ILGWU. Canadian Area films,, 1958-1975
Collection Number: 5780/038 AV
Kheel Center for Labor-Management Documentation & Archives
Cornell University Library
DESCRIPTIVE SUMMARY
Title:
ILGWU. Canadian Area films, 1958-1975
Repository:
Kheel Center for Labor-Management Documentation & Archives
Collection Number:
5780/038 AV
Abstract:
Films generated and collected by Canadian locals of the International Ladies' Garment
Workers' Union.
Creator:
International Ladies' Garment Workers' Union
Quanitities:
8.67 cubic feet
Language:
Collection material in English and French.
The International Ladies' Garment Workers' Union was founded in New York City in 1900
by mostly Socialist immigrant workers who sought to unite the various crafts in the
growing women's garment industry. The union soon reflected changes in the sector and
rapidly organized thousands of unskilled and semi-skilled women, mostly Jewish and
Italian young immigrants. Exemplifying the "new unionism," the ILGWU led two of the
most widespread and best-known industrial strikes of the early Twentieth Century:
the shirtwaist makers' strike of 1909 in New York City and the cloak makers' strike
of 1910 in Chicago. The union also tried to adapt to the fragmented and unstable nature
of the industry. It adopted the "protocol of peace," a system of industrial relations
that attempted to ensure stability and limit strikes and production disruption by
providing for an arbitration system to resolve disputes.
The ILGWU exemplified the European-style social unionism of its founding members.
They pursued bread and butter issues but provided educational opportunities, benefits,
and social programs to union members as well. In 1919, the ILGWU became the first
American union to negotiate an unemployment compensation fund that was contributed
to by its employers. The ILGWU also pioneered in the establishment of an extremely
progressive health care program for its members which included not only regional Union
Health Centers but also a resort for union workers, known as Unity House. The Union
also had an imaginative and pioneering Education Department which not only trained
workers in traditional union techniques, but provided courses in citizenship and the
English language.
David Dubinsky, an immigrant from Belarus who came to the US in 1911, provided strong
leadership that led to unprecedented growth in the union during his presidency from
1932 to 1966. He led the union through successful internal anti-communist struggles,
built on the ascendancy of industrial unionism by encouraging the formation of the
Committee for Industrial Organization, and helped the union become an important political
force in New York City and state politics, and in the national Democratic Party and
Liberal Party as well.
In the period following the Second World War, the union suffered a decline in membership
as manufacturers avoided unionization and took advantage of less expensive labor by
moving shops from the urban centers in the northeast to the south, and later abroad.
The ethnic and racial character of the ILGWU also changed as European immigrants were
supplanted by Asians, Latin Americans, African- Americans, and immigrants from the
Caribbean.
In July 1995 the ILGWU merged with the Amalgamated Clothing and Textile Workers Union
(ACTWU) at a joint convention, forming UNITE (Union of Needletrades, Industrial and
Textile Employees). At the time the new union had a membership of about 250,000 in
the United States, Canada, and Puerto Rico.
Films generated and collected by Canadian locals of the International Ladies' Garment
Workers' Union.
The ILGWU Records, except for publications and materials produced for publication,
are restricted. Materials created prior to twenty years from the current date are
open to researchers only with prior written permission from the Director of the Kheel
Center; materials created during the past twenty-years are closed; the minutes of
the General Executive Board are closed. For more information contact the Kheel Center.
INFORMATION FOR USERS
ILGWU. Canadian Area films. 5780/038 AV. Kheel Center for Labor-Management Documentation
and Archives, Martin P. Catherwood Library, Cornell University.
5780. ILGWU records
Subjects:
Women's clothing industry--Canada.
Women's clothing industry -- United States
Labor unions--Clothing workers--Canada.
Clothing workers -- Labor unions -- United States
Clothing workers--Canada.
Clothing workers -- United States
Industrial relations--Canada.
Industrial relations -- United States
CONTAINER LIST
Container
|
Description
|
Date
|
|
Box 1 | Folder 1 |
1. Luigi Infantino 2. Paolo Lipiari 3. Michelo Argento. Union film.
|
|
Scope and Contents
Italien; Copie; Dactylographie
|
|||
Box 1 | Folder 2 |
1. Damato Giorgio. Union Film
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 3 |
1. Anuntiat Adresso 2. Lumia-Maria 3. Dipaula-Anne 4. Carmena de Santos 5. Tissera-Niro
6. Rossetta-Elsini 7. Ginseno-Sel. De Oso. Union Film
|
|
Scope and Contents
Italien copie
|
|||
Box 1 | Folder 4 |
M. Poirier. Union Film
|
|
Scope and Contents
Copie; Dactylographie; Anglais; Francais; Syncro
|
|||
Box 1 | Folder 5 |
M. Tony Tueci. Union Film
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 6 |
M. Tony Tueci. Union Film
|
|
Scope and Contents
Copie
|
|||
Box 1 | Folder 7 |
Guisepe Anania; Dierriere entrevue
|
|
Box 1 | Folder 8 |
1. Giovanni-D'Alesio 2. Enta-Janiello 3. Maria-Motta. Union Film
|
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Scope and Contents
Copie; Dactylographie
|
|||
Box 1 | Folder 9 |
Frances Fioramore. Union Film.
|
|
Scope and Contents
Italien. Original
|
|||
Box 1 | Folder 10 |
Immaculata Coppiello
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 11 |
Giovanni-D'Alesio. Union Film.
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 12 |
1. Luigi Infantino, 2. Paolo Lipari, 3. Michelo Argento. Reel II.
|
1970 |
Scope and Contents
Sept. 28; Original
|
|||
Box 1 | Folder 13 |
1. Enta Janiello, 2. Maria Motta. Union Film
|
1970 |
Scope and Contents
Sept. 28; Original
|
|||
Box 1 | Folder 14 |
1. Angela-Marino, 2. Damato-Giorgio. Union Film.
|
|
Scope and Contents
Italien. Copie. Dactylogrphie
|
|||
Box 1 | Folder 15 |
1. Amadeo-Lumia., 2. Natalima-Bartolini, 3. Antonio-Caso. Union Film.
|
|
Scope and Contents
Italien. Copie. Dactylographie.
|
|||
Box 1 | Folder 16 |
1. Mr. Bresner. Union Fil.
|
|
Scope and Contents
English. Original #3 (Non sync)
|
|||
Box 1 | Folder 17 |
1. Anuntiat Adresso, 2. Lumia-Maria, 3. Dipaula-Anne, 4. Carmena de Santos, 5. Tissera-Niro.
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 18 |
Pietro Antonelli, Giuseppe Anania. Union Film.
|
|
Scope and Contents
Copie. Dactylographie.
|
|||
Box 1 | Folder 19 |
1. Francesco-Fioramore, 2. Immaculata-Coppiel. (CONE) Union Film.
|
|
Scope and Contents
Italien. Dactylographie.
|
|||
Box 1 | Folder 20 |
Pietro Antonelli. Union Film.
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 21 |
1. Loisita Figini, 2. Giusefina Del Gesso. Union Film.
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 22 |
Roland Poirier. Union Film. Reel 1.
|
|
Scope and Contents
Copie 3 ¾
|
|||
Box 1 | Folder 23 |
Harry Titeman II
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 24 |
Miss Charpentierr, reel 1, Prises 1-5.
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 25 |
M. Myer Berlin
|
|
Scope and Contents
Original
|
|||
Box 1 | Folder 26 |
1. H. Titleman, 2. Albert-Eaton. Union Film
|
|
Scope and Contents
Anglais. Copie. Dactylographie
|
|||
Box 1 | Folder 27 |
Mrs. Whitehead
|
|
Scope and Contents
Copie 3 3/4 " de l'original #1. Dactylographie
|
|||
Box 1 | Folder 28 |
R. Messier
|
|
Scope and Contents
Sonseul pour transfer. E.U
|
|||
Box 1 | Folder 29 |
Offices sounds. Wild Trk. Union [Film]
|
|
Box 1 | Folder 30 |
Music Trk. Union Film.
|
|
Scope and Contents
Pour transfer
|
|||
Box 1 | Folder 31 |
Marielle Moore
|
|
Scope and Contents
Ambiance and sonseul Anglais. Pour transfer
|
|||
Box 1a | Folder 32 |
Therese Phaneuf (?)/Grievance Committee
|
|
Scope and Contents
Son seul Anglais pour transfer
|
|||
Box 1a | Folder 33 |
Comite du Greive
|
|
Scope and Contents
Italian. Son seul transfer
|
|||
Box 1a | Folder 34 |
Bresner
|
|
Scope and Contents
Son seul pour transfer
|
|||
Box 1a | Folder 35 |
[Correspondence relating to film]
|
1970-1971 |
Box 1a | Folder 36 |
[Text relating to film]
|
|
Box 2 | Folder 1 |
Mr. Bresner; Union Film #2
|
|
Scope and Contents
English; Non Sync; Original
|
|||
Box 2 | Folder 2 |
Roland Poirier. Union Film. #1
|
|
Scope and Contents
Copie 3 ¾" Francais; acetate
|
|||
Box 2 | Folder 3 |
Mrs Whitehead
|
|
Scope and Contents
Original #1; acetate
|
|||
Box 2 | Folder 4 |
M. Silverman (exc-humor)
|
|
Scope and Contents
Original 7 ½
|
|||
Box 2 | Folder 5 |
Discour-Anglais. Mrs. Bresner.
|
|
Scope and Contents
Original; 7.5 NAB, Son, Reel No. 3, triacetate
|
|||
Box 2 | Folder 6 |
Aurore La Pierre, Bob Seul
|
|
Scope and Contents
Union Film. Original. Acetate
|
|||
Box 2 | Folder 7 |
Anita Marleau
|
|
Scope and Contents
Francais. Union Film. Copie. 3 ¾ #1; Reel #3, dactylographie
|
|||
Box 2 | Folder 8 |
Miss Charpentier
|
|
Scope and Contents
Union Film. Copie of Original. 3 ¾ Reel #1 Dactylographie; acetate
|
|||
Box 2 | Folder 9 |
Sam Kibrick.
|
|
Scope and Contents
Original; 7 ½
|
|||
Box 2 | Folder 10 |
Shildkraut (Sans filtre) Abe Rudy
|
|
Scope and Contents
Original 7 ½; acetate
|
|||
Box 2 | Folder 11 |
Mr. Meakins (English)
|
|
Scope and Contents
Copie 3 ¾" Union Film. Dactylographie. Reel 1 at 2.
|
|||
Box 2 | Folder 12 |
Avec Marielle Moore #2
|
|
Scope and Contents
Union Film Bob #2 Original; acetate
|
|||
Box 2 | Folder 13 |
Racine material
|
|
Scope and Contents
English, French, and Italian
|
|||
Box 2 | Folder 14 |
Y. Charpentier I
|
|
Scope and Contents
Original 7 ½
|
|||
Box 2 | Folder 15 |
Y. Charpentier II
|
|
Scope and Contents
Original 7 ½
|
|||
Box 2 | Folder 16 |
M. Myer Berline; Shildkraut (sans filter); Abe Rudy
|
|
Scope and Contents
dactylographie 7 ½ copies; acetate
|
|||
Box 2 | Folder 17 |
Max Share
|
|
Scope and Contents
7 ½ Original; acetate
|
|||
Box 2 | Folder 18 |
Mlle. Aurore La Pierre
|
|
Scope and Contents
Copie de l'original; 3 ¾ Union Film; Bob 1; Dactylographie
|
|||
Box 2 | Folder 19 |
B. Shane I
|
|
Scope and Contents
Original 7 ½ ; acetate
|
|||
Box 2 | Folder 20 |
Morris-Feilgelson
|
|
Scope and Contents
Bob 1 at 2; Copie 3 ¾ ;Anglais; Union Film; Dactylographie #1; acetate
|
|||
Box 2 | Folder 21 |
Mr. Bresner (English)
|
|
Scope and Contents
(Sync) Original Union Film #1; triacetate
|
|||
Box 2 | Folder 22 |
Marielle Moore
|
|
Scope and Contents
Union Film; Original #1; Bob #1; acetate
|
|||
Box 2 | Folder 23 |
Mlle. Lilian Monohan
|
1970 |
Scope and Contents
Sept. 10; #2 7 ½ IPS Original
|
|||
Box 2 | Folder 24 |
Mlle. Lilian Monohan; Bobine
|
1970 |
Scope and Contents
Sept. 10; 7 ½ IPS Original
|
|||
Box 2 | Folder 25 |
Mme. Pauline Lamothe Di Stefano
|
|
Scope and Contents
1/3 7 ½ Original
|
|||
Box 2 | Folder 26 |
M. Messier; Mlle Chapagne
|
|
Scope and Contents
1F4 English and French; 6F5 1-2-3-4 ;Copie 3 ¾
|
|||
Box 2 | Folder 27 |
1. Mr. Myer-Berlin, 2. Kibrick (Sam), 3. Max-Share
|
|
Scope and Contents
Union Film. Copie. Anglais. 3 ¾ Dactylographie
|
|||
Box 2 | Folder 28 |
Therese Pheuneuf
|
|
Scope and Contents
few minutes French, then English; 3 ¾ copy; union flim reel; #1 dactylographie; acetate
|
|||
Box 2 | Folder 29 |
M. Liberman Original (English)
|
|
Scope and Contents
Union Films Non-synch Reel 2
|
|||
Box 2 | Folder 30 |
M. Liberman Copie (English)
|
|
Scope and Contents
Union Films; Reel 1-8; Dactylographie; acetate
|
|||
Box 2 | Folder 31 |
1. Luigi Infantino, 2. Paolo Lipari, 3. Michelo Argento
|
1970 |
Scope and Contents
Sept. 28; Unione Filmo; Original 1
|
|||
Box 2 | Folder 32 |
Romeo Vezima (san filter) II
|
|
Scope and Contents
7 ½ Original; acetate
|
|||
Box 2 | Folder 33 |
Leona Jodoin Original (by phone)
|
|
Scope and Contents
Union film; Bob #2; acetate
|
|||
Box 2 | Folder 34 |
1. Natalina-Bartolini 2. Antonio-Caso
|
1970 |
Scope and Contents
Sept. 29; Union Film; Italien; Original; acetate
|
|||
Box 2 | Folder 35 |
Miss Charpentier; Original
|
|
Scope and Contents
Union Film (English); Reel #1; acetate
|
|||
Box 2 | Folder 36 |
Bob I Union ([illegible] cheques)
|
|
Box 2 | Folder 37 |
Aldea Guillermette
|
|
Box 2 | Folder 38 |
Frank Fioramore
|
|
Scope and Contents
Original 7 ½
|
|||
Box 2 | Folder 39 |
Washington #4
|
|
Scope and Contents
B-2 H+2 28+4
|
|||
Box 2 | Folder 40 |
"Sod turning, Plateau St"
|
|
Scope and Contents
polyester
|
|||
Box 3 | Folder 1 |
M. Silverman; Max Share
|
|
Scope and Contents
7 ½ copie dacytlographi; acetate
|
|||
Box 3 | Folder 2 |
Mr. Meyer Berlin
|
|
Scope and Contents
331 E, Reel #1; Union Film; 7 ½ original
|
|||
Box 3 | Folder 3 |
Mde. Aurore LaPierre [illegible]; M.A. Carrier; Ambiance
|
|
Scope and Contents
Bob I' 7 ½ NAB original; acetate
|
|||
Box 3 | Folder 4 |
Soir ambiance manufacture; Mariana B. Italian; Angela de Paula 57; Emilio 60, Bartolini
34; Theresa 59; [illegible]
|
|
Scope and Contents
S.U.P. transfer; acetate
|
|||
Box 3 | Folder 5 |
Albert Eaton I and II
|
|
Scope and Contents
teste déjà dactylographic 7 ½; (sans filter); acetate
|
|||
Box 3 | Folder 6 |
Mr. Silverman, 681E; Miss Charpentier Bob 1 – Prises 1-5, 2F-10; Miss Charpentier,
Bob 2 – Prises 6-9, 2F-10
|
|
Scope and Contents
Union film 3 ¾ IPS (copies); triacetate
|
|||
Box 3 | Folder 7 |
Morris Feigelson
|
1970 |
Scope and Contents
Oct. 26; Bob II Union; 91-E (sync)
|
|||
Box 3 | Folder 8 |
Flore Plante
|
|
Scope and Contents
Bob #; Original Union Film
|
|||
Box 3 | Folder 9 |
Aldea Guillemette; Mme Pauline Lamothe Di Stefano
|
|
Scope and Contents
1/23; 7 ½ copie; dactylographie
|
|||
Box 3 | Folder 10 |
Mr. Liberman
|
|
Scope and Contents
Synch; English; Union Film; Reel #1
|
|||
Box 3 | Folder 11 |
Morris Feigelson 91-E
|
1970 |
Scope and Contents
Oct. 26; Bob III Union; (no sync)
|
|||
Box 3 | Folder 12 |
M. Libberman
|
|
Scope and Contents
Original (English); Union films; Nonsynch Reel #4 (actually #1 in order)
|
|||
Box 3 | Folder 13 |
Maiorino 59.2; Capiello 30; Gina 95; Ambiance Manufacture Minicucci 62.1
|
|
Scope and Contents
7 ½ NAB original
|
|||
Box 3 | Folder 14 |
Mlle Charpentier 52-53-54 sans filter, narratrice 23-24-25
|
|
Scope and Contents
acetate
|
|||
Box 3 | Folder 15 |
Mme. Guilemette 7-8-9-10-11-11 (prises 11 la deuxieme est la bonne)-12-13-14-15-16-17
(illegible)
|
|
Scope and Contents
acetate
|
|||
Box 3 | Folder 16 |
Prises 45-46-47-48-49-50-51-52-53
|
|
Scope and Contents
sync version; italienne; Bon; Bob 4; acetate
|
|||
Box 3 | Folder 17 |
Anglais M. Poirier
|
|
Scope and Contents
Original; Union Film; syncro; 2 pour transfer; synch seul; acetate
|
|||
Box 3 | Folder 18 |
M. Manel (sync)
|
|
Scope and Contents
original; reel #1; union film; acetate
|
|||
Box 3 | Folder 19 |
Mme. Moore 4F8, 6F7, 7F5
|
|
Scope and Contents
mostly French, some English interview; 7 ½ NAB original; acetate
|
|||
Box 3 | Folder 20 |
Marielle Moore
|
|
Scope and Contents
sound alone; 7 ½ NAB original; acetate
|
|||
Box 3 | Folder 21 |
Mr. Liberman
|
|
Scope and Contents
(English) Union film; copie 3 ¾ dactylographie; reel 3 and 4; acetate
|
|||
Box 3 | Folder 22 |
M. Harry Titeman I
|
|
Scope and Contents
original 7 ½; acetate
|
|||
Box 3 | Folder 23 |
Flore plante
|
|
Scope and Contents
union film; original Bob #1; copie #1 3 3 ¾ " dactylographie; acetate
|
|||
Box 3 | Folder 24 |
M. Paolo Picari; M. Lipari; Frank Fiaramore; Anita Greeberg ;
|
|
Scope and Contents
Italien; 7 /12 NAB original; acetate
|
|||
Box 3 | Folder 25 |
Frank Fioramore; Sam Kibrick;
|
|
Scope and Contents
3 ¾ déjà dactylographie copie
|
|||
Box 3 | Folder 26 |
Olga Kolesar
|
|
Scope and Contents
V.O [voiceover?]; Anglais (sync); 7 ½ IPS
|
|||
Box 3 | Folder 27 |
Enza Ianiello 63; Si Bresne 36r; Asunta Clement 46; Ambiance Manufacture a desso 61
|
|
Scope and Contents
7 ½ NAB originale; Italien; acetate
|
|||
Box 3 | Folder 28 |
61E and 71E and 151E Kibrick (Sam); Max Share
|
|
Scope and Contents
Union films; reel #1; 7 ½ original; acetate
|
|||
Box 3 | Folder 29 |
Mlle Carpentier 30-31-32-33; Me Guillemette 1-2-3-4-5-6
|
|
Scope and Contents
acetate
|
|||
Box 3 | Folder 30 |
Fiaramore IT 23; 23/3 Luigi Antonini; Mme. Di Stefano 1-2; M. LeClerc 1-2-3
|
|
Scope and Contents
acetate
|
|||
Box 3 | Folder 31 |
Charpentier I and II
|
|
Scope and Contents
7 ½ tento dactylographie copie; acetate
|
|||
Box 3 | Folder 32 |
1. Mr. Shane, 2. Discour Cicconstance, 3. Mlle Charpentier; Banquet
|
|
Scope and Contents
Charpentier Suite; dactylographie
|
|||
Box 3 | Folder 33 |
1. Remise-cheques; 2. Discour-Shane
|
|
Scope and Contents
Union Film; Copie; dactylographie
|
|||
Box 3 | Folder 34 |
Medical clinic; reel #3
|
|
Scope and Contents
Union film; 7 ½ NAB original; acetate
|
|||
Box 3 | Folder 35 |
Albert Eaton II (sans filter)
|
|
Scope and Contents
original 7 ½; MP#50; acetate
|
|||
Box 3 | Folder 36 |
Miss Charpentier prises 1-5; M. Poirier
|
|
Scope and Contents
2F10 copie, 3 ¾,
|
|||
Box 3a | Folder 37 |
M. Poirier
|
|
Scope and Contents
Union Film; Fracais Syncro; acetate
|
|||
Box 3a | Folder 38 |
Leona Jodoin
|
|
Scope and Contents
Original (by phone); Union Film; Bob #1; acetate
|
|||
Box 3a | Folder 39 |
Mrs. Champagne
|
|
Scope and Contents
611E-Takes 1x2x3; union film; 7 ½ NAB original; acetate
|
|||
Box 3a | Folder 40 |
M. Bastien; M. Biamce cours atisanat; Ambiance;
|
|
Scope and Contents
Italienne atisanat; Ambiance peinture; 7 ½ NAB Original; acetate
|
|||
Box 3a | Folder 41 |
Aldea Guillemette 3F6
|
|
Scope and Contents
reel #1; 1 minute on reel #2; 7 ½ NAB original; acetate
|
|||
Box 3a | Folder 42 |
Mr. Shane
|
|
Scope and Contents
English; last take 701RE; Union films; 7 ½ NAB original; acetate
|
|||
Box 3a | Folder 43 |
M. Bresner
|
|
Scope and Contents
Anglais; Union film 3-4; dactylographie
|
|||
Box 3a | Folder 44 |
M. Bresner
|
|
Scope and Contents
copie; Union film 1-2; dactylographie
|
|||
Box 3a | Folder 45 |
Office convseration
|
|
Scope and Contents
Francais; Italien Grief Comite 1 et 2 dactylographie
|
|||
Box 3a | Folder 46 |
Grievance committee
|
|
Scope and Contents
wild trk
|
|||
Box 3a | Folder 47 |
M. Manel
|
|
Scope and Contents
Union film; Anglais; reel 1; copie
|
|||
Box 3a | Folder 48 |
Albert Eaton
|
|
Scope and Contents
Union 131E (27-10-70) (200' [illegible] no sync) (sync)
|
|||
Box 3a | Folder 49 |
Anne Marie, Doi Ron [?], 4B1
|
|
Scope and Contents
acetate
|
|||
Box 3a | Folder 50 |
Mr. S. Bresner
|
|
Scope and Contents
English; last take 371E; French 7F2 commence 2F2; union film; 7 ½ NAB original; acetate
|
|||
Box 3a | Folder 51 |
Prises 11-12-13-14, sync 15-16-17-18-19-20-21-22-23-24-25-26-27
|
|
Scope and Contents
version italienne; acetate
|
|||
Box 3a | Folder 52 |
Prises 1-2-3-4-5-6-7-8-9
|
|
Scope and Contents
sync; version italienne; acetate
|
|||
Box 3a | Folder 53 |
Discours Shanve Mai
|
1968 |
Scope and Contents
acetate
|
|||
Box 3a | Folder 54 |
Paul Noel
|
|
Scope and Contents
3 spectacle union original; acetate
|
|||
Box 3a | Folder 55 |
Ambiance [illegible]
|
|
Scope and Contents
Bob 1N5 (2); 7 ½ NAB original; acetate
|
|||
Box 3a | Folder 56 |
J.J. Spector; interview 37 strike
|
|
Scope and Contents
15 speed—sound only; Les Midinettes; original #1; acetate
|
|||
Box 3a | Folder 57 |
Aldea Guillemette 3F6; M. Roland Poirier 3F5-4F8-51E; Mme. Aurore Lapierre Ma Carrier
|
|
Scope and Contents
copie 3 ¾; acetate
|
|||
Box 3a | Folder 58 |
B. Shane II (original)
|
|
Scope and Contents
acetate
|
|||
Box 3a | Folder 59 |
Prises 28-29-30-31-32-33-34-35-36-37-38-39-40-41-42-43-44
|
|
Scope and Contents
acetate
|
|||
Box 3a | Folder 60 |
Banquet M. Chane [?]; T. Casgran [?]; Dublde [?]; [illegible]
|
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Scope and Contents
7 ½ NAB original; acetate
|
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Box 3a | Folder 61 |
M. La Raselle [?]; M. Roland Poirier 3F5, 4F8, 251E 400
|
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Scope and Contents
7 ½ NAB [illegible]; acetate
|
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Box 3a | Folder 62 |
M. Leclerc 4 et 5; Mlle Marliou
|
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Scope and Contents
acetate
|
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Box 3a | Folder 63 |
Mlle Tardiz [?]
|
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Scope and Contents
English; 691 Union films; 7 ½ NAB original; acetate
|
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Box 3a | Folder 64 |
Union de Vetement Dames
|
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Scope and Contents
7 ½ NAB Son; Reel #1; triacetate
|
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Box 3a | Folder 65 |
Union de Vetement Dames
|
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Scope and Contents
7 ½ NAB Son; Reel #2; triacetate
|
|||
Box 3a | Folder 66 |
Poirier, Rolland
|
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Scope and Contents
original; reel #1; union film; French
|
|||
Box 3a | Folder 67 |
Mr. Rolland Poirier
|
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Scope and Contents
original #2; union film; English; triacetate
|
|||
Box 3a | Folder 68 |
Original Mary Szabo (English)
|
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Scope and Contents
union film; Herbert Ruff, 2/25/66; Triacetate
|
|||
Box 3b | Folder 69 |
French lady (Anita Marleau?)
|
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Scope and Contents
Original Reel #1; Union Film
|
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Box 3b | Folder 70 |
Therese Pheneuf
|
|
Scope and Contents
original; union film (French little, only reel, mostly in English); acetate
|
|||
Box 3b | Folder 71 |
Highlights of an Address by Harry L. Golden, Editor of The Carolina Israelite
|
1958 |
Scope and Contents
to the Jewish Labor Committee 3rd National Trade Union Conference on Civil Rights;
Subject: A Southerner Looks at Integration; For Steve Perkel [?] from Sid Blum [?];
Includes transcription of Golden address
|
|||
Box 3b | Folder 72 |
[no label]
|
|
Box 3b | Folder 73 |
Banquet, Mr. Shane
|
1970 |
Scope and Contents
November; Tape 1
|
|||
Box 3b | Folder 74 |
Banquet, Mr. Shane
|
1970 |
Scope and Contents
November; Tape 2 (Side 1: 1 hour, end of banquet, Side 2: blank, not used)
|
|||
Box 3b | Folder 75 |
Banquet, Mr. Shane
|
1970 |
Scope and Contents
Nov. 15; Radio; TV; (Side 1: 1. Pulse, Channel 6, TV, 2. Hour Glass, Channel 12, TV,
3. CKVL Radio 11/15/70, 4. CFOX Radio, 11/15/70)
|
|||
Box 3b | Folder 76 |
Union (copie)
|
|
Scope and Contents
7/5 IPS, final mix Anglais
|
|||
Box 4 | Folder 1 |
B. Shane I, 7 ½; B. Shane II, 7 ½,
|
|
Scope and Contents
texte déjà dactylogrphie; copie; acetate
|
|||
Box 4 | Folder 2 |
Morris Feigelson, copie, 3 ¾, 91E; Mme. F. Plante; M. Belander (1F5); M. Messier (1F4):
#2
|
|
Box 4 | Folder 3 |
I. M. Harry Titeman; II. Harry Titeman, copie
|
1966 |
Scope and Contents
March 17; texte dactylographic; acetate
|
|||
Box 4 | Folder 4 |
Mme. Moore; Vezina, Francais
|
|
Scope and Contents
4F8, Francais, 6F7, 7F5, copie, 3 ¾; M., 1F8
|
|||
Box 4 | Folder 5 |
Bob I. Union; Edlyn Whitehead
|
1970 |
Scope and Contents
Oct. 26; 571E (Sync)
|
|||
Box 4 | Folder 6 |
Albert Erton, Edlyn Minitenerd, H. Titleman
|
|
Scope and Contents
3 ¾ copie; triacetate
|
|||
Box 4 | Folder 7 |
Bob 3- UIOVD [ILGWU]
|
|
Scope and Contents
acetate
|
|||
Box 4 | Folder 8 |
Discour Italien
|
|
Scope and Contents
Original, 7/5 NAB, SON, reel #4; triacetate
|
|||
Box 4 | Folder 9 |
B.6.T [?] Union. Norris Feigelson, Myer Kerkin
|
|
Scope and Contents
3 ¾ copie
|
|||
Box 4 | Folder 10 |
Mr. Meakins (English)
|
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Scope and Contents
Original (synch) start, union films, reel 1; 1 part non-sync
|
|||
Box 4 | Folder 11 |
Mlle. Charpentier; union film (French), reel #1
|
|
Scope and Contents
Original; acetate
|
|||
Box 4 | Folder 12 |
Romeo Vezina (sans filter
|
|
Scope and Contents
7 ½ original; acetate
|
|||
Box 4 | Folder 13 |
1. Asunta Clemente; 2. Anitta Grenberg, union film
|
|
Scope and Contents
Italien, original; acetate
|
|||
Box 4 | Folder 14 |
Mme. Lilian Monoman, Bob 1 at 2
|
|
Scope and Contents
dactylographie, 3 ¾ IPS, copie; acetate
|
|||
Box 4 | Folder 15 |
M. Messier 1F4
|
|
Scope and Contents
sync et sans seul English and French, union film 7 ½ NAB original; acetate
|
|||
Box 4 | Folder 16 |
Mlle. Charpentier
|
|
Scope and Contents
48-49-50 sans filter-51; acetate
|
|||
Box 4 | Folder 17 |
M. Shane
|
|
Scope and Contents
chacun de midinettes, 7 ½ NAB original; acetate
|
|||
Box 4 | Folder 18 |
M. Spector, prise 1-2; Narratrice 1-2-3; suite sur Bob 2, 4(2°)-5(2°)-6(2°)
|
|
Scope and Contents
acetate
|
|||
Box 4 | Folder 19 |
Miss Charpentier reel 2
|
|
Scope and Contents
prises 7-8-9, 2F10, copie, 3 ¾; PAS, Carmen
|
|||
Box 4 | Folder 20 |
Veller x Bisaillon, French girls, Mlle Irene Arrelle, union films,
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4 | Folder 21 |
1. Asunta Clemente, 2. Anitta Grenberg, union film
|
|
Scope and Contents
copie, Italien, Dactylographie; acetate
|
|||
Box 4 | Folder 22 |
Mr. Meakings (English); reel 2; union films
|
|
Scope and Contents
original (non-synch); acetate
|
|||
Box 4 | Folder 23 |
Uinon H. Titleman; reel 1
|
1970 |
Scope and Contents
Oct. 27; 51E, 7.5
|
|||
Box 4 | Folder 24 |
Narratrice prise 7; narratrice 8-9-10-11; Charpentier prise 1-2-3-2-3, prise 4-5-6-7-8-9-10
|
|
Scope and Contents
la derniere est la bonne; la premiere de 11 est la bonne; acetate
|
|||
Box 4 | Folder 25 |
Mlle Charpentier 44-45-46-47; Mme. Humbeault 1 [illegible] 2; les 2 femmes 1-2 il
y a 2 prises 2-4-5-6
|
|
Box 4 | Folder 26 |
M. Vesina, 1F8; union films
|
|
Scope and Contents
Francais; 7 ½ NAB original; acetate
|
|||
Box 4 | Folder 27 |
J.J. Spector; interview 37 strike
|
|
Scope and Contents
7/12 speed, sound only; les mideinettes, original #2; acetate
|
|||
Box 4 | Folder 28 |
4. Spectacle union original
|
|
Box 4 | Folder 29 |
Mme F. Plante, M. Brelander 1F5, M. Messier 1F4,
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4 | Folder 30 |
Elegant Shop (Marielle Moore) 4F5, 4F6, union films
|
|
Scope and Contents
7 ½ NAB original; acetate
|
|||
Box 4 | Folder 31 |
Mrs. Champagne, Italien 73, prises 1-2-3-4-5-6, union films; fin: resumes local 262
|
|
Scope and Contents
7 ½ NAB, original #3; acetate
|
|||
Box 4 | Folder 32 |
M. Luigi Infantino It[alian?]-31-(1:2-3)-2T71, Mrs. Olda Koesar, Eng[lish?] (test),
union films
|
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Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4 | Folder 33 |
Infantino, Lipari (Itlalien) 65; Mlle Marleau P.I.B. (Francais), Giovani D'Allessio
95, Anne Marie Doiron 4B0
|
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Scope and Contents
acetate
|
|||
Box 4 | Folder 34 |
Narratrice 16-17-18-19 la derniere; Mlle Charpentier 13-14-15-15-16-17
|
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Scope and Contents
acetate
|
|||
Box 4a | Folder 35 |
Mrs. Irene Courtois, English, 521E, It. 38 Will [?] Libberman Greek, union films
|
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Scope and Contents
7 ½ NAB original; acetate
|
|||
Box 4a | Folder 36 |
Son M. Biance, 9380 St. Laurent; Toni Tucci, Italian; Maria Feranitelli, Italian;
Enza Ianiella, Italian scene 63
|
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Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 37 |
Albert Eaton I (sans filter)
|
|
Scope and Contents
original 7 ½; acetate
|
|||
Box 4a | Folder 38 |
M. Roland Poirier 251 English
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 39 |
UIOVD Counseil Executif original
|
|
Scope and Contents
MP #58
|
|||
Box 4a | Folder 40 |
Mlle Charpentier 34-35-36-37-38-39-41-42-43-44; de 37-44 vitesse 15; 7 ½ de 34-36
|
|
Box 4a | Folder 41 |
Banquet, M. Shane
|
|
Scope and Contents
7 ½ NAB original
|
|||
Box 4a | Folder 42 |
Bob I union, Morris Feigelson
|
1970 |
Scope and Contents
Oct. 26; 91-E (no sync)
|
|||
Box 4a | Folder 43 |
Amadeo Lumia; union film
|
|
Scope and Contents
Original; Italien; acetate
|
|||
Box 4a | Folder 44 |
1. Membre du conseil, 2. Mr. Peters et Louis Laberge, banquet, Charpentier
|
|
Scope and Contents
copie, Italien, Anglais, dactylographie; acetate
|
|||
Box 4a | Folder 45 |
Mr. Bresner (English); #4 union film
|
|
Scope and Contents
(non sync) original ; MP# 23; acetate
|
|||
Box 4a | Folder 46 |
Mlle. Charpentier
|
|
Scope and Contents
21-22-23-24-25 la derniere-26-27-28-29
|
|||
Box 4a | Folder 47 |
Shane 1st (pas de clap) 2nd sync
|
|
Scope and Contents
7 ½ NAB original; acetate
|
|||
Box 4a | Folder 48 |
Mr. Silverman sound sample 681E, union film
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 49 |
Manufacture de manteaux, Maria Ceniciose 101
|
|
Scope and Contents
It[alian?] 7 ½ NAB original; acetate
|
|||
Box 4a | Folder 50 |
M. Liberman, original (English), union films non-synch ree #3
|
|
Box 4a | Folder 51 |
Miss Charpentier, reel #3 2F10 takes 6-7-8-9, 2 minutes of reel #2 films
|
|
Scope and Contents
7 ½ original; acetate
|
|||
Box 4a | Folder 52 |
Mme Champagne en Francais
|
|
Scope and Contents
prises 6F5 1-2-3-4-5 on ambiance, union films, 7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 53 |
Banquet, M. Chane [Shane?], Bressner, Joe Macks, Goldenberg
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 54 |
1 spectacle union
|
|
Scope and Contents
syncro original
|
|||
Box 4a | Folder 55 |
Bob 1, Mr. Bresner, Reunion du Comite Executif
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 55 |
Bob 1, Mr. Bresner, Reunion du Comite Executif
|
|
Scope and Contents
7 ½ NAB, originall acetate
|
|||
Box 4a | Folder 56 |
Mlle Charp[entire] 18, narratrice 20-21-22, Mlle Charpentier 19-20
|
|
Scope and Contents
acetate
|
|||
Box 4a | Folder 57 |
1. Mr. Bresner, Mme. Chapagne, 2. Conseil Executif
|
|
Scope and Contents
dactylographie, copie; acetate
|
|||
Box 4a | Folder 58 |
Infantino, Lipari 65, locale, [illegible], Sam Liberman, [illegible]
|
|
Scope and Contents
acetate
|
|||
Box 4a | Folder 59 |
Miss Charpentier reel #2, prises 6-7-8-9, 2F10 (plus 2 minutes on reel #3)
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 60 |
Miss Charpentier, Anglais 711E, Francais 7F10, Italian 521x2, union filmv
|
|
Scope and Contents
7 ½, original
|
|||
Box 4a | Folder 61 |
Mlle Charpentier 11 (2-3)-12, narratrice 10-11 (2)-12 (2), prise 13-14-15
|
|
Scope and Contents
acetate
|
|||
Box 4a | Folder 62 |
Banquet, M. Chane; MacDonald son seul; MacDonal, syn.; MacKasey son seul Fr.; Stulberg,
2-syn.; Charte, syn
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 63 |
2 membres, Aldea Guillemette, sounds (wild) office and clinic, union film, reel #2
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 64 |
1. Edlyn Whitehead, 2. Morris Feigelson
|
|
Scope and Contents
bob 3, 3 ¾ copie, union film, Anglais, dactylographie
|
|||
Box 4a | Folder 65 |
Riccianionetta 64, Anna 66, M. Lipari 65.1, Infantino 65.1, commencement [illegible]
|
|
Scope and Contents
Acetate
|
|||
Box 4a | Folder 66 |
Ambiance [illegible]
|
|
Scope and Contents
7 ½ NAB, original; acetate
|
|||
Box 4a | Folder 67 |
Cours: 3. Psychologie, 2-4 Langue Franc[ais], 1. Cinema; sync reunion depart [?],
|
|
Scope and Contents
sync 6 minutes fin; union film, 7 ½ NAB, original
|
|||
Box 4a | Folder 68 |
[no title]
|
|
Box 4a | Folder 69 |
CBC Discussion: Are big unions less democratic, Michael Chartrand, Bernard Shane,
Prof. H.O. Woods
|
|
Box 5 |
[no title]
|
||
Scope and Contents
12" reel
|
|||
Box 6 |
Les Midinetttes
|
||
Scope and Contents
Italian; 16mm; film on cores; F150
|
|||
Box 7 |
[Untitled]
|
||
Scope and Contents
Includes 7 black and white snapshots of TV broadcast pickets in the can; "80' reversal
film" written on can; F152
|
|||
Box 8 |
"50,000"
|
1975 | |
Scope and Contents
223'; 6:10min.; bilingual; F 153
|
|||
Box 9 |
"ILGWU: La Mode Aujourd'hui"
|
||
Scope and Contents
Omega Montreal Color Master, acetate, F154
|
|||
Box 10 |
Fashion Today #5028
|
||
Scope and Contents
16mm; 27 min.; F155
|
|||
Box 11 |
"Les Midinettes"
|
||
Scope and Contents
English, Union Label Dept. Tempo Canada b/w, Bellevue Pathe (Quebec) Print copy 3,
sound; F156
|
|||
Box 12 |
[no title]
|
||
Scope and Contents
Sent courtesy of Union Label Departmen; 13" reel, polyester, b/2; F157
|
|||
Box 13 |
"Dany"
|
||
Scope and Contents
French; color, 5" reel , polyester; F158
|
|||
Box 14 |
"The Many Lengths of Fashion"
|
||
Scope and Contents
F159
|
|||
Box 15 |
"Marvin has it Made"
|
||
Scope and Contents
color, 7" reel, polyester, F160
|
|||
Box 16 |
"Mode 71 Fashion Films"
|
||
Scope and Contents
English, print #7, color, 5" Polyester, F161
|
|||
Box 17 |
"Who makes your clothes?"
|
||
Scope and Contents
color, 7" reel, polyester, F162
|
|||
Box 18 |
Union Syndicale "Greve"
|
||
Scope and Contents
9" no reel, F163
|
|||
Box 19 |
#5034, Spring and Summer Fashions, 1962
|
1962 | |
Scope and Contents
12" reel; F164
|