James Joyce collection, 1893-19411901-1920
Collection Number: 4609

1 leaf. Copies on recto and verso of single slip of paper. Song 3 from The Metamorphos'd Gypsies and "Give end unto thy pastimes, Love" Scholes 19.

6 leaves. Written in Trieste. With two copies of English translation. Published in Il Piccolo della Sera Sept. 5, 1909. Typescript dated August 31. Scholes 39.

4 leaves. Typed transcripts from The Daily Express of October 30, 1903 in two copies. Scholes 1387.

36 leaves. In final or nearly final form; some poems bearing pencil emendations by Joyce. Includes four poems not included in the final text. In the hands of James Joyce, Stanislaus Joyce [?], and perhaps another hand. Cf. Scholes 12. Scholes 21.

1 leaf. Written in The Tower, Sandycove. On stationary of "The Tower, Sandycove." Scholes 23.

1 leaf. Third page of a story by James Joyce. A fair copy on one leaf of wove paper. First line reads "by on Wellington Quay. They used often to meet at Swans." Scholes 29.

6 leaves. Written in Galway City. Published in Il Piccolo della Sera Aug. 11, 1912. With typescript English translation. Scholes 39.

4 leaves. Written in Trieste. Published in Il Piccolo della Sera Dec. 20, 1910. With partial English translation. Scholes 39.

1 leaf. A fragment of a song set to music by James Joyce. Five bars of words and music of a song, in Joyce's hand on paper ruled for musical composition. Scholes 60.

56 leaves. Manuscript begins as a typescript and is completed in the hand of an amanuensis. Contains some corrections in James Joyce's hand. Scholes 31.

21 leaves. Autograph manuscript with notations for insertions of printed slips--cf. Scholes 33. Not in Scholes

1 leaf. Slips like this were printed by Joyce for inclusion in a circular letter to the press written during his dispute with Maunsel over Dubliners. The first sentences read "--But look here, John, --said Mr O'Connor. --Why should we welcome the king of England? Didn't Parnell himself?" Scholes 33.

15 leaves. This is the text of the Dubliners version of the story, not of the shorter Irish Homestead version. This autograph manuscript was probably used to set up the Maunsel edition of Dubliners, but the final text of "The Sisters" is slightly different from this manuscript. Scholes 30.

36 leaves. In various hands, including that of James Joyce. Scholes 51.

1 leaf. Scholes 51.

6 leaves. Essentially notations, arranged chronologically, ranging from drama's "Religious origins" in the Greek and Hindu traditions to "Elizabethan Drama." For use in a lecture? Not in Scholes.

Written in Dublin. 1 leaf. An autograph manuscript on one side of a leaf of good-quality laid paper. A rough draft with corrections and blots. Scholes 18.

22 small leaves. Enclosed in an envelope. Not in Scholes.

5 leaves. Written in Trieste. One of a series of articles by Joyce published in Il Piccolo della Sera. With partial English translation of Italian text. Scholes 39.

1 leaf. Autograph manuscript in pencil on the first page of a ruled piece of wove paper. There are some changes in the first line. A poem of three quatrains. Scholes 50.

1 leaf. An early draft, probably the first, of this broadside by James Joyce. An autograph manuscript in pencil beginning with the line, "To show you for strictures I don't care a button." The title, "Falconer addresses the Vigilance Committee," appears on the right-hand margin. The text is on the verso of the second leaf of a printed form of an empty royalty agreement from Maunsel and Co., Ltd., on a wove double-leaf. Scholes 46.

1 leaf. "Written in the train between Flushing and Salzburg." A later draft of this broadside. Autograph manuscript in pencil with ink corrections of the entire 98 line poem. The paper used for this draft was originally a typed copy of an agreement (unsigned) between Joyce and the Maunsel firm. Scholes 47.

1 leaf. Written in Flushing. Fair copy of the broadside by James Joyce. An autograph manuscript of the entire poem in ink in an especially legible hand. There are a few changes in ink in the text of the poem. Scholes 48.

Written in Trieste. 1 leaf. This broadside was printed in Trieste in an edition of 100 copies. 40 of these were sent to Charles Joyce for distribution in Dublin. This photostat shows a hand-written note added in ink by Joyce dated July 1912.

1 leaf. Autograph manuscript written on one side of a leaf of white wove paper. Corrections are in ink in the left margin. In the upper corner is the number 11 in pencil. This is the page 11 that is missing from Slocum E17a and from the published version in Critical Writings. Scholes 42.

14 leaves. Written in Trieste. A typed transcript of manuscript fragments of a lecture by James Joyce on the Irish poet Mangan, delivered in Italian in Trieste, with carbon copy. Scholes 41.

62 pages on 60 leaves. Written in Trieste. Likely for preparation of a series of lectures by Joyce on Hamlet in 1912. This autograph manuscript consists largely of historical and literary excerpts to be used in reference to specific acts and scenes of the play. Some material is marked for use in an introduction and a conclusion. Two pages consist of notes that seem separate from the excerpts. Not in Scholes.

1 leaf. Written in Trieste. Fragment of manuscript with printer's slip attached. This autograph manuscript is the last page of the final draft, numbered "4" in pencil. It is a fair copy made for the Triestine printer on white wove paper. Pasted to the top of the manuscript is the slip of the printer, L. Smolars, with the notation (among others) that 100 copies were to be printed. Scholes 26.

4 leaves. Written in Trieste. Text, in Italian, of article Joyce published in Il Piccolo della Sera, with English translation. Scholes 39.

4 leaves. Written in Trieste. Text, in Italian, of article published by Joyce in Il Piccolo della Sera, with English translation. Scholes 39.

2 leaves. In Italian, with carbon copy. The lecture was delivered in Trieste, in March 1912. The typescript itself dates from much later. Scholes 44.

1 leaf. List in James Joyce's hand of 51 volumes on "Shelf 3: Front" and 32 volumes on "Shelf 3: Back." Scholes 1400.

6 leaves. Written in Galway. Text, in Italian, with English translation, of an article published by Joyce in the Sept. 5, 1912 edition of Il Piccolo della Sera. Scholes 39.

2 leaves. Written in Zurich. Doggerel verses on the Henry Carr incident. 2 carbon copies. Scholes 1410.

55 leaves. With corrections in another hand. Not in Scholes.

2 leaves. Four dreams, apparently dreamt by Nora Joyce. Joyce dates the first dream as in the tercentenary of Shakespeare's death [1916]. This autograph manuscript of James Joyce is in a copybook bound in half cloth tucked under flimsy blue cardboard. The dreams are numbered 1-4 in red-orange crayon. The fourth dream lacks interpretation. Scholes 52.

2 leaves. Material for Piccolo della Sera articles or lecture, "L'Irlanda Isola dei Santi e dei Savi" delivered in Trieste in 1912. Scholes 43.

20 leaves. Written in Trieste. A fragment of a draft, possibly final, of James Joyce's lecture on Blake, delivered in Italian in Trieste. This autograph manuscript consists of 2 unbound booklets of wove paper, each booklet made up of 10 leaves, sewn with a single gray thread. A translation of this manuscript in included in Critical Writings. Scholes 46.

3 leaves. One page is written in English, the other two are in Italian. Not in Scholes.

12 leaves. Written in Trieste. Published in Il Piccolo della Sera. With 2 English translations. Scholes 39.

6 leaves. Written in Trieste. Text, in Italian, with English translation, of an article published by Joyce in Il Piccolo della Sera. Scholes 39.

29 leaves. Typescripts and carbon copies of the following 8 poems: "Cabra," an early version of "Tilly"; "Watching the Needleboats at San Sabba"; "A Flower Given to My Daughter"; "She Weeps over Rahoon"; "Tutto e sciolto," an early version; "Simples"; "Flood"; "Nightpiece." Scholes 54.

2 leaves. This manuscript in the hand of Stanislaus Joyce includes the first part of the narrative. This copy is on 3 sides of 2 leaves of paper. The narrative is continued only into the second paragraph and then abandoned. Scholes 35.

8 leaves. A typescript of this first brief sketch of James Joyce's novel. January 7, 1904 is the date of the autograph manuscript from which this typescript was made, but the copy itself was made by or for Stanislaus Joyce ca. 1928. The main outlines of the later work--and even some of the incidents--are here in this sketch of January 1904. Scholes 34.

1 leaf. Written in Paris, with envelope addressed to Stanislaus Joyce. Poem is written on one side of a plain card, signed "S.O.S." Scholes 59.

1 leaf. Written in Paris. Poem is written on one side of a plain card, signed "J.J." Scholes 59.

2 leaves. A Latin poem in James Joyce's hand on 2 paper slips of the size used by the National Library in Ireland. Scholes 1443.

5 leaves. Material for lecture delivered in 1912? A chronological listing of Shakespeare's activities to 1606. Not in Scholes.

5 leaves. This autograph manuscript consists of 5 leaves of thin white wove paper, the versos blank except for the large page numbers: 479, 480, 490, 498, 506. These pages are missing from the Yale manuscript of a chapter of Stephen Hero (Slocum E3bii) and from the edition published by New Directions (New York, 1955). Scholes 36.

1 leaf. Autograph manuscript on one page of wove paper. "Codice" is written at the top of the page. On the left side of the recto is a list of code words in Italian. Opposite each of these words is a phrase or sentence for which the word is to stand. The code is continued on the upper half of the verso. Scholes 40.

1 leaf. Carbon copy of James Stephen's poem and an Italian translation of it by James Joyce. "James Stephens" typed at the end of the poem, "James Joyce" typed at the end of the translation. The title of the translation has been corrected in pencil by James Joyce to "Il Vento (nel parco di Stephen, Dublino)." Scholes 62.

1 leaf. Written in Belvedere College. One of the weekly compositions written by James Joyce for George Dempsey's class in English at Belvedere College. An autograph essay on the first 3 pages of a ruled double-leaf torn from the center of a copybook. At the top of each page is the motto "AMDG"; at the bottom of the last page ".LSD." Scholes 1.

1 leaf. A list of characters for the "Cyclops" chapter. Autograph manuscript on the back of a letter from Henry Davray, dated June 23, 1919, on blue stationary of the Anglo-French Review. It is written in pencil, with the title "Cyclops" in a circle at the top of the page. Scholes 55.

21 leaves. Copy of typescript in box 2, folder 22. Scholes 57.

21 leaves. A complete draft, close to the published version; with autograph corrections in the author's hand. There are some corrections and changes in ink in James Joyce's hand. The manuscript consists of 21 leaves numbered in pencil, 1-9, 9a, 10-20. Scholes 57.

16 leaves. A draft of the last half of the "Nausicaa" chapter. This autograph manuscript of James Joyce is contained in two identical notebooks with covers of thick purple paper. Both notebooks have blank labels pasted on their front covers. The labels are decorated with identical red borders except that the label of the first notebook has a red anchor and the letters "C G" worked into the lower margin. Scholes 56.

5 leaves. This autograph manuscript of James Joyce contains a draft of the end of the "Oxen of the Sun" chapter with corrections in the left margins. Not in Scholes.

1 leaf. These two fragments of music are in James Joyce's hand on the recto of the first leaf and the verso of the second leaf of a double-leaf of paper ruled for musical composition. The paper bears a printed design of a lion on a branch holding a shield with two stars and the name "ZURICH" over the notation "SCHUTZMARKE No. 8." Scholes 61.

1 large leaf. Drawn on one side of a leaf of wove paper are nine numbered ovals of different sizes representing the monthly stages of gestation. The ovals are in red ink, beginning with the smallest almost at the lower edge of the page, each successive oval including its predecessors, the last almost reaching the top of the page. At the apices of seven of the ovals are notations about the related stage in fetal development, written in ink in James Joyce's hand. The apex of the sixth oval is distinguished by a star in red ink. In the upper left corner in a large parenthesis is the notation "Oxen of the Sun." Scholes 58.

Also includes annotations and transcription.

A series of notes kept by James Joyce on the following subjects: Byrne (John Francis), Cosgrave (Vincent), Clancy (George Stephen), Casey (Joseph), Calvacanti [sic] (Guido), Dedalus (Stephen), Devin, Esthetic, England, Gogarty (Oliver Saint John), Gordon (Michael), Giorgino, Henry (Father William), Healy (Michael), Ireland, Jesus, Ibsen (Henrik), Jesuits, Lust, Mother, McCluskey, Nora Pappie, Prezioso (Roberto), Poppie, Roucati (Venanzio), Rogers, (Marcellus), Skeffington (Francis Joseph Christopher), Sordina (Conte Francesco), Shelley (Percy Bysshe), Uncle William, and Walshe (Louis). These autograph notes are contained in a thick notebook, bound in half cloth over red-and-black mottled boards, with marbled edges. There are 300 ruled leaves in the book. The leaves are divided by 25 red tabs with white letters and have been cut so as to display the tabs, which are arranged in alphabetical order from top to bottom. Much of the material in this book was used verbatim by James Joyce in his published works, especially Ulysses and Portrait. Scholes 25.

A notebook on banking kept by James Joyce. These autograph writings are in a notebook, bound in half cloth over red-brown-and-white boards, with marbled edges. On the recto of the first page after the unruled end paper is the title, "Banking." The book consists of 138 ruled leaves. The book begins with the history of banking and continues through such subsections as "Clerical Work" and "The Stock Exchange." Scholes 38.

Also on microfilm. A journal kept by Stanislaus Joyce. In this journal, Stanislaus Joyce used for his own purposes paper which had been previously used - mainly by James Joyce - for other purposes. The manuscript consists of 202 leaves and contains in addition to this journal the other manuscripts and fragments described as Scholes 5 (Miscellaneous fragments), 6 (Fragment of an essay, on subjugation), 7 (The study of languages), 8 (Royal Hibernian Academy: "Ecce Homo"), 9 (The Apocalypse of Saint John), 10 (Drama and Life), 11 (Medical notes), 12 "I said I will go down to where"), 13 (From Chamber Music, two early drafts of the opening lines of poem XXXVI), 14 (Fragment of an essay, on the French attempt to build an empire in North Africa), 15 (Three epiphanies: a) "Her arm is laid for a moment on my knees." b) "Faintly, under the heavy summer night." c) "She comes at night when the city is still."). Scholes 4.

32 leaves. Galley proofs of the Grant Richards edition. These proofs are printed on sheets of poor-quality laid paper. They begin with page 3 of the book and continue through page 137. This is evidently an extra set of proofs, not used for corrections. Scholes 53.

James Joyce's workbook in Italian and German. These autograph writings are in a large notebook, bound in half cloth over brown-and-black boards, with marbled edges. On the front cover is pasted a large label with the word "Italiano" in Joyce's hand. The book consists of 138 leaves of unruled white wove paper. The first part of the notebook is a workbook in Italian combined with a commonplace book in Italian. There are 16 leaves of German-English vocabulary before the last, blank, leaf. Scholes 37. ca. 1904 and continued for several years.

This sale notice is typed on 6 large leaves. It contains a detailed description of sale items separated into four categories: Manuscript notes, the Works of Joyce, A Working Library, and Family Portraits. Not in Scholes.

A series of random jottings. This autograph manuscript is in a notebook, bound in half cloth over red-blue-and-gray-marbled boards with marbled edges. The book consists of 100 ruled leaves partially numbered by James Joyce for the "Trade" section of his notes on banking (see Bd. Ms. 2 and Scholes 38). The recto of the unruled end paper bears the title "Trade" and the rectos of the following 6 pages, numbered 1-6, contain James Joyce's notes on this subject. Stanislaus's jottings begin on the recto of the eighth leaf and are continued for 66 pages on 33 leaves. Scholes 63.

Ithaca. On tape. A lecture given at the Cornell Festival of Contemporary Arts. Not in Scholes. Formerly listed as 4609 Bd Ms+ 115, maybe in collection #11-8-771.

Pen and ink drawing of the Arms of Ireland with notes, possibly in James Joyce's hand. Scholes 1439.

1 leaf. A list of Joyce's contributions to this Triestine journal. The list of articles, in Stanislaus Joyce's hand, is on one side of a leaf of white wove paper, with scalloped upper edge. Scholes 39.

1 leaf. This title page from Ibsen's Digte is signed "JasAJoyce" in upper right corner. Scholes 1437.

Written in 11 Henrietta Street, London. 1 leaf. To James Joyce, a printed form announcing the enclosure of a cheque (for 12/12/0), for his contribution to the Fortnightly Review for April 1900. Signed Hayward. Scholes 511.

Written in Paris. 1 leaf. Fragment of a letter from a friend of Lady Gregory to James Joyce, offering advice on living in Paris. Scholes 1447.

Written in Dublin. 1 leaf. Matriculation certificate of the Royal University of Ireland. States that James Joyce passed the Matriculation Examination in June 1899 and obtained second-class honors in Latin. Signed J.A.Joyce." on verso. Scholes 1374.

Written in Dublin. 1 leaf. Ticket to a public meeting of the Royal University of Ireland for the conferring of degrees. Scholes 1381.

Written in Dublin. 1 leaf. Clipping from the Irish Times of an article on the Feis Ceoil singing competition in which Joyce took third place. The paragraphs that mention Joyce are marked with a box. Scholes 1388.

Written in Dublin. 1 leaf. "Joyce" written on verso in blue crayon. Scholes 1449.

Written in Pola. 1 leaf. Scholes 1389.

Written in Trieste. 1 leaf. Signed by Grant Richards. Scholes 1394.

Written in Trieste. 1 leaf. Scholes 1376.

Written in Trieste. I leaf. Scholes 1414.

1 leaf. Contract in Italian for the Volta Theatre project of James Joyce, Giuseppe Caris, Giovanni Rebez, Caterina Machnich (a typed copy, unsigned, undated). Scholes 1404.

1 leaf. Written in Galway [?]. "Naming no names, but obviously the story of James and Nora and their flight to the Continent."- George Healey. Not in Scholes.

2 leaves. Contract with Maunsel and Co. for publication of Dubliners. Signed George Roberts and James Joyce. Scholes 1395.

1 leaf. List in James Joyce's hand of expenses for the Volta Theatre. Dated December, January, February. Scholes 1405.

6 leaves. Written in Dublin. Announcement reads, " DUBLINERS, By JAMES JOYCE. 3s. 6d. Net. (Ready in September)." Scholes 1382.

12 leaves. Written in Trieste. Program of the Universita Popolare Triestina for its twelfth academic year (November 5, 1911 to March 31, 1912) in which are scheduled two lectures by Prof. J. Joyce: "Verismo ed idealismo nella letteratura inglese (Daniele De Foe-William Blake). Scholes 1383.

1 leaf. Written in Trieste. Scholes 1378.

2 leaves. Written in Dublin. Clipping from an unidentified newspaper of an article on the bicentenary celebrations of Trinity College Medical School and an ode written for the occasion by Oliver St. John Gogarty. Scholes 1390.

2 leaves. Written in Trieste. Scholes 1379.

1 leaf. Written in Trieste. Scholes 1384.

6 leaves. Grant Richards, London. 3 copies (2 green, same font, 1 pink, different font, but identical text). Scholes 1391.

1 leaf. Written in Trieste. Signed by Grant Richards. Scholes 1396.

1 leaf. Written in Trieste. Bill listing twenty books purchased by James Joyce from September 1913 to May 1914. Scholes 1401.

1 leaf. Written in Trieste. Signed by James Brand Pinker. Scholes 1398.

1 leaf. Written in Trieste. Signed by James Brand Pinker. Scholes 1397.

8 leaves. Written in London, New York. The four pamphlets are entitled, "Extracts from Continental Press Notices," "Extracts from American Press Notices," "Extra Press Notices," and "Extract from Press Notices." Scholes 1391.

1 leaf. A list of 11 periodicals in which reviews of Portrait appeared. Dated February to September 1917. Scholes 1440.

2 leaves. Written in Zurich. Signed by Grant Richards. With typed carbon copy of extra clauses inserted by James Joyce in the "Exiles" agreement. Scholes 1399.

2 leaves. Written in London, New York. Scholes 1391.

10 leaves. Written in Zurich. In German. Scholes 1409.

1 leaf. Written in Zurich. In German. Scholes 1392.

20 leaves. Written in Zurich. Four copies in English, two in German. Scholes 1408.

1 leaf. Written in Leipzig. Bill listing five books purchased by James Joyce from "antiquarisch aus Katalog 229." Scholes 1402.

1 leaf. Clipping from Il Mondo of an article on James Joyce by F. Paolo Giordani. Scholes 1393.

1 leaf. Written in Paris. Sponsored by La Maison des Amis des Livres for Joyce's benefit on Dec. 7. Scholes 1385.

1 leaf. Written in Paris. Some names added in ink. Envelope addressed to Stanislaus Joyce in James Joyce's hand. Scholes 1411.

1 leaf. Written in Paris. Additional names added in ink; with envelope addressed to Stanislaus Joyce in James Joyce's hand. List longer than that of box 3, folder 39 above. Scholes 1412.

1 leaf. Written in Paris. Printed protest including printed list of 167 signatures. Scholes 1413.

1 leaf. Written in Paris. with envelope. Typed report on the results of an exam of his eyes, sent by James Joyce to Stanislaus Joyce. Scholes 1442.

1 leaf. Written in London. Among selections is composition by Matyas Seiber, "Ulysses" for solo tenor, chorus and orchestra, based on texts by Joyce. Not in Scholes.

54 leaves. Notes and chapters relating to a thesis on Italian influences on James Joyce, probably prepared under the direction of Stanislaus Joyce, with some corrections in his hand and some in an unidentified hand. Scholes 1445.

1 leaf. Entitled "Why this is the book on James Joyce." Includes order form. Not in Scholes.

For production by Olney Theatre, Olney, Maryland. Gift of Giles F. Shepherd, Aug. 16, 1966. Not in Scholes.

1 leaf. Not in Scholes.

Written in Dublin. 2 copies. Not in Scholes.

For readings from Joyce adapted by Dan Laurence and presented at Incarnate Word College Reader's Theatre. With news clipping on the production from San Antonio Express-News, Feb. 28, 1976. Gift of Bernard F. Burgunder. Not in Scholes.

Zurich. 1 leaf. Not in Scholes.

New York. 1 leaf. Not in Scholes.

Zurich. 1 leaf. Verso: "Mrs. Nora Joyce in 'Riders to the Sea'." Not in Scholes.

Ithaca. 2 leaves. Not in Scholes.

1 leaf. Scholes 1435.

Galway. 1 leaf. Scholes 1427.

1 leaf. Scholes 1421.

1 leaf. Scholes 1422.

Probably taken in the United States. 1 leaf. Scholes 1423.

1 leaf. Scholes 1424.

3 leaves. Not in Scholes.

Trieste. 1 leaf. Scholes 1425.

1 leaf. Scholes 1433.

1 leaf. Not in Scholes.

1 leaf. Scholes 1432.

5 leaves. Not in Scholes.

Reproduced in Trieste, probably from a newspaper clipping. Not a good likeness according to J. F. Byrne. Scholes 1426.

1 leaf. Scholes 1428.

1 leaf. Scholes 1430.

3 leaves. Not in Scholes.

Trieste. 1 leaf. Scholes 1429.

1 leaf. Scholes 1431.

Galway. 1 leaf. Scholes 1434.

1 leaf. Not in Scholes.

Florence. 1 leaf. Scholes 1436.

Dublin. 4 leaves. Not in Scholes.

8 envelopes. Not in Scholes.

3 leaves. 1 colored graph, not labeled; 1 note in pencil, unsigned, referring to "Giles" and "Mr M"; 1 sheet of Spanish poems, with translations into English, all in the same hand. Not in Scholes.

Dublin. 1 leaf. Not in Scholes.

New York Review of Books. 3 leaves. Not in Scholes.

New York Review of Books. 15 leaves. Not in Scholes.

New York. 1 leaf. Not in Scholes.

14 leaves bound. Photographs and commentary about film version of Ulysses. Not in Scholes.