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Performing Editions
The earliest publications of Mozart's works usually involved no editorial
emendations. From the 1820s on, however, so-called pedagogical or performing
editions proliferated. Characteristically, these left most of Mozart's
pitches and rhythms unchanged but provided an overlay of instructions
for tempo, fingering, phrasing, articulation, dynamics, and pedaling,
representing the taste, technique, and opinions of a famous performer,
pedagogue, or scholar. Isidore Philipp (1863-1958), professor of piano
at the Paris Conservatoire from 1893 to 1934, moved to New York at the
outbreak of World War II, where he continued to perform and teach until
his 93rd year.
Concerto no. 15 in Bb major for the piano, K. 450,
critically revised, fingered, and the orchestral accompaniments arr. for
a second piano by Isidor Philipp. New York: G. Schirmer; reprinted
1951.
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Copyright
© 2002 Division of Rare & Manuscript
Collections
2B Carl A. Kroch Library, Cornell University, Ithaca, NY, 14853
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