 1986

Publication and symposium agenda "Resolution: A Critique of Video Art," essay on Feingold by Lane Relyea, produced by LACE Los Angeles, CA, April 18-May 6, 1986

Newspaper "Art & Artists" with article by Ken Feingold "The Writing of the Disaster" on Maurice Blanchot, July-August 1986

Newspaper, poster, and catalogue "World Wide Video Festival," Kijkhuis, den Haag, The Netherlands, September 9-14, 1986; Correspondence from Tom van Vilet

Program for "Videonale Bonn" September 1986

Announcement for available videos by Feingold, Electronic Arts Intermix, New York, NY, 1987; Correspondence concerning "Infermental" magazine on video cassettes, magazine, and promotion, in envelope, February 1987; "High Performance" journal, with essay on Feingold by Christine Tamblyn, April 1987

Catalogue and announcement "CalArts: Skeptical Beliefs," The Renaissance Society, Chicago, IL

Exhibtion catalogue and program for "L'époque, la mode, la morale, la passion," Centre Georges Pompidou

Catalogue, poster, reviews "Australian Video Festival"

Catalogue, announcements, press clippings, installation photographs and sketches of Feingold work "Sleeping Room" for "World Wide Video Festival," Kijkhuis, den Haag, the Netherlands

Catalogue, press clippings, schedule for "Festival International de Nouveau Cinema et la Video Montréal," 16th edition

Mediamatic magazine, November 1987 (2 copies); Announcement for Feingold work "The Smallest Particle," Electronic Arts Intermix, New York, NY

ICA News, Boston, MA, November 1987-January 1988; Press release and schedule "Video Viewing Room," The Kitchen, New York, NY, February 2-27, 1988; Announcement "Contemporary Art in Context," Museum of Modern Art, New York, NY, February-March 1988; Calendar for Electronic Arts Intermix, New York, NY, Spring 1988; Ars Electronica "New American Video Art: A Historical Survey, 1967-1988" exhibition text by John G. Hanhardt

Catalogue for the 2nd Fukui International Video Biennale

"Notes on India Time," essay by Feingold, CVA Newsletter

Festival publicity "Art Circus," 11th Annual Tompkins Square Arts Festival, New York, NY, June 18-19, 1988; "Limbo" magazine, summer and autumn 1988

Press release, newsletter, catalogue, press clippings for "World Wide Video Festival," Kijkhuis, den Haag, The Netherlands

Installation sketch, text by Feingold, receipts, installation photographs, installation instructions and list of equipment, Asia Society calendar, review, "The Lost Soul," Asia Society, New York, NY, May 7-8, 1988

Catalogue for 3rd Videonale, Bonn, Germany, September 11-16, 1988; "007" Magazine, September 10, 1988; Catalogue and review "Festival International de Nouveau Cinema et la Video Montréal," 17th edition, October 20-30, 1988

"Notes on the Distribution of Video Art," essay by Feingold, "Mediamatic" magazine

Bulletin of Whitney Museum of American Art, New York, NY, 1988-89; Calendar for the American Museum of the Moving Image, December 1-February 26, 1989; The Contemporary Art Television Fund booklet, 1989

Progam (copy) and correspondence with Dirk De Witt for Stuc, Leuven, Belgium

"The Projective Cinema of Other-Representation: Anthropology, Television, Tourism, and Art," text by Ken Feingold, commissioned by the Rockefeller Foundation, Bellagio Study and Conference Center

"New Videotapes," Electronic Arts Intermix, Spring 1989; Intermedia Arts program, Minnesota, Spring 1989; Tompkins Square Arts Festival, New York, NY, June 17-18, 1989; Announcement for "Festival International de Nouveau Cinema et la Video," Montréal, 18th edition, October 19-29, 1989

Publicity materials, catalogue, "Whitney Biennial," Whitney Museum of American Art, New York, NY

Catalogue, invitation, program, installation photographs, "World Wide Video Festival," Kijkuis, den Haag, The Netherlands

Press release, Catalogue, Film/Video schedule, curators' statements by John G. Hanhardt, Paul Arthur, Ronald C. Simon, Lucinda Furlong, "Image World: Art and Media Culture," The Whitney Museum of American Art, November 8, 1989-February 18, 1990

Press release for 27th Artists Forum, Tokyo, March 15, 1990; "Art by Ken Feingold," Asahi Evening News, March 10 1990; Screening schedule, "Image Forum Festival," Tokyo, Japan, April-May 1990; "Image Forum Festival," program (2 copies); "Image Forum Festival," booklet; "Image Forum Festival," catalogue

"No-TV & Movies" Visual Studies Workshop, Rochester, NY, April 10-June 28, 1990; Exhibition catalogue, "Contemporary Art in Context," The Museum of Modern Art, NY, 1990; Program for Arts Festival of Atlanta, September 15-23, 1990; 37th Arts Festival of Atlanta, Catalogue, September 1990

"Diagrams of Mind," Essay by Feingold, curator's statement from "Paper as Knowledge" exhibition catalog, Leopold Hoesch Museum, Duren, Germany, 1989, published 1990; Catalogue and announcement for Internationale Biennale der Papierkunst 19 [International Biennial of Paper Art], May-August 1990

Exhibition press release, announcement, artist bios, checklist/pricelist, essay by Feingold "Remarks on Painting," for "Abstract Painting," Nahan Contemporary, New York, NY, September 13-October 6, 1990, artists Ken Feingold, Julie Gross, Linda Levit, Paul Pack

Exhibition catalogue, program, press, "Video Arte Internacional," Museo Nacional de Bellas Artes, Buenos Aires, December 1990

Electronic Arts Intermix" Videotapes by Artists and New Video Fall 1990 (2 versions). Electronic Arts Intermix video distribution catalogue 1991; Art Metrople Video Archive Catalogue 1991; Press clipping "Making Strange," Amy Taubin, the Village Voice, February 18, 1991

Publicity materials for "Fact/Fiction," The Museum of Modern Art, New York, NY

Invitation and program for "The Body" The Rennaissance Society, Chicago, IL, March 10, 1991; Review of "The Body," The Village Voice, May 28, 1991

Catalogue, program, publicity for "The Surprising Spiral," "European Media Art Festival" Osnabrück

Invitation, programs, press for "The Tibet Film Festival," New York

Publicity materials for festivale "Videotage Luzern"

Electronic Arts Intermix "New Videotapes" Fall 1991; Journal "Visual Anthropology Review," Fall 1991; Grazer Kunstverein Archiv listing; Journal "Afterimage" November 1991

Postcards and invitation for private preview of Feingold work "The Surprising Spiral," January 21, 1992; "Artist Kunstmagazin" February 12, 1992, with artwork "The Surprising Spiral" by Feingold

Catalogue for Film Festival Rotterdam, January 23-February 2, 1992; Festival schedule, catalogue, booklet "Videofest '92," Berlin, Germany, February 13-24, 1992; Kunsthallen Brandts Klaederfabrik Program 1992

"The Exploding Valentine," screening program and review by Amy Taubin, The Kitchen, NY, February 14-15, 1992; Announcement for screening of "Un Chien Delicieux," Hallwalls, Buffallo, NY, February 21, 2012; Hallwalls schedule February 1992 and March 1992; Annoucement for exhibition "Fetish of Knowledge," AC Project Room, New York, NY, February-March 1992; Felix Journal, article "Trouble in Truthsville" on "Un Chien Delicieux" by Feingold in discussion with Coco Fusco and Steve Gallagher, Spring 1992

Postcard and exhibition announcement with essay by Regina Cornwall, "The Surprising Signal," Galerie Rene Coelho, Montevideo, Amsterdam, Holland, March 11- 28, 1992; "Discourse" journal, feature and cover with Feingold work "The Surprising Spiral," Spring 1992; correspondence from Carol Tennessen

"Arts Magazine" with review on Feingold work "The Surprising Spiral," April 1992; Newsletter "Mediagramm," Karlsruhe, Germany, June 1992; "Bitte berühren: Interaktive Videoinstallationen," Catalogue for Deutscher Videokunstpreis '92, feature on Feingold work "The Surprising Spiral," May 22-June 8, 1992

Exhibition catalogues, correspondence with Erkki Huhtamo and Paivi Talasmaa, exhibition plans and texts by Feingold accompanying "The Surprising Spiral," "MuuMediaFestival," Helsinki, Finland

Publicity materials for "10th World Wide Video Festival," Kijkhuis, Den Haag, the Netherlands

Copenhagen Workshop Festival '92 list of participants; Copenhagen Workshop Festival '92 program, June 1992; Copenhagen Workshop Festival catalogue "Subversive Film + Video," essays by Lynn Hershman, George Kuchar, Amos Vogel, others

Correspondence on "The Surprising Spiral" with Heinrich Klotz, ZKM, Karlsruhe; "Video Art" article by Piotr Krajewski, Kino, July 1992; Catalogue for "Americas," Expo '92, Andalucia; Poster for "Miauhuas," Thread Waxing Space, July 20-August 8, 1992; "Comments and Metacommentaries on Interactivity" essay by Erkki Huhtamo on Feingold works, ISEA Symposium 1992

Catalogue and press for "Videonale 5," essay by Regina Cornwell, Bonner Kunstverein, Bonn, Germany, September 15-20, 1992; "Cineaste," journal with essay by Amos Vogel, September 1992

Catalog and press for "Medienbiennale Leipzig '92," September 25-October 4, 1992

Catalogue and press for "Lyrik and Billeder: Festival for Graenseoverskridende Kunstarter," Odense, Denmark, November 1-8, 1992, with interview with Ken Feingold (2 copies)

Electronic Arts Intermix video distribution catalogue 1993; Catalogue for "European media Art Festival" Osnabrück 1993 with essay "Penetrating the Virtual World" by Erkki Huhtamo on Feingold; "Art in America" magazine

Exhibition program and catalogue "Desmonte: Film, Video/ Apropriación, Reciclaje," IVAM, Valencia, Spain, February 26-March 7, 1993; Schedule for MuuMediaFestival 1993; Press clipping "Standby Videos" in the Village Voice, March 9, 1993; Press release for "Video House" curated by Sigrid Hackenberg and Lisa Jacobs at A/C Project Room, New York, NY, March 12-20, 1993

Correspondence from Barbara London, Sally Berger, Teresa Svoboda, The Museum of Modern Art, New York, NY; Press release for "Between Word and Image," The Museum of Modern Art, New York, NY

Camerawork magazine with essay "The Magnetic Mirror" by Feingold, Spring/Summer 1993

Exhibition booklet and publicity materials for "Iterations: The New Image," curated by Timothy Druckery and Charles Stainback, Memorial Art Gallery, University of Rochester, July 11-August 29, 1983, The International Center for Photography, New York, NY, October 15-February 6, 1994, artists include Lynn Hershman, Gretchen Bender, others

Press release, screening of works by Feingold, Anderson Auditorium, September 22, 1993; "Parachute" magazine, October-December 1993; Catalogue for "5th International Video Week," October 29-November 6, 1993; "Art Papers," November/December 1993

"artintact 1" CD-ROM magazine 1994; Brochure for "Mediakunsttagemainz" January 30-February 1, 1994; Press clipping "Screen Multimedia" 1994; Correspondence with Abigail Child, January 1994; Press clipping "Interactive Art: Slowly Emerging; Profits Remain a Question Mark," discussion of artwork "The Surprising Spiral," Computer Pictures, January/February 1994; Essay "Vom simulierten Dialog zur Simulation des Lebens," by Söke Dinkla, Mediagramm, Karlsruhe, January 1994; Essay "Interaktivität stellt neue Herausforderungen an die Entwickler," by Söke Dinkla, February 1994; Announcement, benefit auction, The Kitchen, New York, NY

Correspondence with Judith Kerman, letter by Feingold on Un-Sub day and reflecting on the early implications of email, ISEA 94' listserv, March 1994 (two versions); Program and catalogue for "The 5th International Symposium on Electronic Art Catalogue," ISEA August 1994, Helsinki, Finland, essays and projects by Roy Ascott, Erkki Huhtamo, Lev Manovich, others

Calendar for "Cinematique," San Francisco, CA, Spring 1994; "Art in America" magazine April 1994; Press release and guide for "The First Annual New York International Video Festival," May 7-June 2, 1994; List of artists in 10th Rio Cinefestival, August 1994, includes the Wooster Group, Paul McCarthy and Mike Kelley

Catalogue for "Interactive Media Festival," Los Angeles, CA, June 6-8, 1994; Exhibition text by Feingold on artwork "Childhood / Hot & Cold Wars (The Appearance of Nature)" 1993-94; Folder of materials with exhibition agreement, press release, artist questionnaire, multiple versions of artist statement, installation plan, correspondence with Harvie H. Branscomb, Robert E. Blitz, Debbie Giusti

Review "Pleased to Meet Me," Amy Taubin, the Village Voice, August 16, 1994; "The History of the Interface in Interactive Art," Söke Dinkla, June 1994, two versions

Exhibition program and press release, "TARt '94," Enschede, the Netherlands, November 25-December 11, 1994; Press clippings on "TARt '94" featuring "The Surprising Spiral" by Feingold

"artintact 2" CD-ROM magazine 1995; Publication "The Japan-United States Friendship Commission… Creative Artists Fellowship Program"

"Intercommunication" journal Winter 1995; Paper magazine February 1995; Correspondence with Kate Horsfeld, Video Data Bank

Exhibition catalogues and announcements, press release, correspondence with Mary Nykaza, consignment agreement, reviews, "Synesthesia," Mary Anthony Galleries

Press, exhibtion agreement, floorplans, festival schedule for "Interactive Media Festival," Variety Arts Center, Los Angeles, CA, June 4-7, 1995; Documentation for artwork "where i can see my house from here so we are," artists include Haruhiko Shono, David Collier, essays by Roy Ascott, Erkki Huhtamo, Timothy Druckery, others

Briefing book, catalogue, "Interactive Media Festival," Variety Arts Center, Los Angeles, CA

Correspondence from René Coelho, MonteVideo; Program for "Cyber-Soho," New York, NY, September 1995; Guide "SoHo Arts Festival," October 1995

"Convergence" journal, Autumn 1995; "Intercommunication" journal, Autumn 1995; Erkki Huhtamo, "Seven Ways of Understanding Media Art"

Leonardo journal and publication agreement, November 1995; School of Visual Arts magazine and invitations for "The Third Annual New York Digital Salon," November 13 27, 1995

Catalogue, CD-ROM, "3rd Biennale d'art contempoarain de Lyon," Lyon, France, December 20, 1995-February 18, 1996

Press clippings, Artwork documentation "Childhood / Hot & Cold Wars (The Appearance of Nature)," article by Robert C. Morgan, Correspondence with Thierry Prat, Thierry Raspail, Georges Rey, Laurence Barbier, Francoise Agaz, artists included Stan Douglas, Orlan, Cheryl Donegan, Nam June Paik

"MonteVideo/TBA: Netherlands Media Art Institute," video distribution catalogue with collections of MonteVideo/TBA, Time Based Arts, Stichting de Appel, Hen Lijnbaancentrum; "artintact 3" CD-ROM magazine 1996, with artwork "JCJ-Junkman" and essay "SurReal Time Interaction or How to Talk to a Dummy in a Magnetic Mirror?" by Erkki Huhtamo

Licensing agreement; Schedule and exhibition booklet "3rd Mostra de Video Independent," January 23-27, 1996; Press release, invitation, press review clipping "Can you digit?" Postmasters Gallery, New York, NY, with artists Ursula Endbicker, Perry Hoberman, Erwin Redl, others, May 1996; Tibetan Film Festival and Concert screening of "Life in Exile: Part 1," New Zealand, September 1996; "Deaf96-Open Territories" screening with VNS Matrix and others, September 1996

Catalogue and press "ARS Electronica," 1996, texts by Hannes Leopoldseder, Christine Schöpf, Perry Hoberman, essay on Feingold "Where I can see my house from so we are..."

Festival program, proceedings, and book of abstracts, "7th International Symposium on Electronic Art," Rotterdam, the Netherlands, September 16-20, 1996, Feingold presentation with James K.M., Nik Williams, Henry Lowengard, others included Victoria Vesna, Karen Guthrie, Nina Pope, Lily Díaz, Stelarc;

Exhibition announcements and press release "Password: Ferdydurke," Postmasters Gallery, New York, NY, October 19-November 9, 1996, artists include Natalie Bookchin, Perry Hoberman; Letter of aquisition from National Gallery of Canada; Program for SOHO Arts Festival, October 1996; "Leonardo" journal, November 1996; Announcement for Artifices 4, St. Denis, Paris, France, November 7-December 5, 1996

Catalogue, exhibition booklet, announcement, "Intercommunication Center Biennial," Tokyo, Japan, October 25, 1996-December 7, 1997; proposal and diagrams for "Interior," correspondence with Yumi Yaginuma, Takashi Kaneko, artists included Jim Campbell, Shu Lea Cheang, Luc Courchesne

CD-ROM magazine and publicity for "artintact 4" CD-ROM magazine, ZKM

Catalogue with CD-ROM "Hardware, Software, Artware," ZKM Institute für Bildmedien, Karlsruhe, text by Christoph Blase, section on Feingold artwork "JCJ- Junkman"; ZKM exhibition guide; "The Vade-mecum of Digital Art," Oliver Grau

"Parachute" magazine, Feingold artwork "Where I can see my house from so we are..." on cover with article by Feingold

"Technology in the 90s," program at the Museum of Modern Art, New York, NY, April 7, 1997, with lecture notes and talk by Feingold "The Interactive Art Gambit ("Do not run! We are your friends!"), press release, curatorial text, correspondence with Barbara London

Press clipping, "Objects Versus Pixels," Michael Gibbs on Feingold, Art Monthly, February 1997; Catalogue for "Videoforms '97," France, April 1997; Exhibition announcment (print out) "Cyber: Creativity in the Digital Age," Portugal; Program for "6th International Media Art Biennale," Wroclaw, Poland, April 30-May 4, 1997

Transcript of talk by Feingold, catalogue for "Internationale Kurzfilmtage Oberhausen," Oberhausen, Germany

Catalogue, announcement, press clippings, "InterAct! Schlüsselwerke Interaktiver Kunst," Wilhelm Lehmbruck Museum, Duisberg, Germany, April 27-June 15, 1997. Artists included John Cage, Christa Sommerer & Laurent Mignonneau, Nam June Paik, Jeffrey Shaw, Stefan Zeyen, text by Otto Piene, Söke Dinkla, Erkki Huhtamo, Christoph Brockhaus, catalogue feature on artwork "JCJ-Junkman"

Exhibition plans and documentation for "The Surprising Spiral," correspondence with Cornelia Brüninghaus-Knubel, Barbara Grimm, Söke Dinkla, "InterAct! Schlüsselwerke Interaktiver Kunst," Wilhelm Lehmbruck Museum, Duisberg, Germany, April 27-June 15, 1997

Licensing agreement, "The Intermedium Textbook," May 1997; Lecture invitation and announcement, Intermedium Institute Graduate School, Osaka, Japan

Festival catalogue "Transmedia 97," Berlin, Germany, May 23-June 1, 1997; Catalogue for "documenta x," Kassel, Germany, June 21-September 28, 1997; "4th Mostra de Vídeo Independent," Centre de Cultura Contemporania de Barcelona, Spain, July 1997; "Multimediale 5," Festivalmagazin, ZKM, Karlsruhe, Germany, October 18-November 9, 1997

Leonardo journal, November 1997; Booklet for "Microwave Festival," Hong Kong, 1997; Essay "Telekphrasis: Configurations of Communication" by Timothy Druckrey, discussion of Feingold artwork "Childhood/Hot & Cold Wars (The Appearance of Nature)"; MonteVideo/TBA booklet Spring 1998; List of contents for "artintact" CD- ROM magazine 1994-1998, produced by ZKM, Karlsruhe

Exhibition plans and documentation for "Séance box no. 1," some technologies developed with ZKM Karlsruhe and i3net/eRENA (European Network for Intelligent Information Interfaces), 1998, contains initial proposal for series in 1997, and report on series in 1999 with extensive documentation

Article "Faux Documentary and the Memory of Realism," by Allen Feldman, on artwork "Un chien délicieux," American Anthropologist, June 1998; Video program "Fest" with description of artwork "Un chien délicieux," Kunsthalle Düsseldorf, July 18- August 16, 1998; Conference programs "(Between) The Images," Neues Forum, Technische Universität Graz, May 1998; "Artbyte" magazine, November-December 1998

Booklets, schedule, press, artwork descriptions for "surroGate," ZKM, Karlsruhe, Germany, November 1 -December 6, 1998, artists and others included Jeffrey Shaw, Erkki Huhtamo

Catalogue, brochure, press, correspondence with Man-Lin Choi and Won Kon Yi for "The Visual Extension of Photographic Image," installation instructions and text on artwork "Interior Image," National Museum of Contemporary Art, Seoul, December 1998-January 1999, artists include Jim Campbell, Ju-Young Lee, Dae-Soo Kim, Maria Grzinic & Aina Smid

artintact 5 CD-ROM magazine 1999, with accompanying essays by Peggy Phelan, Masaki Fujihata, Tjebbe van Tijen

"The complete artintact 1-5," with essays by Timothy Murray, Jeffrey Shaw

"Compacts: Digital Works of Art on CD-ROM," artwork "JCJ-Junkman," artists include Graham Harwood, Perry Hoberman, Zoe Beloff, Rennes, France, January 1999; "Der Realität ist ein Hypertext" interview with Feingold, in Styria Online, February 26, 1999

Press release, invitation, press review clippings, installation instructions for artwork "Interior," exhibition at Postmasters Gallery, New York, NY

"Intercommunication" journal, Spring 1999; Announcement for screening "That Media Thing," MonteVideo/TBA, May 28, 1999; "Art in America" magazine, September 1999; BAMPFA listing for "Un chien délicieux," September 29, 1999

Lier en Boog Series of Philosophy of Art and Art Theory, with essay by Feingold "Contextual Consciousness," correspondence with editors Annette W. Balkema, Henk Slager

Exhibition booklet, announcement, press clippings for "net_condition," ZKM, Karlsruhe, September 23, 1999-January 9, 2000. Artists and contributors include Critical Art Ensemble, Douglas Davis, Ken Goldberg, Jeffrey Shaw, JODI, Lev Manovich, Victoria Vesna. Also includes Rhizome digest reviews by Alex Galloway and Patrick Lichty

Brochure for "eRENA," ZKM; Electronic Arts Intermix royalties for Feingold, January 2000; Press release for "12 to 12 Film & Video Marathon," Art in General, New York, NY, Feingold collaboration with Nora Fisch

Announcements and catalogues, "Alien Intelligence," Kiasma, Helsinki, Finland, February 12-May 28, 2000, artists include Perry Hoberman, Zoe Beloff, Erkki Huhtamo

Exhibition agreement, artwork documentation and instructions for "Head," press, "Alien Intelligence," Kiasma, Helsinki, Finland

Correspondence with Sabine Himmelbach on exhibition "The Anagrammatical body," February 2000; Correspondence with Dominique Lämmli and Miriam Bers on "Un chien delicieux," April 2000

Press release, "Traffic Jam" screening of Feingold work, Wales Digital Network, March 24-25, 2000; Announcement for "Kiborg Ena" CD-ROM with artwork "Orpheus," 2000; Program for symposium on artificial intelligence, Helsinki University of Technology, August, 2000; Poster and press for exhibtion "ShiftCtrl," participants include Lev Manovich, Perry Hoberman, TMark, University of California, Irvine, October- December 2000

Correspondence with Barbara London, press release and announcment for "Video Time," the Museum of Modern Art, New York, NY, October 16, 2000- February 17, 2001

Press for "Vida 3.0 (Life 3.0)," Fundación Telefónica, Madrid, Spain

Interview with Ken Feingold, Robert Russett, January 30, 2001; Essay "A Curatorial Resource for Upstart Media Bliss," by Beryl Graham and Sarah Cook, on curating new media art, 2001; "Facets Movie Lovers Video Guide" with correspondence from Milos Stehlik and Abigail Factor; Correspondence with Gaby Wijers on conserving Feingold's work in the Netherlands; Screening announcement "Video Club 99," Museum für Gegenwartskunst Siegen, May 2001; Article "An Encounter with the Computational Unconscious: Questioning Automatic Drama," April 2001

Press release, press clippings, floorplan and diagram, announcement and advertisement, exhibition of artworks "If/Then," "Sinking Feeling," "Self Portrait as the Center of the Universe," Postmasters Gallery, New York, NY, May 15-June 23, 2001

Catalogue, announcements, press review clippings, "Under the Skin," artists include Tony Ourseler, Gary Schneider, artwork "Interior," Lehmbruck Museum, Duisberg, Germany

Feingold descriptions of various electronic and digital artworks

Steirischer Herbst listing, Neue Galerie Graz am Landesmuseum Joanneum, Graz, October 4-November 4, 2001; "Gentech-Ästhetik," Sven Drühl, Kunstforum International, Jan-March 2002

Invitation and exhibition catalogue "Devices of Wonder," The Getty, Los Angeles, CA, November 31, 2001-February 3, 2002, texts by Isotta Poggi, Barbara Maria Stafford, Frances Terpek

Correspondence with Maxwell Anderson, Kathryn Potts, Kristin Bach, Lawrence Rinder, press release, exhibtion agreement, artwork installation instructions for artwork "If/Then," extensive press clippings and reviews with discussion and reproductions of Feingold work, exhibtion "Whitney Biennial 2002," Whitney Museum of American Art, New York, NY

Extensive press clippings and reviews with discussion and reproductions of Feingold work, exhibtion "Whitney Biennial 2002," Whitney Museum of American Art, New York

Extensive press clippings and reviews with discussion and reproductions of Feingold work, exhibtion "Whitney Biennial 2002," Whitney Museum of American Art, New York, NY

Exhibtion catalogue "Whitney Biennial 2002," Whitney Museum of American Art, New York, NY, artists include Jim Campbell, Zoe Beloff, Brian Frye, Ken Jacobs, Kim Sooja, Roxy Paine, others

Press and certificate, "Dis.art.tech4," Museo de Arte y Diseño Contemporáneo, San Jose, Costa Rica

Press clipping Japanese media; Invitation to lecture at Royal University of Fine Arts in Stockholm, press, correspondence with Anne Joki-Jakobsson, May 2002; Announcement "Joy and Revolution," Postmasters Gallery, June 8-July 13, 2002; "ARTnews" magazine September 2002, with article "Screen Savers" on preservation and conservation of electronic art featuring Feingold

Exhibition agreement, artwork installation instructions and documentation for "House of Cards," statement by Feingold for symposium and essay answers to exhibition questionnaire on diigital art, correspondence with Soyoung Cho and Wonil Rhee for exhibition "Media City Seoul," Seoul, Korea, September 26-November 24, 2002; Catalogue for symposium with statements by Jean Baudriallard, John C. Welchman, Nancy Barton, Sung-Hee Kim

Press, "Media City Seoul," Seoul, Korea

Catalogue, "Media City Seoul," Seoul, Korea

Artwork documentation and installation instructions for artwork "If/Then," press release, correspondence with Jonathan Binstock, for "Fantasy Underfoot: The 47th Biennial Exhibtion," The Corcoran Gallery of Art, Washington, DC

Exhibtion catalogue, press, "Fantasy Underfoot: The 47th Biennial Exhibtion," The Corcoran Gallery of Art, Washington, DC

Essay "Web Stalker Seek Aaron: Reflections on Digital Arts, Codes and Coders; Blog post "Art or Pornography?," on artwork "Jimmy Charlie Jimmy"; Exhibition booklet and press reviews of "BitParts", Shrewsbury Museum and Art Gallery, Shropshire, UK, March-April; Announcement "hot Summer Cool," Postmasters Gallery, June 5-July 19, 2003; Text on "JCJ-Junkman," and screening announcement video "The Double," mediatecaoneline.net; The Rockefeller Media Fellows 2003; "Journal of Visual Culture," "Affect as medium, or the 'digital-facial-image'," Mark B.N. Hansen on Feingold

Reproduction agreement; Video streaming agreement; Letter of reccomedation by Jonathan Binstock; Review of book "Digital Art" by Christiane Paul, 2003; Book "Preservation of Dutch Video art collections: The Sustainability of Video Art," Foundation for the Conservation of Media Art, with correspondence from Gaby Wijers, November 2003

Correspondence with Adrian George, exhibition planning and shipping, exhibition announcement, catalogue, extensive press reviews clippings, "Art, Lies, and Videotape: Exposing Performance," artists include Vito Acconci, Dan Graham, Yoko Ono, Carolee Schneeman, Tate Liverpool

Essay "Trouble at the Interface: or the Identity Crisis of Interactive Art." by Erkki Huhtamo; Essay "If/Then," on Feingold works by Carisa Westbury; Database entries on "If/Then" and "The Surprising Spiral; Press release for book and CD-ROM "Closed Ciruit Videoinstallation"; "Quadratur Kulturbuch: Medien," entry on artwork "Interior," additional texts by Wolfgang Ernst, Söke Dinkla, Jeffrey Shaw, others

Booklet "Dokumentation Konst Och Nya Media, 2002" and correspondence with Marie-Louise Eckman on Feingold lecture

Exhibition catalog, press release and reviews on "Love Me or Leave Me," with artwork "Head," Kiasma Museum of Contemporary Art, Helsinki, April 3, 2004-February 27, 2005, artists include Tracey Emin, Vitali Komar& Alexander Melamid, Markus Copper

Exhibition travel and shipping, catalogues and guides, press clippings reviews for "European Media Art Festival Osnabrück," Osnabrück, Germany, April 21-May 23, 2004, artists include: Shelly Silver, Hee-Seon Kim, Peter Kubelka

Press release, exhibition floor plan and packing list, announcements and press review clippings for "Ken Feingold: New Works," with artworks "Eron and Thanatos at Sea," "You," and "The Animal, Vegetable, and Mineralness of Everything," at SMFA Boston

Announcement for "The Surprising Spiral," ZKM, Karlsruhe, Germany, September 19, 2004; Press release "Impakt Festival," Utrecht, the Netherlands, October 27-31, 2004; Press release for lecture and workshop by Feingold, The Tank, New York, NY, November 6, 2004; Essay "Human-Sign Interaction," by Jukka Ylitalo; Press "A Peculiar kind of Perfection," on Brian Halvorson software developer; Essay and interview "The Synthetic Art Proposition," by Karine Jouenne and Reese Inman, and correspondence, June 2005; Application with Jonathan Binstock for São Paolo Biennial, proposal for artwork "Social Contract," August 2005; Notice of transfer of Photography Institute collection to Getty Research Institute, August 2005; Exhibition booklet for "Masterpieces of Media Art from the ZKM Collection", ZKM Karlsruhe, 2005-2007

Exhibition booklet (2 copies), documentation, press, CD-ROM for "11th International Media Art Biennale," including artwork "The Surprising Spiral", Wroclaw, Poland

Announcement, press release, press clippings reviews for exhibition of artworks "The Animal, Vegetable, and Mineralness of Everything," "You," "The Lost Soul," at ACE Gallery, Los Angeles, CA, October 4, 2005-February 2006; ACE Gallery chronology of Feingold career, 2005

Press clipping on Feingold in Artforum Russia, 2006; "Kunst+Unterrich" magazine with feature on artwork "Interior," 2006; Press clipping "High-art looks at man and machine relationships," March 20, 2006; Announcement for Chapter Gallery presentation by Feingold, March 24, 2006; "A Ubiquity Interview with David Hanson," Ubiquity magazine, discussion of Feingold, May 2006; Publicity for "Tomorrowland: CalArts in Moving Pictures," The Museum of Modern Art, May 25-August 13, 2006; Listings and press "Ken Feingold," Mejan Labs, Stockholm, November–December, 2006

1988-2007 Rockefeller Media Arts Fellowships catalogue (2 copies); Essay "Trouble at the Interface 2.0," by Erkki Huhtamo, 2007; Calendars, press release, announcment and press review clippings for "CALarts: L'École du Movement, Centre Pompidou, Paris, France, February 16-March 2, 2007, artists include Jack Goldstein, Tony Oursler, Matt Mullican

Catalogue (2 versions), announcement, press release, clippings, "Kempelen-Man in the Machine," with artwork "Box of Men," Műscarnok /Kunsthalle, Budapest, March 24-May 28, 2007, ZKM Center for Art and Media, Karlsruhe, June 23-September 2, 2007, artists include Simon Penny, Martin Riches, Onno Onnen

Press clippings on the VIDA Competition, feature on artwork "Head," November 2007; Screening program for Mücsarnok, Budapest, 2007; Press clipping review "Beyond Stereotypes," Aachen Kunstverein, April 2008; "5 Minutes Media Arts," Japan Media Arts Plaza, on artwork "Sinking Feeling," 2008; Correspondence with Glenn D. Lowry, Museum of Modern Art, New York, June 2009; Screening program and reviews, correspondence with Tania Bruguera, for "Voir/Revoir" including artworks "The Double" and "Un chien delicieux," Centre Georges Pompidou, Paris, France, September 8-13, 2009; Announcement "Best of ZKMTube," October 2009; Announcement for lecture by Feingold "Potential Space and the Mind of the Robot," ITP, New York University, November 2009; Correspondence with Gaby Wijers ad invitation to participate in "Preserving Media Art Collection Netherlands," October 2010; Exhibition Agreement, European Media Art Festival Osnabrück, November 2010

Exhibition catalogues, announcements, "Mediations Biennale," featuring artwork "Eros & Thanatos Flying/Falling," Poznan, Poland, artists include Kimsooja, Ultra Red, Keith Armstrong/Chris Barker

Exhibition catalogue (3rd version), announcements, artist bio, "Mediations Biennale," featuring artwork "Eros & Thanatos Flying/Falling," Poznan, Poland, artists include Kimsooja, Ultra Red, Keith Armstrong/Chris Barker

Screening announcement, video "Subject," Spielberg Theater, Los Angeles, CA, April 22, 2012; Program and essay for "Acts of Voicing" screening of video "Un chien délicieux," Kunstverein Stuttgart, November 2012; "Arte Vida" catalogue 1992-2012, feature on artwork "Head," 2012, May 2012-Jan 2013

Catalogue "Kiasma Hits," feature on artwork "Head," 2013; "Trial Version of Life: Artist Interview with Ken Feingold," October 2014

Catalogue "International Triennial of New Media Art," National Art Museum of China, Beijing, June 11-July 6, 2014, essays by Mark B. Hansen, Timothy Morton, artwork "Lantern," artists include Kevin and Jennifer McCoy, Karolina Sobecka

Catalogue "Festival for Contemporary Video Art: Videonale 15," Kunstmuseum Bonn, February 27-April 15, 2015; Press review "(id)ea,code++, algorithmic objects," Holon Institute of Technology July-August, 2017; Article "Talking Heads: the works of Ken Feingold," December 2019

"From the Puppets Mouth Darkly: About Ken Feingold's Art," by Erkki Huhtamo; "VR: Theory, Practice & Promise," by Tracy Swedlow, n.d.; "When Toungues Fall Silent," by Maurice Nio, n.d.; Book proposal "The Robot in the Garden" edited by Ken Goldberg, 2000; Correspondence with Dominique Lämmli and Miriam Bers on "Un chien delicieux"; Essay by Cumhur Erkut on artwork "Head," 2000-7; "Art Investigating Science: Critical Art as a Meta-discourse of Science," by Maciej Ozog, 2009; "Voice Interfaces in Electronic Art," by Martha Gabriel, ca. 2008; Table of Contents, "The Work of Authorship" edited by Mireille van Eechoud, 2014; "On the Observation of Observation: Media art between the private and public spheres," by Ken Feingold, David Rokeby, Niels Bonde; "Good Morning Mr. Orwell-- Communication as a Theme in Art, by Arja Miller, n.d.; "Language Art in the Age of Panophonia," Monika Górska-Olesinska, 2018; "Channels of Ventriloquism in New Media Artworks," by Victoria Bradbury, 2014; "Chatbots e Mimetismo: uma conversa entre humanos, robos e artistas," by Fábio Oliveira Nunes; "art@science: About Relations between Art and Science," Ryszard W. Kluszczynski, 2011; "Media Voices: Talking Beyond Heads," by Giselle Beiguelman

Catalogue "Ken Feingold / Works 1978 - 2007," Ken Feingold CV 2019

National Endowment for the Arts award certificate, 1979; "Dis.art.tech4," Museo de Arte y Diseño Contemporáneo, San Jose, Costa Rica, April-May 2002; John Simon Guggenheim Memorial Foundation award notice, letter of reccommendation from Michael Rush, 2005; John Simon Guggenheim Memorial Foundation 2004 report

12" tube, invitation for private preview of Feingold work "The Surprising Spiral"

"Vinyl" newspaper with artwork "Irony" on cover and article by Gary Reynolds, December 1985 (2 copies); V Magazine with feature on Feingold, March/April 2002

Typescript and handwritten scripts and screening or installation notes, includes "Negative/Positive" (lost film), "Text And Context," "Elements of the Theory," "Neutral Density," "Four Incidents with Translations," "Subject," performance script "Hysteria" and other completed works, unfinished works "A Device for Activity...," "Incomplete Video," "Stopped Watch," and list of films screened for California Institute of the Arts graduation review 1974

Typescript and handwritten text and performance instruction-based works, includes "Prepared Situations" 1973, "Installation for a public gallery" 1973, and text from "Target Practice" 1977 and others

Script for 16mm black & white film

Typed script for audio component of installation work with notes, published booklet with script

Typed script original and revised

Sketch, installation photograph, detail photograph, artist's statement with sketch and equipment list

Photographs and images used in video, preparatory notes, press release with statement by Feingold, script and draft scripts, grant applications

Video editing notes

Notes for script

Installation instructions, artist's statement, installation sketch with reference photographs, installation sketches

Script for video

Sketch of installation, description of video channels in installation, equipment list

Script for video

"Construction," "ideas," diagrams and sketches for book, table and base, notes and early skeches

"Spiral Notes and Diagrams" with documents organized as "Touchscreen development," "Text-to-speech annotations," "Wiring," "Code notes and data organization," "Setup instructions"

"Spiral Lists, Logs, Etc." words for touchscreen and translations, with time instructions

"Customs documents Spring 1992 Surprising Spiral" list and valuation of components

"The Surprising Spiral - Technical" documentation for installation, instructions for exhibitors, correspondence with Electrographics for touchscreen controller, instructions for touchscreen

"Spiral-Texts (Descriptive)" preliminary Project Description, for MIT Media Lab

"Spiral-Disc Remake ZKM" documentation for reproduction of laser disk

Operating System code and final source code in red binder

Wiring diagram, artwork exhibition announcement at Feingold home with artist's statement, artwork sketch with description

"AON" with documents organized as "Ideas and concept development," "Software development," "Hardware development," "Video materials," "Notes - Public" containing exhibtion didactic, credits, installation instructions and diagrams, artist's statement

"Wiring sketches" and notes on wiring tests

Notebook with wiring sketches and artwork development notes in gray binder

Notebook with sketches and project notes; folder with CU-SEE-ME experiments (Cornell University 1990s video chat platform), wiring diagrams, equipment invoices, installation instructions and diagrams, artwork sketches, component sketches, fabrication instructions; Folder with artwork images, writing, diagrams; Binder with artist's statement, projection diagrams, diagrams for robot-puppets and graphics computer, hardware and telecom requirements; Folder with source code

Notes for script, sketches of sculpture, wiring diagrams, , source images, correspondence with Stephen Nowlin, packet "Notes on a work in progress"

Source code

"Code development," code and production credits

"Conceptual development," notes with project ideas, artwork sketches, and wiring diagrams and notes, project workflow

"Objects and hardware," instructions for hardware, artwork photographs and source material

"Interior Addt'l," installation guides and instructions, receipts for equipment, wiring diagrams

"Navigation List" on grid paper listing effects of interacting with work, lists of translations for "Interior" and for version 2 with with code for version of "Orpheus" embedded in "Interior"

Black binder of source code version 1 for first exhibition version for ICC Biennial 1997, Ashish Verma programmer

Green binder of source code version 2, with code for version of "Orpheus" embedded in "Interior"

Production ZKM (eRENA), correspondence with Jeffrey Shaw, draft artwork descriptions and proposals, artwork diagrams and installation sketches, notes for conceptual and software development

Source code multiple versions, wiring diagrams and sketches; Binder with source code and script

Correspondence with Wiard Sterk, Cardiff Bay Arts Trust, Contract and proposal for public artwork, artwork sketches, area maps, plan for Wales Millenium Centre Cultural Ambition,

"Components" manual for exhibition at Kiasma with photographs of exterior and interior of sculpture

"Shipping" with artwork sketch

Manual for maintenance and exhibition

Manual for version 2.1 for the Whitney Museum of American Art, wiring sketches and instructions

Binder containing source code with script, installation guide and notes

Maintenance and shipping manual

Artist's statement, source code, component wiring diagrams and sketches, hardware component instructions; Binder containing source code with script

Operating maintenance and manual version 1.1 (2 copies)

Binder with script notes, Macromedia programming code for artwork

Source code with script

Notebook with wiring sketches and artwork development notes and script, artwork sourcecode with script, operating system guide

Source code

Various handwritten notes and ideas for artworks

Various notes and ideas for film and video artworks

Various notes, sketches, and ideas for sculpture, film, and video artworks, including ideas for photo-installations

Notes, sketches, photographs of source images and artwork documentation for sculpture, film, and video artworks including "Ride for the 21st Century," "Red Cell," "Time Bomb," "Sexual Jokes," "E.S.P. for L.A."

Postcard announcements and maps "E.S.P. for L.A.," various notes, sketches, source images, photographs of sculpture, film, and video work in progress, including proposal and sketches for "Sexual Jokes," "Who Do You Love," "Signs No. 1-15," "Ladles"

Various notes, sketches, source images for sculpture, film, and video artworks including sketches for "Signs," "Ladles," "Who Do You Love," "E.S.P. for L.A.," "Allegory of Oblivion,"

Notes for various artworks, notes on Nietzche accompanying reading "Daybreak", includes sketches for "Signs," "Allegory of Oblivion," "E.S.P. for L.A.," notes and imagery related to "5 dim/MIND" and "The Double," notes and source images and articles for trip to India in 1982

Various notes and ideas for artworks, including writing by Feingold "Notes on my Work in Video" September 1983, notes from trip to India 1982, sketches for "Signs," notes and sketches for "July 24, 1895 / Sleeping Room," "The Double," "The Combustible Substance," source clippings, photographs of work in studio, unpublished writing by Feingold "Signs, Pressures, Art: Introduction to a Pyschoanalytic Discussion," writing by Feingold "Notes on Video Work 1981-84" May 1985

Various notes and drawings, source and reference images for artworks including notes and sketches for "Allegory of Oblivion," "July 24, 1895 / Sleeping Room," unpublished writing by Feingold "Sweeper, Sunder Nagar," "Sugar Cart Driver," "The Yogi" related to video "India Time"

Notebooks, research notes, various sketches for artworks including source images for "Life in Exile," text for "Un Chien Delicieux," notes and diagrams for "Interior," "Orpheus," "Childhood / Hot & Cold Wars (The Appearance of Nature)," "Séance Box," "Self-portrait at the Center of the Universe"

Various notes and sketches for artworks including "The Animal, Vegetable, Mineralness of Everything," "If/Then," "You," proposal for unrealized works "Play (Beckett Piece) (working title)" and "Sea of Heads (working title) (proposal for São Paolo Biennale)," "Not My Fault (working title) (previous iteration of "You")"