Theodore W. Kheel Audio-Visual Materials
Collection Number: 6021 AV
Kheel Center for Labor-Management Documentation and Archives, Cornell University Library
Title:
Theodore W. Kheel Audio-Visual Materials, 1961-2001
Collection Number:
6021 AV
Creator:
Kheel, Theodore W.
Quantity:
34.6 linear ft.
Forms of Material:
Audiovisual materials.
Repository:
Kheel Center for Labor-Management Documentation and Archives, Cornell University Library
Language:
Collection material in English
Theodore Woodrow Kheel was said to be named for both Woodrow Wilson and his political rival Theodore Roosevelt, the result
of a compromise between his politically differing parents. The settlement presaged a career in which Kheel would be tapped
by mayors, governors, and presidents to settle disputes that were part of the nation's major political and social transitions
from post-World War II to well into the 21st century.
Born in 1914 in Brooklyn, Ted Kheel attended public high school in the Bronx. He was awarded a Regents scholarship to Cornell
University, where he attended an accelerated undergraduate law school program permitting him to earn a bachelor's and
law degree in six years.
In private practice for a brief time after graduation from law school, Kheel soon was offered a position as a National Labor
Relations Board attorney in Washington. Kheel's special talents as a mediator and his obvious political skills soon gave
him the opportunity to move to a new war-time agency, where he was initially hired as principal mediation officer. By
1944, he had been appointed executive director of the National War Labor Board, with a staff of 2,500 who were hearing 150
disputes a week. Kheel's work at the WLB introduced him to the most important figures in the labor movement and key government
officialscontacts he would use effectively in the future.
Following the end of World War II, Kheel returned to New York City and was drafted by Mayor O'Dywer to serve in the city's
new Labor Relations Division, which Kheel came to head within a year. With the agreement of the mayor, Kheel was able to
serve both in this position and maintain a separate, private law practice.
In 1949, Kheel was appointed to a part-time position as impartial chairman for an important segment of public transit in New
York City, a position in which he would render 30,000 decisions through 1982. Also in 1949, Kheel became a partner in
the New York law firm Battle, Fowler, Jaffin and Kheel. His skills in conflict resolution led an observer to remark that
the firm's work began with a battle, ended by Kheel.
During his more than half a century of involvement in labor matters, Kheel was known above all else for his extraordinary
ability to get feuding parties to make concessions to reach an agreement. In the important New York and national labor
disputes which he would be called to mediate, Kheel's approach was to protect management rights and at the same time demand
fairness to workers while also trying to protect the public interest in the issue.
Kheel's was frequently the voice of reason in settling a number of extremely difficult labor disputes of the 1960s and 1970s.
Mayor Robert F. Wagner, Jr., turned to Kheel to help end the 114-day newspaper strike of 1962-63. Among his most
infamous cases was the strike involving Mike Quill, head of the Transport Workers Union, who publically battled Mayor
John V. Lindsay in 1965-66. Kheel's efforts also included helping coordinate bargainers and mediators during the 35-day New
York City teachers' strike in 1968. President Lyndon B. Johnson summoned Kheel to Washington in 1964 to help mediate 10
days of feverish negotiations that prevented a nationwide rail walkout. Kheel would ultimately serve as a mediator and
advisor for virtually every New York mayor from O'Dwyer to Beame, for the Kennedy-Johnson Administration, and other presidential
administrations as well.
Kheel's interests in public issues were not limited to the labor sector. The policy disputes that came to his attention as
a mediator and lawyer frequently cried out for larger solutions, and Kheel was not averse to using his considerable public
presence and media contacts to seek redress, especially for what he viewed as past institutional injustices or misguided
government actions. Although pressed to do so on a number of occasions, Kheel refused to run for elective office,
preferring the role of a labor neutral and public advocate.
Kheel was also not averse to backing his powers of persuasion with legal action: a fierce advocate for public transit, he
initiated a class action lawsuit over the Port Authority of New York and New Jersey's refusal to fund mass rail transit.
His most sustained crusade for the public good related to his battle to limit commuter auto traffic and control highway
building in New York City in favor of increased use of public transportation. Initially attacked by Port Authority officials
and some city, state, and federal politicians of both parties, many of the solutions originally proposed by Kheel, including
the concept of the subsidized fare, became public policy in later years.
An early supporter of the civil rights movement, Kheel and his wife Ann become involved with the New York Urban League in
the 1950s. He served as its president in 1955 and as national president for four years. He worked with President Johnson on
race issues and with Martin Luther King, Jr., in a libel suit against the New York Times. Kheel's mediation skills led
to important strides in hiring African Americans in the airline industry. His reputation for sensitivity to minority issues
resulted in his becoming involved in efforts to add civilians to the New York City Police Review Board in 1965. Kheel
was also recruited as a peacemaker in the 1968 Ocean Hill-Brownsville Teachers dispute.
Even though Kheel handled disputes for transit workers, typesetters, and longshoremen, he reveled in the finer things in life,
and dabbled as a restaurateur in fine food and was a patron of the fine arts.
He once owned a stake in Le Pavillon, a leading French restaurant in Manhattan, among others. He also represented numerous
artists, including Robert Rauschenberg and Christo, and was the prime mover in the realization of the long-heralded Gates
Project in Central Park in 2005.
He also made millions of dollars as an entrepreneur while facilitating sustainable economic and social change. He was the
lead investor in the giant Punta Cana resort, transforming 30 miles of jungle in the Dominican Republic, and helped bring
about the airport that opened that country to tourists and travelers.
Finding the solution to problems such as the impact of automation on the workplace, community disputes, and protecting a sustainable
environment in which mankind will flourish, to name but a few, were the focus of Kheel's interest, enthusiasm,
and financial support. He was the prime mover, bringing along like-minded citizens and specialists, in the creation of
organizations to find solutions to the more intractable issues facing society. The Foundation on Employee Health, Medical
Care and Welfare, the Foundation on Automation and Employment (and its British counterpart), Automation House, the Institute
for Mediation and Conflict Resolution, and the Earth Pledge Foundation were among the most successful of such efforts.
In the same vein, in collaboration with Price, Waterhouse in 1994, Kheel formed Prevention and Early Resolution of Conflicts,
Inc. (PERC), now housed at Cornell ILR as Cornell/PERC Institute.
A prolific writer, Kheel is perhaps best known for his encyclopedic work on labor law. Throughout a career that was active
almost until his death at age 96 in November 2010, he was able to balance, with amazing success, advocacy of the public
good and the management of a successful law and mediation practice and other business and cultural interests.
Names:
Kheel, Theodore Woodrow
Form and Genre Terms:
Audiovisual materials.
Access Restrictions:
Access to the collections in the Kheel Center is restricted. Please contact a reference archivist for access to these materials.
Restrictions on Use:
This collection must be used in keeping with the Kheel Center Information Sheet and Procedures for Document Use.
Cite As:
Theodore W. Kheel Audio-Visual Materials #6021 AV. Kheel Center for Labor-Management Documentation and Archives, Cornell University
Library.
Related Collections:
5024: Theodore W. Kheel Arbitration Awards
5776 AV: Theodore W. Kheel Interviews and Programs
6017: Theodore W. Kheel Newspaper Clipping File
6021 MB: Theodore W. Kheel Memorabilia
6021 P: Theodore W. Kheel Photographs
6021/001: Theodore W. Kheel Correspondence
6021/003: Theodore W. Kheel Arbitration files
6021/004: Theodore W. Kheel Legal Files
6021/005: Theodore W. Kheel Speeches and Articles
6021/006: Theodore W. Kheel Non-Profit Organization Files
6021/007: Theodore W. Kheel Subject Files
6021/008: Theodore W. Kheel Books and Articles
6021/009: Theodore W. Kheel Newspaper Clipping File
6021/010: Theodore W. Kheel Additional Files
6021/011: Theodore W. Kheel Punta Cana Files
6021/012m: Invitation and Program for the Theodore W. Kheel Memorial Service
6059 OH: Thomas Shactman Interviews with Theodore W. Kheel
6194 OH: College of Labor and Employment Lawyers Interview with Theodore W. Kheel
6196 OH: New York City Central Labor Council Interview of Theodore W. Kheel for Central Archives
6207 OH: CLEL Video Oral History Project
5024: Theodore W. Kheel Arbitration Awards
5776 AV: Theodore W. Kheel Interviews and Programs
6017: Theodore W. Kheel Newspaper Clipping File
6021 MB: Theodore W. Kheel Memorabilia
6021 P: Theodore W. Kheel Photographs
6021/001: Theodore W. Kheel Correspondence
6021/003: Theodore W. Kheel Arbitration files
6021/004: Theodore W. Kheel Legal Files
6021/005: Theodore W. Kheel Speeches and Articles
6021/006: Theodore W. Kheel Non-Profit Organization Files
6021/007: Theodore W. Kheel Subject Files
6021/008: Theodore W. Kheel Books and Articles
6021/009: Theodore W. Kheel Newspaper Clipping File
6021/010: Theodore W. Kheel Additional Files
6021/011: Theodore W. Kheel Punta Cana Files
6021/012m: Invitation and Program for the Theodore W. Kheel Memorial Service
6059 OH: Thomas Shactman Interviews with Theodore W. Kheel
6194 OH: College of Labor and Employment Lawyers Interview with Theodore W. Kheel
6196 OH: New York City Central Labor Council Interview of Theodore W. Kheel for Central Archives
6207 OH: CLEL Video Oral History Project
Container
|
Description
|
Date
|
|
Box 1 | Item 1 | 1961 | |
Box 2 | Item 1 | 1980 | |
Box 2 | Item 2 | ||
Box 2 | Item 3 | ||
Master
|
|||
Box 2 | Item 4 | ||
Dub
|
|||
Box 2 | Item 5 | ||
Edited Master
|
|||
Box 2 | Item 6 | ||
Box 2 | Item 7 | 1982 | |
Box 3 | Item 1 | ||
TUB
|
|||
Box 3 | Item 2 | 1981 | |
Master
|
|||
Box 3 | Item 3 | ||
Box 3 | Item 4 | ||
Box 3 | Item 5 | ||
Box 4 | Item 1 | ||
Box 4 | Item 2 | ||
Long version Part 2
|
|||
Box 4 | Item 3 | ||
Long version Part 1
|
|||
Box 4 | Item 4 | ||
Dub
|
|||
Box 4 | Item 5 | ||
Show #13 - VT -- Protection Master
|
|||
Box 5 | Item 1 | ||
Box 5 | Item 2 | ||
Box 5 | Item 3 | ||
Box 5 | Item 4 | ||
edited Master ; Segment 1
|
|||
Box 5 | Item 5 | ||
Edited Master ; Segment 3
|
|||
Box 5 | Item 6 | ||
Box 5 | Item 7 | 1980 | |
Master
|
|||
Box 6 | Item 1 | ||
Master
|
|||
Box 6 | Item 2 | ||
Edited Master
|
|||
Box 6 | Item 3 | ||
Edited Master
|
|||
Box 6 | Item 4 | ||
Box 6 | Item 5 | ||
Box 7 | Item 1 | ||
Box 7 | Item 2 | ||
Box 7 | Item 3 | ||
Box 7 | Item 4 | ||
Box 7 | Item 5 | 1980 | |
Box 7 | Item 6 | 1984 | |
Box 7 | Item 7 | 1980 | |
Box 7 | Item 8 | ||
Box 7 | Item 9 | ||
Box 7 | Item 10 | 1980 | |
Box 7 | Item 11 | 1982 | |
Box 7 | Item 12 | 1981 | |
Box 7 | Item 13 | ||
Box 7 | Item 14 | 1981 | |
Box 7 | Item 15 | 1980 | |
Shooting Master
|
|||
Box 7 | Item 16 | ||
Box 8 | Item 1 | ||
Box 8 | Item 2 | ||
1.Rainbow ; 2.Instant Nut ; 3.Challenge ; 4.Super Bowl ; 5.Chewy Chocolate ; 6.American Cancer ; 7.Dan Lovett ; 8.H. Rubenstein
; 9.Revlon ; 10.IBM
|
|||
Box 8 | Item 3 | ||
type "C" - 1 inch
|
|||
Box 8 | Item 4 | ||
Box 8 | Item 5 | ||
Master
|
|||
Box 8 | Item 6 | ||
Box 8 | Item 7 | ||
Box 9 | Item 1 | ||
Master
|
|||
Box 9 | Item 2 | ||
tape #41
|
|||
Box 9 | Item 3 | ||
tape no. 33 -- DUB
|
|||
Box 9 | Item 4 | ||
Edited Master
|
|||
Box 9 | Item 5 | ||
tape # 40 - Master
|
|||
Box 9 | Item 6 | 1982 | |
Box 9 | Item 7 | ||
Box 9 | Item 8 | ||
Teach-in Edit Master - 9/5/1979
|
|||
Box 9 | Item 9 | ||
Reel 2 of 2 -- DUB
|
|||
Box 9 | Item 10 | ||
Reel 1 of 2 -- DUB
|
|||
Box 9 | Item 11 | ||
part 2 of 2 -- Master
|
|||
Box 9 | Item 12 | ||
DUB
|
|||
Box 9 | Item 13 | ||
9/10/1982
|
|||
Box 9 | Item 14 | 1982 | |
Box 9 | Item 15 | 1982 | |
Box 10 | Item 1 | ||
Dub
|
|||
Box 10 | Item 2 | ||
Master
|
|||
Box 10 | Item 3 | ||
Box 10 | Item 4 | ||
Box 10 | Item 5 | ||
Dub
|
|||
Box 10 | Item 6 | 1982 | |
Box 10 | Item 7 | ||
Box 10 | Item 8 | ||
Edited Master
|
|||
Box 10 | Item 9 | ||
Master
|
|||
Box 10 | Item 10 | ||
Edited Master
|
|||
Box 10 | Item 11 | ||
Box 10 | Item 12 | 1980 | |
Box 10 | Item 13 | ||
1.Anti-Smoking PSA ; 2.Fast Forward ; 3.Fast Forward -- Edited Master
|
|||
Box 10 | Item 14 | ||
Dub
|
|||
Box 10 | Item 15 | ||
Master
|
|||
Box 11 | Item 1 | 1980 | |
2nd Edit - AutoHse - 2/19/1980 -- Edited Master
|
|||
Box 11 | Item 2 | ||
Box 11 | Item 3 | ||
Box 11 | Item 4 | ||
Box 11 | Item 5 | ||
DUB
|
|||
Box 11 | Item 6 | ||
DUB
|
|||
Box 11 | Item 7 | ||
Master
|
|||
Box 11 | Item 8 | ||
Edited Master
|
|||
Box 11 | Item 9 | ||
Box 11 | Item 10 | ||
Master
|
|||
Box 11 | Item 11 | ||
Master
|
|||
Box 11 | Item 12 | ||
Master
|
|||
Box 11 | Item 13 | ||
Master
|
|||
Box 11 | Item 14 | ||
Master
|
|||
Box 11 | Item 15 | ||
Master
|
|||
Box 12 | Item 1 | 1976 | |
Box 12 | Item 2 | 1976 | |
Box 12 | Item 3 | 1976 | |
Box 12 | Item 4 | 1976 | |
Box 12 | Item 5 | 1984 | |
Box 12 | Item 6 | ||
Box 12 | Item 7 | ||
Box 12 | Item 8 | 1976 | |
Box 12 | Item 9 | ||
Box 12 | Item 10 | 1976 | |
Box 12 | Item 11 | 1976 | |
Box 12 | Item 12 | ||
Box 12 | Item 13 | 1976 | |
Box 12 | Item 14 | 1976 | |
Box 12 | Item 15 | ||
unboxed
|
|||
Box 13 | Item 1 | 1980 | |
Box 13 | Item 2 | 1984 | |
Box 13 | Item 3 | 1980 | |
Box 13 | Item 4 | 1981 | |
Reel 1B
|
|||
Box 13 | Item 5 | ||
Television Lighting (B&W) ; Color Brightness & Contrast ; Color by Design
|
|||
Box 13 | Item 6 | 1980 | |
Box 13 | Item 7 | ||
Spring 1981
|
|||
Box 13 | Item 8 | ||
Box 13 | Item 9 | ||
9/23 - (pt.3) ; 9/30 (pt.1) VanArsdale
|
|||
Box 13 | Item 10 | 1980 | |
Box 13 | Item 11 | 1980 | |
Box 13 | Item 12 | ||
Box 13 | Item 13 | ||
Box 13 | Item 14 | ||
Box 13 | Item 15 | 1981 | |
Edited Copy
|
|||
Box 14 | Item 1 | 1980 | |
Box 14 | Item 2 | ||
Box 14 | Item 3 | 1982 | |
Box 14 | Item 4 | 1981 | |
Box 14 | Item 5 | ||
Dub
|
|||
Box 14 | Item 6 | 1980 | |
Box 14 | Item 7 | ||
Box 14 | Item 8 | ||
Box 14 | Item 9 | ||
Dub
|
|||
Box 14 | Item 10 | ||
Dub
|
|||
Box 14 | Item 11 | ||
Box 14 | Item 12 | 1982 | |
Box 14 | Item 13 | ||
Master - Protection Copy
|
|||
Box 14 | Item 14 | ||
Box 14 | Item 15 | 1980 | |
Master Reel #3
|
|||
Box 15 | Item 1 | ||
32 Master
|
|||
Box 15 | Item 2 | 1985 | |
Box 15 | Item 3 | ||
can't use -- reel one
|
|||
Box 15 | Item 4 | ||
Master tape (European Standard)
|
|||
Box 15 | Item 5 | 1981 | |
Box 15 | Item 6 | ||
Box 15 | Item 7 | ||
Box 15 | Item 8 | ||
Box 15 | Item 9 | ||
Box 15 | Item 10 | ||
used for J. Hilton Inc.
|
|||
Box 15 | Item 11 | 1980 | |
reel 2
|
|||
Box 15 | Item 12 | 1980 | |
Master -- reel #2
|
|||
Box 15 | Item 13 | 1980 | |
Edited Copy
|
|||
Box 15 | Item 14 | ||
Noise Reduced Master
|
|||
Box 15 | Item 15 | ||
Box 15 | Item 16 | ||
Cassette Piracy -- Pete Rose -- Mugging ------ Dub
|
|||
Box 15 | Item 17 | 1983 | |
Back-up
|
|||
Box 16 | Item 1 | 1982 | |
Box 16 | Item 2 | ||
Box 16 | Item 3 | ||
Box 16 | Item 4 | ||
Edited Master
|
|||
Box 16 | Item 5 | ||
Edit Master
|
|||
Box 16 | Item 6 | ||
Box 16 | Item 7 | ||
Edited Master
|
|||
Box 16 | Item 8 | 1980 | |
WNBC News ; Gabe Pressman ; Nov. 1980
|
|||
Box 16 | Item 9 | 1980 | |
record date: 11/18/1980
|
|||
Box 16 | Item 10 | 1983 | |
Box 16 | Item 11 | 1980 | |
Box 16 | Item 12 | 1980 | |
Box 16 | Item 13 | ||
Box 16 | Item 14 | ||
Box 17 | Item 1 | ||
Box 17 | Item 2 | ||
Box 17 | Item 3 | ||
Box 17 | Item 4 | ||
Box 17 | Item 5 | ||
Box 17 | Item 6 | ||
Box 17 | Item 7 | ||
Box 17 | Item 8 | ||
Box 17 | Item 9 | ||
Box 17 | Item 10 | ||
Box 17 | Item 11 | ||
Box 17 | Item 12 | ||
Box 17 | Item 13 | ||
Box 17 | Item 14 | 1984 | |
Box 17 | Item 15 | ||
Box 17 | Item 16 | ||
Box 18 | Item 1 | ||
Master
|
|||
Box 18 | Item 2 | ||
Master
|
|||
Box 18 | Item 3 | ||
Box 18 | Item 4 | ||
Box 18 | Item 5 | ||
Edited copy
|
|||
Box 18 | Item 6 | ||
Edited Master
|
|||
Box 18 | Item 7 | ||
produced by Terran productions for Hudson Institute
|
|||
Box 18 | Item 8 | ||
3rd. Gen. Dub
|
|||
Box 18 | Item 9 | ||
Master
|
|||
Box 18 | Item 10 | ||
Box 18 | Item 11 | ||
Box 18 | Item 12 | ||
Box 18 | Item 13 | ||
Box 18 | Item 14 | ||
Box 18 | Item 15 | ||
Dub
|
|||
Box 18 | Item 16 | ||
Box 19 | Item 1 | ||
Box 19 | Item 2 | ||
Box 19 | Item 3 | 1980 | |
Master -- Reel #4
|
|||
Box 19 | Item 4 | 1980 | |
Box 19 | Item 5 | 1980 | |
Box 19 | Item 6 | 1980 | |
Master Reel #1
|
|||
Box 19 | Item 7 | 1980 | |
Dub copy -- Record Date: 6/3/1980
|
|||
Box 19 | Item 8 | 1981 | |
Box 19 | Item 9 | 1982 | |
Box 19 | Item 10 | ||
Master
|
|||
Box 19 | Item 11 | 1980 | |
Edited Master
|
|||
Box 19 | Item 12 | 1980 | |
Dub -- Reel #4
|
|||
Box 19 | Item 13 | ||
Box 19 | Item 14 | ||
Box 19 | Item 15 | 1984 | |
Box 20 | Item 1 | ||
i-Productions -- Master
|
|||
Box 20 | Item 2 | ||
Box 20 | Item 3 | 1978 | |
Shooting Master -- 11/16/1978
|
|||
Box 20 | Item 4 | ||
Box 20 | Item 5 | ||
Master
|
|||
Box 20 | Item 6 | ||
Box 20 | Item 7 | ||
Box 20 | Item 8 | ||
Box 20 | Item 9 | ||
Box 20 | Item 10 | ||
Dub
|
|||
Box 20 | Item 11 | ||
Box 20 | Item 12 | ||
Master
|
|||
Box 20 | Item 13 | ||
DUB
|
|||
Box 20 | Item 14 | ||
Master
|
|||
Box 20 | Item 15 | ||
Box 21 | Item 1 | ||
1.Collective Bargaining, Session #10 ; 2.Collective Bargaining Session #2
|
|||
Box 21 | Item 2 | ||
1.Session#2 ; 2.Session #3
|
|||
Box 21 | Item 3 | ||
Session #2 continued
|
|||
Box 21 | Item 4 | ||
Box 21 | Item 5 | ||
1.Session #4 ; 2.Session #6
|
|||
Box 21 | Item 6 | ||
1.Session #3
|
|||
Box 21 | Item 7 | ||
Box 21 | Item 8 | ||
Box 21 | Item 9 | ||
Box 21 | Item 10 | ||
Box 21 | Item 11 | ||
Box 21 | Item 12 | 1980 | |
Box 21 | Item 13 | 1980 | |
Box 21 | Item 14 | ||
Dub
|
|||
Box 21 | Item 15 | ||
produced by S. Lawrence / M. Owen with H. Smith
|
|||
Box 21 | Item 16 | ||
Reel #12 (tape 1)
|
|||
Box 21 | Item 17 | ||
Box 21 | Item 18 | ||
Box 22 | Item 1 | ||
Box 22 | Item 2 | ||
Box 22 | Item 3 | ||
Box 22 | Item 4 | ||
Box 22 | Item 5 | 1980 | |
Box 22 | Item 6 | 1980 | |
Dub -- Reel #1
|
|||
Box 22 | Item 7 | ||
Box 22 | Item 8 | ||
Box 22 | Item 9 | ||
hold for re-use
|
|||
Box 22 | Item 10 | ||
Box 22 | Item 11 | ||
Box 22 | Item 12 | ||
Box 22 | Item 13 | 1980 | |
Box 22 | Item 14 | ||
Original Edited Master
|
|||
Box 22 | Item 15 | ||
Box 22 | Item 16 | ||
Box 22 | Item 17 | ||
Box 22 | Item 18 | 1980 | |
Box 22 | Item 19 | ||
Box 23 | Item 1 | ||
Official Master Edit
|
|||
Box 23 | Item 2 | ||
Box 23 | Item 3 | ||
Box 23 | Item 4 | ||
i-productions
|
|||
Box 23 | Item 5 | ||
Box 23 | Item 6 | ||
Box 23 | Item 7 | ||
Box 23 | Item 8 | ||
Box 23 | Item 9 | ||
Box 23 | Item 10 | ||
Box 23 | Item 11 | ||
Box 23 | Item 12 | ||
Box 23 | Item 13 | ||
Box 23 | Item 14 | ||
Dub -- part one
|
|||
Box 23 | Item 15 | ||
Box 23 | Item 16 | ||
Box 24 | Item 1 | ||
Box 24 | Item 2 | 1969 | |
Box 24 | Item 3 | ||
Box 24 | Item 4 | 1980 | |
Box 24 | Item 5 | ||
Box 24 | Item 6 | 1980 | |
Box 24 | Item 7 | ||
Box 24 | Item 8 | 1983 | |
Box 24 | Item 9 | ||
Box 24 | Item 10 | ||
Box 24 | Item 11 | ||
Box 24 | Item 12 | 1980 | |
Box 24 | Item 13 | ||
Box 24 | Item 14 | ||
Box 24 | Item 15 | ||
Box 24 | Item 16 | ||
new?
|
|||
Box 24 | Item 17 | ||
Box 24 | Item 18 | ||
Box 24 | Item 19 | ||
Box 25 | Item 1 | 1974 | |
Box 25 | Item 2 | 1975 | |
Box 25 | Item 3 | 1975 | |
Box 25 | Item 4 | ||
Box 25 | Item 5 | 1975 | |
Box 25 | Item 6 | 1974 | |
Box 25 | Item 7 | ||
Box 25 | Item 8 | ||
Box 25 | Item 9 | ||
Box 25 | Item 10 | ||
Box 25 | Item 11 | ||
Box 25 | Item 12 | ||
Box 26 | |||
Box 26 | Item 1 | ||
Box 40 | Item 1 | ||
Box 41 | Item 1 | ||
Box 42 | Item 1 | ||
Box 43 | Item 1 | ||
Box 44 | Item 1 | ||
Box 45 | Item 1 | ||
Box 46 | Item 1 | ||
Box 27 | |||
Box 27 | Item 1 | ||
Box 52 | Item 1 | ||
Box 53 | Item 1 | ||
Box 54 | Item 1 | ||
Box 55 | Item 1 | ||
Box 28 | |||
Box 28 | Item 1 | ||
Box 56 | Item 1 | ||
Box 29 | Item 1 | ||
Box 29 | Item 2 | 1981 | |
Box 29 | Item 3 | ||
Edit Master
|
|||
Box 29 | Item 4 | 1983 | |
Box 29 | Item 5 | 1983 | |
Box 30 | Item 1 | ||
Emhart Prod. Master
|
|||
Box 30 | Item 2 | ||
Box 30 | Item 3 | ||
Box 30 | Item 4 | 1983 | |
Box 31 | Item 1 | ||
Box 31 | Item 2 | 1983 | |
Box 31 | Item 3 | ||
Box 31 | Item 4 | ||
Box 32 | Item 1 | ||
Master
|
|||
Box 32 | Item 2 | 1981 | |
Box 32 | Item 3 | ||
Back up master (with D.S. Key) - tape #2
|
|||
Box 32 | Item 4 | ||
Box 32 | Item 5 | 1966 | |
Box 32 | Item 6 | ||
Box 32 | Item 7 | ||
Box 32 | Item 8 | ||
Box 33 | |||
Box 34 | Item 1 | 2001 | |
Box 34 | Item 2 | ||
Box 34 | Item 3 | 1999 | |
Box 34 | Item 4 | 2001 | |
Box 34 | Item 5 | ||
Master
|
|||
Box 34 | Item 6 | 1976 | |
Box 34 | Item 7 | 1983 | |
Box 34 | Item 8 | 1983 | |
Box 35 | Item 1 | 1948 | |
Box 35 | Item 2 | 1948 | |
Box 35 | Item 3 | ||
Box 35 | Item 4 | ||
Box 35 | Item 5 | ||
Box 35 | Item 6 | ||
Box 35 | Item 7 | 1948 | |
Box 35 | Item 8 | 1948 | |
c.2 - Scratched
|
|||
Box 36.1 | |||
Box 36 | Item 1 | ||
Box 36.2 | |||
Box 36.3 | |||
Box 37 | |||
Box 37 | Item 1 | ||
Box 38 | Item 1 | 1983 | |
Box 38 | Item 2 | ||
Master Spectrum
|
|||
Box 38 | Item 3 | ||
Box 39 | Item 1 | ||
Box 39 | Item 2 | 1974 | |
Box 39 | Item 3 | ||
Box 39 | Item 4 | 1974 | |
Box 39 | Item 5 | ||
Box 39 | Item 6 | 1976 | |
Show #4, Sunday, Oct. 17, 1976 -- Master
|
|||
Box 40 | |||
Box 41 | |||
Box 42 | |||
Box 43 | |||
Box 44 | |||
Box 45 | |||
Box 46 | |||
Box 47 | |||
Box 47 | Item 1 | ||
Box 48 | Item 1 | ||
Box 33 | Item 1 | ||
Box 49 | Item 1 | ||
Box 50 | Item 1 | ||
Box 51 | Item 1 | ||
Box 48 | |||
Box 49 | |||
Box 50 | |||
Box 51 | |||
Box 52 | |||
Box 53 | |||
Box 54 | |||
Box 55 | |||
Box 56 |