Los Crudos collection, 1991-1998.
Collection Number: 7790
Division of Rare and Manuscript Collections
Cornell University Library
DESCRIPTIVE SUMMARY
Title:
Los Crudos collection, 1991-1998.
Repository:
Division of Rare and Manuscript Collections
Collection Number:
7790
Abstract:
40 items including posters, flyers, handbills, lyric sheets, LP inserts, record covers,
audiocassette tape covers, and other ephemera, documenting the band's performances
in Brazil, Canada, France, Japan, and Mexico, as well as in many U.S. cities. Included
is the flyer for the band's first performance in 1991, as well as the poster for its
final concert in 1998, which is an original linocut print produced by the noted gallery
and printmaking workshop Taller Mestizarte. Also included are one issue of the zine
Conexion rockeria (Broadville, Illinois); an original artwork using photocopy, two-color
serigraphy and collage, for the cover of a 45 rpm extended play record, Las injusticias
caen como pesadillas (1993); and a flyer for a Los Crudos concert in Santiago de Queretaro,
Mexico, with questions handwritten in Spanish on the back, from a writer for a Mexican
punk zine who interviewed the band.
Creator:
Sorrondeguy, Martín
Crudos (Musical group)
Quanitities:
.2 cubic feet.
Language:
Collection material in English
Los Crudos was a Chicago-based Latino hardcore punk band, founded by Martín Sorrondeguy,
who also served as its lead singer. The band played together from 1991-1998, after
which Sorrondeguy moved to San Francisco and founded the queercore band Limp Wrist.
Los Crudos engaged with progressive cultural and political issues, including Latino
and immigrant rights, anti-racism organizing, feminism, critiques of violence in gang
culture, sexuality, and critiques of mainstream popular culture. Los Crudos also identified
publicly as a straight-edge band that rejected alcohol and drug use, as part of the
group's broader insistence on political awareness and resistance to the stupefying
effects of contemporary consumer culture.
40 items including posters, flyers, handbills, lyric sheets, LP inserts, record covers,
audiocassette tape covers, and other ephemera, documenting the band's performances
in Brazil, Canada, France, Japan, and Mexico, as well as in many U.S. cities. Included
is the flyer for the band's first performance in 1991, as well as the poster for its
final concert in 1998, which is an original linocut print produced by the noted gallery
and printmaking workshop Taller Mestizarte. Also included are one issue of the zine
Conexion rockeria (Broadville, Illinois); an original artwork using photocopy, two-color
serigraphy and collage, for the cover of a 45 rpm extended play record, Las injusticias
caen como pesadillas (1993); and a flyer for a Los Crudos concert in Santiago de Queretaro,
Mexico, with questions handwritten in Spanish on the back, from a writer for a Mexican
punk zine who interviewed the band.
Collecting Program: Human Sexuality Collection.
INFORMATION FOR USERS
Martín Sorrondeguy, collector. Los Crudos Collection, #7790. Division of Rare and
Manuscript Collections, Cornell University Library.
Names:
Crudos (Musical group)
Subjects:
Hardcore (Music) -- United States.
Straight-edge culture.
Straight-edge (Music) -- United States.
Gay musicians -- United States.
Hispanics (United States).
Latinos (United States).
Mexican American musicians.
Punk rock music -- United States.
Punk culture -- United States.
Form and Genre Terms:
Fliers (printed matter).
Posters.
CONTAINER LIST
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