ILGWU. Canadian Area Films,1958-1975
Collection Number: 5780/038 AV
Kheel Center for Labor-Management Documentation and Archives
Cornell
University Library
Title:
ILGWU. Canadian Area films,
1958-1975
Collection Number:
5780/038 AV
Creator:
International Ladies'
Garment Workers' Union.
Quantity:
8.7 linear feet
Forms of Material:
Film, reel-to-reel audio tape.
Repository:
Kheel Center for Labor-Management Documentation and
Archives, Cornell University Library
Abstract:
Films generated and collected by Canadian locals of the
International Ladies' Garment Workers' Union.
Language:
Collection material in English and French.
The International Ladies’ Garment Workers’ Union was founded in New York City in 1900
by mostly Socialist immigrant workers who sought to unite the various crafts in the
growing women’s garment industry. The union soon reflected changes in the sector and
rapidly organized thousands of unskilled and semi-skilled women, mostly Jewish and
Italian young immigrants. Exemplifying the “new unionism,” the ILGWU led two of the
most widespread and best-known industrial strikes of the early Twentieth Century:
the shirtwaist makers’ strike of 1909 in New York City and the cloak makers’ strike
of 1910 in Chicago. The union also tried to adapt to the fragmented and unstable
nature of the industry. It adopted the “protocol of peace,” a system of industrial
relations that attempted to ensure stability and limit strikes and production
disruption by providing for an arbitration system to resolve disputes.
The ILGWU exemplified the European-style social unionism of its founding members.
They pursued bread and butter issues but provided educational opportunities,
benefits, and social programs to union members as well. In 1919, the ILGWU became
the first American union to negotiate an unemployment compensation fund that was
contributed to by its employers. The ILGWU also pioneered in the establishment of an
extremely progressive health care program for its members which included not only
regional Union Health Centers but also a resort for union workers, known as Unity
House. The Union also had an imaginative and pioneering Education Department which
not only trained workers in traditional union techniques, but provided courses in
citizenship and the English language.
David Dubinsky, an immigrant from Belarus who came to the US in 1911, provided strong
leadership that led to unprecedented growth in the union during his presidency from
1932 to 1966. He led the union through successful internal anti-communist struggles,
built on the ascendancy of industrial unionism by encouraging the formation of the
Committee for Industrial Organization, and helped the union become an important
political force in New York City and state politics, and in the national Democratic
Party and Liberal Party as well.
In the period following the Second World War, the union suffered a decline in
membership as manufacturers avoided unionization and took advantage of less
expensive labor by moving shops from the urban centers in the northeast to the
south, and later abroad. The ethnic and racial character of the ILGWU also changed
as European immigrants were supplanted by Asians, Latin Americans, African-
Americans, and immigrants from the Caribbean.
In July 1995 the ILGWU merged with the Amalgamated Clothing and Textile Workers Union
(ACTWU) at a joint convention, forming UNITE (Union of Needletrades, Industrial and
Textile Employees). At the time the new union had a membership of about 250,000 in
the United States, Canada, and Puerto Rico.
Films generated and collected by Canadian locals of the International Ladies' Garment
Workers' Union.
Names:
International Ladies' Garment Workers'
Union.
International Ladies' Garment Workers' Union.
Subjects:
Women's clothing industry--Canada.
Women's clothing industry--United
States.
Labor unions--Clothing workers--Canada.
Labor unions--Clothing workers--United
States.
Clothing workers--Canada.
Clothing workers--United States.
Industrial relations--Canada.
Industrial relations--United States.
Form and Genre Terms:
Audio-visual material.
Access Restrictions:
The ILGWU Records, except for publications and materials produced for
publication, are restricted. Materials created prior to twenty years from the
current date are open to researchers only with prior written permission from the
Director of the Kheel Center; materials created during the past twenty-years are
closed; the minutes of the General Executive Board are closed. For more
information contact the Kheel Center.
Cite As:
ILGWU. Canadian Area films. 5780/038 AV. Kheel Center for Labor-Management
Documentation and Archives, Martin P. Catherwood Library, Cornell
University.
5780. ILGWU records
"Permanent deposit".
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Container
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Description
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Date
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| Box 1 | Folder 1 |
1. Luigi Infantino 2. Paolo Lipiari 3. Michelo Argento. Union
film.
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Italien; Copie; Dactylographie
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| Box 1 | Folder 2 |
1. Damato Giorgio. Union Film
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Original
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| Box 1 | Folder 3 |
1. Anuntiat Adresso 2. Lumia-Maria 3. Dipaula-Anne 4. Carmena de
Santos 5. Tissera-Niro 6. Rossetta-Elsini 7. Ginseno-Sel. De Oso. Union
Film
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Italien copie
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| Box 1 | Folder 4 |
M. Poirier. Union Film
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Copie; Dactylographie; Anglais; Francais; Syncro
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|||
| Box 1 | Folder 5 |
M. Tony Tueci. Union Film
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Original
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| Box 1 | Folder 6 |
M. Tony Tueci. Union Film
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Copie
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| Box 1 | Folder 7 |
Guisepe Anania; Dierriere entrevue
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| Box 1 | Folder 8 |
1. Giovanni-D'Alesio 2. Enta-Janiello 3. Maria-Motta. Union
Film
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Copie; Dactylographie
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|||
| Box 1 | Folder 9 |
Frances Fioramore. Union Film.
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Italien. Original
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| Box 1 | Folder 10 |
Immaculata Coppiello
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Original
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| Box 1 | Folder 11 |
Giovanni-D’Alesio. Union Film.
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Original
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|||
| Box 1 | Folder 12 |
1. Luigi Infantino, 2. Paolo Lipari, 3. Michelo Argento. Reel
II.
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1970 |
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Sept. 28; Original
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| Box 1 | Folder 13 |
1. Enta Janiello, 2. Maria Motta. Union Film
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1970 |
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Sept. 28; Original
|
|||
| Box 1 | Folder 14 |
1. Angela-Marino, 2. Damato-Giorgio. Union Film.
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Italien. Copie. Dactylogrphie
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| Box 1 | Folder 15 |
1. Amadeo-Lumia., 2. Natalima-Bartolini, 3. Antonio-Caso. Union
Film.
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Italien. Copie. Dactylographie.
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|||
| Box 1 | Folder 16 |
1. Mr. Bresner. Union Fil.
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English. Original #3 (Non sync)
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| Box 1 | Folder 17 |
1. Anuntiat Adresso, 2. Lumia-Maria, 3. Dipaula-Anne, 4. Carmena de
Santos, 5. Tissera-Niro.
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Original
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|||
| Box 1 | Folder 18 |
Pietro Antonelli, Giuseppe Anania. Union Film.
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Copie. Dactylographie.
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|||
| Box 1 | Folder 19 |
1. Francesco-Fioramore, 2. Immaculata-Coppiel. (CONE) Union
Film.
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Italien. Dactylographie.
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|||
| Box 1 | Folder 20 |
Pietro Antonelli. Union Film.
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Original
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| Box 1 | Folder 21 |
1. Loisita Figini, 2. Giusefina Del Gesso. Union Film.
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Original
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| Box 1 | Folder 22 |
Roland Poirier. Union Film. Reel 1.
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Copie 3 ¾
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|||
| Box 1 | Folder 23 |
Harry Titeman II
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Original
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|||
| Box 1 | Folder 24 |
Miss Charpentierr, reel 1, Prises 1-5.
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Original
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|||
| Box 1 | Folder 25 |
M. Myer Berlin
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Original
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| Box 1 | Folder 26 |
1. H. Titleman, 2. Albert-Eaton. Union Film
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Anglais. Copie. Dactylographie
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| Box 1 | Folder 27 |
Mrs. Whitehead
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Copie 3 3/4 “ de l’original #1. Dactylographie
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| Box 1 | Folder 28 |
R. Messier
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Sonseul pour transfer. E.U
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| Box 1 | Folder 29 |
Offices sounds. Wild Trk. Union [Film]
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| Box 1 | Folder 30 |
Music Trk. Union Film.
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Pour transfer
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| Box 1 | Folder 31 |
Marielle Moore
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Ambiance and sonseul Anglais. Pour transfer
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| Box 1a | Folder 32 |
Therese Phaneuf (?)/Grievance Committee
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Son seul Anglais pour transfer
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| Box 1a | Folder 33 |
Comite du Greive
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Italian. Son seul transfer
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| Box 1a | Folder 34 |
Bresner
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Son seul pour transfer
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| Box 1a | Folder 35 |
[Correspondence relating to film]
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1970-1971 |
| Box 1a | Folder 36 |
[Text relating to film]
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| Box 2 | Folder 1 |
Mr. Bresner; Union Film #2
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English; Non Sync; Original
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| Box 2 | Folder 2 |
Roland Poirier. Union Film. #1
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Copie 3 ¾” Francais; acetate
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| Box 2 | Folder 3 |
Mrs Whitehead
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Original #1; acetate
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| Box 2 | Folder 4 |
M. Silverman (exc-humor)
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Original 7 ½
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| Box 2 | Folder 5 |
Discour-Anglais. Mrs. Bresner.
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Original; 7.5 NAB, Son, Reel No. 3, triacetate
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| Box 2 | Folder 6 |
Aurore La Pierre, Bob Seul
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Union Film. Original. Acetate
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| Box 2 | Folder 7 |
Anita Marleau
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Francais. Union Film. Copie. 3 ¾ #1; Reel #3, dactylographie
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| Box 2 | Folder 8 |
Miss Charpentier
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Union Film. Copie of Original. 3 ¾ Reel #1 Dactylographie; acetate
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| Box 2 | Folder 9 |
Sam Kibrick.
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Original; 7 ½
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| Box 2 | Folder 10 |
Shildkraut (Sans filtre) Abe Rudy
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Original 7 ½; acetate
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| Box 2 | Folder 11 |
Mr. Meakins (English)
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Copie 3 ¾” Union Film. Dactylographie. Reel 1 at 2.
|
|||
| Box 2 | Folder 12 |
Avec Marielle Moore #2
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Union Film Bob #2 Original; acetate
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| Box 2 | Folder 13 |
Racine material
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English, French, and Italian
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|||
| Box 2 | Folder 14 |
Y. Charpentier I
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Original 7 ½
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| Box 2 | Folder 15 |
Y. Charpentier II
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Original 7 ½
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| Box 2 | Folder 16 |
M. Myer Berline; Shildkraut (sans filter); Abe Rudy
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dactylographie 7 ½ copies; acetate
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| Box 2 | Folder 17 |
Max Share
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7 ½ Original; acetate
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| Box 2 | Folder 18 |
Mlle. Aurore La Pierre
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Copie de l’original; 3 ¾ Union Film; Bob 1; Dactylographie
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| Box 2 | Folder 19 |
B. Shane I
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Original 7 ½ ; acetate
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| Box 2 | Folder 20 |
Morris-Feilgelson
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Bob 1 at 2; Copie 3 ¾ ;Anglais; Union Film; Dactylographie #1; acetate
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| Box 2 | Folder 21 |
Mr. Bresner (English)
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(Sync) Original Union Film #1; triacetate
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| Box 2 | Folder 22 |
Marielle Moore
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Union Film; Original #1; Bob #1; acetate
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|||
| Box 2 | Folder 23 |
Mlle. Lilian Monohan
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1970 |
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Sept. 10; #2 7 ½ IPS Original
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|||
| Box 2 | Folder 24 |
Mlle. Lilian Monohan; Bobine
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1970 |
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Sept. 10; 7 ½ IPS Original
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| Box 2 | Folder 25 |
Mme. Pauline Lamothe Di Stefano
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1/3 7 ½ Original
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| Box 2 | Folder 26 |
M. Messier; Mlle Chapagne
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1F4 English and French; 6F5 1-2-3-4 ;Copie 3 ¾
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| Box 2 | Folder 27 |
1. Mr. Myer-Berlin, 2. Kibrick (Sam), 3. Max-Share
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Union Film. Copie. Anglais. 3 ¾ Dactylographie
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| Box 2 | Folder 28 |
Therese Pheuneuf
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few minutes French, then English; 3 ¾ copy; union flim reel; #1
dactylographie; acetate
|
|||
| Box 2 | Folder 29 |
M. Liberman Original (English)
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Union Films Non-synch Reel 2
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| Box 2 | Folder 30 |
M. Liberman Copie (English)
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Union Films; Reel 1-8; Dactylographie; acetate
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|||
| Box 2 | Folder 31 |
1. Luigi Infantino, 2. Paolo Lipari, 3. Michelo Argento
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1970 |
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Sept. 28; Unione Filmo; Original 1
|
|||
| Box 2 | Folder 32 |
Romeo Vezima (san filter) II
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7 ½ Original; acetate
|
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| Box 2 | Folder 33 |
Leona Jodoin Original (by phone)
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Union film; Bob #2; acetate
|
|||
| Box 2 | Folder 34 |
1. Natalina-Bartolini 2. Antonio-Caso
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1970 |
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Sept. 29; Union Film; Italien; Original; acetate
|
|||
| Box 2 | Folder 35 |
Miss Charpentier; Original
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Union Film (English); Reel #1; acetate
|
|||
| Box 2 | Folder 36 |
Bob I Union ([illegible] cheques)
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| Box 2 | Folder 37 |
Aldea Guillermette
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| Box 2 | Folder 38 |
Frank Fioramore
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Original 7 ½
|
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| Box 2 | Folder 39 |
Washington #4
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B-2 H+2 28+4
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| Box 2 | Folder 40 |
“Sod turning, Plateau St”
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polyester
|
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| Box 3 | Folder 1 |
M. Silverman; Max Share
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7 ½ copie dacytlographi; acetate
|
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| Box 3 | Folder 2 |
Mr. Meyer Berlin
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331 E, Reel #1; Union Film; 7 ½ original
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| Box 3 | Folder 3 |
Mde. Aurore LaPierre [illegible]; M.A. Carrier; Ambiance
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Bob I' 7 ½ NAB original; acetate
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| Box 3 | Folder 4 |
Soir ambiance manufacture; Mariana B. Italian; Angela de Paula 57;
Emilio 60, Bartolini 34; Theresa 59; [illegible]
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S.U.P. transfer; acetate
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| Box 3 | Folder 5 |
Albert Eaton I and II
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teste déjà dactylographic 7 ½; (sans filter); acetate
|
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| Box 3 | Folder 6 |
Mr. Silverman, 681E; Miss Charpentier Bob 1 – Prises 1-5, 2F-10; Miss
Charpentier, Bob 2 – Prises 6-9, 2F-10
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Union film 3 ¾ IPS (copies); triacetate
|
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| Box 3 | Folder 7 |
Morris Feigelson
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1970 |
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Oct. 26; Bob II Union; 91-E (sync)
|
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| Box 3 | Folder 8 |
Flore Plante
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Bob #; Original Union Film
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| Box 3 | Folder 9 |
Aldea Guillemette; Mme Pauline Lamothe Di Stefano
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1/23; 7 ½ copie; dactylographie
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| Box 3 | Folder 10 |
Mr. Liberman
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Synch; English; Union Film; Reel #1
|
|||
| Box 3 | Folder 11 |
Morris Feigelson 91-E
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1970 |
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Oct. 26; Bob III Union; (no sync)
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| Box 3 | Folder 12 |
M. Libberman
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Original (English); Union films; Nonsynch Reel #4 (actually #1 in order)
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| Box 3 | Folder 13 |
Maiorino 59.2; Capiello 30; Gina 95; Ambiance Manufacture Minicucci
62.1
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7 ½ NAB original
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| Box 3 | Folder 14 |
Mlle Charpentier 52-53-54 sans filter, narratrice
23-24-25
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acetate
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| Box 3 | Folder 15 |
Mme. Guilemette 7-8-9-10-11-11 (prises 11 la deuxieme est la
bonne)-12-13-14-15-16-17 (illegible)
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acetate
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| Box 3 | Folder 16 |
Prises 45-46-47-48-49-50-51-52-53
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sync version; italienne; Bon; Bob 4; acetate
|
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| Box 3 | Folder 17 |
Anglais M. Poirier
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Original; Union Film; syncro; 2 pour transfer; synch seul; acetate
|
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| Box 3 | Folder 18 |
M. Manel (sync)
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original; reel #1; union film; acetate
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| Box 3 | Folder 19 |
Mme. Moore 4F8, 6F7, 7F5
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mostly French, some English interview; 7 ½ NAB original; acetate
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| Box 3 | Folder 20 |
Marielle Moore
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sound alone; 7 ½ NAB original; acetate
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| Box 3 | Folder 21 |
Mr. Liberman
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(English) Union film; copie 3 ¾ dactylographie; reel 3 and 4; acetate
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| Box 3 | Folder 22 |
M. Harry Titeman I
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original 7 ½; acetate
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| Box 3 | Folder 23 |
Flore plante
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union film; original Bob #1; copie #1 3 3 ¾ “ dactylographie; acetate
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| Box 3 | Folder 24 |
M. Paolo Picari; M. Lipari; Frank Fiaramore; Anita Greeberg
;
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Italien; 7 /12 NAB original; acetate
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| Box 3 | Folder 25 |
Frank Fioramore; Sam Kibrick;
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3 ¾ déjà dactylographie copie
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| Box 3 | Folder 26 |
Olga Kolesar
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V.O [voiceover?]; Anglais (sync); 7 ½ IPS
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| Box 3 | Folder 27 |
Enza Ianiello 63; Si Bresne 36r; Asunta Clement 46; Ambiance
Manufacture a desso 61
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7 ½ NAB originale; Italien; acetate
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| Box 3 | Folder 28 |
61E and 71E and 151E Kibrick (Sam); Max Share
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Union films; reel #1; 7 ½ original; acetate
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| Box 3 | Folder 29 |
Mlle Carpentier 30-31-32-33; Me Guillemette 1-2-3-4-5-6
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acetate
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| Box 3 | Folder 30 |
Fiaramore IT 23; 23/3 Luigi Antonini; Mme. Di Stefano 1-2; M. LeClerc
1-2-3
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acetate
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|||
| Box 3 | Folder 31 |
Charpentier I and II
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7 ½ tento dactylographie copie; acetate
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| Box 3 | Folder 32 |
1. Mr. Shane, 2. Discour Cicconstance, 3. Mlle Charpentier;
Banquet
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Charpentier Suite; dactylographie
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| Box 3 | Folder 33 |
1. Remise-cheques; 2. Discour-Shane
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Union Film; Copie; dactylographie
|
|||
| Box 3 | Folder 34 |
Medical clinic; reel #3
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Union film; 7 ½ NAB original; acetate
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| Box 3 | Folder 35 |
Albert Eaton II (sans filter)
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original 7 ½; MP#50; acetate
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| Box 3 | Folder 36 |
Miss Charpentier prises 1-5; M. Poirier
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2F10 copie, 3 ¾,
|
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| Box 3a | Folder 37 |
M. Poirier
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Union Film; Fracais Syncro; acetate
|
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| Box 3a | Folder 38 |
Leona Jodoin
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Original (by phone); Union Film; Bob #1; acetate
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| Box 3a | Folder 39 |
Mrs. Champagne
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611E-Takes 1x2x3; union film; 7 ½ NAB original; acetate
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| Box 3a | Folder 40 |
M. Bastien; M. Biamce cours atisanat; Ambiance;
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Italienne atisanat; Ambiance peinture; 7 ½ NAB Original; acetate
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| Box 3a | Folder 41 |
Aldea Guillemette 3F6
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reel #1; 1 minute on reel #2; 7 ½ NAB original; acetate
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| Box 3a | Folder 42 |
Mr. Shane
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English; last take 701RE; Union films; 7 ½ NAB original; acetate
|
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| Box 3a | Folder 43 |
M. Bresner
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Anglais; Union film 3-4; dactylographie
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| Box 3a | Folder 44 |
M. Bresner
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copie; Union film 1-2; dactylographie
|
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| Box 3a | Folder 45 |
Office convseration
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Francais; Italien Grief Comite 1 et 2 dactylographie
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| Box 3a | Folder 46 |
Grievance committee
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wild trk
|
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| Box 3a | Folder 47 |
M. Manel
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Union film; Anglais; reel 1; copie
|
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| Box 3a | Folder 48 |
Albert Eaton
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Union 131E (27-10-70) (200’ [illegible] no sync) (sync)
|
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| Box 3a | Folder 49 |
Anne Marie, Doi Ron [?], 4B1
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acetate
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| Box 3a | Folder 50 |
Mr. S. Bresner
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English; last take 371E; French 7F2 commence 2F2; union film; 7 ½ NAB
original; acetate
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| Box 3a | Folder 51 |
Prises 11-12-13-14, sync
15-16-17-18-19-20-21-22-23-24-25-26-27
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version italienne; acetate
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| Box 3a | Folder 52 |
Prises 1-2-3-4-5-6-7-8-9
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sync; version italienne; acetate
|
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| Box 3a | Folder 53 |
Discours Shanve Mai
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1968 |
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acetate
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| Box 3a | Folder 54 |
Paul Noel
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3 spectacle union original; acetate
|
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| Box 3a | Folder 55 |
Ambiance [illegible]
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Bob 1N5 (2); 7 ½ NAB original; acetate
|
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| Box 3a | Folder 56 |
J.J. Spector; interview 37 strike
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15 speed—sound only; Les Midinettes; original #1; acetate
|
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| Box 3a | Folder 57 |
Aldea Guillemette 3F6; M. Roland Poirier 3F5-4F8-51E; Mme. Aurore
Lapierre Ma Carrier
|
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copie 3 ¾; acetate
|
|||
| Box 3a | Folder 58 |
B. Shane II (original)
|
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acetate
|
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| Box 3a | Folder 59 |
Prises 28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44
|
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acetate
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| Box 3a | Folder 60 |
Banquet M. Chane [?]; T. Casgran [?]; Dublde [?];
[illegible]
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7 ½ NAB original; acetate
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| Box 3a | Folder 61 |
M. La Raselle [?]; M. Roland Poirier 3F5, 4F8, 251E 400
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7 ½ NAB [illegible]; acetate
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| Box 3a | Folder 62 |
M. Leclerc 4 et 5; Mlle Marliou
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acetate
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| Box 3a | Folder 63 |
Mlle Tardiz [?]
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English; 691 Union films; 7 ½ NAB original; acetate
|
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| Box 3a | Folder 64 |
Union de Vetement Dames
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7 ½ NAB Son; Reel #1; triacetate
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| Box 3a | Folder 65 |
Union de Vetement Dames
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7 ½ NAB Son; Reel #2; triacetate
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| Box 3a | Folder 66 |
Poirier, Rolland
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original; reel #1; union film; French
|
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| Box 3a | Folder 67 |
Mr. Rolland Poirier
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original #2; union film; English; triacetate
|
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| Box 3a | Folder 68 |
Original Mary Szabo (English)
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union film; Herbert Ruff, 2/25/66; Triacetate
|
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| Box 3b | Folder 69 |
French lady (Anita Marleau?)
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Original Reel #1; Union Film
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| Box 3b | Folder 70 |
Therese Pheneuf
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original; union film (French little, only reel, mostly in English);
acetate
|
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| Box 3b | Folder 71 |
Highlights of an Address by Harry L. Golden, Editor of The Carolina
Israelite
|
1958 |
|
to the Jewish Labor Committee 3rd National Trade Union Conference on Civil
Rights; Subject: A Southerner Looks at Integration; For Steve Perkel [?]
from Sid Blum [?]; Includes transcription of Golden address
|
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| Box 3b | Folder 72 |
[no label]
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| Box 3b | Folder 73 |
Banquet, Mr. Shane
|
1970 |
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November; Tape 1
|
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| Box 3b | Folder 74 |
Banquet, Mr. Shane
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1970 |
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November; Tape 2 (Side 1: 1 hour, end of banquet, Side 2: blank, not
used)
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| Box 3b | Folder 75 |
Banquet, Mr. Shane
|
1970 |
|
Nov. 15; Radio; TV; (Side 1: 1. Pulse, Channel 6, TV, 2. Hour Glass, Channel
12, TV, 3. CKVL Radio 11/15/70, 4. CFOX Radio, 11/15/70)
|
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| Box 3b | Folder 76 |
Union (copie)
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7/5 IPS, final mix Anglais
|
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| Box 4 | Folder 1 |
B. Shane I, 7 ½; B. Shane II, 7 ½,
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texte déjà dactylogrphie; copie; acetate
|
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| Box 4 | Folder 2 |
Morris Feigelson, copie, 3 ¾, 91E; Mme. F. Plante; M. Belander (1F5);
M. Messier (1F4): #2
|
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| Box 4 | Folder 3 |
I. M. Harry Titeman; II. Harry Titeman, copie
|
1966 |
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March 17; texte dactylographic; acetate
|
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| Box 4 | Folder 4 |
Mme. Moore; Vezina, Francais
|
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4F8, Francais, 6F7, 7F5, copie, 3 ¾; M., 1F8
|
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| Box 4 | Folder 5 |
Bob I. Union; Edlyn Whitehead
|
1970 |
|
Oct. 26; 571E (Sync)
|
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| Box 4 | Folder 6 |
Albert Erton, Edlyn Minitenerd, H. Titleman
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3 ¾ copie; triacetate
|
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| Box 4 | Folder 7 |
Bob 3- UIOVD [ILGWU]
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acetate
|
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| Box 4 | Folder 8 |
Discour Italien
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Original, 7/5 NAB, SON, reel #4; triacetate
|
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| Box 4 | Folder 9 |
B.6.T [?] Union. Norris Feigelson, Myer Kerkin
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3 ¾ copie
|
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| Box 4 | Folder 10 |
Mr. Meakins (English)
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Original (synch) start, union films, reel 1; 1 part non-sync
|
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| Box 4 | Folder 11 |
Mlle. Charpentier; union film (French), reel #1
|
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Original; acetate
|
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| Box 4 | Folder 12 |
Romeo Vezina (sans filter
|
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7 ½ original; acetate
|
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| Box 4 | Folder 13 |
1. Asunta Clemente; 2. Anitta Grenberg, union film
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Italien, original; acetate
|
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| Box 4 | Folder 14 |
Mme. Lilian Monoman, Bob 1 at 2
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dactylographie, 3 ¾ IPS, copie; acetate
|
|||
| Box 4 | Folder 15 |
M. Messier 1F4
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sync et sans seul English and French, union film 7 ½ NAB original;
acetate
|
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| Box 4 | Folder 16 |
Mlle. Charpentier
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48-49-50 sans filter-51; acetate
|
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| Box 4 | Folder 17 |
M. Shane
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chacun de midinettes, 7 ½ NAB original; acetate
|
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| Box 4 | Folder 18 |
M. Spector, prise 1-2; Narratrice 1-2-3; suite sur Bob 2,
4(2°)-5(2°)-6(2°)
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acetate
|
|||
| Box 4 | Folder 19 |
Miss Charpentier reel 2
|
|
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prises 7-8-9, 2F10, copie, 3 ¾; PAS, Carmen
|
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| Box 4 | Folder 20 |
Veller x Bisaillon, French girls, Mlle Irene Arrelle, union
films,
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7 ½ NAB, original; acetate
|
|||
| Box 4 | Folder 21 |
1. Asunta Clemente, 2. Anitta Grenberg, union film
|
|
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copie, Italien, Dactylographie; acetate
|
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| Box 4 | Folder 22 |
Mr. Meakings (English); reel 2; union films
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original (non-synch); acetate
|
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| Box 4 | Folder 23 |
Uinon H. Titleman; reel 1
|
1970 |
|
Oct. 27; 51E, 7.5
|
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| Box 4 | Folder 24 |
Narratrice prise 7; narratrice 8-9-10-11; Charpentier prise
1-2-3-2-3, prise 4-5-6-7-8-9-10
|
|
|
la derniere est la bonne; la premiere de 11 est la bonne; acetate
|
|||
| Box 4 | Folder 25 |
Mlle Charpentier 44-45-46-47; Mme. Humbeault 1 [illegible] 2; les 2
femmes 1-2 il y a 2 prises 2-4-5-6
|
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| Box 4 | Folder 26 |
M. Vesina, 1F8; union films
|
|
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Francais; 7 ½ NAB original; acetate
|
|||
| Box 4 | Folder 27 |
J.J. Spector; interview 37 strike
|
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7/12 speed, sound only; les mideinettes, original #2; acetate
|
|||
| Box 4 | Folder 28 |
4. Spectacle union original
|
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| Box 4 | Folder 29 |
Mme F. Plante, M. Brelander 1F5, M. Messier 1F4,
|
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7 ½ NAB, original; acetate
|
|||
| Box 4 | Folder 30 |
Elegant Shop (Marielle Moore) 4F5, 4F6, union films
|
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7 ½ NAB original; acetate
|
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| Box 4 | Folder 31 |
Mrs. Champagne, Italien 73, prises 1-2-3-4-5-6, union films; fin:
resumes local 262
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7 ½ NAB, original #3; acetate
|
|||
| Box 4 | Folder 32 |
M. Luigi Infantino It[alian?]-31-(1:2-3)-2T71, Mrs. Olda Koesar,
Eng[lish?] (test), union films
|
|
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7 ½ NAB, original; acetate
|
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| Box 4 | Folder 33 |
Infantino, Lipari (Itlalien) 65; Mlle Marleau P.I.B. (Francais),
Giovani D’Allessio 95, Anne Marie Doiron 4B0
|
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acetate
|
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| Box 4 | Folder 34 |
Narratrice 16-17-18-19 la derniere; Mlle Charpentier
13-14-15-15-16-17
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acetate
|
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| Box 4a | Folder 35 |
Mrs. Irene Courtois, English, 521E, It. 38 Will [?] Libberman Greek,
union films
|
|
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7 ½ NAB original; acetate
|
|||
| Box 4a | Folder 36 |
Son M. Biance, 9380 St. Laurent; Toni Tucci, Italian; Maria
Feranitelli, Italian; Enza Ianiella, Italian scene 63
|
|
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7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 37 |
Albert Eaton I (sans filter)
|
|
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original 7 ½; acetate
|
|||
| Box 4a | Folder 38 |
M. Roland Poirier 251 English
|
|
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7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 39 |
UIOVD Counseil Executif original
|
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MP #58
|
|||
| Box 4a | Folder 40 |
Mlle Charpentier 34-35-36-37-38-39-41-42-43-44; de 37-44 vitesse 15;
7 ½ de 34-36
|
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| Box 4a | Folder 41 |
Banquet, M. Shane
|
|
|
7 ½ NAB original
|
|||
| Box 4a | Folder 42 |
Bob I union, Morris Feigelson
|
1970 |
|
Oct. 26; 91-E (no sync)
|
|||
| Box 4a | Folder 43 |
Amadeo Lumia; union film
|
|
|
Original; Italien; acetate
|
|||
| Box 4a | Folder 44 |
1. Membre du conseil, 2. Mr. Peters et Louis Laberge, banquet,
Charpentier
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|
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copie, Italien, Anglais, dactylographie; acetate
|
|||
| Box 4a | Folder 45 |
Mr. Bresner (English); #4 union film
|
|
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(non sync) original ; MP# 23; acetate
|
|||
| Box 4a | Folder 46 |
Mlle. Charpentier
|
|
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21-22-23-24-25 la derniere-26-27-28-29
|
|||
| Box 4a | Folder 47 |
Shane 1st (pas de clap) 2nd sync
|
|
|
7 ½ NAB original; acetate
|
|||
| Box 4a | Folder 48 |
Mr. Silverman sound sample 681E, union film
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 49 |
Manufacture de manteaux, Maria Ceniciose 101
|
|
|
It[alian?] 7 ½ NAB original; acetate
|
|||
| Box 4a | Folder 50 |
M. Liberman, original (English), union films non-synch ree
#3
|
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| Box 4a | Folder 51 |
Miss Charpentier, reel #3 2F10 takes 6-7-8-9, 2 minutes of reel #2
films
|
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7 ½ original; acetate
|
|||
| Box 4a | Folder 52 |
Mme Champagne en Francais
|
|
|
prises 6F5 1-2-3-4-5 on ambiance, union films, 7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 53 |
Banquet, M. Chane [Shane?], Bressner, Joe Macks,
Goldenberg
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 54 |
1 spectacle union
|
|
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syncro original
|
|||
| Box 4a | Folder 55 |
Bob 1, Mr. Bresner, Reunion du Comite Executif
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|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 55 |
Bob 1, Mr. Bresner, Reunion du Comite Executif
|
|
|
7 ½ NAB, originall acetate
|
|||
| Box 4a | Folder 56 |
Mlle Charp[entire] 18, narratrice 20-21-22, Mlle Charpentier
19-20
|
|
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acetate
|
|||
| Box 4a | Folder 57 |
1. Mr. Bresner, Mme. Chapagne, 2. Conseil Executif
|
|
|
dactylographie, copie; acetate
|
|||
| Box 4a | Folder 58 |
Infantino, Lipari 65, locale, [illegible], Sam Liberman,
[illegible]
|
|
|
acetate
|
|||
| Box 4a | Folder 59 |
Miss Charpentier reel #2, prises 6-7-8-9, 2F10 (plus 2 minutes on
reel #3)
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 60 |
Miss Charpentier, Anglais 711E, Francais 7F10, Italian 521x2, union
filmv
|
|
|
7 ½, original
|
|||
| Box 4a | Folder 61 |
Mlle Charpentier 11 (2-3)-12, narratrice 10-11 (2)-12 (2), prise
13-14-15
|
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acetate
|
|||
| Box 4a | Folder 62 |
Banquet, M. Chane; MacDonald son seul; MacDonal, syn.; MacKasey son
seul Fr.; Stulberg, 2-syn.; Charte, syn
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 63 |
2 membres, Aldea Guillemette, sounds (wild) office and clinic, union
film, reel #2
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 64 |
1. Edlyn Whitehead, 2. Morris Feigelson
|
|
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bob 3, 3 ¾ copie, union film, Anglais, dactylographie
|
|||
| Box 4a | Folder 65 |
Riccianionetta 64, Anna 66, M. Lipari 65.1, Infantino 65.1,
commencement [illegible]
|
|
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Acetate
|
|||
| Box 4a | Folder 66 |
Ambiance [illegible]
|
|
|
7 ½ NAB, original; acetate
|
|||
| Box 4a | Folder 67 |
Cours: 3. Psychologie, 2-4 Langue Franc[ais], 1. Cinema; sync reunion
depart [?],
|
|
|
sync 6 minutes fin; union film, 7 ½ NAB, original
|
|||
| Box 4a | Folder 68 |
[no title]
|
|
| Box 4a | Folder 69 |
CBC Discussion: Are big unions less democratic, Michael Chartrand,
Bernard Shane, Prof. H.O. Woods
|
|
| Box 5 |
[no title]
|
||
|
12” reel
|
|||
| Box 6 |
Les Midinetttes
|
||
|
Italian; 16mm; film on cores; F150
|
|||
| Box 7 |
[Untitled]
|
||
|
Includes 7 black and white snapshots of TV broadcast pickets in the can; "80'
reversal film" written on can; F152
|
|||
| Box 8 |
"50,000”
|
1975 | |
|
223'; 6:10min.; bilingual; F 153
|
|||
| Box 9 |
“ILGWU: La Mode Aujourd’hui”
|
||
|
Omega Montreal Color Master, acetate, F154
|
|||
| Box 10 |
Fashion Today #5028
|
||
|
16mm; 27 min.; F155
|
|||
| Box 11 |
“Les Midinettes”
|
||
|
English, Union Label Dept. Tempo Canada b/w, Bellevue Pathe (Quebec) Print
copy 3, sound; F156
|
|||
| Box 12 |
[no title]
|
||
|
Sent courtesy of Union Label Departmen; 13” reel, polyester, b/2; F157
|
|||
| Box 13 |
“Dany"
|
||
|
French; color, 5” reel , polyester; F158
|
|||
| Box 14 |
“The Many Lengths of Fashion”
|
||
|
F159
|
|||
| Box 15 |
“Marvin has it Made”
|
||
|
color, 7” reel, polyester, F160
|
|||
| Box 16 |
“Mode 71 Fashion Films”
|
||
|
English, print #7, color, 5” Polyester, F161
|
|||
| Box 17 |
“Who makes your clothes?”
|
||
|
color, 7” reel, polyester, F162
|
|||
| Box 18 |
Union Syndicale “Greve”
|
||
|
9” no reel, F163
|
|||
| Box 19 |
#5034, Spring and Summer Fashions, 1962
|
1962 | |
|
12” reel; F164
|
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