David Borden papers, 1945-2021
Collection Number: 14-20-4107
Division of Rare and Manuscript Collections
Cornell University Library
DESCRIPTIVE SUMMARY
Title:
David Borden papers, 1945-2021
Repository:
Division of Rare and Manuscript Collections
Collection Number:
14-20-4107
Abstract:
Score sheets, CDs, DVDs, music notebooks with handwritten musical notations, posters
of musical compositions with handwritten notes and scores, publicity material, including
original and copies of newspaper and magazine reviews and articles, posters, programs,
and flyers from concerts and festivals, photographs, and a few personal files of the
American minimalistic composer of electronic music, keyboard player, and Cornell University
Professor of Music, David Borden (b. 1938), serve to document his composing, performing,
and teaching activities dating from 1945-2020.
Creator:
Borden, David, 1938-
Borden, David, 1938- (Title of work: Continuing story of counterpoint..)
Borden, David, 1938- (Name of a part/section of a work: Enfield in winter.. Title
of work: Places, times..)
Borden, David, 1938- (Title of work: Dialogues..)
Quanitities:
9.4 cubic feet.
Language:
Collection material in English
David Russel Borden (b. 1938, 25 December), an American minimalistic composer of electronic
music, keyboard player, and Cornell University Emeritus of Music Department, was born
in Boston, Massachusetts. He graduated from Eastman School of Music and Harvard University
and was a Fulbright student at the Hochschule für Musik in Berlin. His first composition
teachers were Jimmy Giuffre and Jaki Byard.
In 1969, he founded the Mother Mallard's Portable Masterpiece Co. (disbanded in 1978),
the first all-synthesizer ensemble, with the support of Robert Moog and his Modular
Synthesizer systems and MiniMoog instruments. He continued creating and performing
solo compositions. In 1981, he created music for Amplified Keyboard Instruments. The
twelve-part cycle of pieces for synthesizers, acoustic instruments, and voice, called
"The Continuing Story of Counterpoint" was labored for over 11 years and has been
called the Goldberg Variations of minimalism. His work is related to the minimalistic
style of Philip Glass and Steve Reich. He composed part of the soundtrack for The
Exorcist, 1973, and other films. His music is available on the Cuneiform, New World
Records, Lameduck and Arbiter labels. He is the founder and retired director of the
Digital Music Program (later the Cornell Electroacoustic Music Center). He is married
to Rebecca Goldin and lives in Ithaca, NY. He also collaborates and performs with
his son, Gabriel Borden and stepson, Sam Godin.
INFORMATION FOR USERS
David Borden papers, #14-20-4107. Division of Rare and Manuscript Collections, Cornell
University Library.
The David Borden Papers document the composing, performing, and teaching activities
of the American minimalistic composer of electronic music, keyboard player, and Cornell
University Professor of Music, David Borden (b. 1938), dating from 1945-2020.
The collection primarily includes David Borden's composing work, with various-size
score sheets, music notebooks with handwritten musical notations and scores, and posters
of musical compositions with handwritten notes and scores. The collection also contains
CDs and DVDs with David Borden's musical compositions and concerts; publicity material
with original and copies of newspaper and magazine reviews and articles, posters,
programs, and flyers from concerts and festivals, photographs of David Borden and
collaborators, as well as +a few personal files with letters and postcards from friends,
a letter to his mother and a student list from when Borden was a graduate student.
Subjects:
Composers -- United States -- 20th century.
Synthesizer music.
Form and Genre Terms:
Scores -- United States -- 20th century.
CONTAINER LIST
|
Container
|
Description
|
Date
|
|
|
Series I. Score Sheets
|
1962-1994 | ||
| Box 7 | Folder 1 |
"Angels." Composer copies
|
1989-1990 |
| Box 7 | Folder 2 |
"Angels." Composer notes
|
1989 |
| Box 7 | Folder 3 |
"Angels." Extra scores
|
1989-1990 |
|
Scope and Contents
No. 1 Prelude to Angels; No. 6 Afterwards.
|
|||
| Box 7 | Folder 4 |
"Angels No. 2 Light; and No. 4 UFO"
|
1989-1990 |
| Box 7 | Folder 5 |
"Angels No. 2 Light; and No. 4 UFO". Copies
|
1989-1990 |
| Box 7 | Folder 6 |
"Angels No. 2 Light (Guitar, Ellen); and Pt.1 Angelic Order"
|
1989 |
| Box 7 | Folder 7 |
"Angels No. 3a Angelic Order". Guitar
|
1989 |
| Box 8 | Folder 1 |
"Angels No. 9 Guardian Angel"
|
1990 |
| Box 8 | Folder 2 |
"Angels No. 9 Guardian Angel"; "Angels/ Satan Aria" (Female choir)
|
1989-1990 |
| Box 8 | Folder 3 |
"Angels. Satan Aria" (Female choir and Composer copies)
|
1989 |
| Box 8 | Folder 4 |
"Angels. Satan Aria" (Parts and score)
|
1989 |
| Box 7 | Folder 8 |
"Angels Visions and Apparitions"
|
1989 |
| Box 8 | Folder 5 |
"Beautiful River"; Unknown piece
|
1968, undated |
| Box 3 | Folder 3 |
"CAIRN for JFK"
|
1964-1965 |
| Box 13 | Folder 1 |
"C-A-G-E ", Part I
|
1972 |
| Box 1 | Folder 14 |
"C-A-G-E" - Part I, II, III
|
1973-1975 |
| Box 1 | Folder 3 |
"Counterpoint For Flute, Cello and Harp"
|
1978 |
| Box 1 | Folder 4 |
"The Continuing Story of Counterpoint" - Part I
|
1976 |
| Box 1 | Folder 5 |
"The Continuing Story of Counterpoint" - Part II
|
1982 |
| Box 1 | Folder 6 |
"The Continuing Story of Counterpoint" - Part III
|
1976 |
| Box 1 | Folder 7 |
"The Continuing Story of Counterpoint" - Part IV [unfinished]
|
undated |
| Box 1 | Folder 8 |
"The Continuing Story of Counterpoint" - Part V
|
undated |
| Box 1 | Folder 9 |
"The Continuing Story of Counterpoint" - Part VI, orchestral version
|
undated |
| Box 1 | Folder 10 |
"The Continuing Story of Counterpoint" - Part VI, piano version
|
undated |
| Box 1 | Folder 11 |
"The Continuing Story of Counterpoint" - Part VII
|
undated |
| Box 1 | Folder 12 |
"The Continuing Story of Counterpoint" - Part VIII
|
undated |
| Box 1 | Folder 13 |
"The Continuing Story of Counterpoint" - Part IX
|
undated |
| Box 8 |
"The Continuing Story of Counterpoint (TCSOC)", Part 2
|
1977-1982 | |
|
Scope and Contents
Piano one; Keyboard one; Player one; Score with text from the Revelation of St. John
the Divine;
|
|||
| Box 8 | Folder 7 |
"The Continuing Story of Counterpoint"(TCSOC)", Part 2, 3 and 4
|
1976, 1982, 1983 |
|
Scope and Contents
Volumes for piano one and piano two and two keyboard instruments, synthesizer Ensemble
and soprano voice, and part four.
|
|||
| Box 9 | Folder 1 |
"The Continuing Story of Counterpoint (TCSOC)", Part 10
|
1987 |
| Box 9 | Folder 2 |
"Designs for Orchestra" - Parts 1-4; "Le Tombeau De Josquin"
|
1962 |
| Box 1 | Folder 1 |
"Dialogues"
|
1959-1962 |
| Box 9 | Folder 3 |
Draft scores for "Infinity Variations," Part 2
|
1994 |
| Box 9 | Folder 4 |
Draft scores for "Variations II"
|
1994 |
| Box 7 | Folder 9 |
Draft scores for "Variations II" for clarinets
|
1994 |
| Box 7 | Folder 10 |
Draft scores for "Infinity Variations II, 2nd Movement
|
1994 |
|
Scope and Contents
Contrabasses, violin I, and more.
|
|||
| Box 7 | Folder 11 |
Draft scores for "Infinity Variations II, 3rd Movement
|
1994 |
|
Scope and Contents
Contrabasses, violin I, and more.
|
|||
| Box 4 | Folder 5 |
"Double Portrait" (for 2 piano) - Score
|
1987 |
| Box 4 | Folder 6 |
"Double Portrait" (for 2 pianos) - Piano 1
|
1987 |
| Box 4 | Folder 7 |
"Double Portrait" (for 2 pianos) - Piano 2
|
1987 |
| Box 1 | Folder 2 |
"Enfield in Winter"
|
1978 |
| Box 9 | Folder 5 |
"Epitaph"; "Flatland movie" score
|
1964 |
| Box 4 |
"The Force (That Through the Green Fuse Drives the Flower)" - bound score sheets
|
n.d. | |
| Box 4 | Folder 1 |
"Heaven - Kept Soul" - Score
|
2004 |
| Box 4 | Folder 2 |
"Heaven - Kept Soul" - Piano
|
2004 |
| Box 6 | Folder 1 |
"Heaven - Kept Sou"l - Piano solo and 2 88-key MIDI controller keyboards attached
via USB to laptops running Reason 7 or higher
|
2004 |
| Box 4 | Folder 3 |
"Heaven - Kept Soul" - USB 88-Key, MIDI Controller, Keyboard 1
|
2004 |
| Box 4 | Folder 4 |
"Heaven - Kept Soul" - USB 88-Key, MIDI Controller, Keyboard 2
|
2004 |
| Box 9 | Folder 6 |
"The Infinity Variations II"
|
1994 |
|
Scope and Contents
Loose sheets for piano one and piano two. Three copies of loose sheets for two amplified
pianos with DAT tape (piano two).
|
|||
| Box 9 | Folder 7 |
"The Infinity Variations II," First and Second Movement
|
1994 |
|
Scope and Contents
Loose sheets for Forepianos and Chamber Orchestra (drafts and final prints).
|
|||
| Box 10 | Folder 1 |
"The Infinity Variations II," Thrid Movement
|
1994 |
|
Scope and Contents
Loose sheets for Forepianos and Chamber Orchestra (final prints).
|
|||
| Box 10 | Folder 2 |
"The Infinity Variations II," Thrid Movement. Drafts.
|
1994 |
|
Scope and Contents
Loose sheets for Forepianos and Chamber Orchestra (drafts).
|
|||
| Box 1 | Folder 15 |
"I Trill Tunes" - for 1 or 2 keyboard instruments
|
1984 |
|
Scope and Contents
3 copies
|
|||
| Box 10 | Folder 3 |
Music 120 course, factoids, workstation 303
|
undated |
|
Scope and Contents
Relevant material in Box 15, Folder 15. Notes on the course Music 120, an Introduction.
|
|||
| Box 3 | Folder 2 |
"Le Tombeau de Josquin"
|
1962-1963 |
| Box 7 | Folder 12 |
Original scores for "Infinity Variations II
|
1994 |
| Box 4 | Folder 12 |
"Quartet in Four Movements for Oboe and String Trio"
|
2014 |
| Box 4 | Folder 13 |
"Quartet in Four Movements for Oboe and String Trio" - Oboe
|
2014 |
| Box 4 | Folder 14 |
"Quartet in Four Movements for Oboe and String Trio" - Violin
|
2014 |
| Box 4 | Folder 15 |
"Quartet in Four Movements for Oboe and String Trio" - Viola
|
2014 |
| Box 4 | Folder 16 |
"Quartet in Four Movements for Oboe and String Trio" - Violoncello
|
2014 |
| Box 10 | Folder 4 |
Scores on parts from poem readings, a piece by Josqui, and "Bittersweet"
|
undated, 1960s, 1959 |
| Box 10 | Folder 5 |
"Silent Stars"
|
1994 |
|
Scope and Contents
Loose sheets for two Fortepianos and Chamber Orchestra (drafts 1 and 2, and two copies
of the final version).
|
|||
| Box 10 | Folder 6 |
"Silent Stars: Buster Keaton"
|
1994 |
|
Scope and Contents
Loose sheets. Third Movement and two copies of prints with file name P/Buster Keaton
/ss.9/97.
|
|||
| Box 10 | Folder 7 |
"Sort Trio"
|
1963-1966 |
|
Scope and Contents
Violin, violoncello, piano.
|
|||
| Box 6 | Folder 2 |
Twelve Preludes and Fugues - for two pianos, piano 1
|
2017 |
| Box 6 | Folder 3 |
Twelve Preludes and Fugues - for two pianos, piano 2
|
2017 |
| Box 6 | Folder 4 |
Twelve Preludes and Fugues - for two pianos, volume one
|
2016 |
| Box 6 | Folder 5 |
Twelve Preludes and Fugues - for two pianos, volume two
|
2016 |
| Box 3 | Folder 4 |
"Trudymusic"
|
1967-1968 |
| Box 11 | Folder 1-2 |
"Variations I" for Chamber Orchestra
|
1992 |
|
Scope and Contents
Includes handwritten notes about printing this copy.
|
|||
| Box 11 | Folder 3 |
"Variations II" for two Fortepianos and Chamber Orchestra
|
1994 |
| Box 4 | Folder 8 |
"Variations on a Theme of Philip Glass" - Score
|
2011-2014 |
| Box 4 | Folder 9 |
"Variations on a Theme of Philip Glass" - Keyboard 1
|
2011-2014 |
| Box 4 | Folder 10 |
"Variations on a Theme of Philip Glass" - Keyboard 2
|
2011-2014 |
| Box 4 | Folder 11 |
"Variations on a Theme of Philip Glass" - Keyboard 3
|
2011-2014 |
| Box 11 | Folder 4 |
"Variations on the Fool on the Hill"
|
2002 |
|
Scope and Contents
Volumes for piano one, piano two, and for two keyboard instruments.
|
|||
| Box 11 | Folder 5-6 |
"Vermeer Variations" (Parts and score)
|
1985 |
|
Scope and Contents
Part 2 includes Vermeer percussion and directions.
|
|||
|
Series II. CD's, DVD's, and other media
|
|||
| Box 2 | CD-2370 |
"Earth Journeys, variations on Happy Birthday", Volume 1
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2371 |
"Earth Journeys, variations on Happy Birthday", Volume 2
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2372 |
"Earth Journeys, variations on Happy Birthday", Volume 3
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2373 |
"Earth Journeys, variations on Happy Birthday", Volume 4
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2374 |
"Earth Journeys, variations on Happy Birthday", Volume 5
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2375 |
"Earth Journeys, variations on Happy Birthday", Volume 6
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2376 |
"Earth Journeys, variations on Happy Birthday", Volume 7
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2377 |
"Earth Journeys, variations on Happy Birthday", Volume 8
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2378 |
"Earth Journeys, variations on Happy Birthday", Volume 9
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2379 |
"Earth Journeys, variations on Happy Birthday", Volume 10
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2380 |
"Earth Journeys, variations on Happy Birthday", Volume 11
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2846 |
"Earth Journeys, variations on Happy Birthday", Volume 12
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | CD-2381 |
"Heaven-Kept Soul"
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 2 | HD-3 |
Flash drive, "Heaven-Kept Soul"
|
undated |
| Digital |
The digital preservation copy may be made available on request if a delivery copy is not already online.
|
||
| Box 5 | DVD-1692 |
Variations on a Theme of Philip Glass
|
2011-2014 |
| Box 5 | CD-2801 |
"David Borden and Edward Murry play Gershwin"
|
undated |
| Box 5 | CD-2802 |
"A Tribute to Duke Ellington"
|
1999 |
| Box 5 | CD-2803 |
"Night and Day"
|
undated |
| Box 5 | CD-2804 |
"As Time Goes By"
|
1997 |
| Box 5 | CD-2805 |
"The Continuing Story of Counterpoint", parts 1-4, 8
|
undated |
| Box 5 | CD-2806 |
"Mother Mallard's Portable Masterpiece, co. 1970-1973"
|
1999 |
| Box 5 | CD-2807 |
"Mother Mallard, Like a Duck to Water"
|
2001 |
| Box 5 | CD-2808 |
"Variations on a Theme of Philip Glass"
|
2011-2014 |
| Box 5 | CD-2809 |
"Music for Amplified Keyboard Instruments"
|
2014 |
| Box 5 | CD-2810 |
"Cayuga Night Music"
|
1993, 2002 |
| Box 5 | CD-2811 |
"Borden on Borden"
|
undated |
| Video 10949 | V-10949 |
David Borden and the Mother Mallard Band, unmixed master
|
1988-09-16 |
|
genreform: VTR cassette
|
|||
|
Series III. Notebooks
|
1955-1984 | ||
| Box 14 | Folder 1-2 |
"C-A-G-E" III
|
1972 |
|
Scope and Contents
Player one; Chrorale Setting (Vom H.H.); Non- Pulitzer prize winning; string quartet
No.1; CPT. Parts 4 (3rd player) and 5 (syn. Parts).
|
|||
| Box 14 | Folder 3 |
Childhood music notes
|
1955 |
|
Scope and Contents
Including band arranging notes from Herb Pomeroy.
|
|||
| Box 14 | Folder 4 |
Composition I- Tests and Assignments
|
1957-1958 |
| Box 14 | Folder 5 |
Counterpoint - Part 1, all parts
|
1984 |
|
Scope and Contents
CPT II Player 1, IV Player 2.
|
|||
| Box 14 | Folder 6 |
Counterpoint - Part 2
|
1981 |
|
Scope and Contents
CPT II Player 1, IV Player 2.
|
|||
| Box 14 | Folder 7 |
Counterpoint - Part 3
|
1976-11 |
|
Scope and Contents
Previous title: The continuing story of Counterpoint, Part II. Original work manuscript
of TCSOC part 3. Included some film music.
|
|||
| Box 14 | Folder 8 |
Counterpoint - Parts 2 and 4, piece for two Pianos for nurit filles
|
undated |
| Box 14 | Folder 9 |
Counterpoint - Parts 2-8, Music from photographs and Prelude to C-A-G-E
|
undated |
|
Scope and Contents
CPT II Player 1, IV Player 2.
|
|||
| Box 14 | Folder 10 |
Counterpoint - Parts 4-8
|
1978 |
|
Scope and Contents
Previous title: The continuing story of Counterpoint, Part II. Original work manuscript
of TCSOC part 3. Included some film music.
|
|||
| Box 14 | Folder 11 |
Counterpoint - Parts 6, 7 and 8
|
1984 |
|
Scope and Contents
CPT II Player 1, IV Player 2.
|
|||
| Box 14 | Folder 12 |
Counterpoint - Part 9, Player 2; Counterpoint 4, Player 3
|
1980 July-August; 1983 January |
|
Scope and Contents
Second notebook Anatidae I.
|
|||
| Box 14 | Folder 13 |
Counterpoint - Part 11; Aside with me (1st version)
|
undated |
| Box 14 | Folder 14 |
Dialogs and other compositions
|
Early 1960s |
| Box 14 | Folder 15 |
Dialogs "Bittersweet" original jazz composition
|
Early 1960s |
| Box 14 | Folder 16 |
Dialogs studies
|
Late 1960s, early 1970s |
|
Scope and Contents
Counterpoint for Harp cello and flute. Harmony II (1976).
|
|||
| Box 14 | Folder 17-18 |
Dialogs studies, designs for orchestra
|
Late 1960s, early 1970s |
| Box 14 | Folder 19 |
Eastman composition notes
|
undated |
|
Scope and Contents
Musical Theory and composition notes on David Borden's early work.
|
|||
| Box 14 | Folder 20 |
Harvard and later
|
1972 |
| Box 14 | Folder 21 |
"Like a naked man to water tunes" (with John Hostetter)
|
1970-1971 |
| Box 14 | Folder 22 |
Notes mostly for high school band and orchestra
|
1960s |
| Box 15 | Folder 1 |
Notes on the course Music 120, an introduction
|
undated |
|
Scope and Contents
Relevant material in Box 10, Folder 3. Music 120 course, factoids, workstation 303.
|
|||
| Box 15 | Folder 2 |
Tafelmusik Piece, "Vermeer Variations", "Flesh and Blood" update
|
undated |
| Box 15 | Folder 3-4 |
Trombone concertino - Part 1 and 2
|
1960 |
| Box 15 | Folder 5 |
Vocal and Gamba - Parts CPT I, III, IV
|
1984 |
|
Scope and Contents
Anatidae.
|
|||
|
Series IV. Posters of musical compositions
|
1977-1989 | ||
|
Scope and Contents
Written for synthesizer.
|
|||
| Box 13 | Folder 2 |
"Angels"
|
1989 |
|
Scope and Contents
Queen of Angels (St. Mary Prelude); Angelic Order (Beautiful River).
|
|||
| Box 13 | Folder 2 |
"The Birthday Variations"
|
1978 |
|
Scope and Contents
Guitar for Phill Niblock (1993); For Margo Lockwood; For Doug Wyatt (Synthesizer 3).
|
|||
| Mapcase Folder 2 |
"C-A-G-E III"
|
1975 | |
|
Scope and Contents
Synthesizer; Guitar.
|
|||
| Mapcase Folder 2 |
"Cayuga Night" Music, "Snow Gorge with Full Moon"; "June Bro"; "Trains"
|
1989, undated | |
| Box 13 | Folder 3 |
"The Continuing Story of Counterpoint (TCSOC)", Part 1
|
1976 |
|
Scope and Contents
Electric Piano, Synthesizer 1 (Player one); Synthesizer 2, 3 (Player two).
|
|||
| Box 13 | Folder 4 |
"The Continuing Story of Counterpoint (TCSOC)", Part 2
|
1977-1982 |
|
Scope and Contents
Piano one; Keyboard one; Player one; Score with text from the Revelation of St. John
the Divine;
|
|||
| Mapcase Folder 4 |
"The Continuing Story of Counterpoint (TCSOC)", Part 2 and 10
|
1977-1985 | |
|
Scope and Contents
Relevant material in Box 13, Folders 4, 5, and Box 16, Folder 4.
|
|||
| Box 13 | Folder 5 |
"The Continuing Story of Counterpoint (TCSOC)", Part 3
|
1978-1979 |
|
Scope and Contents
Synthesizer 3 (long notes); RMI Piano; Player 2; SWAM; Nurit's; Player, Synthesizer
1 and 2; Synthesizer 3 and 4 (long notes).
|
|||
| Box 13 | Folder 6 |
"The Continuing Story of Counterpoint (TCSOC)", Part 4
|
1983 |
|
Scope and Contents
Voice; Player 2; Beginning and Ending (SWAM); MIDI 1.
|
|||
| Box 16 | Folder 1 |
"The Continuing Story of Counterpoint (TCSOC)", Part 5
|
1977 |
| Box 16 | Folder 2 |
"The Continuing Story of Counterpoint (TCSOC)", Part 7 and 8
|
1978-1979, 1990 |
| Box 12 | Folder 1 |
"The Continuing Story of Counterpoint (TCSOC)", Part 9 with score notebooks
|
1980 |
|
Scope and Contents
Keyboards 1, 2, 3; Synthesizer 2, 3, 4; Player 2 and 3.
|
|||
| Box 16 |
"The Continuing Story of Counterpoint (TCSOC)", Part 9
|
1980 | |
|
Scope and Contents
Synthesizer 3, 4; Player 1, 2, and 3; SWAIM.
|
|||
| Box 16 |
"The Continuing Story of Counterpoint (TCSOC)", Part 10 and 11
|
1985-1987 | |
|
Scope and Contents
Electric Piano, Synthesizer 1 (Player one); Synthesizer 2, 3 (Player two).
|
|||
| Box 13 | Folder 2 |
"Enfield in Winter"
|
1978 |
|
Scope and Contents
Two Synthesizers; RMI electric piano.
|
|||
| Mapcase Folder 4 |
"Phantom Waltz", for two pianos
|
1989 | |
| Mapcase Folder 2 |
"Unjust Malaise", Piano 2
|
1991 | |
| Mapcase Folder 3 |
"Variations on Themes of Philip Glass"; "Screens of Memory Theme"
|
1989-1991 | |
|
Scope and Contents
Guitar, Theme "Screens of Memory"; Variation Three/Synthesizers; Variation Two (Ellen);
Rondo (finale).
|
|||
|
Series V. Publicity Material
|
1945-2021 | ||
|
Scope and Contents
Included newspaper reviews, posters, programs and flyers from concerts.
|
|||
| Box 15 | Folder 6 |
Academic harmony class cartoon by Borden
|
1960 |
| Box 7 | Folder 13 |
Agreements and Invoices
|
1961-1963, 1984-1990 |
|
Scope and Contents
with Cuneiform Records Company (1989) and Ensemble Publications (1961, 1963, 1990).
|
|||
| Box 7 | Folder 14 |
"Angels." Correspondence, performance preparation, and publicity material
|
1989 |
|
Scope and Contents
Included notes on the program of the performance and the actual program, a list of
people involved in Angles, lists of songs with notes, and more.
|
|||
| Box 7 | Folder 15 |
"Angels." Montréal Musiques Actuelles
|
1990 |
| Box 7 | Folder 16 |
"Angels." Travel to Montreal
|
1990 |
| Box 15 | Folder 7 |
"Angels." Visions and Apparitions
|
1989 |
| Box 7 | Folder 17 |
"Cayuga Night" publicity material
|
1993 |
|
Scope and Contents
Newspaper clippings, programs, and more.
|
|||
| Box 15 | Folder 8 |
Cloudscape for Peggy performance
|
1970 |
|
Scope and Contents
In Cornell Summer Dance Group.
|
|||
| Box 15 | Folder 9 |
Concert programs and posters
|
1971-1977 |
|
Scope and Contents
Mother Mallard's portable masterpiece company; In performance at the Diplomat; Cornell
Summer (1975); Lehigh University Concert (1971); Alternative museum Flyer (1972).
|
|||
| Box 15 | Folder 10 |
David Borden interviews
|
1975, 1986, 1990 |
| Box 15 | Folder 11 |
Magazine and newspaper articles
|
1981-1984 |
|
Scope and Contents
The Village VOICE (1984); Keyboard Magazine (1982); Terminal newspaper and copies
(1981); Reviews of David Borden Music for Amplified Keyboard Instruments (copies of
reviews), 1981-1984).
|
|||
| Box 7 | Folder 19 |
Magazine article on David Borden
|
1983 |
|
Scope and Contents
Down Beat, Profile, p.52.
|
|||
| Box 17 | Folder 1 |
Moogfest 2011, Publicity material
|
2011 |
|
Scope and Contents
Poster, flyer, and program.
|
|||
| Box 17 | Folder 2 |
Mother Mallard concert posters and programs
|
1971-1978 |
| Box 17 | Folder 3 |
Mother Mallard performance at Johnson Museum in 1975, poster
|
undated |
|
Scope and Contents
Photograph by Jon Reis.
|
|||
| Box 17 | Folder 4 |
Mother Mallard Record Jacket, black and white photographs
|
1975 |
| Box 17 | Folder 5 |
Newspaper articles about Robert Moog
|
2005 |
|
Scope and Contents
Relevant material in Box 7, Folder 31. Robert Moog.
|
|||
| Box 17 | Folder 6 |
Newspaper articles and newsletters
|
2016-2019 |
|
Scope and Contents
50 Years of Local Synths, The Ithaca Times (2019), Cayuga Lake Watershed network News
(2016).
|
|||
| Box 7 | Folder 20 |
Newspaper clippings and photocopies of reviews and articles
|
1977-2002 |
|
Scope and Contents
Includes an article in Russian, articles about Mother Mallard.
|
|||
| Box 15 | Folder 12 |
Newspaper clippings of reviews and articles
|
1970-1971 |
| Box 17 | Folder 7 |
Newspaper reviews
|
1999-2011 |
|
Scope and Contents
Includes The New York Times review of the Brooklyn gig (2011); Washignton Post (2000).
|
|||
| Box 7 | Folder 21 |
Omnidirectional Halo performance
|
1973 |
|
Scope and Contents
Premiere.
|
|||
| Box 15 | Folder 13 |
Original copies and newspaper clippings of reviews, articles and programs of Mother
Mallard
|
1973-1977, 2000 |
|
Scope and Contents
Magazines included are Stereo Review, The Drummer, Walrus, Contemporary Keyboard,
The New York Times, and Cornell Summer. Relevant material in Box 7, Folder 23. Photocopies
of reviews and articles.
|
|||
| Box 7 | Folder 22 |
Photocopies of international reviews and articles
|
1999-2002 |
|
Scope and Contents
Includes reviews in Italian, Polish, German, and other languages. Sent by Cuneiform
Records.
|
|||
| Box 7 | Folder 23 |
Photocopies of reviews and articles
|
1969-1977 |
|
Scope and Contents
Original copies are in Box 15, Folder 13. Original copies and newspaper clippings
of reviews and articles.
|
|||
| Box 7 | Folder 24 |
Photographs of Davin Borden and others
|
undated, 1991-1995 |
|
Scope and Contents
By Charles Harrington (Cornell University), By Jon Reis (1995); By Steve J. Sherman
(1995), and Peter Schaaf (1991); Photographs of David Borden primarily; Ed Murray,
and Ellen Hargis (1994).
|
|||
| Box 7 | Folder 25 |
Programs and posters from festivals and other events
|
1965-1970 |
|
Scope and Contents
New Music at Harvard University; 3rd annual mt. Greylock arts Festival and Sage Chapel-
Easter Sunday.
|
|||
|
Poster depicting a performance of a composition written for a Moog synthesizer
|
1975 | ||
| Box 7 | Folder 26 |
Programs and concert flyers
|
1945, 1988-1989, 2001 |
|
Scope and Contents
New Music at Harvard University; 3rd annual mt. Greylock arts Festival and Sage Chapel-
Easter Sunday.
|
|||
| Box 7 | Folder 27 |
Programs from festivals and other events
|
1991-2021 |
|
Scope and Contents
New Music at Harvard University; 3rd annual mt. Greylock arts Festival and Sage Chapel-
Easter Sunday.
|
|||
| Box 15 | Folder 14 |
Publicity material for the Anatidae Album
|
1981, 1987 |
|
Scope and Contents
Soundchoice (Jan.Feb. 1987); Promotional flyer by Howarth Matt (Comic book artist).
|
|||
| Box 7 | Folder 28 |
Publicity material from concerts at Barnes Hall, Cornell University
|
1993-1999 |
|
Scope and Contents
Night and Day, two pianos with Edward Murray and David Borden and other.
|
|||
| Box 17 | Folder 8 |
Publicity material from Mother Mallard's Portable Masterpiece Company (MMPMC)
|
1969-2009 |
|
Scope and Contents
Included a poster from the 40th Anniversary Concert with signs from all the participants,
newspaper articles, posters, programs, tickets, flyers, and more.
|
|||
| Box 7 | Folder 29 |
Publicity photographs of David Borden
|
1980s |
|
Scope and Contents
Photograph by Emil Ghinger.
|
|||
|
Conditions Governing Use
Included copyrighted photographs. See the physical object.
|
|||
| Box 7 | Folder 30 |
Reviews for the Continuing Story of Counterpoint Parts 9-12
|
1989 |
| Box 7 | Folder 31 |
Robert Moog
|
1996-1999 |
|
Scope and Contents
Photocopies of biographical notes, reviews, and articles. Include relevant correspondence.
Relevant material in Box 17, Folder 5. Newspaper articles about Robert Moog.
|
|||
| Box 7 | Folder 32 |
Ruth st. Denis concert program and photograph
|
2009 |
| Box 3 | Folder 1 |
Silk screens of a self portrait and 2 Mother Mallard concert posters
|
1969-1971 |
| Box 7 | Folder 33 |
Variations on America performances
|
1969-1972 |
|
Series VI. Personal Files
|
1957-2016 | ||
|
Scope and Contents
Included newspaper reviews, posters programs and flyers from concerts.
|
|||
| Box 7 | Folder 34 |
Berkshire Music Center, Students list
|
1961 |
|
Scope and Contents
David Borden's name is on the list, as a student of Berkshire Music Center, along
with his local and home address and his department (Composition).
|
|||
| Box 7 | Folder 35 |
David Borden's professional envelope and letter to his mother
|
1985 |
| Box 7 | Volume 1 |
Personal letters and cards from Diane (DeGeorge) Moore
|
1958-2016 |
|
Scope and Contents
Nurse. Christmas postcards, handwritten letters.
|
|||
| Box 7 | Volume 2 |
Personal letters and cards from Joan (Moffitt) Larkin
|
1957-1999 |
|
Scope and Contents
Published poet. Postcards, handwritten letters.
|
|||