Cicero. France, 1522
This French edition printed in 1522 mimics the appearance of medieval
manuscripts. Words are heavily abbreviated and there is little differentiation
among the sections of the work– initials, marginal headers, and
capitalized words, rather than paragraph breaks, perform this function.
A reader has underlined passages in the text and has added marginal comments
in order to introduce additional divisions into the solid mass of print.
Pseudo-Cicero. Opera Ciceronis. Paris: Ioannes
Parvus and Iodocus Badius, 1522.
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