British playwright; literary, art, and music critic; lecturer and essayist; and socialist. One of the founders of the Fabian Society, precursor of England's Socialist Party.
Manuscripts, letters, documents, photographs, broadsides, microfilms, videocassettes, audio cassettes, posters, and other materials by and about Shaw, covering all aspects of his varied literary, critical, personal, and political activities. Includes 2122 manuscripts by or about Shaw; 832 letters by Shaw; 2580 photographs, including some 2400 of productions of Shaw's plays at the Arts Theatre Club in London, 70 photographs of Shaw himself and 14 taken by Shaw; and a large collection of theater programs for productions of Shaw's plays through 1990, reviews of his plays, newspaper clippings which include articles on his many speeches and lectures, and proofs and rehearsal copies of his plays. Also, recordings of some of Shaw's radio broadcasts, and a 1962 BBC broadcast of Blanche Patch remembering Shaw. Also included are a bronze cast of a bust of Shaw by Clare Winsten, 1946, together with a letter from Shaw to her husband Stephen suggesting her as the artist for the bust (June 13, 1946), and related photographs, letters, and other materials concerning the bust's appearance at the opening of the St. Pancras Library and Shaw Theatre in 1971.
Correspondents include: Mrs. Patrick Campbell, the British Broadcasting Corporation, Lady Gregory, Hesketh Pearson, Blanche Patch, Charlotte Payne-Townshend Shaw (his wife), Harley Granville-Barker, Henry Arthur Jones, Gertrude Lawrence, F.E. Loewenstein, Sean O'Casey, Dame Sybil Thorndike, George Herbert Thring, Gene Tunney, H.G. Wells, Dan H. Laurence, and Bernard F. Burgunder. Also included are a 1903 letter to Charles Dickens's daughter Kate Perugini, concerning her father's literary stature, and an 1889 letter to Tighe Hopkins in which Shaw predicts the future of his own writing career.
Additional materials relating to Ann Elder Jackson. Includes autograph letters, notes and postcards from George Bernard Shaw to Ms. Jackson. Subjects include travel plans, rehearsal schedules, and diary engagements in addition to detailed instructions for Elder as his secretary.
Researchers may view one folder at a time.
Bernard F. Burgunder Collection of George Bernard Shaw, #4617. Division of Rare and Manuscript Collections, Cornell University Library.
A large collection of books by and about Shaw (ca. 2530 titles) is also housed in the repository.
Box 1-7
A - Ad
The Adventures of the Black Girl in Her Search For God
An - B
C - F
Diaries
G - I
J - P
Q - Z
Box 8
Box 9
Box 10-18, 112-114
Undated-1907
1908-1915
1916-1920
1921-1930
Dodd, Meade, & Co.
1931-1937
1938-1943
1944-1950
E. M. Wheeler
Ann Elder [Jackson]
Boxes 19-32, 115-116
A - B
Campbell
Campbell 1939 - D
Cockerell, Sir Sydney To Judy Musters
E - K
Healy, George H. To Bernard F. Burgunder
L - Pas
Laurence, Dan H.
Mushlin, M. Harry to Bernard F. Burgunder
Musters, Judy to Ann Carr Jackson
Patterson, Jane
Pat - Shav
Shaw - Sz
T - Z
Watt, W. P.
Boxes 33-37
A - H
Collected Letters
I - S
T - Z, and letters
Works - Reviews, etc.
Boxes 38-39
Boxes 40-42, 44-48
A - C
D - I
J - L
M - Pa
Pb - R
S - Shaw Festival
Shaw Society - Z
Boxes 43
Boxes 49-53
Photographs of Shaw
A - F
G - M
N - Z
Boxes 54-56
Boxes 57-64
General Shaviana
Shaviana Hat
Printed Shaviana
A - Shaw (F)
Shaw (G - Z)
Laing Collection Clippings
Boxes 65 and Mapcase Folders
Boxes 66-73
A - B
C
D - G
H - Maj
Mak - Mz)
O - Sa
Sb - Z
Miscellaneous
Boxes 74-96, 111-111B
Arts Theatre Club Photographs (8x10)
Unidentified, A
B
Ca - Cn
Co - Cz
D
E
F
G
Ha - Hob
Hoc - Hz
I
J - L
Maa - Mas
Mat - Mz
N - O
P - Q
R
Sa - Sh
Si - Sz
Ta - Tra
Trb - Tz
U - V
W - Z
Arts Theatre Club Photographs (8x14)
Unidentified, A - B
C - G
H - J
K - L
M - N
O - R
S
T
U - Z
Arts Theatre Club Photographs (11x17)
A - C
D - G
H - L
M - Q
R - S
T - Z
Arts Theatre Club Photographs (oversized)
Boxes 117-120
Boxes 122, 124 and MU items
See: Harris, Frank.
Made from the Microfilm of the address book in the British Museum, numbered 50715
Includes note by GBS dated April 7, 1942; See: p. 322 of R. Mander & J. Mithcenson,
From the Tunney Collection
Made from various states of the wood engravings prepared by John Farleigh for the book published in December 1932; all items formed part of the Black Girl Collection, acquired by Cornell in October 1984
3 leaves mounted together on stationery of M.H. Mushlin
(See also #21)
One proof used for trial layout of front and back covers of the book; also contains proof of Tailpiece of spear and harp
Preparatory sketches, for the book published in December 1932; all items formed part of the Black Girl Collection, acquired by Cornell in October 1984
On verso is written Shaw's autographed letter signed to Farleigh
Also contains a note in Shaw's hand on verso
With a hinged overlay; on verso is Shaw's autographed letter signed to Farleigh
With note on verso by Shaw; (see also #34)
Drawn on verso of printed proof sheet, numbered 64, and including the heading "Thou Art The Man," for the "Preface on Doctors" to Shaw's play
With draft of Shaw's autographed manuscript; colophon note written on verso
With note by Shaw; drafts for Micah on verso
With note by Shaw
With note by Shaw
Made from Photostats of originals in National Library of Scotland; showing autograph revisions by Shaw
Trial layouts for title and imprint, including beginning of text, and proof of the Sculptor engraving; formed part of the Black Girl Collection; ink notes on 2 proofs by John Farleigh
"Adapted for the stage by Christopher Isherwood;" with a copy of the printed program of the first and only production of this version (Mark Taper Forum, 1968); gifts of Gordon Davidson
With holograph additions and notes by Shaw
Probably Shaw was caricaturing John (1755-1826) Flaxman's drafting style, parodying "The Pilgrim of Love" by Flaxman, or making facetious comparison with his own draughtsmanship
On acid-free paper; made from original article printed on p. 388 of Vol. 41, No. 9 of
Date unknown; with some stage directions in margins, mostly in pencil
Rehearsal notes; produced at the Coliseum, January 21, 1918; copy included
In red ink, "Exclusive to Miss Dorothy Royal" to two typed questions; one on the capabilities of the Labour Government, the other on prospects for polygamy in postwar Europe
Three typed questions with Shaw's holograph answers
Rehearsal notes for the productions of
Also contains photocopy of another typing of the same statement, dated "April 1926;" including handwritten notes by Blanche Patch and Dan H. Laurence; explanatory note added on separate leaf by Bernard F. Burgunder
A statement concerning the relationship between Shaw's
Rehearsal notes; various dates, in Shaw's hand, appear on the manuscript
Article appeared in
Corner of a document cut off to show only Shaw's signature; in envelope
Lists a series of topics for thirteen lectures, and possible speakers
For the Limited Editions Club edition, published 1939; text of the proof is found on pp. vii-viii of the book, but in a different format
For the Limited Editions Club edition, published in 1939; text of the proof is found on pp. vii-viii of the book, but in a different format; penciling may be John Farleigh's sketch for the illustration published on p. 82 of the book
One page of text and one engraving by John Farleigh; for the Limited Editions Club edition (New York 1939); with identifying note added on separate leaf by Dan H. Laurence; with a printed (1938) "Catalogue of an Exhibition of Drawings for the Engravings by John Farleigh for 'Back to Methuselah' ..."
For the Limited Editions club Edition, which was published in 1939 with a quite different title page
Three copies, one marked for changes; of a proof for the Limited Editions Club edition, which was published in 1939 with a quite different title page; See: Typed Letter Signed to John Farleigh from George Macy, February 14, 1939
In envelope
Date and Place given are those of publication in
Article written for unidentified periodical; with editor's introductory note added below title; copy of manuscript in the British Museum
Article, with corrections in Shaw's hand; published in
"This textual change was written for the Malvern Festival of 1929." -- B.F. Burgunder; includes typed note by Burgunder, November 1970
Signed inscription by GBS on first page
Address of Alfred Allen
One leaf in G.B. Shaw's hand; two leaves in Charlotte Shaw's hand. These fragments belong in Act III, for the Achurch-Charrington first production. They were found with Shaw's letters to Ashley Dukes; bought at Swann auction May 6, 1976; with note by Burgunder, June 22, 1976
Probably suggestions for Gertrude Kingston's revival at the Little Theatre, as several of the players Shaw recommends were actually cast; includes note by Bernard Burgunder, July 1974
The copy of the pirated
Copies of the original manuscript in the British Museum; includes notes in Dan H. Laurence's hand
Copies of the original manuscript in the British Museum: a dramatic fragment; edited in Dan H. Laurence's hand
Alphabetical list of works by Shaw citing American copyright records for each; with marginal notes in hand of F.E. Loewenstein; with explanatory note on separate leaf by Bernard F. Burgunder, October 29, 1979
A holograph note to Shaw also on proof; signature unidentified; London
Original manuscript in the British Museum; includes explanatory note on first leaf by Dan H. Laurence
Shaw's answer to the question: "Will Broadcasting be detrimental to the Art of the Theatre;" copied from
Includes a handbill for
Includes typed comments by Dan H. Laurence, February 17, 1968; See:
Holograph corrections in Shaw's hand appear on the manuscript
Received from George Standring, Printer and Publisher; with note on separate leaf by Dan H. Laurence
From the production at Kingsway Theatre, February 13, 1915 (14 pages); 1 page typed note by Bernard F. Burgunder, July 10, 1963
Date of first production?; a different cast is penciled in next to the original list, in a different hand
Stapled into paper wrappers; found among the papers of Allan M. Laing; probably copied from p. 19 of
The common saying that Truth is stranger than Fiction, implying that Fiction is not Truth; original in the British Museum; holograph notes in the hand of Dan H. Laurence
Labelled "phonetics" in Shaw's hand
For the book
Headed "With the compliments of Percy Burton, General Manager for Sire Johnston Forbes-Robertson
For the Malvern Festival Book of 1949; from a rehearsal copy of
Of diaries for 1880, 1885, 1888, 1891, 1894, 1897; all are in shorthand except that of 1880; original is in the British Library of Political and Economic Science (London School of Economics); includes explanatory note on separate leaf by Bernard F. Burgunder
Copies of transcription by Blanche Patch from Shaw's shorthand; with some notes in the hand of Dan H. Laurence; filed in 12 folders, 1 folder per year; original is in the British Library of Political and Economic Science (London School of Economics)
First two leaves stapled together
First two leaves stapled together
First two leaves are stapled together
First two leaves are stapled together
Two leaves stapled together
Shorthand draft of Shaw's article, with transcription and letter to Mr. Dixon, telling him it was just found, May 18, 1948
Original manuscript in the British Museum; includes typed transcript edited partly in the hand of Dan H. Laurence
Transcript made by Barbara Smoker from photocopies of the two manuscript notebooks at Cornell and a third at the British Library, all mostly in shorthand
Carbon copy of a transcript made by Barbara Smoker
Photocopies from which Barbara Smoker transcribed the shorthand text of the play
Three negatives and one glossy print; used for reproduction in the "Shaw at Cornell" brochure and invitation; copies of the latter are filed in the same folder with the negatives and glossy print
Original manuscript in the British Museum; a dialogue broadcast by the B.B.C. on August 17, 1935; with an explanatory note on separate leaf by Dan H. Laurence
Photocopy of the original manuscript in the British Museum; a dramatic interpolation; includes typed transcript, edited partly in the hand of Dan H. Laurence
Two paragraphs presumably intended as substitutions in an interview by Swaffer (
Produced at Court; backed by rehearsal notes of
Press release, London?; with holograph corrections in Shaw's hand
There is no record of the publication of this essay; includes accompanying note from Dan Laurence, via Bernard Burgunder
Seems to be a partial transcript of a recording
Produced at the Criterion (Pioneer Player production) December 16, 1917
According to enclosed note by Bernard Burgunder, these are a record kept by Shaw of requests by various journals and individuals for articles
Photocopy of Shaw's inscription in his copy of the Cranach Press
Copies of Shaw's inscription in his copy of the facsimile edition of Shakespeare's First Folio; made from the original in the Archibald Henderson Collection at the University of North Carolina; with note added in the hand of Dan H. Laurence on verso of third leaf
Holograph corrections
Interview with Bishop now a release from the publicity department of Putnam Books; New York
Published in
London
Holograph corrections; includes note by Bernard F. Burgunder
One leaf of holograph, two leaves of typed manuscript; on the war
Ink drawing by Shaw, and labeled by him, of set design for Act III and Act IV Scene 1; bought at auction April 9, 1987
Includes note by Bernard Burgunder
A prospectus for
Setting copy with notes partly in the hand of Dan H. Laurence on a photocopy of the original manuscript in the Humanities Research Center at the University of Texas
Note for files; records authorization given to the Mansfield House Players to perform
With revisions in Shaw's hand and other hands, of scenes written especially for the film; pages are numbered with stamped numerals 1-15, 20-28, which supersede at least four earlier numbering sequences; acquired by Cornell in July 1987; the text of the scenes in this typescript differs from that in the Penguin "screen version" of 1945, and from that printed by Bernard Dukore in
Strachur, Scotland
Review of a production by Henry Irving, with editor's comments; original manuscript in the British Museum
Shaw on punctuation; this may actually be a letter, as the heading is "From Bernard Shaw"; there is no salutation or internal evidence to suggest to whom it was addressed; with a note by Bernard Burgunder
From a letter(?) to Edith Evans; with photocopies of related materials, and an explanatory note on separate leaf by Dan H. Laurence
6.5 x 8.5 glossy print reproducing a note written by Shaw, declining to be interviewed; identified on verso; with explanatory note on separate leaf by Bernard F. Burgunder
An early draft of an essay published in
London?; on verso of copy of portion of account sheets; Dan Laurence "during World War I"
London; with broker's receipt from the sale
Note appears on a sheet bearing a typed excerpt from Butler's notebooks which concerns Shaw; included are a photocopy of the passage in the 1951 edition of the notebooks, an explanatory note by Bernard Burgunder, and a clipping from a bookseller's catalog
Notes written on scraps of paper and envelopes; two shorthand notes are accompanied by transcriptions by Dan H. Laurence
Very casual note on Hitler, anti-Semitism, and WWII; published in
Photocopy of the manuscript, with the dealer's description; concerns a publishing contract for
Labeled "1/4/1124 [sic]"; the manuscript concerns "the anachronism of corporeal punishment in schools"
Revised in his hand; with his autograph letter signed added at end to Arthur Brentano, December 2, 1911
See his Autograph Letter Signed to John Farleigh, November 16, 1933
London; dated in Shaw's hand on verso of next to last leaf; sent to
From the files of Blanche Patch, Shaw's last secretary; with a note by Bernard Burgunder which mentions the possibility that the article was written for the Royal Automobile Club
Original manuscript in the British Museum; the first page is dated in Shaw's hand; published by the Windhover Press, 1971
London; See enclosed note with comments of Dan Laurence
[n.p.] Poem apparently written for Alice Lockett with transcription and note from James F. Drake, Inc describing it. Also contains a second 8 line poem about Rosy and Kate Stickerstone.
On the same sheet are Shaw's shorthand drafts of a letter to Dr. Arnold Szyfman, December 9, 1936, and part of an interview on the possible marriage of Edward VIII to Mrs. Wallis Simpson; included are typed transcriptions and explanatory notes; the letter concerns the Polish production of
Untitled statement written in ink on a sheet of parchment bearing printed announcement of The Modern Historic Records Association; published by the Association in 1913, in facsimile together with statements by others; reprinted subsequently several times in other publications
Concerns Hubert Bland and others
Original located in the Hanley Collection, University of Texas; there are revisions in Shaw's hand, and his inscription on the first page: "to Floryan Sobieniowski for translation into Polish. G. Bernard Shaw 1st March 1938"; following p. 97, the paging begins again from 91
Mimeographed questionnaire, with Shaw's autograph replies; sent by National Education Association
Shaw's handwritten answers to thirteen questions typed on stationery of Elmer Gertz, attorney-at-law, Chicago
Includes note by Bernard F. Burgunder
Capetown; notes, with listings of topics, catchwords, and key phrases
Ayot St. Lawrence?; printed in April 1948 edition of "Books"; with the manuscripts are the March 1948 issue of "Books" with Bullett's original letter and the April 1948 issue with Shaw's reply
London; includes draft letter on same subject to the Press; published in
Partly in Shaw's hand; with explanatory note on separate leaf, "...Presumably related to activities of the National Theatre Shakespeare Memorial Committee"
The proposal was made to the Academic Council of the Society; includes a note by Bernard F. Burgunder
Original typescript in the British Museum; a dialogue between Shaw and Charles Cochran, written for St. John Ervine's B.B.C. Jubilee Theatre Programme; with explanatory note on separate leaf by Dan H. Laurence
Two pencil portraits of Shaw by John Farleigh, and two of himself by Shaw, all being drafts for the frontispiece of Shaw's book published November 1939; on verso of one of Shaw's portraits is his autograph letter signed to John Farleigh June 26, 1939; acquired as part of the Black Girl Collection
Blurb or press release; includes explanatory note from Bernard F. Burgunder
Transcribed by Dan H. Laurence on separate leaf, "How small of all that human hearts endure 354 "Lines added to Goldsmith's
Draft of manuscript which appeared in
On Cornell Bond paper of the pencil manuscript and the typed manuscript
Notes in the Sweet system of shorthand, including the only known fragment of Shaw's projected play
"Taste" dated from internal evidence; "Cock Robin" appears in Mrs. Campbell's
Platform of Shaw and his running-mate William Geary in their campaign for seats on the London County Council; See: Shaw PR5365 M67 No. 4
With this is filed Touring in Russia [Part II], 2 leaves (pp. 16-19) excerpted from
Printed card of Florin Caplazi with pencil note listing train numbers in Shaw's[?] hand, and other notes in other hands adding "dudgeon" and "The Doctor's dilemma"
Text of a proposed radio address, banned by the B.B.C.; with holograph corrections in the hand of Blanche Patch
Original manuscript in the National Library of Ireland; published by Constable & Co., 1958
Manuscript poem in shorthand, with sketch in margin; includes transcription of shorthand
Includes a carbon copy of a page, numbered 4
Transcript of a shorthand manuscript dated 1882-83, which was itself an unfinished revision of
Photocopy of transcript carbon of shorthand manuscript; See: Laurence A265
"Report of a lecture...delivered before The Fabian Society at Kingsway Hall, London, November 26, 1931, at 8:30 p.m."; a transcript of a lecture given by Shaw; includes explanatory note by Bernard Burgunder
From the Recorded Programmes Permanent Library
Copies of the early shorthand draft in the British Museum; with notes added on first leaf in hand of Dan H. Laurence
Card removed from
Refers to a letter received from Frederic Harrison and Cyril Maude; with identifying note added by Dan H. Laurence on separate leaf
New York; includes a note by Bernard F. Burgunder
Blank form except for numbers written in Shaw's hand.
Concerns performance rights for the play
Concerns performance rights for the play
Edinburgh; with explanatory note on separate leaf
Ayot St. Lawrence; Terms and conditions form filled out in autograph by Shaw for the Malvern Company to produce in 1948 the play.
Printed for Mr. Grant Richards, Messrs. Constable & Co., Ltd. and Messrs. Macmillan & Co., Ltd.; Edinburgh
Letchworth, Herts; the bill is marked paid, and is from a firm of "Bookbinders & Makers of Marble Paper"
Concerns the plates and copies of Shaw's previously published works; with note by Bernard F. Burgunder
With handwritten revisions
Completed form crediting G. B. Shaw his two pounds and two shillings 1896-1897 dues to the Fabian Society.
Addressed to G. Bernard Shaw, with note added in Shaw's hand; includes photocopy of printed
Dublin; certified copy (made January 9, 1962) of a deed assigning money to W.B. Gurly's son Walter John Gurly and to W.B. Gurly's daughter Lucinda Elizabeth (Gurly) Shaw, mother of George Bernard Shaw
Dublin, certified copy (made January 9, 1962) of an agreement concerning property leased from the Cathedral Church St. Lazarian Leighlin; parties of the third part include George Carr Shaw and Lucinda Elizabeth (Gurly) Shaw, parents of George Bernard Shaw
[n.p.] Shaw's itinerary for 1911-1920. Handwriting unidentified.
[n.p.] Shaw's itinerary for 1911-1920. 1 leaf typed.
[n.p.] Shaw's itinerary for 1921-1930
[n.p.] Shaw's itinerary for 1931-1939
[n.p.] Blank forms for terms and conditions for public performances and memorandum of agreement.
Chiswick Mall; includes holograph note of explanation by Shaw on same sheet; with note by Bernard F. Burgunder
Tunbridge Wells; signed by Shaw on back; see: Shaviana [printed] Articles on the swindling of Shaw for £525; with note by Dan Laurence
London?
Written by Shaw on face of envelope marked "Hornet" "Correspondence"
London
London
London; written by Shaw on face of envelope which contained original letter of Miss Black
London; written on face of envelope which contained original letter addressed to Shaw by Grace Black
London; written on face of envelope which contained Burns's original letter; note by Shaw, "Did so 31/5/89"
London?
London; notation by Shaw on face of envelope which contained original letter from Cassell
London; written by Shaw on face of envelope which contained the original announcement from Miss Davidson
London; written by Shaw on face of the envelope which contained the original letter; includes note on separate leaf by Bernard F. Burgunder
London; written on envelope which contained the original letter from Feld & Duer; Shaw notes his declining their offer regarding an "abbreviated" edition of the novel
London; written on face of envelope which contained the original letter from Gordon
London; notations made on face of envelope which contained the original letter from Gordon
Written on face of original envelope
London; written on envelope which contained original letter from Proctor
London; written by Shaw on face of envelope which contained original letter from the
London
Written by Shaw on face of envelope addressed to him which contained the original letter
London; written on face of envelope which contained the original letter from Unwin
London; written by Shaw on face of envelope which contained the original letter from Unwin
London; written by Shaw on face of envelope which contained original letter from Unwin
London; written on face of envelope which contained original letter from Unwin
London; written on envelope, stationery of
London; written on face of envelope which contained Pagliardini's original letter
London; written on face of envelope which contained original letter from Walter Scott
London; written on face of envelope which contained original letter from that publisher
London; written on face of envelope which contained original announcement
London; written on face of envelope which contained original letter from Mathews
London; written on face of envelope which contained original letter from Walter Scott
London; written on face of envelope which contained Tucker's original letter
London; written on face of envelope which contained original letter from Chatto & Windus
London; written on face of the envelope which contained the original letter from Chatto & Windus
London; written on the envelope which contained the original of Crowell's letter
London; written on envelope which contained the original letter from Nutt
London; written on the envelope which contained the original letter, with arms of the Prince of Wales Theatre
London; written on the face of the envelope which contained the original letter from the publishing firm
London; written on the face of the envelope which contained the original letter from Brackstad
London; written on envelope which contained the original letter from Walter Scott
London; written on face of envelope which contained Buchanan's original letter
London; written on face of the envelope which contained Mansfield's original letter; quote, "
London; written on face of envelope which contained Mansfield's original letter
London; "I bicycled off to Hendon this afternoon". Includes copy of letter plus a note from B. F. Burgunder explaining content.
London; written on face of envelope which contained Buchanan's original letter
London; written on face of envelope which contained Graham's original letter
London; written on face of envelope which contained Bonline's original letter
London; written by Shaw on face of envelope which contained the original letter from Cockerell
London; notes Lowenfeld's desire to make a "light opera" of
London; written on face of envelope which contained Mansfield's original letter
London; concerns Shaw's percentage of
London; written on face o the envelope which contained the original letter
London
London; written on face of envelope which contained the original letter
London; written on face of envelope which contained the original letter
London; note by Shaw on face of envelope which held the original letter
London; written with brief of Shaw's response on face of envelope which contained original Massingham letter
London; note on face of envelope which contained original letter from Common
London; the Fox and Pelican was a public house in Haslemere of which Shaw was a shareholder; written on face of envelope which contained original letter
[n.p.] The [pound sign] 500 can begin on the 1st June
[n.p.] Say there is a statutory right of reasonable quotation,
[Westminster] Dear Sir, As you have been a good friend to the Labour Research Department [Written on Labour Research Department letterhead asking for donations.]
[n.p.] Sir/ May I again point out the cruel absurdities in which we have been landed [Regarding the case of Stephen Hobhouse.]
[n.p.] Would a Chaplin moustache be a breach of faith
[n.p.] The Governors of St. Bartholomew's Hospital having inteded to entertain
[n.p.] Dear Dr. Inches, I have a tragic tale to tell of that unique juicer.
[London] Male servants licens abolished after January 1937.
Ayot St. Lawrence; Can you do with [pound sign] 500? Net?
[n.p.] In the study/ Bernard's Brethren, typed copy bound in red cloth.
Torquay; [In Shaw's hand]
[n.p.] This is on no account to be inserted in the Music article [Envelope is addressed to Robson & Son, Printers; note on envelope directs Shaw to "Please send this at once by hand to" Dobson & Son. Plus a note by B.F. Burgunder identifying Thomas.]
[n.p.] Dear Mr. Walford/ The Society of Authors has sent me your letter about televising [Includes typed transcription of letter]
[Hertshire] [Adressed to Mrs. Gordon Walters [Ethel Shaw] in Shaw's hand.]
[n.p.] Immaturity [Presumably the identification card Shaw inserted beneath the string of the manuscript bundle. With note explaining it's significance, signed FEL.]
[n.p.] My dear Fells/ I hereby solemnly undertake 9without in any was pledging myself) to submit
London; Ha! ha! ha! Health, education, and recreation: What a dog you are! [Included is typed transcription plus 2 leaf copy of original letter.]
London; Dear Mrs. Walker, Never shilst I live will I steal a handkerchief again.
London; Dear Wright/ I give you my word that the enclosed is the first five shillings
London; Dear Wright/ You looked as if you wanted to sit on the safety valve this evening.
London; Dear Wright/ We are indeed at the gates of hell;
London; As to Beatty, do as you please. Only remember that - [On verso is Jenny's reply to Shaw, dated Wednesday. Included is 2 leaf note by B.F. Burgunder and a photograph of each side of the leaf.]
London; My dear Alice/ I swear by the spirit of Nature's author, which is in the hills, [With 3 photographic copies of the letter and one of the envelope along with negatives.]
London; Dear Mrs. Archer/ I have at last made time to go carefully through your MS;
London; Dear Bartlett/ If it were possible for me to belong to the Bloomsbury Society
London;Dear Sir/ In Social Democracy there is practically infinite scope for courage, [With 2 page typed transcription]
London; Dear Hopkins/ In vain all these friendly remonstrances. [With 9 page typed transcription.]
London; Dear Hopkins/ I return R's letter, for which thanks.
London; Henry & Leo have bust up their business [With note from B.F. Burgunder.]
London; Dear Mr. Thomas/ There has been nothing doing in the musical line;
London; Dear Sir/ Could you put off the Ibsen evening to next year?
London; A proof of my article has just come to hand.
London; Dear Mr. Thomas/ My bad habits are altogether the fault of Spottiswoodes.
London; Dear Mr. Thomas/ There is absolutely nothing doing in the way of music now.
London; Dear Mr. Thomas/ Nothing happened last week that I could write about
London; Dear Mr. Thomas/ You have no doubt noticed that Harris (Sir Augustus) has resolved to boycott
London; Dear Mr. Thomas/ What are the regulations under which my last article was disqualified?
London;Dear Mr. Thomas/ This is mere cruelty to animals.
London;Dear Sir/ I have to lecture at Norwood on the 19th.
London; Dear Sir/ I find that I shall be out of town in January
London; Dear Grein/ You ask me for particulars about the play.
London; Dear Messingham/ Mrs. Messingham has just written to me to ask about Mrs. Behnke.
London; Oh my Saint Elizabeth, holy and consoling, [With note from B.F. Burgunder]
London; Dear Yatess/ I look forward with the greatest misgiving to the World's progress
London; My dear Yates/ I thought it possible that the command might be taken by Major Griffiths,
London; Dear Major Griffiths/ Not a bit of it : there is no objection in the world on my part
London; Dear Mr. Thomas/ It occurs tome that as those books ought, I suppose, to be reviewed,
London; I have just had a telegram to say that the license must be for the Theatre Royal, [With note from B.F. Burgunder]
London; Dear Sir/ The remittance is all right : there was no question of a presentation.
London; Dear Fisher Unwin/ I have just had notice that the Fabian committee meeting
London; [ Correspondence between Ellen Terry and Bernard Shaw. Taken from "Ellen Terry & Bernard Shaw: A Correspondence" for Radio Broadcast on the occasion of Ellen Terrery's birthday]
London; Sally Fairchild/ If you send any "nice, pretty, ambitious little girl who is an actress" to me, [Fairchild was talking about Ethel Barrymore as metioned in a note from M.A. DeW. H[owe]. Included is a 2 page note from B.F. Burgunder.]
London; Thanks for the fiver. I am not pressed just now;
London; Excuse me - I forgot to acknowledge the fiver. Many thanks;
London; I am sorry to say that the Daily Mail telegram is not sound commercial security
London; You should have let me do the art lectures
London; Dear Mrs. Kennedy/ I am invalided just at present, or I should ask Mr. Kennedy
Haslemere, Surrey; Dear Pease/ Is Mrs. Morgan Thomas still a member?
[London] Dear Sir/ I greatly regret that I shall be unable to attend the meeting
London; Dear Rook/ I have just heard incidentally, through my acquaintance with Cunnighame Graham's people,
London; I called at Holbein House on Saturday evening, [With typed transcription and envelope]
London; My dear Crane/ All this seems to me to be true of the case of the natives
London; Dear McCleary/ Forgive me for reminding you, but you have not yet,
London; Dear Mr. Thomas/ Mr. Hanson Lewis has submitted the enclosed interview to me.
London; Dear Mr. Barker. If this reaches you in Maine, [With dealer's description]
London;Dear Mr. Close/ I begin to see that there was a special Providence in your being Church warden
London; Please do not be misled by the recent newspaper paragraphs [With note by B.F. Burgunder]
London;Dear Mr. Churchwarden/ What about Friday? Yesterday I went for the first time
London; Dear Mr. Churchwarden/ This is simply damnable - red ruin and the breaking up of laws.
London; Dear Sir/ You seem to be an extremely sentimental college
Guildford; Dear Fisher Unwin/ For such a book as you sugges we are, I am afraid, a day after the fair.
London; You can't get any theatre for rehearsals in the evening
London; Dear Sir/ Go to the nearest Town Hall and sit in the ratepayers gallery [ With dealer's description]
Guildford; Courtenay's letter has just come.[Printed in The Frances W. and H. Jack Lang Letter Collection Catalogue at Case Western Reserve University Libraries, p. 27, with description.]
London; My dear Mrs. Kate/ I got your letter at Siena; but I have had to wrait for a little lull
London; I have it quite seriously in my head to write an Irish play
Stracher, Loch Tyne; Dear Pease, I cnnot attend the Executive on Friday, [With note from B. F. Burgunder]
London; [Copies of many letters to Brentano's.]
London; Dear Sir/ I quite sympathize with your objection to the present high rating;
London; Dear Sirs/ I have only j8ust returned from a holiday in Rome.
[London?] Mislaid this until 21/4/05, when I returned the cheque [Note written on acknowledgement receipt; with dealer's description]
[London?] My dear Miss Filippi/ Whjat is this I hear about your being engaged to Hicks [With copy of verso of letter]
Derry, Rosscarbery, Co., Cork; The copyright law as to the I. K. is as follows.
London; My dear Miss Murby/ I advise you not to make yourself dependent on acting for your livelihood.
London; Sir- In the notice of my play in your issue of yesterday,
Hafody Bryn, Llanbedr; Dear Pease/ Maude has got Dent on the brain. [With dealer's description]
Llanbedr, Merionethshire; In a bibliography which has just [been] compiled for me
Hafod y Bryn, Llanbedr, Merionethshire; Mr dear Henderson/ You must restrain your enthusiasm for photogiavure, [With dealer's transcription and description.]
Hafod y Bryn, Llanbedr, Merionethshire; I quite appreciate the suggestion : in fact I have thought sponaneously of doing something
Hafod y Bryn, Llanbedr, Merionethshire; C. H. Norman, an S. D. F.er who has been down here
Hafod y Bryn, Llanbedr, Merionethshire; Dear Mrs. Beatty/ It is possible to get from 3 1/2 to 4 % on investments
Hafod y Bryn, Llanbedr, Merionethshire; I got your letter too late to wire.
London; Dear Miss Filippi/ Yes, by all means. At the end of the second act,
[n.p.] ... That the entirely new passages, as distinct from more unimportnat revisions... [Pages 3 and 4 only; corrected by hand. Recipients address is Berlin, Leipzigerstr., 101-2.]
Ayot St. Lawrence; My dear Hamon/ I telegraphed yesterday to same time. [Shaw discusses foreign language publications of his works. Included in folder is a 3 page explanation by B.F. Burgunder of the French & German editions of Shaw in the Cornell collection along with 8 pages of various catalogues listing Shaw items along with photocopies of some of the items listed. The Hamon letter is probably one of the items that was singled out.]
Ayot St. Lawrence: Dear Sir/ The story about the watch was in full swing about Charles Bradlaugh
London; Dine? Never.
Battler's Green, Letchmore Heath; My dear Marquis/ You are wrong about Hamon. He has style, grit,
[n.p.] Dear Sir, I am much obliged to you for your letter of the 26th inst.,
London; My dear Norman, I have nothing whatever to say about the criticisms. With copy send by Guy Bolton to Shaw who returned it with a note : "Dear Guy Bolton/ I have no recollection of this letter ... [With catalogue listing of the letters upon which B.F. Burgunder has typed a long note.]
London; Dear Miss Andrews, In case you have been able to get Messrs Ellis and Walery
London; Dear Miss Chappell, It would of course be impossible for me to refuse to allow Richard Strauss
[n.p.] Dear Doctor Otto, Your letter of the 11th August arrived here while I was travelling abroad;
[n.p.] Dear Doctor Otto, If the Creator of the Universe, surrounded by all his archangels, [With 1 leaf from Dan H. Laurence commenting on the Dr. Otto letters.]
London; Dear Sirs, Enclosed is a preface for which I wish to secure American copyright. [With Dan H. Laurence's comments.]
London; My dear Mrs. Gamble, The difficulty in this religious controversy
Gibraltar; P.S. I hope this is sufficiently stamped. [Written on the envelope, no letter included.]
London; Dear Lady Gregory, I think the best thing to do is to collect Synge's work first;
[n.p.] Dear Sirs/I have now carried my trial of your electric lighting system [With note from B.F. Burgunder and Dan H. Laurence]
London; Dear Miss Mona Limerick, In September last I wrote to your unworthy husband
London; Dear Lady Gregory, The Stage Society will take anything you can give it
Ayot St. Lawrence; My Dear VD, Vex not your soul with the superman
Ayot St. Lawrence; Dear Waters/ It is arranged that nothing is to come out about the repertory scheme
Queen's Hotel, Soutsea; Dear Sir, Your letter has only just overtaken me, [With not from dealer Paul C. Richards regarding the letter.]
Ayot St. Lawrence; Dear Sir/ I hope the enclosed will provide Miss Gladys with a satisfactory pet, [With note from B.F. Burgunder.]
London; If Miss Buona Bent will call tomorrow between 12.30 & 1,
Pyrenees; I shall not be back until the end of the month
London; I answered both letters. Have my replies miscarried?
Ayot St. Lawwrence; Lord bless her innocence, with her two dozen!
Edstaston wem Shrewsbury; I am afraid I am already full up for next season.
Edstaston wem Shrewsbury; Whitney-Barbara is all bunkum. He wants to conciliate me
Carrigart Co., Donegal; It would be an interesting experiment: try it by all means.
Parknasilla-on-Sea, Co. Kerry; My dear Miss Nethersole/ I shall never get this dreadful book out:
Loondon; Mark anything on the proof you want softened or omitted.
London; Barker won't come up : he syas that as the scenery is going into your store
London; 10 directional postcards for Raina in "Arms and the Man". [Shaw apparently dropped in on the performance and noted his suggestions for her portrayal. Each postcard has a different picture of Shaw on the back. Plus there are transcriptions of each postcard on separate sheets. Plus a note from B.F. Burgunder explaining the situation.]
Savoie, Thonon-les-Bains; I have no objection in the world to Mrs. Fay;
London; Dear Sir, I attach a special value to the invitation with which you have honored me
London; My dear Emil Davies, In reply to your letter asking for my opinion [Note at top of letter says this letter was mimeographed and sent to all members of the Fabian Society.
Ayot St. Lawrence; My dear Viola/ If I had had a notion that you would have liked Eurdice,
Ayot St. Lawrence; Dear Lewin Mannering, You will drive me out of my senses.
Edsteston wem Shrewsbury; My dear Viola/ Just three lines in frantic haste to catch the post.
London; Dear Mr. Palmer, What I said about a book on the censorship would not hold
[Ayot St. lawrence] Dear Mr. Duddington, Shall we say provisionally a pound a week for the furniture [With letter from Duddington to Mrs. Shaw, 23-6-12, and a transcription of Shaw's shorthand; plus a note from B.F. Burgunder with explanations.]
[London] Dear Norman, The Malatesta Case comes sufficiently within the range of Radical interest [With note in Shaw's hand at the tope]
London; As the book is coming to pieces I have sent it to be stitched [With note from B. F. Burgunder giving background.]
It is quite a mistake to suppose that male polictical prisoners are in any way privileged.
London; My dear Mr. Brentano, Whatever the reason may be, it is beyond all question
London; The enclosed will help to document my letter
Ayot St. Lawrence; My dear Lady Gregory/ Three times at least I have begun letters to you; [With comments from Dan. H. Laurence]
Ayot St. Lawrence; Our letters crossed. I'll write to the Lord Mayor. [Shaw photo on the back of the postcard]
London; Dear Sir, The thing is entirely impossible.
London; Dear Blake Adams/ I made one or two notes at the last perfomance.
London; I was in front on Tuesday with Barker,
London; Dear Brentanos, On going through your accounts I find no mention
Ayot St. Lawrence; I have been finally crushed by Mrs. Patrick Campbell,
Ayot St. Lawrence; Dear Ashley Dukes/ It will perhaps amuse you to learn that the following conversation [With transcription included.]
Valence -s-Rhone; My dear Rosina Filippi/ Thank you for a very welcome letter.
London; G.K.C. has utterly failed to get a rise out of me.
London; My dear Vedrenne, Have you got the old prompt copy of the Philanderer?
London; Keep all these press cuttings until the performances [With note from B.F. Burgunder]
London; Sheafs of invitations, mostly from people who make downstrokes
Ayot St. Lawrence; Dearest Fanny/ What! Carlotta Addison gone! [With dealer's description with transcription included .]
London; Dear Contables: My novels are not copywrite in America, [With letter from Constable & Co., November 10th 1914 asking Shaw about selling his books in America. Plus note from B.F. Burgunder on the copy and note from Dan H. Laurence too.]
London; My dear Brentano's/ Mr Doubleday's offer is an important one.
London; Many thanks for the book. It will be most useful to me.
Torquay; Dear Mr. Perriton Maxwell/ I had rather not answer your questions just now,
orquay; Dear Squire/ Read the enclosed. Denis Mackail is a son of Jack Mackail [With note from B.F. Burgunder with brief identity sketches of those mentioned in the letter. Pasted into a hard binding.]
Torquay; My dear Lady Gregory/ O'Flaherty V.C. many now, I think, re regarded as a certainty.
Torquay; At vane Gower yesterday. Carolos handed the telegram from authorities.
Torquay; My dear Lady Gregory/ On the point of returning to London
Torquay; My dear Pep/ The worst is over at Vane Lower.
Torquay; My letter of yesterday needs a postscript.
[London] My dear Paull, The members present did me a great injustice. [With typed transcription of shorthand.]
London; My dear Florence/ Why doesn't Constance get a war job? [With note from B.F. Burgunder]
London?; begins "My dear Florence / How did that come about, I wonder?"
London; begins "Dear Brentano's / I enclose, first, some photographs"
London; with a typed prospectus; revised in Shaw's hand, for the volume of plays containing
London; begins "Dear Brentanos / The shortage of labor here makes it"
London; begins "Dear Hesketh Pearson / If you won't read my works by degrees"
Ayot St. Lawrence; postcard bearing photograph of Shaw; begins "I sent the last copy but one of the Caesar / prologue"
London; begins "Dear Brentanos / In your last accounting to me"
London; begins "My dear Lady Gregory / I have at last heard from Robert"
Sedbergh; begins "My dear Lady Gregory / I don't at all agree about Ibsen"
Sedbergh; begins "What are the prospects of the / Abbey Players ever"
Sedbergh; with typed transcription on separate leaf; begins "I got Harris's book (the Wilde / one) before the 7th August"
Text of a telegram Shaw sent to his New York agent regarding the sale of
Turners Hill, Sussex; purchased at Sotheby's, December 13, 1994; begins "I have been out of London since
Sedbergh; with typed transcription on separate leaf; begins "Dear Hesketh Pearson / I have kept a copy of the letter"
One envelope is labelled Sedbergh, the other London
Sedbergh; begins "Dear Mr. Newman / I have just read your article"
Sedbergh; with typed transcription on separate leaf; begins "I now find that there is a / difficulty about publication."
London; begins "My dear Newman / I cannot make up my mind about Glastonbury."
Ayot St. Lawrence; with typed transcription on separate leaf; begins "Now, God help you, you are, like all hero"
Ayot St. Lawrence; typed transcription on separate leaf; with two of Shaw's printed postcards, one beginning "I have received your letter," the other beginning "Mr. Bernard Shaw's secretary has general instructions"
London; begins "Dear Hesketh Pearson / Since you like writing letters"
London; the body of the letter is in the hand of Ann Elder, Shaw's secretary; includes note on separate leaf by Bernard Burgunder; begins "It is quite clear that there has been no advance on"
London; with typed transcription on separate leaf; begins "Yes: my last letter to F.H. dealt with / Captain Kidd"
London; with typed transcription on separate leaf; begins "If you have any copies of the Wilde book to / spare"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "I am sending one of my vellum copies"
London; begins "Dear Brentanos / I have just come across an unanswered letter"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "You will see by the enclosed that / MacCarthy"
Ayot St. Lawrence; with explanatory note on separate leaf; deals with World War I; begins "My dear Gardiner / I was, as you may imagine, delighted with your article: "The Dynasts"
Ayot St. Lawrence; begins "Many thanks for the tip. I knew about the / section, and, as I now find on working out a few cases, / underrated its value."
London; begins "My dear Lady Gregory / I have talked to the Stage Society"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "Dear Hesketh Pearson / I have been at the front"
London; with photocopy of Thurston's article "Truth and falsehood about crime in Germany" from
Ayot St. Lawrence; with typed transcription on separate leaf; begins "If you will send me the article I / will try to"
London; begins "My dear Lady Gregory, I have practically pledged myself"
London; with typed transcription on separate leaf; begins "Dear Mr. Wills / How do you feel about it generally?"
Gift of Dan H. Laurence, January 1989; acquired by him as a discard from the British Museum; see his letter to J. Tyler of January 10, 1989; with a note in the hand of Dan H. Laurence near bottom of the sheet; original letter unlocated; begins "Dear Sir / I have written an article for you"
London; begins "He literally was hovering over our chimney / pots with"
On the Irish political situation; with an explanatory "Note from Dan H. Laurence" on separate leaf signed B.F. Burgunder and dated May 10, 1977; begins "My dear Plunkett / I approach the question before the convention"
Priors Field, Surrey; Shaw on music; Newman was a music critic; begins "My dear Newman / You have not tumbled to the joke about Strauss's Joseph. My elaborate apology"
Kenmare, Co. Kerry; begins "My dear Newman / This is a reply to your letter from Nottingham"
Newman was a music critic; London; begins "My dear Newman / It is really rather interesting"
London; this letter is on the reverse side of a letter to Shaw from W. Perriton Maxwell; begins "After death, what then?"
London; begins "I have already heard from and answered the editor"
Ayot St. Lawrence; begins "My dear Lady Gregory / It was rather a pity that we"
Ayot St. Lawrence; begins "The articles are being republished as"
Ayot St. Lawrence; begins "I really cannot understand a man going"
London; begins "My dear Charrington / No: I didn't call. And what the dickens is the"
London; the letter is in part also a receipt; begins "Dear Brentanos / I have this day received from you"
Ayot St. Lawrence; begins "Your letter of the 14th. May suggests that"
Parknasilla; on recruiting the Irish for the war; begins "Dear Colonel Lynch / Your telegram about the recruiting reached me"
London; begins "Please send a copy of my last volume of / plays"
London?; begins "Dear Hesketh Pearson / Why did it need a colossal war to"
With revisions in his hand; all but the last paragraph is taken from the Oct. 28, 1918 letter, and most is published in Pearson's
London; begins "My dear Lady Gregory / I think you may regard the"
London; card apparently sent through George Sylvester Viereck; begins "If the Authors' League or the / Poetry Society"
London; begins "My dear Brentano's / Your accounts dated the third January 1918"
London; with corrections in his hand; bought from Bernard Quaritch, Ltd., in January 1980; begins "Dear Gerald Gould / Hamon has the great recommendation"
London; begins "Dear Sir, By all means send me any criticism you care"
London; Thurtle had written a "popular explanation of military law"; begins "Dear Sir, As a rule I have to refuse all requests for prefaces."
London; with corrections in his hand; concerns the means to military discipline; begins "Dear Sir / I do not think that any of the good qualities"
London; the addressee's name is in this letter given as "Captain W.T. Wootton"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "I am shocked to find your letter / among the"
London; the "book" was published in 1920 as
Glastonbury; with typed transcription on separate leaf; begins "Dear Miss Chappell / What! begin writing light opera at"
Penlee; begins "My dear Lady Gregory / I wash my hands of Androcles."
Gift of Bernard F. Burgunder, December 19, 1978; begins "Dear Herr Otto / It is with great pleasure that I find"
Read in conjunction with: Shaw, George Bernard. Typed Letter: to Dr. Emil Szalai [copy], October 5, 1919; letter to the Hungarian Minister; begins "Dear Sir / I am by profession a playwright, of Irish (officially British) nationality"
Dr. Szalai was Shaw's Hungarian dramatic agent; includes holograph corrections on the copy; begins "Dear Dr. Szalai / I have to thank you for your very interesting letter"
With explanatory note by Dan H. Laurence on separate leaf; begins "Dear Sir, Mr. Bernard Shaw's authorized translator for"
With "translation"; Shaw mentions a bulk offer of one million dollars for rights to all his works; Jeffries' letter appears on verso; begins "Dear Sir / The situation seems to be that
London; begins "Dear Mrs. Pearson, This is getting serious."
London; begins "My dear Viola / I am sorry to say that I am convinced that"
Ayot St. Lawrence; begins "I am just wiring Madame Vandervilde"
London; with typed transcription on separate leaf; the autographed lithograph referred to is in the Cornell Shaw Collection; See: Rothenstein, Sir William, Lithograph portrait of G. Bernard Shaw; begins "Dear Mr. Clynes / I have inscribed the lithograph in pencil, as ink would spoil it"
Gift of Bernard F. Burgunder, December 19, 1978; begins "Dear Herr Otto, It is a crime to draw money from Germany"
Instructions on acting the part of Eliza in
London; begins "My dear Viola / In reply to your kind note about seats"
Ayot St. Lawrence; begins "I am sending the photographic / poses to Miss Tree"
Ayot St. Lawrence; begins "I forgot to say that I want a set / of the"
London; begins "Dear Mr. Orton Lewson / I am just off to Ireland for a"
Kilteragh, Foxrock, Co. Dublin; return address written in: c/o the Rt. Hon. Sir Horace Plunkett K.C.V.O.; begins "My dear Viola / Chuck Pygmalion like"
Lucan; begins "Dear Lady Gregory / We were unlucky today in not being"
Lucan; begins "My dear Lady Gregory / As far as I can see the only"
London; note by Shaw on envelope; begins "Dear Miss Patch / Would you care to be my secretary?"
Concerns his engagement of Blanche Patch as his secretary; begins "Dear Miss Patch / May I take this as quite final?"
begins "Dear Miss Patch / By all means arrange with Mrs. Jackson"
Notes on the size and financing of Shaw's home in Ayot St. Lawrence; also included is a map of the area, in an unknown hand; with a note by Bernard F. Burgunder. From Oct. 15, 1920, Oct. 14, 1922, Sept. 23, 1928
London; formerly cataloged under the date 1916?; begins "My dear Lady Gregory, The enclosed from Sally Not In"
London; written on a printed correspondence card [Laurence D7] beginning: I am much obliged to you for your letter, which I have read carefully; letter begins "It seems to me that if such a picture were / by Rembrandt"
London; begins "My dear Brentano, My new volume of plays will very soon be"
London; begins "My dear Jepson, You have got it all right I think; at least that is"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "On Monday I shall be at the Drama League meeting at the Haymarket all afternoon"
Ayot St. Lawrence; begins "My dear A.E. Unluckily your letter came too late."
London; written on margin and verso of Typed Letter Signed to him from Hesketh Pearson, May 26, 1921; begins "Dear H.P. / The difficulty about replying is that it is"
Ayot St. Lawrence; with typed transcription on separate leaf; begins "So that is what you call licking my boots"
London; begins "Dear Hesketh Pearson, Will you send me a proof..."
London; begins "Dear Freschel, I knew I should get you into a fearful domestic row"
London; with typed transcription on separate leaf; begins "Dear Hesketh Pearson / It has taken so long to read the"
London; begins "Dear Hesketh Pearson, That essay of yours requires"
Ayot St. Lawrence; begins "I am just starting on my holiday (meaning the servants' holiday)"
Yorkshire; with typed transcription on separate leaf; begins "Hesketh: it is a pity you are such a ---- well, no matter."
Ayot St. Lawrence; begins "Will you be so good as to / send a copy..."
London; begins "Dear Brentano's, The enclosed letter and Insurance Policy"
London; Cf. Ellmann, R.,
London; "H.H." is
London; advice on how to learn musical composition and conducting; begins "Dear Sir, I can do nothing: old people like myself are"
London; begins "Dear V.D. / I sent you a copy when the book was published"
Ayot St. Lawrence; Yes, if you think it wise.
London; begins "My dear Brentano, About tha tcollected edition of my works"
Harlech, North Wales; begins "My dear Strudwick / I am getting slightly middle-aged"
Ayot St. Lawrence; concerns the find for the Shakespeare Memorial Theatre; begins "I have defended the capital fund of the"
London; begins "Dear Sit, I find your letter waiting for me here (3.30 p.m.)"
London; begins "Between ourselves, there was never a real old Italian method: Tubal Cain used to talk about the bel canto"
London; begins "Dear Lady Rhondda / The worst of coming to one for an"
Minehead; begins "My dear Lady Gregory / Do you know the address of John"
Crewe; begins "Dear Miss Patch / It has suddenly dawned on me that I have"
Ayot St. Lawrence; begins "The difficulty about using this report"
Malvern; instructions for Trebitsch's visit to England; begins "My dear Trebitsch / I must write briefly because when I was in"
London; begins "Alas! I finished up at Parknasilla / by slipping"
London; includes facsimile of address on envelope; begins "What! Be wasted on the chair!"
London; one leaf is a dealer description of the letter; "The proposal" is evidently for O'Riordan to write a book about Shaw; the envelope is addressed in a hand other than Shaw's; begins "My dear Conal / Unless the proposal involves an advance of at least"
London; apparently in response to a request for autobiographical material; with explanatory note on separate leaf; begins "Dear Mr. Werner Laurie / Many people complain that it has never occurred to me to do anything else"
London; begins "My dear Thring, In answer to yours of the 2nd about the"
London; on the publication history of his article "On Going To Church"; gift of Bernard F. Burgunder, nov. 17, 1978; begins "My dear Massingham, On Going To Church is an"
London; begins "Dear Sir / I am much obliged to you for sending me the two columns of Needham news from the
London; begins "Thanks for sending me the article"
Ayot St. Lawrence; Pearson is one of Shaw's biographers; with a note by Bernard F. Burgunder; begins "William being Silent at the top of his"
London; acquired May 1992; begins "Why, when I have done a particularly / long and hard job"
London; evidently the gentleman had sent Shaw some kind of "relic" connected with St. Joan; begins "Dear Mr. Dupernex / It was very kind of you to send me the enclosed; but I return it"
Strathpeffer, England; begins "Blanco is fully licensed, / and has been for years past."
Oban; begins "Yes; we are repeating Dr. Johnson's expedition"
See Laurence
London; begins "Not possible. Sybil Thorndike is / to take St. J. round"
London; begins "My dear Thring / It is quite true that I did not broadcast"
Madeira; begins "We arrived safely yesterday (Tuesday the 30th) after"
London; Baron Palmstierna was the Swedish Minister in London; Shaw sent a similar letter to the Permanent Secretary of the Royal Swedish Academy; begins "May it please Your Excellency / The award of the Nobel prize for the year 1925 to"
December 18, 1943; Ayot St. Lawrence; they seem to have been kept by Miss Patch as receipts; one is marked "Fur Coat," the other "Re. Joe's operation."
London; with explanatory note by Bernard F. Burgunder; begins "Dear Martin-Harvey / The enclosed will serve all purposes. It does not bind you to / produce Blanco if in the meantime you should get going with anything more attractive"
London; discusses costumes of Blanco; begins "Let the imagination play. There never / was no such place nor no such people."
Stratford-on-Avon; begins "On Sunday I leave this place for home."
Liphook; begins "My dear Lady Gregory / I am staying here with the"
Sutherland; begins "My dear Lady Gregory / Ireland is passing through a series"
London; advice to a young writer; begins "Dear Mr. John Shand / You are in a devil of a hurry, aren't you? I earned £5-14-9 by my pen in 9 years."
Ayot St. Lawrence; the postcard has a photograph of Shaw on the reverse side; begins "I was so sorry I could not come to"
Falmouth; begins "The son is not the man his father was"
Ayot St. Lawrence; the address is to New York City, and seems to be to Shaw's American publisher; begins "The book on Socialism - title: The Intelligent"
Discusses the program for the first public London discussion of
London; with notes by Dan Laurence and Bernard Burgunder; Bourchier presented with Charles Macdona the 1st London production of Mrs. Warren's Profession and played the role of Sir George Crofts; begins "My dear Bourchier / But for you I don't know what would have happened"
London?; begins "You can charge the hospital fees and expenses to me"
London? begins "Dear Blanche / You had better pay those expenses with your own"
London; begins "DearViereck/ I never lectured in my life about physical culture"
London; begins "My dear Lady Gregory / Do you remember my reading to you"
Stresa; begins "The £200 is for Travellers Cheques of"
London; begins "My dear Sir John, I squeezed in at the Coliseum one night, and was glad to find / a house that left the management nothing to complain of. Blanco is / all right for you; and you are all right for Blanco."
Begins "My dear Macdona, Mine is a dog's life. Half the time I am"
London; this is the carbon of the typescript; the corrections, initials, and date are by Blanche Patch; begins "Dear Sir / I have no objection to the inclusion of"
Ayot St. Lawrence; concerns his
Ayot St. Lawrence; begins "My dear Cockerell / This accidental biography of Warington Taylor is much more effective"
Stresa Borromeo; Shaw's response to a typed questionnaire sent him by Swede, with additional long note; begins "Remember my age - 71!"
Ayot St. Lawrence; an actress, Mona Limerick was married to Ben Iden Payne, an actor-manager; begins "I tried to get you on the phone this"
London; begins "Dear Sir, Pursuant to your JLF/3195 of the 20th June last,"
London; begins "The address is Miss Bertha Newcombe / Tilmore"
London; postcard bearing photograph of Shaw; begins "Quite good. I read the lot at a / gulp."
London; Handwritten note on card with printed heading "With Bernard Shaw's compliments"; found among letters received from Shaw by Brentano's; begins "I have handed your suggestion to Constables"
Concerning the Swedish translation of
Concerns the Berne Convention, dealing with internation copyright; begins "Sir, It appears to us to be cause for very great regret"
Ayot St. Lawrence; with copy; postcard with photograph of Shaw, marked "Copyright Robert de Smet Bruxelles"; begins "This is what I look like when anyone / mentions"
Cap d'Antibes; begins "The Chesterton debate books arrived safely; but I have"
Cap d'Antibes; begins "Dear Mr. Tunney / On Tuesday next I leave this address"
Geneva; begins "We leave Geneva on Saturday night and arrive"
London; begins "Just to say-in case you are"
London; begins "Dear Clarence Norman / Your old friend G.D. has had a breakdown and is very fragile-"
Ayot St. Lawrence; an actress, Miss Terriss was the daughter of William Terriss, an actor who died in 1897; See: SHAW PHOTOGRAPH Terriss, Ellaline; begins "My dear Ellaline Terriss / This is a nice trick to play on an ancient and broken man"
London; Shaw's views on homosexuality, addressed to the Dean of Windsor; with explanatory note added on separate leaf by Bernard F. Burgunder; with 5 leaves of photocopies indicating the connection between this letter and
London; on preprinted Shaw compliments card; purchased Sept. 13, 1994, Swann Galleries; begins "What are all these about?"
London; note is reproduced as part of a typescript on "On Our First Meeting with George Bernard Shaw," by Gene Tunney and his wife, "G.A. and Mrs. T."; begins "Dear Maurice / Max Beerbohm and his wife are lunching with us today at"
London; begins "Dear Mr. Bernard Miall / I am much obliged to you for letting me know about the"
Hastings; begins "Mr. & Mrs. Sidney Webb want to go"
Brioni; begins "Tell Kyllmann that there is no difficulty"
Brioni, Istria; included are the envelope addressed by Shaw, and an Autograph Note initialed by Gene Tunney explaining Shaw's letter; begins "Dear Sir / I appreciate your kind intention in"
Brioni; I want to know what business Barbara [Major Barbara] has done during its eight week's run.
Venice; with photocopies; begins "My dear Gene / We got a fright about you on the way"
Ravenna; with his Autograph Manuscript Signed St. Joan: A Grand Opera, by Albert Coates, May 5, 1929; bought from Bernard Quaritch, Ltd. in January 1980; begins "My dear Albert / How is Maritana - St. Joan getting on?"
Venice; begins "I have now secured my homeward tickets for"
Malvern; with explanatory note on separate leaf; begins "Dear Bishop / I forgot to say, in the course of our conversation yesterday, that the main oversight in the criticisms of
Ayot St. Lawrence; begins "Perhaps you had better send me the / rehearsal"
London; on the subject of a National Theatre for England; with clipping from
Ayot St. Lawrence; begins "Dear Lady Gregory / The portable wireless has just"
Ayot St. Lawrence; begins "If you can get onto Miss Lilian Dawson at the National"
London; includes typed transcript; begins "My dear Charles / My attendance at your wedding, or at anybody's wedding, is out"
London; authorizing an edition in Hebrew of "The Guide" [
London; envelope and photocopy of the
Cliveden; begins "I feel sure I added something to the"
London; included with this letter is a three-leaf manuscript in Stafford's hand concerning errors in
Shrewbury; Easter Sunday, 1930; begins "My dear Gene / The Cashel Byron proposals are only blind snatches"
Begins "If a Mr. Wise rings up wanting to see"
London; probably a reference to essay on Chesterton; See: Shaw, G.B. Typed Manuscript Introduction Cecil Chesterton's Anti-Puritanism; begins "Dear Mrs. Cecil Chesterton / Will the enclosed do? / I think your only risk of refusal lies in G.K.C.'s pro-Polish propensities."
Great Malvern; envelope addressed to G.W. Bishop; for other materials related to
Great Malvern; concerns the production of
Ayot St. Lawrence; begins "Dear Sir / My great grandfather was Prosser Shaw's grandfather"
London; begins "Dear Bishop / That stuff you sent me is not only an infamous breach of confidence"
London; begins "I don't think any actor could beat Irving's Louis XI"
The letters of Shaw to Dodd, Mead & Co. have been kept among the papers with which they were received at Cornell in August 1987; these papers are the incomplete but extensive correspondence file maintained by Dodd, Mead & Co. on business relations with Shaw; added entry cards have been made for all items other than Shaw's letters to Dodd, Mead & Co.
Photocopy of the original in the possession of S. Phelps Platt, Jr. and published in Laurence,
Written on Typed Letter Signed to Shaw from Dodd, Mead & Co. on October 10, 1925
Photocopy; carbon copy of transcription and Shaw's autograph, clipped from the original letter?, inside envelope; with notes in hand of Dan H. Laurence; gift of Dan H. Laurence, see: his Typed Letter Signed to J. Tyler of February 25, 1989; begins "Dear Dodds both, Chase, Mead's Ghost, Lewis, old Uncle Tom"
Written on Typed Letter Signed to Shaw from Dodd, Mead & Co. on Nov. 16, 1938
Begins "Under separate cover we are sending to you today your six author's copies of the Florence Farr Letters"
Begins "I am returning herewith the suggested agreement for the Florence Farr book, duly signed."
Begins "We enclose our check for $1,308.24, payable to the Irving Trust Company"
For the book
Begins "We enclose our check for $713.59 payable to the Irving Trust Company"
Royalty statement
Royalty statement
Begins "Our deepest sympathy and affection."; signed Frank Dodd
Begins "We enclose our check for $983.53 payable to the Irving Trust Company"
Begins "Memorandum to Mr. Dodd / In reading these proofs of Mr. Shaw's book I found a great many mistakes"
Begins "Page proofs your new book received from constable stop"
Begins "No certainly not the proofs are unfinished uncorrected and were sent to you without my knowledge"
Begins "Thank you so much for your cable."
Begins "Very keen about Everybody's Political WhatWhat stop"
Begins "We enclose our check for $1272.03 payable to the Irving Trust Company."
Begins "Six copies of our edition of
Begins "We enclose our check for $904.06 payable to the Irving Trust Company"
Begins "The Editions for the Armed Services, Inc., is desirous of including a volume of your plays for distribution to the Armed Forces of the United States."
Begins "Thank you for your prompt response to our letter requesting your approval of the publication of certain of your plays"
Begins "Have secured reprint deal in accordance with recent conversation"
Begins "The Shaw letter, as I read it, is a very clear invitation to Dodd Mead & Company to publish the Shaw books at $1.00."
Begins "I hope you will forgive the delay in replying to your letter of a number of weeks ago concerning reprint editions of your books."
Begins "May we publish this summer a selection of autobiographical material from your prefaces and other writings"
Begins "I object strongly but cannot refuse you and will send you material not otherwise accessible"
Begins "Delighted with prospect of additional material but urge all possible speed because of current manufacturing delays to meet summer deadline"
Begins "Summer catalog going to press and salesmen setting out"
Begins "The material you asked us to wait for was some new autobiographical material which we could use together with a selection of autobiographical excerpts from your other writings"
Begins "Is it possible for you to procure and send me a copy of Green Dolphin Country by Elizabeth Goudge, and debit Mr. Bernard Shaw's account with the cost?"
Begins "In answer to your letter of the 24th June."
Begins "The entire staff of Dodd Mead and Company sends you greetings"
Begins "Memorandum to Mr. H.C. Lewis / Mr. E.H. Dodd, Jr. / Just as a matter of written record, I think we ought to consider for near-future publication the idea of a Shaw omnibus"
With two carbon copies; begins "While we understandthat you are turning over business arrangements in connection with your literary affairs to the Incorporated Society of Authors, Playwrights and Composers, nevertheless I venture to approach you on a matter on which I am sure you will wish to make your own decision."
Begins "The enclosed is a revised version of the Proposal for Shaw Reader which should have accompanied our letter of October 22nd."
Begins "Sorry impossible my contracts with Penguin and Oxford University Press forbid"
Begins "We were greatly disappointed over your cable concerning the proposed Shaw Reader."
Begins "The American edition of G.B.S.90 has just reached me."
Begins "Reader suggests schoolbook why not two omnibus volumes of all the plays and all the prefaces instead of picking out the plums"
Begins "It was a great pity that we had no time to consult you when preparing the American edition of G.B.S. 90."
Begins "Thanks for your cable. We already have two omnibus volumes of your plays - Nine Plays and Six Plays - and another one in contemplation for a later period."
Begins "'An omnibus selection' is a contradiction in terms."
Begins "This is just to tell you that we despatched a copy of
Begins "We have become reconciled most reluctantly, at least for the present time, to your decision against our proposal for a Shaw Reader."
Begins "Don't engage anyone to edit the autobiographical collection."
Begins "Thank you for your post card. We certainly shall not let anyone 'edit' the material."
Begins "Mr. Shaw has perhaps showed you my recent correspondence with him concerning a collection of autobiographical writings selected from his works."
Begins "Since I last wrote you about out various thoughts for a Shaw anthology we have had a good deal of correspondence with Mr. Shaw and have finally projected a volume of autobiographical selections from his works."
Begins "Thank you for your letter of February 3rd."
Begins "Your prompt letter is appreciated. We have given careful thought to your proposal and are anxious to explore it further."
Includes carbon copy and typed transcription on separate leaves; begins "Thank you for your letter of the 18th. Re Outside Contributions - I have in mind only a few:"
Begins "We have been doing a good deal of thinking about the proposed selection of Shaw autobiographical material as a result of your letter of the twenty-fifth."
"Cable decision appreciated."
"Letter mailed yesterday."
With typed transcription of postcard and carbon copy; begins "Thank you for your cable and letter of March 19th. May I point out that there will be plenty of unpublished material in my projected Autobiography and that there had been a selection made of the Shaw letters"
Begins "Thank you for your interesting letter. It makes matters a lot clearer."
Begins "We have indeed declined the publication of
Begins "Here is a first rough draft of a contents list for the new book which you might like to call "How I became GBS."
Begins "I prefer annual accounts;"
Begins "We have been studying the table of contents you sent us for the selection of autobiographical writings of Shaw."
Begins "Thank you for forwarding on the letter from Carlton Lake."
Begins "The owner of the Shaw Letter sold out of the Hogan Estate,"
Begins "The form letter suggesting payment of royalties once a year was, of course, sent to you in error, as it certainly does not apply to your account."
Begins "It does seem that we have been a long time deciding on what each of us felt this book should be, but I am glad to say that I think your letter of April twenty-eighth at last clears it up."
Begins "Fred: / Please give me a check for $250.00 payable to F.E. Loewenstein"
Begins "Thank you for sending back the letter signed, and your ammendment is quite satisfactory except that we would like to handle Canada if that can possible be arranged."
Begins "I have been instructed by Mr. E.H. Dodd, Jr. to arrange to send you $250.00 of which is the amount of the fee due you in connection with your work on the book of Shaw letters."
Begins "In accordance with your instructions of June 12th, we have this day arranged with our bank to forward their draft in American dollars"
Begins "Thank you for your note. We will assume, then, that Canadian rights are ours"
Includes typed transcription on separate leaf; begins "Many thanks for cheque duly received at Westminster Bank."
Begins "As to the projected book of autobiographic sketches, for which I have written some new pages, I propose"
Begins "Thank you for your post card. Your news is most encouraging and we have had a note from Mr. Shaw as well,"
Includes typed transcription on separate leaf; begins "Reporting progress: From the material submitted by me to Mr. Shaw, he has so far selected about 57,000 words to which are added about 5000 newly written words."
Begins "I am replying to your letter of the 10th of August in reference to the royalty accountings which we have been sending to the British Society of Authors."
Begins "Dr. F.E. Loewenstein, who is preparing a volume of Bernard Shaw material for us writes that he is trying to secure a group of press cuttings"
Begins "Messrs. William Wise tell me that the person in their firm who knows about those press clippings happens to be in London right now,"
Begins "The number of words selected and approved according to your latest report of August 20 is indeed encouraging, but I must say I rather view with alarm your apparent emphasis on unpublished material and the proposed inclusion of art criticism."
Begins "I am afraid I don't know the Pantagraph Press of Bloomington, Ill."
Includes typed transcription on separate leaf; begins "Thank you very much for your letters of August 19th, 27th, 28th. I have written to Miss Elsie Guthman."
Begins "We are sending you under separate cover six copies of your
Begins "Mr. John Crawley suggested I write you about the following matter."
Begins "Your letter of September 3 brings surprising news but you make it sound like very good news."
Begins "Thank you very much for your letter of the 10th."
Begins "Thank you for your information about completion of the book."
Includes typed transcription on separate leaf; begins "Mr. Shaw has finished the following: Chapter: Apology"
Begins "Thank you for your postcard. They are always welcome, and this one sounds interesting."
Begins "I wonder if my letter to you of September 5, 1947 could have gone astray."
Begins "Dear Sirs, I thought you might be interested to see the brief note on your recent publication of "Man & Superman" in the enclosed bulletin."
Begins "It seems to be difficult to get in touch with the Kennerleys, although the additional information you gave me should be a great help."
Begins "Please note my address as above. If Mr. Shaw will refer to Dan Rider's Book 'My Adventures with George Bernard Shaw', he will find that Mr. Rider lost out on the clippings."
Begins "Many thanks for your very clear explanation of the mystery of the missing press clippings."
Begins "We've been in touch with Mitchell Kennerley, and he believes that the press clippings which we are looking for are not the ones which Rider was interested in"
Begins "Dear Dodds, Englosed is my latest play, for the present a deed secret."
Begins "The Autobiographic Scraps & Sketches is being put through with all possible expedition for you."
One photocopy of The New Yorker article "The Talk of the Town" dated July 31, 1948; and one photocopy of an article in The Saturday Review titled "'As corrected' by G. Bernard Shaw"
Begins "Drown your designer. There is nothing so ugly in print as a combination of type with ordinary handwriting."
Begins "We are at cross purposes."
Begins "Yes,
Begins "Somehow
Begins "We much prefer
Typed on printed correspondence card: Laurence D3; begins "This must be stuck to uncompromizingly."
Begins "There are two questions on which you are pressing me: both difficult."
Begins "As you are still infatuated about $5 Selections, there is no reason why I should not indulge you,"
Begins "I do not understand the economies of this Book Club business"
Venice; begins "Dear Lord Alfred Douglas / It is a pity that Wilde still tempts men to write Lives of him. If ever there was a writer whose prayer to posterity might well have been 'Read my works; and let my life alone' it was Oscar."
Paris; begins "After a string of misunderstandings"
Paris; Begins "The cold turns out to be congestion of the right lung;"
Paris; begins "It's now settled that we return on"
London; Shaw discusses his complaints about a garbage dump; includes explanatory note on separate leaf; begins "Dear Mr. Hieatt / I am much obliged to you for sending me the letter of the"
Moscow; begins "Your card, not stamped, arrived"
Ayot St. Lawrence; begins "What in hell is this?"
Printed circular letter, headed "The Irish Academy of Letter," signed by Shaw and by W.B. Yeats, and addressed in Yeats' hand to Lennox Robinson; bought at Sotheby's, NY, Dec. 11, 1989; begins "Dear Sir, We have at present in Ireland no organisation"
Capetown; begins "The Holden account is right, as he made"
Knysna; See: Pearson, Hesketh.
Knysna C.P., South Africa; Begins "Dear Blanche / Any travelling just now is out of hte question for Mrs."
Knysna; begins "My dear Newton / At last I think I have some firm news. After ups and"
Warwick Castle, R.M.S.; begins "My dear H.G. / The Cape Fabian Society has just presented me with a copy"
Begins "I used up all my writing blocks on the voyage and cannot"
London; includes copy on separate leaf; begins "Dear Sir / As I am old and out of date I have not the privilege"
London; begins "Dear Mr. Farleigh / Good: I think you can make a real job of it."
London; begins "That is all right, of course; so / go ahead."
London; begins "Will you lunch with me at Whitehall Court"
The "book" mentioned is probably
With copy; London; begins "Dear Mr. Farleigh / Yes: the portrait cover of course."
With copy; London; begins "Dear Mr. Farleigh / Don't bother about me: it is your job"
London; begins "Dear John Farleigh / This chap is wrong: he is standing at ease"
London; begins "Dear John Farleigh / As to the beanstalk I could only express"
Great Malvern; begins "Just catching the post. Will write when you"
Malvern; begins "Dear John Farleigh / Many apologies for my delay."
With copy; Malvern; begins "Dear John Farleigh / You will see by the enclosed"
Malvern; begins "I bought some shampoo powders in"
Malvern; begins "These are now perfect; but I want to suggest / a trifling"
Malvern; begins "Dear John Farleigh / The enclosed, just cut out of Punch"
Malvern; begins "Dear John Farleigh / That has done the trick perfectly."
Ayot St. Lawrence; begins "Dear Mr. Willett / I mislaid this play: it has only just turned up. I shall not steal it;"
London; begins "Dear John Farleigh / Call it £200 in round figures"
London; begins "NO: I'm a practitioner, not a professor. / Besides, you'd have to take the Albert Hall"
London; begins "Dear John Farleigh / I don't think it would do any harm to print"
Ayot St. Lawrence; begins "I have only just received Micah / and Pavloff"
Ayot St. Lawrence; begins "It is Sunday; and the letter / containing the"
Ayot St. Lawrence; begins "I think the carrion bird / was a mistake of mine."
Ayot St. Lawrence; begins "I see no harm in exhibiting a / selection"
Ayot St. Lawrence; begins "Page 58 is horrid. I shall / write in 20 lines"
London; begins "Dear John Farleigh / At last the book has gone to press."
London; begins "Dear John Farleigh / Many thanks for the proofs."
London or Ayot St. Lawrence; on physics; begins "Dear Colonel Lynch / As I am not a mathematician, propositions expressed in algebraic"
Ayot St. Lawrence; begins "We start for our cruise round the"
Naples; begins "Please make a careful transcript of"
Empress of Britain; begins "My dear Blanche / Everything has gone so far"
London; begins "This is an indication that you have hit / French taste"
Handwritten note in Shaw's hand at bottom; London; begins "Mr. Bernard Shaw, who is not and never has been a / professional lecturer, is now obliged to restrict his appearances / as a public speaker to special and exceptional occasions,"
With notes in hand of Dan H. Laurence; gift of Dan H. Laurence; see his Typed Letter Signed to J. Tyler of Feb. 25, 1989; London; begins "Dear Dodds both, Chase, Mead's Ghost, Lewis, old Uncle Tom"
Requests poster design for
London; begins "My dear Farleigh / I am horrified: I thought I had sent"
London; begins "I nearly died when I was told / that 'the printer had'"
London; begins "Dear John Farleigh / The enclosed is all I can get out of the"
Ayot St. Lawrence; begins "I got the book safely in September;"
Begins "approaching Plymouth / Dead calm sea so far."
RMS Rangitane; begins "Dear Mr. Sinclair / Thanks for the photographs. I have"
London; begins "Dear Sydney Carroll / What can you do for me in the way of dates?"
Malvern; begins "The experiment with popular prices at the Winter Garden was not very encouraging"
Includes carbon copy of the transcription; London; begins "Dear Dodd Mead / I am so bewildered by the unexpected turns American publishing"
With dealer's description about contents; purchased 12/94; London; begins "Dear Mr. Booth / I am glad you destroyed the letters."
London; begins "Dear Stanley Unwin / The twelve and sixpenny omnibus has been sold out for a long time."
The date appears to be in the hand of Blanche Patch; begins "Impossible the deal is off"
Ayot St. Lawrence; begins "I have nothing to do with your Income Tax:"
Corrections in the hand of Blanche Patch; with explanatory note on separate leaf; begins "Dear Sir Francis / I start for a trip round South America on the 16th, and am not / due back until the 1st April."
London; begins "Dear Sir, Do not let yourself be drawn into an argument."
Balboa; begins "Dear B.P. / I find that I forgot to tear off"
Includes explanatory note on separate leaf; London; begins "Dear Sydney Carroll / Many thanks; but don't waste two first night stalls on an extinct pressman"
Begins "In the Red Sea / All well so far. Letters received duly at"
London; Dear Mr. Barnowsky/ All the directors who have suffered in the abominable persecution in Germany
This letter is on the same sheet as the letter to Shaw from Hamilton Marr for the B.B.C.; London; begins "I have this record. It is quite"
The letter was typed and signed by Shaw's secretary, Blanche Patch; London; begins "Dear Mr. Prior / Mr. Bernard Shaw asks me to say that it is impossible"
The clipping advertises an amateur performance of Shaw's
London; begins "My dear Sydney Carroll / Have you ever asked yourself this momentous question?"
Shaw discusses his "public" and "private" handwriting, giving examples of both; London; begins "Dear [Dr.] Forbath / My secretary has discovered the enclosed soiled scraps of my handwriting / 40 years"
Primarily on the Labour Party and British Politics; Malvern; begins "Dear Hannen Swaffer / I must send you a belated"
This letter is on the same sheet as the letter to Shaw from Hamilton Marr for the B.B.C.; Malvern; begins "The main suggestion that occurs to"
On the British party system; Malvern; begins "Dear Hannen Swaffer / I am kept so busy here that it ends"
Malvern; begins "We shall be wandering in Wales until the"
Malvern; begins "We shall be wandering in Wales until the"
This letter is on the same sheet as the letter to Shaw from Hamilton Marr for the B.B.C.; London; begins "May I have a look at these scripts first?"
This letter is on the same sheet as the letter to Shaw from Hamilton Marr for the B.B.C.; London; begins "May I have a look at these scripts first?"
Letter is on the sheet bearing printed instructions "From London to Ayot St. Lawrence By Road"; London; begins "My dear Gene / We shall be at Ayot as above until Thursday the 22nd."
Typed and signed by Shaw's secretary, Blanche Patch; London; begins "Dear Sir, Mr. Bernard Shaw asks me to say that the practice"
This letter is on the same sheet as the letter to Shaw from Hamilton Marr for the B.B.C.; London; begins "Yes. But unless you can get"
Concerns the projected Limited Editions Club edition of Charles Dickens'
London; begins "No 1 absolutely barred. I agree with the / lady who"
Sidmouth; begins "Dear John Farleigh / I am corresponding with Macy"
With explanatory note on separate leaf by Bernard F. Burgunder; London; begins "My dear Addie, You certainly have had a narrow escape from"
Ayot St. Lawrence; begins "No. Yes. Please delete which is not applicable."
Ayot St. Lawrence; begins "I am off to Eastbourne for all / next week"
The B.B.C. wants to broadcast Act III from
Ayot St. Lawrence; begins "Dear John Farleigh / Words cannot express my"
This letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; on the same sheet is an additional note by Shaw in a difference color ink; London; begins "O.K."
This letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; Sidmouth; begins "O.K. The cathedral scene"
Includes note of explanation by Blanche Patch; Ayot St. Lawrence; begins "Very kind of you: but it must"
Notes by Shaw on a B.B.C. production of
London; note on one of Shaw's specially printed postcards; with a note by Bernard F. Burgunder; begins "We are both quite well (for our ages) and Mrs. Shaw bids me not forget"
London; begins "I had a big job to finish and / had to forget everything"
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "O.K. But in future, if I am to"
This letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "No objection."
London; begins "Dear Sir, I remember your father very well; but we were not in"
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; also attached is a note by Blanche Patch[?] on one of Shaw's compliments cards; begins "Send it to them by all means."
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "Why this appalling cut in"
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "Hooray! Terms accepted. Go ahead."
London; begins "I have got muddled about those / drawings. I held back those"
Ayot St. Lawrence; begins "Geneva is finished as far as the / dialogue is concerned."
London; begins "What about the third act, which requires a practicable sea?"
London; begins "The missing drawings have / been found."
London; begins "I am instructed"
London; dictated to Charlotte F. Shaw, and written by her; begins "Dear Ayliff / This afternoon I sent over a copy of Geneva"
London; begins "On page 94, line 10, change / the word lake to park."
London; begins "I strongly approve of the Lohengrin / idea."
London?; begins "My dear Ayliff / Don't bother to call- unless you'd like to."
Ayot St. Lawrence; begins "In reply to your AP/RGW"
Ayot St. Lawrence; begins "As much music as you like"
London; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "O.K.; but tell the announcer that I am professionally"
Droitwich; begins "Please send me the last"
Droitwich; begins "Dear John Farleigh / Nothing more exactly right"
Droitwich; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "O.K. Go ahead; but the last"
London; with this are filed 3 printed items, all concerning the Limited Editions Club edition of
Ayot St. Lawrence; the second card orders Miss Patch to disregard the information on the first; begins "I am too old to learn new"
Ayot St. Lawrence?; begins "Dear Ayliff / This is a masterly cut if you want"
London; begins "No: let Flanco alone."
London; begins "If you are satisfied, I shant / intrude,"
London?; begins "My dear Ayliff / The enclosed is out-and-out important."
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "This raises the question of the translation."
London?; begins "Dear Ayliff, What a horrible play! Why had I to"
Ayot St. Lawrence; begins "I forgot the stage staff this time."
"Kate" is Kate Perugini, the daughter of Charles Dickens. The story is of Dickens's relationship with his wife; also included are 2 typed transcriptions of the draft by Blanche Patch, a Typed Letter Signed from Dan Laurence to Miss Patch requesting a transcription, and a typed copy of a letter from Kate Perugini to Shaw requesting an interview for Miss Storey (October 1927); begins "Dear Miss Story [sic] / As Kate decided to tell the story that way, told so it must be in any"
London; the letter was typed and signed by Shaw's secretary, Blanche Patch; begins "Dear Sir, Mr. Bernard Shaw asks me to say that he has no idea"
London; begins "Flanco will be all right for a long / time yet."
Text concerns Henry Arthur Jones; included with this facsimile are a letter addressed to Shaw by Jones's daughter, and a notation by Jones himself concerning Shaw; begins "The clique that abhorred me is long since dead; and as I cannot find the name of the club"
London; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "O.K.; but you will"
London; begins "It is an astonishing fact that I / have never seen S.H."
London; begins "The copy you sent me does not / contain the cuts."
London; Shaw gives some suggestions on casting a performance of
London; this letter is on the same sheet as a letter from R.G. Walford for the B.B.C.; begins "Tell them that they must not"
London; begins "My dear Ethel / We must bear in mind that under the new inheritance laws a mother inherits before a sister"
London; with holograph postscript and marginal note; begins "Dear Sir, In my father's time brass instruments were"
Ayot St. Lawrence; begins "They have just sent me a proof of / the portrait."
Ayot St. Lawrence; begins "What about Canada? I am being pressed to tour it"
London; begins "O.K. Send the block off. Splendid."
Frinton on Sea; begins "Sorry I forgot the enclosed. Better keep a"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "Probably it has not yet been delivered."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "Not enough for half the play."
London?; begins "Dear Ayliff, I have just rung you up but can't get any"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from Hamilton Marr for the B.B.C.; begins "O.K. for fifteen guineas. The Government"
London; begins "Dear Mr. Purdom, I have to thank you for the copy you have sent me of the proposal for an Actor's Theatre as part of the work of Equity."
London; begins "Charlotte has written you all the"
Ayot St. Lawrence; begins "Sorry; but I am very old, and forget everything."
London; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "NO. The situations will make no"
Ayot St. Lawrence; begins "Dear D. Colin / You must not act as my agent: I have no need of one"
London; Shaw was considering dropping his American publishers, Dodd, Mead & Co.; with a note by Bernard Burgunder; begins "Dear Mr. Crawley / You have already received my cable of the 20th May."
London; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "There are 52 pages of narrative and dialogue"
London; Edith Craig was the daughter of Ellen Terry; includes one leaf of explanation by Karl Goedecke; begins "My dear Edy / The ancient Pagans, who had a much keener sense of public decency"
London; photocopy of a correspondence card; with explanatory note added on separate leaf by Dan H. Laurence; begins "You can hardly expect an agent, who / lives by his commission"
London; photocopy of a correspondence card; with explanatory note added on separate leaf by Dan H. Laurence; begins "You can hardly expect an agent, who / lives by his commission"
London; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "Disgraceful delay. I am sorry."
London; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "A guinea a minute."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "Two guineas: a guinea per 100 words"
London or Ayot?; Miss Burnett was evidently a teacher and producer of drama; begins "Dear Gertrude Burnett, It is one of the misfortunes of the war that it has taken"
Ayot or London?; concerns Housman and Galsworthy; with explanatory note on separate leaf by Bernard F. Burgunder; begins "Dear Mr. Robertson, I met Housman only once in Westminster Abbey at the Hardy"
Ayot St. Lawrence; begins "Dear Sir, The best way is not to protest. Wait until the war is"
Ayot St. Lawrence; with holograph corrections; concerns British bombing policy, specifically bombardment of continental cities; begins "Cui Bono? / Sir / First may we make clear that though we are about to propose an arrangement with the Axis"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "O.K. Four guineas."
London; with two notes of reference on separate leaves by Bernard F. Burgunder; begins "In finishing the story of Aveling by saying that I / had known only 2 equally conscienceless men, a colonel and a clergyman, I quite forgot the Reverend Harold Davidson."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "If all you want is the 38 words beginning 'I believe in Michael Angelo"
Ayot St. Lawrence; begins "Plate arrived safely. Quite / comfortable so far."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "...color and charm the color of skin does not"
Ayot St. Lawrence; with photocopy and typed transcript; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "Elizabeth means nothing to me. / I am too"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "Yes, if you can get"
Ayot St. Lawrence; begins "Quite a vivid little sketch"; additional items include typed mock-up of a flier advertising Esdaile’s book, inscribed by Shaw in red ink and typed note from Esdaile “A SUGGESTION”, inscribed and signed by Shaw
London; photocopy only; begins "Dear Mrs. Yeats / Do you think it would be possible to make a private edition of it? How / many of the 500 copies can you"
Ayot St. Lawrence; in this postcard Shaw describes Hitler as "a very dangerous madman"; begins "It is true that the high moral games"
Cliveden, Taplow, Bucks; reply to a letter of August 8, 1941 from B.H. Alexander for the B.B.C.; begins "No harm done. Fee £5-5-0
Maidenhead, England
Ayot St. Lawrence; discussion of
Ayot St. Lawrence; Shaw objects to a broadcast of
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from J.E.M. Waters[?] for the B.B.C.; begins "I must charge something as a matter of"
Petition for a Civil List pension for the widow of G. Herbert Thring, former secretary of the Society; with a note by Bernard Burgunder; begins "Dear Prime Minister, We the undersigned members of the Society of Authors"
Ayot St. Lawrence; the letter is in response to a letter from M.T. Candler for the B.B.C.; begins "In reply to your AP/MTC dated the 9th"
Barnet, England; begins "I am still alive and very apologetic / for staying so late."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "£36-15-0 (thirtyfive guineas)
Ayot St. Lawrence; with note by Bernard F. Burgunder on separate leaf; begins "As our people here must have a / holiday we are"
Cliveden; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "I object violently. The broadcast"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from S. McGrath for the B.B.C.; begins "I have no recollection of this; but send it to"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "O.K. for 4 guineas"
Ayot St. Lawrence; this note appears in the body of a letter to Shaw from B.H. Alexander for the B.B.C.; begins "O.K. Say a guinea a minute with a maximum"
Ayot St. Lawrence; begins "After nearly seventy years I remember"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "O.K. Note that my powers are limited to my"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "I am sorry to upset your program; but this"
Ayot St. Lawrence?; concerns jacket design for
Ayot St. Lawrence; begins "Dear Theodora / The enclosed explain themselves / The blank form is in the first rank"
London; begins "Dear Ethel / We have been in London since the 26th July"
London; Shaw describes Charlotte's (his wife) funeral; begins "All ended at Golders Green"
Ayot St. Lawrence?; begins "Alas! All the clothes have gone."
Letter in Pitman shorthand; with typed transcript, apparently made by Blanche Patch; begins "Dear Mr. Walters, The proposed marriage of a gentleman of 70 with a lady"
London; this letter is on the same sheet as a letter to Shaw from S. McGrath for the B.B.C.; begins "No fee. The extract, in"
Ayot St. Lawrence; begins "You must be rolling in money to plunge / into"
London; holograph corrections and additions; discussion of language simplification; begins "My dear Ogden / Wake up, man: wake up. / You have utterly misunderstood my letter and missed the / point of it."
Ayot St. Lawrence; with explanatory note by Dan H. Laurence; begins "I never spoke to Stead in my life, nor even saw him except once at a public meeting."
Ayot St. Lawrence; this letter is in response to a request from B.H. Alexander of the B.B.C.; begins "My secretary tells me that I never"
Ayot St. Lawrence; Shaw on the art of education; begins "The quotation is from The Revolutionist's Handbook"
Ayot St. Lawrence; begins "Of course this is an outrageous extravagance."
Ayot St. Lawrence; postcard bears slight water damage; begins "You are better off than I was / eighty years"
London; this letter is on the same sheet as a letter to Shaw from S. McGrath? for the B.B.C.; begins "Five guineas. I will send a line"
Ayot St. Lawrence?; this letter is on the same sheet as a letter to Shaw from S. McGrath for the B.B.C.; begins "This won't do at all. Never cry stinking fish."
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "I am all in favor of the story being"
Ayot St. Lawrence; begins "By all means do what you can / I had a talk about it with you father yesterday"
Ayot St. Lawrence; begins "Dear Theodora / Maxwell is clamoring for that jacket / Don't try to improve it"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "Is the broadcast to be in English or Chinese?"
Includes a typed transcript; the draft is on the reverse of a letter from Kyllmann to Shaw; Otto Kyllmann was with Constable & Co.; begins "Dear O.K. / I am not at all convinced that 20,000 more What's What will be needed."
Ayot St. Lawrence; begins "My dear Clare / Forgive the orgy of bullying bad manners in which I indulged on Sunday / Its intention was friendly but as it did not produce"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "Is the broadcast to be in English or Chinese?"
Ayot St. Lawrence; purchased from Swann Galleries, February 2, 1995; includes one 10 shillings note and 1 photo of Mrs. Shaw; begins "My dear Bertha / the ten shillings is for / Ann, if she still exists."
Includes 3 Autograph Letters Signed and 7 Typed Letters Signed; Quaritch, 8/03
Ayot St. Lawrence; begins "...for the Shavian News design / This is the fee I mentioned to your mother"
Ayot St. Lawrence; begins "Dear Theodora / The enclosed draft of the letter which should accompany your design"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from S. McGrath[?] for the B.B.C.; begins "O.K. No charge"
Includes handwritten and typed copies; both copies appear to be transcripts, made perhaps by Blanche Patch; begins "Your letter is an alarming one: I perceive that I am ruining you,"
Ayot St. Lawrence; begins "At Wardrop's earnest request I / sent him a few"
Shaw apparently sent this copy to Miss Patch with his letter to her of the same day, for her information. The letter is to an older woman with whom young John Wardrop was consorting and whom he had passed off as his wife to Shaw, according to Dan H. Laurence; begins "He proved impossible. He was too young, too excitable."
Ayot St. Lawrence; begins "My dear Blanche, Wardrop has just burst in on"
Ayot St. Lawrence; this letter is a response to a request from B.H. Alexander for the B.B.C.; begins "In reply to your 03/CT/BHA dated"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "You cannot be tied down unless you tie"
This letter is on the same sheet as a letter to Shaw from Mary Somerville for the B.B.C.; begins "If the extract from C&C is really to illustrate a lecture, it is fair quotation, to"
London; with note on separate leaf; begins "If you are writing to Felix Grendon tell him"
Ayot St. Lawrence; note of instruction accompanying some work to be done (not included); begins "Please fair copy this on green & yellow as usual / for"
Ayot St. Lawrence; inscribed on verso of photo of Shaw; with envelope; begins "Dear Mr. Allan Wade / I am deeply indebted to you for the corrections, and hope that they may no"
Ayot St. Lawrence; text concerns preliminary study for the statue of Saint Joan which Clare Winsten was to sculpt for Shaw; begins "My dear Clare / What an incorrigible megalomaniac you are! Do you suppose I want a white stone ghost of Joan"
Concerns Shaw's will, and the trusteeship of the same; with a note at bottom, "Above, after interview with Mr. Thrupp, of Public Trustee Office."
Ayot St. Lawrence; begins "My dear Blanche, You have given me a jolt at last"
Ayot St. Lawrence; begins "My dear Theodora / I want you to make a private note that the film bargain is not a sound one"
Photocopy, with notes added in the hand of Dan H. Laurence; gift of Dan H. Laurence, January 1989; begins "Dear Dodds, I have to thank you for the accounts and"
Ayot St. Lawrence; "C&C" is
This letter is on the same sheet as a letter to Shaw from M.T. Candler for the B.B.C.; begins "No. These scenes"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from Val Gielgud for the B.B.C.; begins "Splendid in its entirety, but"
London; with this letter is filed Rowbottom's original letter to Shaw concerning suicide and copy of Shaw's response; begins "Dear Sir / Killing yourself is a matter for your own judgement / Nobody can prevent you; and if you are convinced"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from B.H. Alexander for the B.B.C.; begins "These 15" broadcasts are no use to me."
Ayot St. Lawrence; this letter is on the reverse side of a letter to Shaw from B.H. Alexander for the B.B.C.; begins "As to Italy and The Dark Lady, O.K."
Ayot St. Lawrence[?]; with a photocopy and typed transcript; advice on casting for
Ayot St. Lawrence; begins "My dear Clare / The enclosed card and cheque will see you through as far as casting is concerned"
Ayot St. Lawrence; begins "Dear Mrs. Winsten / It having been agreed between us to decorate the dell in my garden with a statue of Joan of Arc"
Ayot St. Lawrence; begins "Gervinus and all that lot are, as to Shakespeare, unreadable bardolators."
Ayot St. Lawrence; for discussion of this letter and related material see Bernard Burgunder's Typed Manuscript Study of 46 Volumes; begins "I should have said that Lucy / sold all this"
London; begins "My dear Gene, I have just picked up your address from a letter your wrote to"
Ayot St. Lawrence; purchased from Remember When Auctions, Inc., November 1993; written on Shaw's printed calling card; begins "My job is to answer question, not to ask them."
London; with commentary on the "hopeless" nature of any attempt to revise the Book of Common Prayer and the decline of effective religious belief; begins "Dear Mrs. Stobart / The late Rev. Dick Sheppard suggested that I should revise the Prayer Book, as there were certain passages"
Ayot St. Lawrence; purchased from Remember When Auction, Inc., November 1993; written on fragment of one of Shaw's printed postcards, Laurence D15(a); begins "Neither does he ask questions; he answers them-"
Ayot St. Lawrence; begins "If you will send me a question- / nare, the"
Ayot St. Lawrence; begins "My dear Ethel / The most hopeless, because the maddest, of all gamblers is the one"
Ayot St. Lawrence; holograph answers to Downer's typed questions concerning Harley Granville-Barker; one of Shaw's comments is written on a fragment, including signature, of Downer's letter (ca. April 1, 1947)
Ayot St. Lawrence; begins "Some persons with great artistic talent have no conscience"
Ayot St. Lawrence; according to a note by Bernard Burgunder, this note "establishes the date of the completion of
Ayot St. Lawrence; begins "Dear Professor Downer, Many thanks for the"
Ayot St. Lawrence; begins "My dear Ruth / Suppose you get six contributors and provide a story yourself besides editing"
Ayot St. Lawrence; begins "I have sent an ample supply"
Ayot St. Lawrence; includes a typed transcription; begins "Dear Mr. Dulanty / Thank you [for] phoning me about the defeat of Dev by a rickety coalition that"
Ayot St. Lawrence; letter is on the printed broadside "From London to Ayot St. Lawrence by Road"; begins "My dear Gene / I see you have landed. I am such a pitiable old crock of"
Begins "Dear Curt, Now that you are, like myself, a widower, I may talk to you freely"
Ayot St. Lawrence; begins "Dear Mr. Downer, I cannot sufficiently urge you"
Ayot St. Lawrence; address on the card seems to have been erased; begins "Limbert has shown me your letter"
Ayot St. Lawrence; concerns a proposal to establish a memorial to H.G. Wells; begins "Dear Dr. Baxter, I think the Wells Committees"
Ayot St. Lawrence; begins "The crisis is very trying: I cannot afford"
Ayot St. Lawrence; begins "Dear Gene / It may amuse you to hear that when"
Ayot St. Lawrence; with explanatory "Note from Dan H. Laurence" added on separate leaf; begins "My hand writing is now so slow and tiresome"
Ayot St. Lawrence; this letter is on the same sheet as a letter to Shaw from Joe Burroughs for the B.B.C.; begins "No. These dialect tomfooleries are not in my class."
Begins "Just as your letter came it happened also that I had a visit from"
On reverse of a letter from J.A. Balbontin, given to F.E. Loewenstein to be given to Reuter's; with explanatory note on separate leaf
Ayot St. Lawrence; concerns memorial stone for Harry and Clara Higgs; begins "Too late / I have engaged the local man who seems promising / His questions are very intelligent"
Ayot St. Lawrence; begins "My dear Clare / You mustn't make scenes with me: I am in that trade; and it doesn't amuse me. And I am much bothered at present"
Ayot St. Lawrence?; Eagan was evidently at one time a boxer; begins "Dear Colonel Eagan, When my late wife began her career in that capacity I had much"
Ayot St. Lawrence?; copy made by Blanche Patch; begins "Dear Angelic Doctor, Celebrations are the curse of eminent"
Ayot St. Lawrence; text concerns sculpture of Joan of Arc by Claire Winsten; with photograph
Ayot St. Lawrence; begins "Before deciding finally about a nom de pinceau consider the case of the Sitwells: Edith, Osbert, and Sachaverell"
The 3 items also include a newspaper clipping and photo of the meeting
Ayot St. Lawrence; begins "The marble of my hand by Sigmund Ströbl / is precious."
Ayot St. Lawrence; begins "What books did Cockerell take"
Ayot St. Lawrence; begins "No preference, except for / yours."
Ayot St. Lawrence; on Shaw's background reading for his play
Ayot St. Lawrence; begins "I have no B.B. drawings left / Clark has all that you have not / Today Rectory Cottage is on view"
Ayot St. Lawrence; Miss Patch's holograph appears at the bottom, answering Shaw's note
Ayot St. Lawrence; begins "I have not become a landlord nor a mortgagee nor done anything for L. that I would not have done"
Ayot St. Lawrence; begins "Maxwell has sent me your letter dated the 14th."
Signature in Pitman shorthand; this note apparently intended as a draft for a cable; begins "Cable unintelligible filming"
Two notes of different dates on one leaf, in answer to a typed question at the top of the page; begins "No. I shall go on with Stern & Reubens, as"
A printed postcard on which Shaw has written his order for "Ruskin by Peter Quennell (Collins)"
Begins "I have not a rap"
Ayot St. Lawrence; corrected in his hand; with dealer's description and comments on a separate leaf; concerns American copyright of Shaw's essay "Imprisonment"; begins "Dear Stern & Reubens / In 1922 I contributed"
Ayot St. Lawrence; with a long postscript in Shaw's hand; text mainly concerned with Erica Cotterill, author of a number of works on Shaw; begins "My dear Clare / Sorrow be damned! I said nothing about sorrow. E.C. lived on a farm at Bampton"
Ayot St. Lawrence; concerning Shaw's relationship to Erica Cotterill; copy made by Blanche Patch?; begins "My dear Clare, Sorrow be damned! I said nothing about"
The letter is torn into 3 fragments; begins "By the way, I should have said in my letter about your salary"
Ayot St. Lawrence; signed "F.E.L."; begins "Bernard Shaw could not / license the production of"
Ayot St. Lawrence; begins "On the 30th the Bank / will pay £41-13-4 for the"
Ayot St. Lawrence; postcard ordering
Begins "My dear Charles / Forget me: I am out of date. I don't"
London; both letters deal with film rights in Sweden to Shaw's
Ayot St. Lawrence; this letter is an answer to a letter from Prior to Shaw dated July 15, 1950, and appears on the same sheet with it; begins "I have not changed my registered"
Ayot St. Lawrence; literary advice on the writing of her autobiography
Typed transcripts made by Mrs. Wheeler and corrected in her hand of letters to her by Shaw and of her letters to him; the transcript totals 467 numbered pages plus a carbon copy of an index and an identifying note written by Mrs. Wheeler
A complete photocopy of the 39 letters to and from E. Margaret Wheeler; should be used instead of the transcripts whenever possible
The following, from Box 112-114, forms part of the Ann Elder Jackson Collection
[Ayot St. Lawrence] My Ayot supply of Higgins's Eternal Ink [Ann Elder was Shaw's second secretary [1911?]-1920]
[Nancy, France] I shall be at this address [Postcard verso has photo of the Excelsior Hotel]
[Nancy, France] Write to Miss C.A. Arfwedson, 56A Long Acre, [Postcard verso has photo of the Excelsior Hotel]
[London] Say that I [am] just leaving town,
Ayot St. Lawrence; I am sending the fourth act of Pygmalion.
Ayot St. Lawrence; I shall not be up until Thursday.
Ayot St. Lawrence; For the new address book: Jacob Epstein,
Ayot St. Lawrence; For new address book: - Arthur Shaw,
Folkestone; Sister, Ann/ Send cards about my being abroad to J. E. Vedrome [On letterhead of The Frederick Hotels Limited, Royal Pavilion Hotel]
Hotel de Russie, Kissingen, Germany; Please make two typed copies of the enclosed duplicate
Herbrechstingen, Germany; All my plans are changed. [On verso is scenic picture of Bad Kissingen, Maxbrunnen]
The Grand Hotel, Birmingham; Please wire to me the very first thing
Edstaston; I shall go up to Ayot tomorrow;
Ayot St. Lawrence; Please make 2 copies of the enclosed.
Ayot St. Lawrence; Please copy out and send me the last speck on page 171
Ayot St. Lawrence; Send me down any motor catalogues that come.
Ayot St. Lawrence;Write to Guiras or Quiras to say that my Spanish translations are already provided for.
Ayot St. Lawrence;Yes: send down the Awakeners; but send one copy downstairs
Ayot St. Lawrence; Send Hamon a copy of the Common Sense of Municipal Trading.
At the Little Theatre they told me that they had sent me half a dozen copies
You must throw yourself on this instantly and type it as hard as you can. [Verso has Shaw's shorthand on it.]
Ayot St. Lawrence; Get a box from Drinkwater for John Bull for Tuesday
Ayot St. Lawrence; You did not put the Parents & Children preface into my writing case.
Longmynd Hotel, Church Stretton, Salop;It is all right about Miss Kinston: I telegraphed to her
When you see "stat" in the margin, do not copy it: pass it over.
If Clark sends proofs of Androcles, send one set over to Granville Barker at once.
Kilteragh, Foxrock, Co. Dublin; Theree is a big document lying about somewhere,
Ayot St. Lawrence; There is a letter somewhere from C\Owen Lewis asking me to write him
London; Dear Des Voeux, I have just learned from a friend of my sister
Ayot St. Lawrence; Collect all the bankers' receipts, amounting to 1000 pounds in all, [This is a reply to Ann Elder; her question to Shaw is on the same leaf.]
[Kilteragh, Foxrock, Co. Dublin]; We cross tonight to Holyland and shall reach Ayot on Sunday
Ayot St. Lawrence; Better send Godard a copy of last years Supertax Carlow return
Ayot St. Lawrence; Appoint 11 on Saturday for Franser Outram.
Torcross Hotel, near Kingsbridge, S. Devon; Telegrams/ Hotel. Torcross./ My address
London; I forgot to say that Miss Ashwell's address is:
Great Catherine has been finished & typed long since;
London; Tomorrow (Saturday) afternoon I start for Folkstone.
[Hotel de la] Croix d'Or, Valence-s-Rhone; We shall stay at this hotel for the rest of the week
Hotel de la Croix d'Or, Valence-s-Rhone; I send you back the recipts, cheques etc. to be posted from London.
Hotel de la Croix d'Or, Valence-s-Rhone; Please send Brentanos a copy of Pygmalion and a copy of Androcles,
Valence-s-Rhone; Hamon says he has never had Androcles or Pygmalion. [Verso has scenic picture of Vanlence - Esplanade du Champ de Mars - Monument L. Gallet]
Grand Hotel, Biarritz; I send a cheque for 35 pounds to replenish the cash box.
Grand Hotel, Biarritz; I enclose an agreement to be filed under Holland for the Doctor's Dilemma,
[Le Mans, France] How He died depends on whom can be got for the men's parts. [Verso has picture of Eglise de la Couture, le Tympan.]
I forget whether I sent copy of the revised Great Catherine to Trebitsch.
Housel Bay Hotel, Cornwall; I enclose a cheque for the Park Village rent.
Ilfracombe Hotel, Ilfracombe, North Devon; The Trade Union Congress utterly repudiated that audacous thirtyfive shilling standard.
Somerset; Please send one to Ayot (where I shall arrive on Sunday) [Verso contains photo of Hotel Metropole, Minehead, Somerset.]
Ayot, St. LawrenceI want the enclosed by return of post, so that I can catch
Ayot St. Lawrence; Transcribe the enclosed & send it down straight to the New Statesman,
Ayot St. Lawrence; I want a letter from Pharall Smith enclosing a letter
Ayot St. Lawrence; You had better send a card to all the actors & actresses to say that I am out of town.
Ayot St. Lawrence; Ssend back the play left yesterday
Send a copy of Pygmalion with my compliemtns to Arthur Bourchier
Ayot St. Lawrence; The enclosed is to be filed for reference under The Music Cure.
Ayot St. Lawrence; Make two copies of the enclosed; and send one to Constable
The Danum Hotel, Doncaster; Sister Ann/ I have left your memorandum of Charlotte's address in London.
Royal Crescent Hotel, Filey, Yorkshire; At the next opportunity remind me of the name of the acting manager [Verso has scenic photo of The Caves, Filey Brigg]
Royal Crescent Hotel, Filey, Yorkshire; Kilsby is still too ill to move; but we hope to get away tomorrow.
Ayot St. Laurence; Miss Pratt has just telegraphed her address,
Coole Park, C. Galway; Please send me a spring back portfolio - my green sheets are blowing all over the place.
Ayot St. Lawrence; If you can find two brushes for cleaning the type of this machine anywhere
Ayot St. Lawrence; Send three copies of Pygmalion (if we have so many to spare)
The Lodree Hotel, Keswick; Send Fischer one of the postcards: the one with folded arms -
Lodore Hotel, Keswick; Get the box for Lucy - matinee 31st July Kinsway.
Hydro-Hotel, Torquay, Devon; It is very unlikely that the banks will not open tomorrow - [Verso contains photo of the Torquay Hydro-Hotel]
Hydro-Hotel, Torquay, Devon; Do not forget to send me all press cuttings.
Hydro-Hotel, Torquay, Devon; We seem likely to stay here for some time - possibly all the time.
Hydro-Hotel, Torquay, Devon; It occurs to me that I promised to pay the censor's fee if Mrs. Warren's Profession was submitted.
Hyro-Hotel, Torquay, Devon; I have received a cheque for 26-5-0 pounds from the Daily News for an article
Hydro Hotel, Torquay, Devon; Among the enclosures (mostly for filing) is a cheque from Heys which should be acknowledged.
Hydro-Hotel, Torquay, Devon; I want some of the postcards with my portrait on them - about a dozen.
Hydro-Hotel, Torquay, Devon; Make me Two Typed copies of this; keep one by you at Adelphi Terrace;
Hydro-Hotel, Torquay, Devon; Your two cards arrived together this morning.
Ayot St. Lawrence; Please ring up Mr. Sidney Webb & ask for instructions as to the missing Fabian Research report,
Ayot St. Lawrence; I want Mrs. Desmond Fitzgerald's address - somewhere near Dingle in the County Kerry.
Savernake Forst Hotel, Nr. Marlborough, Wiltshire; I shall be at this address until Sunday morning.
The Spread Eagle Hotel, Midhurst; I shall stay here tomorrow and go on the the Bridge Hotel,
The Beacon Hotel, Crowborough, Sussex; I am coming back tomorrow (Saturday).
Ayot St. Lawrence; Please send the enclosed cheque (after filling in the name) to Dylsbeck, who wrote to me
Royal Crescent Hotel, Brighton; Please type me a fair copy of the enclosed.
Royal Crescent Hotel, Brighton; I have promised tickets for Fanny to four young ladies at the Fox Institute in Regnet St.
[Fox] The letters had better be forwarded direct to me up to 6 o'clock on Saturday evening.
Coole Par, Gort., Co. Galway; Better send one of the press cuttings etc. from Mrs. Barker.
Coole Park, Gort., Co. Galway; Please fill this with Higgins ink, & return it to me.
Coole Park, Gort, Co. Galway; Please send cables as follows - deferred rate.
Coole Park, Gort, Co. Galway; I return the stupendous collection of stamped envelopes you sent me - Heavens knows why -
New Hotel, Dungeon Ghyll, Great Langdale, Ambleside; You did not send me Frank Harris's letter.
Ayot St. Lawrence; I shall not be up until tomorrow & probably not then until lunch,
Ayot St. Lawrence; I cannot find the Insurance Policy for the motor bicycle here;
[Ayot St. Lawrence] Yes: all right. Did Roger Canliffe apply to me lately [This was Shaw's response on same leaf to Ann Elder's questions.]
Ayot St. Lawrence; [Entirely in Shaw's shorthand and unable to read.]
[n.p.] [Listing of items "Packed in Holdall" and items "Still to be packed"]
[n.p.] I have told Standing to send you a gross of thin postcards [Beginning card (verso is telephone number change notification) numbered (1) and ending with (continued)]
Hydro-Hotel, Torquay, Devon; I want the American Pygmalion agreement with Livingstone.
Hydro-Hotel, Torquay, Devon; Mrs. Kilsby is not at/ Scat/ Bellyclough/ Mellow/ Co. Cork
Hydro-Hotel, Torquay, Devon; Probably my arrangement with Mr. Campbell [partly in Shaw's shorthand]
Hydro-Hotel, Torquay, Devon; There is a hiatus in the Androcles preface, [includes some Shaw shorthand]
Hydro-Hotel, Torquay, Devon; All letters had better be sent straight on to me.
Hydro-Hotel, Torquay, Devon;The letter and agreements I sent to Shubert are at the bottom of the sea:
Hydro-Hotel, Torquay, Devon; Do not copy the Shubert letter until you hear from me.
Hydro-Hotel, Torquay, Devon; Don't sleep at the Terrace unless the nostalgia
Hydro-Hotel, Torquay, Devon; Mrs. Kilsby is still in Ireland,
Hydro-Hotel, Torquay, Devon; Kilsby & his wife have returned from Ireland
Hydro-Hotel, Torquay, Devon; I want, by return of post, as many different photographs of the queeen
Hydro-Hotel, Torquay, Devon; Send me the agenda of the Society of Authors meeting on Monday.
[London] Please admit the bearer, Miss Elder. She is my secretary, [ on Shaw's "compliment card"]
Ayot St. Lawrence; Please make a careful not to insist on a ribbon.
Ayot St. Lawrence; The Fabian Soc. sent the tickets; and I sent on to Evans.
Ayot St. Lawrence; I want 1. The Irish papers sent by Sir Matthew Nathan.
I want a memorandum of my income for the last 4 In come Tax returns,
Ayot St. Lawrence; Shall be up on Thursday - possibly or Wednesday.
Ayot St. Lawrence; I could not get the three enclosed messages through from Ceodicote:
Ayot St. Lawrence; If, as seems possible, Barber should turn up presently,
Ayot St. Lawrence; Please get us a box for The Starlight Express for Wednesday afternoon.
Ayot St. Lawrence; Can you find me any unanswered letters from T. D. O'Bolger, [Verso contains color photograph of the "Ruins of Ayot St. Lawrence."
Ayot St. Lawrence; Cable or wireless Reynolds "Accept Metropolitan. Shaw." [Verso has color picture of Bala Lake.
London; [Handwritten letter to Lady Mayer for Elder to type] My dear Lady Mager/ I am afraid Iam a broken reed in the Stage Society matter.
Ayot St. Lawrence; [Handwritten letter to unknown for Elder to type] Dear Sir/ I went to see the puppets, and missed the most important thing in a theatre: the pay box.
London; [Handwritten letter to Bertrand Russell for Elder to type] Dear Bertrand Russell/ Yeats wrote to me about Chappelow, enclosing a letter from a lady, a cousin of his.
Gloucester Hotle, Weymouth; I do not understand how the Barlow accounts have got out of the usual sequence. [On verso is a color photograph of The King Charles, Poole.]
Gloucester Hotle, Weymouth; I have had no proof of my article for J. P's Weekly
Ayot St. Lawrence; Make a copy of this as early as possible, and send the original,
London; My dear AE/ Clearly it is advisable to [mostly in Shaw's shorthand]
I find I have come without a green writing pad. [On verso is picture of Town Cellares, Poole.]
Royal Mount Ephraim Hotel, Tunbridge Wells; Please send me a copy of Androcles to Windham Croft [On verso is photo of the hotel]
Windham Croft, Turners Hill, Sussex; Better send me all letters.
[n.p.] [page] 2/ 5. Send three copies of the Inca and three of O'Flaherty,
Windham Croft, Turners Hill, Sussex; I want a book by William Bell called The Exodus
Windham Croft, Turners Hill, Sussex; Please send me a copy of O'Flaherty and one of the Inca.
Ayot St. Lawrence; William Poel, 5 Amersham Road, Putney S. W. has been sent somebody else's copy of Androcles
White Hart Hotel, Sedbergh; Yes: send me the Wilde-Harris letter - both copies.
Ayot St. Lawrence; I shall come up to London on Monday, and start for Glastonbury on Tuesday or Wednesday,
London; I have forgotten the New Age, and the prospectus of the Glastonbury Festival
The Crown Hotel, Glastonbury, Somerset; Please transcribe for me the last three or four speckes of the long play (not Augustus)
White Hart Hotel, Sedbergh; Yes: send on Cecil Chesterton's book by all mean.
White Hart Hotel, Sedbergh; Please send me a supply of visiting cards.
White Hart Hotel, Sedbergh; Send all letters addressed to Granville Barker to the Garrick Club,
White Hart Hotel, Sedbergh; Send me as much of the Clusterton Review as you can,
White Hart Hotel, Sedbergh; The enclosed is not to be entered in the cash book:
[n.p.] Send those messages by Insp. Marconi. I want the copy of a letter I wrote to Helen Arthur
[Favvy. New York] Agreed November sixth Booth theatre go ahead. Shaw
Broadway, New York; Faversham may produce sixth November Booth Theatre letter follows
Ayot St. Lawrence; If Mrs. Gillmore still insista on cash payments, [with some Shaw shorthand]
Ayot St. Lawrence; Send a copy of O'Flaherty, marked Private in red ink
Ayot St. Lawrence; Here is a frightful job. You must collate these two copies of the medical article,
Ayot St. Lawrence; Mrs. Chapin had better call on Saturday morning.
Ayot St. Lawrence; I shall not come up this week. You might ring up Mr. Page
Ayot St. Lawrence; I want the following message sent by the cheapest available method:
Ayot St. Lawrence; You put a penny stamp on the Marbury cheque on Parr's Bank:
Ayot St. Lawrence; Yes: by all means let your mother read anything she wants.
Ayot St. Lawrence; If there is any correspondence about the Irish Convention
Ayot St. Lawrence; Tell Mrs. Bilton that my present intention is not to come up until Monday morning,
Prior's Field, Godalming; Enclosed are odds & ends taht I should have given you yesterday
London; Was Miss Kaurer's a/c sent with the fees all right?
Prior's Field, Godalming; If you can find a letter from A. E. Boyd (I am not sure of the initials)
Prior's Field, Godalming; Please get on 15 one pound notes = 15 pounds
[n.p.] Stationery as follows/ 2 packets of envelopes, court size
Parknasilla Hotel, Kenmare, Co. Kerry; Please open all letters. The one you conjectured to be from Lucy
Parknasilla Hotel, Kenmare, Co. Kerry; During your absence the letters had better be forwarded to me:
Parknasilla Hotel, Kenmare, Co. Kerry; I am sending a letter to Miss Dickens to be mimeographed.
Parknasilla Hotel, Kenmare, Co. Kerry; If this reaches you in time, will you send me a file -
Parknasilla Hotel, Kenmare, Co. Kerry; There is no reason why you should hurry back to town.
Long Lake, Sneem, Co. Kerry; These are all for filing 2 c. [On verso is picture of Long Lake]
Parknasilla Hotel, Kenmare, Co. Kerry; I find that my prolonged stay is eating up my stationery.
Parknasilla Hotel, Kenmare, Co. Kerry; Please look in the letter H in the general file, also in K,
Parknasilla Hotel, Kenmare, Co. Kerry; Please make two copies of the enclosed, and post the original immediately
Kilteragh, Foxrock, Co. Dublin; It is not settled that we leave this on the evening of next Tuesday,
Kilteragh, Foxrock, Co. Dublin; Do not send any books here, especially bulky ones:
Ayot St. Lawrence; Can you find any more photographs for me?
Ayot St. Lawrence; Cable Foversham as follows: "Since calling have learnt that your operations have proved fatal...
Ayot St. Lawrence; Please send me a memorandum of the payments I have to make at the end of the year.
Ayot St. Lawrence; I cannot pay the Sussex Lodge rent without the receipt,
Ayot St. Lawrence; Have you any refills for the Reporters Note Book?
Ayot St. Lawrence; I got no letters this morning. Ask Una at what hour they must be posted.
Ayot St. Lawrence; Please buy The Herald on Monday & Tuesday (2 copies would be no harm)
Great Southern Hotel, Parknasilla-on-Sea; The enclosed finishes the third Methusulah play; and as I want to guard
Great Southern Hotel, Parknasilla-on-Sea; I send the enclosed not to spoil your holiday (though it has so far spoiled mine)
Great Southern Hotel, Parknasilla-on-Sea; Send Constance Collier the blue papper of terms and say that she can deduct
Great Southern Hotel, Parknasilla-on-Sea; The word in the telegram was Cox.
The Hut, Bray, Berks.; Tomorrow (Tuesday) I go to Penbe. As they always bother me to recite
Penbe near Dartmouth; On Friday morning I start for Presteign,
Presteign; At present it seems likely that I shall return on Saturday to Ayot;
Ayot St. Lawrence; I am comping up on Thursday. Tell Mrs. Bilton.
[n.p.] Say very politely that I do not understand the transaction
Ayot St. Lawrence; Please 1. Get one of the National Liberal Club pamphlets on Equality from the bundle
Ayot St. Lawrence; You did not put Eaglefield Hull's letter in my bag; so I cannot send the corrected
[n.p.] Please send me down, The last Macdona-Pygmalion agreement
Ayot St. Lawrence; I am writing to Hugh Peed to send you a copy of Dr. Robert Bell's pamphlet:
Shakespeare Hotel, Stratford-on-Avon; My dear Ann/ Send Miss Patch (your successor at the Terrace) your mother's name and address;
London; concerned with Miss Achurch's agreement to go on tour with Felix Mansfield, appearing in Shaw's
London; begins "Dear Lord Birdwood / I don't want to buy your book"
New York; "Gertrude" is Gertrude Lawrence, she was married to Richard Aldrich; begins "Our Gertrude Joined Immortals Today"
New York; a note written on a note card printed with an acknowledgement of sympathy; begins "Dear Miss Patch / Your wonderful letter was"
Begins "To my dear Miss Patch"
Surrey?; Christmas postcard; begins "A very Happy Xmas, and a very"
Cliveden; includes holograph transcription by Blanche Patch?; begins "Dearest G.B.S. / I see that Dr. F.E.L."
Cliveden; begins "Dear Miss Patch / What a performance!"
Cliveden; begins "Dear Patch, [holograph note 'Miss!! She left out the Miss'] Thank you so much for your"
Cliveden, Taplow, Bucks; written on the reverse side of a letter from F. Heritage, Private Secretary of teh Minstry of Labour and National Service, to the Viscountess Astor; begins "Dear Miss Patch / I may still come"
Plymouth; begins "Dear Miss Patch / I was so glad to get your letter"
Maidenhead; on the leaf containing the transcription of Lady Astor's letter [by Blanche Patch?] is another transcription of a later letter from Lady Astor, dated May 25, 1947; begins "Dear Miss Patch / Thank you so much for"
Includes transcription filed with the February, 1947 letter; begins "Dear Miss Patch / G.B.S. wrote me he felt Cliveden"
Tuscon, Arizona; includes holograph notations; begins "Dear Miss Patch / I can't thank you enough for your letter"
Plymouth; with holograph notation; begins "Dear Miss Patch / Thank you so much for writing me"
Wimborne; begins "Very many thanks for books."
Begins "Dear Bernard Shaw / I cannot tell you"
London; regarding a drawing Bateman was to make of Shaw; begins "Dear Miss Patch / Thank you for your"
Postcard from the Orient?; begins "As a close friend of H.S. Salt, I venture to"
Includes card of identification in Shaw's hand, but with date of receipt assigned to 1882
Inscribed "Tout peut se rétablir," Rupert Hart-Davis calls it "a first sketch for the finished drawing, which is now in the Ashmolean Museum in Oxford."
Caricature, in pen and watercolour, of Shaw and a member of "Mrs. Warren's Profession". [In folder marked "Caricatures]
London; begins "Dear Mr. Shaw, I wonder if you could spare"
London; begins "Dear Mr. Thies, I will keep the"
Malvern; filed with Typed Manuscript by G.W. Bishop concerning the second Malvern Festival; possibly Shaw saw and corrected the manuscript before it was printed
Concerns the biography of Shaw by Frank Harris
West Springfield, Mass.; Worthy Paper Company Association; begins "Dear Sir: At the request of Mr. George Macy"
London; request for an appointment with Shaw; begins "Sir / Please be kind anaf [sic] to see"
Found among letters received from Shaw by Brentano's; begins "Dear Sir: We beg to enclose check on London"
St. Hilaire-Sur-Puiseaux Par Vimory (Loiret); found among letters received from Shaw by Brentano's; begins "Monsieur, Je vous"
London; begins "Over the period of its existence"
London; begins "Dear Miss Patch, Forgive this scrap of paper"
London; the letterhead is The Incorporated Press of Great Britain, Ltd.; begins "Dear Miss Patch, Thank you so much for sending the autographed photograph."
Introduction at Cornell University Lecture, Ithaca, NY
With 4 leaves of codicils, and with Typed Letter Signed to James Tyler from Arthur Silverblatt, March 20, 1986
Regarding the first proof and a prompt copy; including a two-page postscript of June 1961
Bernard Burgunder's copy, annotated to record acquisitions for the Shaw Collection, of F.E. Loewenstein's
Obituary announcements and related information; Bernard Frank Burgunder, donor of the Burgunder Shaw Collection, died on March 3, 1986; included is the printed Eulogy of Bernard F. Burgunder spoken at the memorial service by Tom Bigler
Gift of Preston C. Beyer; with his typed and initialled note dated Nov. 17, 1986
23 letters; gift of Joan Winterkorn, October 1987; the letters are addressed to her at Bernard Quaritch Ltd. in London, where she assisted Mr. Burgunder in acquiring material for the Burgunder Shaw Collection at Cornell; Mrs. Winterkorn was previously a staff member of the Department of Rare Books at Cornell
Cassel; date added in upper left corner in Shaw's hand[?] 22/9/07; begins "Dear Shaw / Delighted to hear your accident was not"
begins "Dear Bernard Shaw / Thank you a thousand"
Includes a picture of the sender, Shaw's sister; with holograph note by Bernard Shaw "Sent £100 26/10/07;" begins "Gotha Wielaufe, ach du Herr"
Newcastle, N. Ireland; begins "Dear Madam / Recently you gave"
As Mrs. Campbell played "Eliza" in
The beginning of a speech on diction and voice tone, hand-printed or written in oversized letters; also included is an additional page written in French
Inscribed, "easter greetings to my friend of the Magnetic[?] face My beautiful Egypt;" also includes a holograph drawing of a bird and flowers, on the same envelope
Mostly undated, handwritten letters, to her business manager
With a revised draft of the same letter, and with a draft and typed copy of a telegram circa October 15 from Mrs. P.C. to M.A. Ward; and with an unsigned letter dated Sept. 3, 1901, presumably from Arthur Bertram to Mrs. Ward's agent; all items concern production of Mrs. Ward's play
With typed transcription by Dan Laurence and a note by Bernard F. Burgunder; date in Shaw's hand; begins "His Majesty's Theatre [London] / I have just had this letter from Klaw."
Chelsea; concerns the form in which Mrs. P.C.'s part in
London; begins "Dear Miss Patch, Thanks so very"
The typed title "Random Reminiscences" is changed, in Mrs. Campbell's hand, to "Chance-Medley;" the envelope is addressed in her hand, apparently to an agent or prospective publisher, but most corrections in the manuscript seem to be in another hand; three inscribed photographs of her accompany the manuscript; includes 2 leaves of explanatory notes by B.F. Burgunder, and copy of the auction catalog listing; WHENEVER POSSIBLE USE PHOTOCOPY, NOT THIS ORIGINAL.
New York; regarding the correspondence between Mrs. Campbell and Shaw, and its possible publication; begins "Dear Joey, They have arrived safely after taking nearly three"
begins "Dear Egypt. Dont [sic] let your Italian friend feel uncomfortable"
begins "Dear Egypt. Joan write[sic] this address"
Sirmione?; begins "My dear. It seems to me that perhaps"
Miss Claudius was a friend of Mrs. Campbell in her later years, caring for Stella when she died; begins "My dear. I am sending you the trunk as I promised"
Sirmione?; begins "Dea[sic] Dear Egypt. I am afraid I left my stick agains the rail"
Sirmione; begins "My dear. If you can do buy"
Sirmione; begins "My dear / What a beautiful"
Hotel Sirmione, Sirmione; begins "Oh my dear dear Egypt. I do hope I was not unkind-"
Begins "Could I see"
New York; with explanatory note on separate leaf by Bernard F. Burgunder; begins "My dear / What marvellous / __ ! I am / better"
New York; received August 1984 from Miss Frances Tompkins with other letters by Mrs. Campbell to Mrs. Curtis, and two letters by Agnes Claudius to Mrs. Curtis; Cf.
New York; begins "My dear. That was no more a lesson than my hat!"
Sirmione; begins "My dear, I thank you for your letter"
Sirmione, Lago di Garda; begins "Dear kind Jane. It is not for me to"
Boulogne-sur-Mer; begins "Dearest Jane, I wish you were some- / where near"
Sirmione, Lago di Garda; begins "Jane that is a wonderful photograph"
Sirmione, Lago di Garda; begins "Thank you dearest, / We are in lovely"
Sirmione, Lago di Garda; with two picture postcards of "Lago di Garda - Sirmione - Le Grotte;" begins "Well Jane you are a darling and my mind"
Sirmione, Lago di Garda; begins "My dear dear Jane, / I had the papers safely"
Hotel Sirmione, Sirmione; begins "I am glad my dear you are enjoying yourself so much, and I"
Sirmione, Lago di Garda; begins "Dearest, Italy has so much beauty"
Sirmione; begins "My dear / Thank you for the handkerchief - it"
Paris; begins "Beloved Jane / I did write and give you this address"
Paris; begins "Darling Jane. I am sure now that I have received the"
Paris; with an article on Germany, by Enid Bagnold, excerpted from
Paris; begins "My blessed Jane. I find that just / round the corner"
Paris; begins "Dearest Jane. I thank God you are in 'Sunny / California'."
Paris; begins "Dearest Jane. To-day my fool Bank - 'The Westminster Foreign Bank'."
Paris; begins "Dearest most dear Jane. What will you think when you get / my cable"
La Baule-Escoblac, a village in Brittany; the name has been changed from the "La Baule Sur Mies[?] of Mrs. Campbell's time; begins "My dear. I hope your stepmother isn't very ill."
Pau; Miss Claudius was the last person to be with Mrs. Campbell, in her last illness; perhaps this postcard was not sent?
Paris; with marginal notes to Jennette Curtis in hand of Frances Tompkins; begins "Dear pretty Frances. I am glad to get your letter - It was a"
Hotel Brighton, Paris; contains a comment on T.E. Lawrence; begins "My dear Egypt. It is nice to hear from you-"
Paris; begins "Dearest Jane - Yes: what a long silence - and what a"
Hotel Brighton, Paris; begins "My dear Egypt / What splendid letters your write."
Paris; begins "Oh my dear dear Jane - I have meant so often to write"
Hotel Brighton, Paris; begins "I wonder how you are my dear Egypt - write"
Hotel Brighton, Paris; begins "My dear. There is no soubt[sic] about it you do write the"
Paris; begins "Darling Jane, I hope you are not ill - I wrote you a long"
Paris; begins "Dearest Jane. It is so so long since I have heard from you"
Paris; with related news clipping titled "Actress Sacrifices all for Dog;" found with letters addressed to Jennette Cutler Curtis, presumably the hand written note on this letter is to Mrs. Curtis; begins "Dear Sir, My attention has been drawn to an article that appeared"
Hotel Brighton, Paris; the second page of the letter is missing; See: letter from Mrs. Campbell to Agnes Claudius of May 30, 1939; begins "Dear Kind Egypt. There is something a little different"
Paris; begins "Dearest Jane / what a nice story about my drawers in your"
Paris; with note on envelope in hand of Jennette Cutler Curtis?; begins "Dearest little Frances. What a sweet little note you have"
Hotel Brighton, Paris; begins "My dear dear Egypt. How good of you to send me the 'Spheres'."
Hotel Brighton, Paris; begins "Dear dear Egypt. I think by your letter you are really better-"
Paris; begins "Thank you dearest for the cuttings - I suppose in Canada"
Hotel Brighton, Paris; begins "My dear dear Egypt / I wonder how you are and where you are."
Hotel Brighton, Paris; begins "My dear - here comes your kind letter and medicines - Was there"
Hotel de Calais, Paris; begins "Dearest Egypt / You have sent 2, IOI [sic] in all and according to my"
Paris; begins "Beloved kind Jane / I was able to leave the Brighton"
Hotel de Calais, Paris; begins "My dear dear Egypt. I am glad to get your note - I was very"
Paris; begins "Darling Jane - I have mislaid that little squiggly piece"
Hotel de Calais, Paris; begins "Dear Egypt. Do do be careful of the injections - the doctor alters"
Hotel de Calais, Paris; begins "Dea/rest[sic] Egypt. My money was 5 days late - hence the delay - when I asked"
Hotel de Paris [Calais?]; begins "Dear dear Egypt. I was sure you were not well - Your dressmaker says your"
Hotel de Calais, Paris; begins "Deqr[sic] dear Egypt. Dont[sic] send me 'Rebecca' I have had it given to me. I agree"
Paris; begins "My dear dearest Jane / What a wonderful / time you are having"
Paris; begins "Dearest Jane - I found a page of my last letter to you"
Hotel de Calais, Paris; begins "Dear Dear Egypt. I wonder if you have returned to England, or whet"
Antibes; with two picture postcards; begins "My dear dear Jane. I am in this beautiful place"
Hotell Josse, Antibes; begins "It was nice dear dear Egypt to get your letter yesterday - dated"
Pavillon Madrid, Pau; begins "My dearest Egypt. I have written to you but I have a feeling my letters"
Pau; begins "Darling Jane. Your letter dated Sept. 12th has just"
Pau; begins "Dearest Jane. How dare you apologise! Dont I know well"
Pavillon Madrid, Pau; begins "It is too stupid of me dearest Egypt - when I know that to write to"
Pavillon Madrid, Pau; begins "Our letters crossed dear dear Egypt. I was impatient - now there"
Pavillon Madrid, Pau; begins "Dear dear Egypt. I devoured two of my books instantly - How good of you"
Pavillon Madrid, Pau; contains a comment on Shaw's
Pau; begins "You are an angel to have / sent me $50 & I was / very"
Pavillon Madrid, Pau; begins "Dearest Egypt. It is so long since I heard"
Pau; begins "Dearest Egypt. Bless you and your gifts and your boundless"
Pavillon Madrid, Pau; begins "Oh Egypt / what has happened to you? Where are you / Why have Int[sic]"
Hotel Pavillon de Navarre, Pau; includes her impression of Henry James; begins "Dearest Egypt / Now I believe I have"
Hotel Pavillon de Navarre, Pau; begins "Dearest Egypt. Your letter comes today flooding my heart"
Hotel Pavillon de Navarre, Pau; begins "My dear dear Egypt. It would be so wonderful if you could"
Pau; begins "Dearest Egypt. I am waiting to hear from you"
Hotel Pavillon de Navarre, Pau; begins "Dearest Egypt. Its[sic] wonderful to get your telegram:-"
Hotel Pavillon de Navarre, Pau; begins "Deareat[sic] Egypt. Here is the Order - I hope you can change it"
Carlow; regarding gift by Shaw of his Carlow property to the Carlow Urban District Council
St. James Theatre, N.Y.; concerns
Concerns a possible production of Shaw's
Includes a suggested cast list for Shaw's
Begins "Dear Mr. Bernard Shaw, I fear that I have been very discourteous and remiss"
Concerns the Open Air Theatre; begins "Dear Mr. Bernard Shaw, Your most entertaining letter on"
Concerns possible production of Shaw's
Begins "My dear Mr. Bernard Shaw, Atkins and I are thinking over"
With explanatory note added on separate leaf by Dan H. Laurence; the leaves are numbered 1-5, 7-8 (leaf 6 is missing); at the top of the first leaf is a note in hand of Dan H. Laurence; the date is derived from a letter in the British Library: Add Mss 50522
The pamphlet is "The Charter of the Poor," which contained a contribution from Shaw; begins "Dear Sir, We should be glad if you could notice the enclosed pamphlet"
Account of the last years of Mrs. Campbell by Miss Claudius, a friend of that time who was with Mrs. Campbell when she died; includes quotations from the letters from Mrs. Campbell to Miss Claudius; "Dearest Liar" is substituted for the originally typed "Mrs. Pat"
Pau
Miss Claudius was a companion to Mrs. Campbell, and was with Stella when she died
Concerns Stella Campbell's relationship with Agnes Claudius, and quotes from the correspondence; begins "Rosalie dear, I have been looking through some of Stella's letters to"
Pau; received from Frances Tompkins with letters written to Mrs. Curtis by Mrs. Patrick Campbell; begins "My dear Mrs. Curtis, I am writing for Stella Campbell"
Green End, Purleigh; received from Frances Tompkins with letters written to Mrs. Curtis by Mrs. Patrick Campbell; begins "Dear Mrs. Curtis, Your letter written on the"
Kew; begins "My dear Blanche, Although you have been long prepared"
Kew; with explanatory note added on separate leaf by Bernard F. Burgunder; begins "My dear Blanche, It was exceedingly kind of you to send me"
London; found among letters received from Shaw by Brentano's; begins "Dear Sir, We have had an application from Messrs."
London; regarding Shaw first editions; begins "Dear Sir, We are afraid that our endeavours to get you"
Stanbrook Abbey, Worcester
Stanbrook Abbey, Worcester; concerns the friendship between Shaw and Dame Laurentia MacLachlan; begins "Dear Sir, We are shortly hoping to publish a biography"
Stanbrook Abbey, Worcester; concerns Shaw as a religious man; begins "Dear Mr. Tunney, May I express my gratitude"
[London] Mr. Lasky of Famous Players declares in the Daily Express that the cinema scenario will replace...; Signed Literary Editor Daily Express Shoe Lane EC
Liverpool; solicitation of a paper by Shaw; begins "My dear Miss Patch / You may remember"
Los Angeles; at the bottom, in red ink, is written Shaw's Autograph Letter Signed reply, beginning "No, Gilbert, NO;" the reply is dated October 13, 1938, and is a refusal to autograph books; begins "Dear Mr. Shaw: By the way of introduction"
London; with holograph note; concerns Shaw's purchase of the rectory house at Ayot St. Lawrence; begins "Dear Sir, We have received the instructions"
Surrey; concerns a song quoted by Miss Patch in
London; begins "the Paddington Radical Club"
New York; with Shaw's Autograph Letter Signed added to John Farleigh, June 14, 1937; on letterhead of Dodd, Mead & Company. Office of the President; begins "Dear Mr. Shaw: Thank you so much for your letter"
With explanatory note on separate leaf from Bernard F. Burgunder
Princeton?; begins "Dear Mr. Shaw: I am sending you herewith a copy of"
Princeton?; begins "Dear Mr. Shaw: First let me express my thanks to you"
Cambridge, Mass.; apparently a copy made by Downer; begins "Dear Mr. Sahw[sic], I have been wanting for a"
Unpublished sketch of Shaw in clown costume. [In folder marked "Caricatures"]
The material in Box 116 forms part of the Ann Elder Jackson Collection
21 Kew Garden Road, Kew Richmond Surrey; 4 letters from Cockerell to Musters [Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 18 letters & 1 postcard from Cockerell to Musters [Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 8 letters & 2 postcards from Cockerell to Musters [One letter written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 11 letters & 3 postcards from Cockerell to Musters [One letter written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 7 letters from Cockerell to Musters [Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 13 letters & 1 postcard from Cockerell to Musters [One letter written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 11 letters & 1 postcard from Cockerell to Musters [Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 9 letters & 1 postcard from Cockerell to Musters [Two letters written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 9letters from Cockerell to Musters [Seven letters written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 14 letters & 2 postcards from Cockerell to Musters [One letter written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey;26 letters & 5 postcards from Cockerell to Musters [Five letters written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 10 letters & 1 postcard & 1 note from Cockerell to Musters [Two letters and one note written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
21 Kew Garden Road, Kew Richmond Surrey; 3 letters & 1 postcard from Cockerell to Musters [Two letters written in another hand, signed by Cockerell. Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
[n.p.] [ Includes ALS Fr. Felicitas Corrigan to Musters letter of August 20, 1955; ALS Janet Dunbar to Cockerell letter of March 4, 1900; ALS Muriel to Cockerell letter of February 8, 1960 with program of play, "Dear Liar". Also photograph of Cockerell; Cockerell's letter to the editor of The Times LIterary Supplement, 19 Oct. 1951 about G.B. Shaw; and Cockerell's "Testimony and Appeal from his will.Also 17 newspaper clippings mainly about Cockerell.] [Cockerell was a close friend to G.B. Shaw; Musters was Shaw's first cousin.]
Transcription by Ann Elder of passages in her 1917 diary relating to G.B. Shaw's writing
Farnham, Surrey; Signed Ann M. E. Jackson; concerns the portrait of Jane Patterson; begins "Dear Dan / The watercolour portrait of Mrs."
[n.p.] One leaf titled "Thea"; the second in red pencil
Script for a radio talk, to be broadcast April 20, 1952 on B.B.C.
Review of
Watlington Park, Oxon.; solicitation of Barker's help with the National Theatre project; the booklet is for the same purpose and is signed by "Lord Esher Chairman British Drama League;" the booklet is titled "The Civic Theatre Scheme;" begins "My dear Harley, A little help from you would at"
A poem presented to Shaw at the Fabian Summer School; with explanatory note added on separate leaf
London; refers to a vote on a Fabian Society motion; begins "Dear Madam, Forgive me for reminding you, but you have not yet, I think"
Included are: Memorandum from Special Committee; "Well's draft" March 1908 [in Shaw's hand]; Proposed Revised Basis March 21 [1908?]; with explanatory note on separate leaf
London; begins "Dear Mr. Shaw, Some time ago you were"
Shaw is portrayed in the illustration
Ink sketch and seven proofs of successive states of woodcut portrait of Shaw; unpublished? on verso of the sketch is a brief Autograph Letter Signed from Shaw to Farleigh dated July 14, 1949; all items were received as part of the Black Girl Collection
Hampstead; acknowledging payment for illustration of
Hampstead; drawn as a contract concerning use of the illustrations made for
Hampstead; first page of letter, the rest is lacking; Shaw has added a handwritten note at upper left corner; begins "Dear Sir / I hope I have not appeared / to be too long"
Hampstead; with note "File" written by Shaw in upper left corner; begins "Dear Mr. Shaw / Do you think that now the rush of / the play"
Hampstead; begins "Dear Mr. Shaw, I saw the poster up last Saturday!!"
Hampstead; begins "Dear Mr. Shaw / Thank you for your card & appreciation"
Hampstead; begins "Dear Mr. Shaw / Thank you for your letter of the 14th"
Hampstead; begins "Dear Mr. Shaw / I went down to the theatre last evening"
Hampstead; including 2 pages dated January 27, 1934; begins "Dear Mr. Shaw / As I gathered you were going away"
Hampstead; begins "Dear Mr. Shaw / I am in receipt of your card re settling"
San Francisco, California; begins "Dear Comrade: They tell me that you & Laski & Cripps"
New York; found among letters received from George Bernard Shaw by Brentano's; begins "My dear Mr. Brentano, I had a letter to-day from"
London; concerns Shaw's "Blanco Posnet;" begins "My own Shaw, [?] a word of condolence."
London; Letterhead of The Public Affairs News Service; "Dear Sir, I am collecting opinions for a symposium". Verso contains GBS handwritten reply, dated August 5, 1933.
New York? begins "Dear G.B.S.: This is not an answer to that part of your letter"
New York; begins "Dear Gene: I found the Shaw postal card of 1921, to me,"
Frascati's Restaurant; Shaw's
London; concerns three radio broadcasts made by Mrs. Patrick Campbell in the 1920's; begins "Dear Miss Vincent, I have just discovered from the BBC that Mrs. Patrick Campbell"
Bristol; begins "Dear Miss Patch, I am directed by the"
Alexandria; Dear G. B.S./ I find I can charge the cheque here
Alexandria; My dear Ann/ Thanks very much I received your note yesterday. Forms part of the Ann Elder Jackson Collection.
Alexandria; My dear Ann/ Thank you many times for your letter & G.B.S. for cheque. Forms part of the Ann Elder Jackson Collection.
Alexandria; My dear Ann/ I have been wanting to write you for some time. Forms part of the Ann Elder Jackson Collection.
Vineyarde, Bath; I am still here but going to Ash. on the 9th. Forms part of the Ann Elder Jackson Collection.
Kansas City; with a 4-page list of item in The Black Girl Collection (which Glenn Books was offering for sale), and 2 copies of a 6-page list made at Cornell on receipt of the Collection, plus a photocopy of Myron Matlaw's pamphlet "The Black Girl Collection;" begins "Dear Mr. Burgunder: Since Van Allen Bradley called"
London; solicitation of Shaw's help in fundraising effort; includes holograph note by Shaw at bottom; begins "Dear Sir, My Vice-Chairman is Major F.M. Hornsby"
London; begins "Dear Sir / Although when / I saw you yesterday"
London; begins "Dear Charrington / I put you / wire into an envelope"
London; begins "My Dear Charrington / Thank you / I should like to"
London; begins "Dear Charrington / Thank you for / the book"
London; begins "Dear Charrington / You must let / me off Charles"
London; begins "My Dear Charrington / I have found / you two men"
London; begins "Dear Charrington / I have asked / Mr. Pym Williamson"
London; begins "Dear Charrington / I very much / prefer Captain Kearney"
London; begins "Dear Mr. Shaw / No - Kismet be / blowed!"
London; begins "Dear Charrington / I'm not in / the least"
London; begins "Dear Charrington / I have to be / at rehearsal"
London; begins "Dear Grove / Do you remember / my showing you"
London; begins "Dear Charrington / I hope Nello / found you"
London; begins "Dear Charrington / I missed you / by five minutes"
London; begins "Dear Charrington / Do you / think Paxton / would play in"
London; begins "Dear Charrington / Many thanks."
London; begins "My dear Charrington / I dare not / come to your"
London; begins "Dear Charrington / The Committee / howled at those two / items"
London; begins "My Dear Miss Achurch, Are you ever in town these days"
London; begins "Dear Miss Achurch, 3-30 next Wednesday afternoon"
London; begins "Dear Miss Achurch / Mr. Mayer came to see me"
Begins "Dear Miss Achurch - I think we may be able to"
London; begins "Dear Grove / Thanks for your letter. I don't / see"
London; begins "Dear Mr. Spence / I am so glad to have an / opportunity"
London; begins "Dear Mr. Grove, Thank you so much for your / good wishes."
New York; begins "My dear Mr. Downer / No record / of your first name"
New York; begins "My dear Alan Downer / Forgive this delay. I / evidently"
New York; begins "My dear Alan Downer / Yes, the M.S. of / the Macready"
New York; begins "Never heard him called anything but / Macreedy."
Eyrecourt, Co. Galway; Miss Patch was Shaw's secretary; begins "Dear Madam, I have much pleasure in sending"
Eyrecourt, Co. Galway; Miss Patch was Shaw's secretary; begins "Dear Miss Patch - The book of Nursery Rhymes are not by"
Penvénan; concerns a proposed French production of
London; Shaw was a member of the Club; also included is a note by Bernard Burgunder
Orford, Suffolk; begins "Dear Miss Patch, Sometimes one misses the"
Concerning legal agreements entered into by Mrs. Patrick Campbell; with Autograph Letter [copy] to B.F. Hawksley from G. Herbert Thring, January 22, 1902; and with copies of two related letters dated January 7 & 22, 1902
Carricklee, Strabane, Ulster; begins "The music of"
Some "Shaw mittems" are mentioned; begins "Dear Miss Lawrence: Miss May Seymour of the"
Abridgement by Geoffrey Handley-Taylor read at meeting of Shaw Society, London; the original dialogue was published in
New York; concerns the death of Gertrude Lawrence; begins "Blanche darling: Gertie's final curtain was a"
Washington, D.C.; begins "Dear Miss Patch: The Washington Daily News was pleased to run the"
Script of play based on Shaw's book; "Text as performed at The People's Space, Cape Town, November 22nd;" with cover letter dated June 15, 1980; gift of the author
Capetown, South Africa; with reviews, and a program, of the production at The People's Space of his
Wallingford, Berks; last letter read to Shaw before he died at Ayot St. Lawrence; begins "My dear Mr. Shaw, I did not write when I heard of your accident because I know that"
Pitlochry; this and the December 1956 letters from Ireland to Batson concern the refusal of the Society of Authors to license a production of Shaw's
Pitlochry; Ireland was Manager of the Pitlochry Festival Theatre; Batson was Secretary of the Shaw Society in London; begins "Dear Mr. Batson, Very many thanks for the M.G."
Pitlochry; with Typed Letter [copy] to Kenneth Ireland from The Society of Authors, July 20, 1956; begins "Dear Mr. Batson, After posting my letter to you"
Pitlochry; with signed carbon copy of Ireland's statement to the press concerning the ban on Shaw's
Pitlochry; begins "Dear Mr. Batson, Thanks for your note with cutting"
Pitlochry; with Typed Letter [copy] to Kenneth Ireland from The Society of Authors, December 11, 1956 (and a copy of Ireland's reply); and 21 news cuttings plus 2 leaves of typescript, all concerning
Christmas card, dated in Shaw's hand "Xmas 1906;" with explanatory note added on separate leaf by Dan H. Laurence
London; with Autograph Letter Signed to Isham from Shaw, Dec. 1, 1936 added in red ink; both letters concern Shaw's opinion of Boswell's Journal; bought at auction (Christie's N.Y.) May 17, 1989; begins "Dear Mr. Shaw, When I say that it was a pleasure to meet"
"An Open Letter to George Bernard Shaw" signed by Holbrook Jackson, John Mavrocordato, Lawrence Moore, Thomas Wilson; Leonard Crossle; concerns publication of Shaw's music criticism; with relevant Typed Letter Signed to Bernard F. Burgunder from Anthony Rota, August 31, 1976; begins "Dear G.B.S., We, the undersigned, being sound in / health"
Andover, Hampshire; concerns GBS's early career in a land agent's office; begins "Dear Miss Patch, My only reason for writing this is that"
Andover, Hampshire; begins "Dear Miss Patch, It was very kind of you to trouble to answer"
The Athenaeum, London; concerns "Shaw's explanation of his attitude towards England;" begins "My dear Courtney, I have been so much"
London; begins "Dear Mr. Leslie Bloom, I have received the enclosed letter from"
Ankara, Turkey; fan mail from Turkey; begins "Mr. Shaw, I like your plays."
Dublin; includes a leaf of explanation by Shaw, in holograph, dated February 1, 1946; the article is concerned with Shaw speaking in Dublin in 1918
London; Pharos Club program of
Article written for
Also included with this list is a leaf of information from Dan Laurence on Haldeman-Julius publications of Shaw; it corrects certain dates given in the list, dates based on information in card catalog; when the definitive bibliography of Shaw is produced by Dan H. Laurence, all our Shaw holdings should be checked against it for accuracy
Includes copies of letters to him from Bernard F. Burgunder; includes also the following: Typed Letter Signed to Bernard F. Burgunder from Felix Reichmann, April 18, 1963; Typed Letter Signed to Bernard F. Burgunder from Alison Kerr, August 19, 1963; Typed Letter [carbon] to Alison Kerr from Bernard F. Burgunder, October 11 & 15, November 8 & 20, 1963; Typed Letter Signed to Bernard F. Burgunder from Jane E. Woolston, January 12, 1970 & September 20, 1971; Typed Letter Signed to Bernard F. Burgunder from Ivan J. Ruzicka, August 2, 1970; Typed Letter [carbon] to Mary F. Daniels from Bernard F. Burgunder, September 14, 1971; Typed Letter Signed to Bernard F. Burgunder from Christine M. Kreyling, April 4, 1974; found with this correspondence, and kept with it, is a copy of
Savoy Hotel, London; begins "Dear Miss Patch. Thank you so very much for"
Chicago; possibly Miss Lawrence was touring in
Dennis, Massachusetts; includes a discussion of Miss Lawrence in
Massachusetts; Miss Lawrence considers the possibility of starting "a correspondence flirtation" with Shaw; begins "Dear Blanche Patch. How very excited I was to"
London; concerns possible production of Shaw's
Hollywood, California; begins "Dearest Blanche Patch / Just got your sweet note, and I hasten to reply"
Hollywood, California; the note is written on a Christmas card; begins "Bless you. I hope the cake"
Beverly Hills, California; mentions the possibility of doing
Beverly Hills, California; note appears on Miss Lawrence's Christmas card; begins "Dear dear Blanche. This cannot be a Merry Xmas nor"
New York; includes the "enclosed" referred to in the body of the letter, a copy of Miss Lawrence's letter donating Shaw's mittens to the Museum; begins "Dearest Blanche: As you will see by the enclosed I have treasured"
New York; includes copy of a letter to Mr. Davies regarding a radio broadcasting of
New York; includes holograph note to Blanche Patch on the letter; possibly this copy was sent to Miss Patch; begins "Dear Mr. Davies: Thank you so much for your charming letter"
New York; this copy sent to Blanche Patch; concerns the musical version of Shaw's
Massachusetts; begins "Dear Miss P. here I am on a short hol."
Blanche Patch transcribed these letters to herself and included some explanation
Carlton House, Cheyne Walk; invitation to Mrs. Lawson's, stating that she will be at home "Sundays in June;" See: Laurence, Dan, ed.
Petrograd; on the same sheet is a holograph note by Shaw summarizing his reply; Lebedeff Shaw's agent in Russia? begins "Sending 500 roubles from Pygmalion / arranging"
London; Lee was the famous teacher of
Florence, Italy; concerns Thomas Patch, a possible ancestor of Miss Patch; Miss Patch was Shaw's secretary; begins "Dear Miss Blanche Patch, In reading your book, "30 Years with G.B.S.," I was"
Boston; concerns request to anthologize
Killiny, Co. Dublin; Alice Lockett was an early love of Shaw's; includes transcript; begins "Dear Mr. Shaw / The proper place to"
Published in Loewenstein's
Corrections in the hands of Loewenstein and Shaw; this version was designed for the American edition of
Plan of a book (never published) to contain all of Shaw's Fabian tracts; this Outline includes a list of the tracts; with corrections and date in Loewenstein's hand
London; holograph comments by Shaw appear on the letter in red ink; begins "Dear Sir / Mr. Shaw has asked me to find out how many loose"
Ayot St. Lawrence; begins "Please reserve space in next issue"
Ayot St. Lawrence; written on the back of one of Shaw's printed postcards (Laurence D29(a)); found with Laing's collection of newspaper cuttings, to which Loewenstein refers; begins "At long last, I have finished with this"
Written on one of Shaw's specially printed cards, this one listing the manner of publication of his writings, and forbidding Radio and Television productions; begins "Did you give the B.B.C. permission to do"
Ayot St. Lawrence; this note reports a false rumor of Shaw's death; begins "Dear Mr. C. I owe you 5 / - Pennies."
Stansted, Wrothman, Kent; begins "Dear Mr. Spence / I was overjoyed / at your"
London; with typed transcription; begins "Dear Mr. Shaw / I have not seen any"
Dublin; with Francis Hackett's printed Letter to Editor of
Dublin; See: Shaw's printed Letter to Editor of
unpublished talk; Macqeen-Pope is dean of London theatre historians
New York; begins "Dear Mr. Farleigh / Thank you for sending me your"
New York; begins "Dear Mr. Farleigh / From now on you will have to be"
London; begins "Dear Mr. Farleigh / I am writing Mr. Bernard Shaw to-day"
London; begins "Dear Mr. Farleigh / I send you this note with extreme"
New York; with Typed Letter (copy) to George Macy from Frank C. Dodd, May 6, 1937; and Typed Letter (carbon) to George Bernard Shaw from George Macy, May 10, 1937
London; with underlining and expletive added by Shaw as Autograph Letter to John Farleigh after June 17, 1937; begins "Dear Mr. Shaw / That is very salty language you used"
London; begins "Dear Mr. Farleigh / I now write to confirm the arrangement"
London; begins "Dear Farleigh / I agree with you that we should have"
London; begins "Dear Farleigh / I know of no hitch whatever"
London; begins "Dear Mr. Farleigh / I have been in Paris and could not sooner"
New York; begins "Dear Farleigh / I send this note to tell / you that I will"
London; begins "Dear Farleigh / Here I am in London, anxious to know"
London; begins "Dear Farleigh / I now have the note you sent me"
London; begins "Dear Farleigh / I thank you for your note of August 10th"
London; begins "Dear Farleigh / I am sorry for any misunderstanding"
London; begins "Dear Farleigh / I thank you for sending me your note"
London; begins "Dear Farleigh / This morning the boat from New York"
London; with Typed Letter (copy) to Cecil L. Phillips (the Leicester Galleries) from George Macy, Dec. 12, 1938; and with an initialled note to George Macy from The Marchbanks Press; begins "Dear Farleigh / I am sending over to you some rough proofs"
London; begins "Dear Farleigh / I thank you for your note, and am delighted"
New York; begins "Dear Farleigh / I thank you for sending your cable in reply"
New York; on letterhead of
New York; includes holograph note of reply by Shaw at the bottom of the sheet; begins "Final arrangements being made"
Gibraltar; begins "My dear Shaw / In the course of my duty I have"
Dundrum , Torquay; a get-well note to Shaw; begins "Dear kind old friend GBS / I am thinking of you and hoping"
Dundrum, Torquay; two copies of 1 leaf each; begins "Dear Miss Patch, Thank you so very very much for your dear"
Edinburgh; Maxwell was Director at R&R Clark, Ltd., who printed Shaw's works
Edinburgh; Maxwell was Director at R&R Clark, Ltd., printers of Edinburgh, who printed Shaw's works
London; begins "Dear Mr. Thring, I received your letter of the 30th January"
London; begins "Dear Mr. Thring, I have your letter of yesterday"
London; begins "Dear Mr. Thring, I have your letter of yesterday with the"
Cornwall; begins "I did enjoy your broadcast"
Photocopy of typescript, with bibliographical references in 3 pages of notes
Edinburgh; begins "Dear Madam, I have just read with great pleasure your letter in"
Nr. Heathfield, Sussex; copliments on Miss Patch's radio broadcast, a reminiscence of Shaw; begins "Dear Miss Patch, I have just had a thrill. I had never heard your voice on the"
London; on the same sheet is Shaw's holograph answer [initialed]; also included is the envelope in which Shaw mailed his reply; begins "Dear Mr. Shaw, Do please spare five minutes to read the"
Wargrave, Berks.: includes holograph transcription by Blanche Patch; begins "Dear Miss Patch / Thank you very much"
Includes a note by Bernard Burgunder; these copies of the letters were probably made by Blanche Patch, Shaw's secretary
London; begins "Dear Mrs. Bernard Shaw / Thanks kind letter with"
London; concerns the collecting of Shaw letter; begins "Dear Miss Patch, Forgive me troubling you; it was your chapter"
Record by Georgina ("Judy") Musters of her last conversation with G.B.Shaw; with her handwritten additions; the original typescript apparently does not survive; with typed notes by Dan H. Laurence on two separate leaves, and the Nov. 2, 1950 issue of the London
Jenny Patterson was Shaw's first mistress; Georgina Musters was Shaw's cousin, and at one time, his secretary; begins "J.P. (Jenny Patterson) was our friend - I remember her staying in"
London; Georgina Gillmore was Shaw's cousin; at this time she was also his secretary
London; answering an inquiry about the paper edition of Shaw's works; begins "Dear Sir, In answer to your letter of the 8th July"
Oxford; concerns letter from Shaw to George Cornwallis-West, the 2nd husband of Mrs. Patrick Campbell; begins "Dear Miss Patch, No doubt a great many people trouble you with"
For further information See: New Age Press, Ltd. and Norman, Clarence H. Typed Letter (copy) to A.R. Orage May 18, 1910 London; See also: Bernard Shaw: Collected Letters, ed. by Dan Laurence Vol. II, p. 809
London; also in this folder: Norman, Clarence H. Typed Letter (copy) to Alfred Orage May 19, 1910 1 leaves and Orage, Alfred Richard Typed Letter (copy) to Clarence H. Norman May 19 and 20, 1910; begins "My dear Orage, Please insert the enclosed communication"
Ireland; some comments on Shaw's
Totnes, Devon; mentioned are O'Casey's
Signed pen and ink drawing on laid paper, 5 3/4 x 9"; signed also by Shaw, and dated by him 10th July 1934
For
Los Angeles; begins "My dear sweet Blanche, Thank you for your kind letter from Devonshire."
With revisions in his hand; Gift of Dan H. Laurence
Gift of Dan H. Laurence
With much handwritten revision
With handwritten revisions
Announcement of a talk given by Dan H. Laurence in Olin Library October 10, 1979;
On George Bernard Shaw and William Archer
"Early typescript, undergoing revision and trimming."; with revisions in his hand; talk delivered at Cornell Oct. 17, 1975
With revision in his hand; talk delivered at Cornell Oct. 17, 1975
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Jr. April 1986
Twenty-seven letters, including one undated note, and a postcard (Nov. 18, 1963) signed also by Mildred and Bernard Burgunder; these letters were included in the case with Shaw's Typed Manuscript "How to Become a Musical Critic - Preliminaries"
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
Includes copies of letters to him from Bernard F. Burgunder; the letters are filed in chronological order regardless of author, each folder containing one year's correspondence; gift of Bernard F. Burgunder, Sept. 1978
The material in Box 115 forms part of the Ann Elder Jackson Collection
16 Grimston Gardens, Folkestone, Kent; Dearest Ann, Yes, it'd have been nice to have giggled together over Amblytron [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 7 letters and 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 8 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters from Musters to Jackson[Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 5 letters from Musters to Jackson[ Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 7 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent;7 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 12 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 11 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 5 letters from Musters to Jackson[Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 7 letters from Musters to Jackson[Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent;5 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Munsters to Jackson[Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters from Munsters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 6 letters from Munsters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 5 letters from Musters to Jackson[Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent;7 letters and 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters and 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 2 letters and 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 7 letters & 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters & 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 5 letters & 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 5 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 11 letters with 2 leaves of 1904 letter from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 8 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 9 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent;11 letters & 1postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 12 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 9 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 10 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 9 letters from Musters to Jackson plus a postcard from C. Arthur to B.P. Tyszko and 2 clippings [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 8 letters & 1 postcard from Musters to Jackson; photo of Musters included [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 14 letters & 1 postcard from Musters to Jackson plus one postcard to Jackson from her daughter, Judy; and 1 poem [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 13 letters & 1 postcard & 3 clippings from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 11 letters from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 14 letters & 1 postcard from Musters to Jackson [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
16 Grimston Gardens, Folkestone, Kent; 4 letters from Musters to Jackson, with 1 clipping and one photo of Musters [Judy Musters was Shaw's first cousin. Mrs. Jackson's other correspondence is under her maiden name: Carr. She has been Shaw's second secretary.]
Photocopies of the originals in the British Library; the leaves have been numbered in pencil: leaves 1-275 are from manuscript ADD. 50544; leaves 276-527 are from manuscript ADD. 50545; with identifying note added on separate leaf by Bernard F. Burgunder, dated Jan. 27, 1982
Later reprinted in her book; See: Patch, Blanche,
Contains the allegation that St. John Ervine was using transcriptions of the diaries, originally made by Miss Patch, without the proper permission
London; begins "Dear Sir, Mr. Bernard Shaw is at present staying in Wales"
London; begins "Dear Sir, Mr. Bernard Shaw desires me to say that the"
London; Miss Patch was having foot trouble; begins "Dear Mr. Shaw, Your letter has just arrived. It is the right big toe"
London; with pencil note added at bottom by a third person; begins "Dear Madam / Mr. Bernard Shaw desires me to say"
London; begins "Dear Mr. Ervine, I was so taken aback by your attack on me yesterday"
London; begins "Dear Sir, Mr. Bernard Shaw asks me to say that he has"
London; begins "Dear Mr. Robertson Scott / Mr. Shaw keeps all his"
London; begins "Dear Mr. Robertson Scott / Mr. Shaw is not very helpful."
Ayot St. Lawrence; a Shaw-by-proxy letter; concerns a request for a copy of
London; this is a letter-by-proxy of Bernard Shaw; the old friend referred to in the body of the letter is Max Beerbohm; included is a note from Alan Dent to Dan Laurence
London; begins "Dear Mr. Robertson Scott, I have been living in London since"
London; includes note by Bernard F. Burgunder on separate leaf; the "German" referred to in the body of the letter is F.E. Loewenstein; begins "Dear Mr. Clench, Many thanks for the information about the Annuity."
Begins "While I know it is your love of teasing that made you write the"
London; begins "Dear, long-suffering GBS, As a start I will say that I'm glad I ended my previous letter"
London; with explanatory note added on separate leaf by Bernard F. Burgunder; begins "Dear Robert, All right. I'll be with you next Thursday"
With a holograph answer by Shaw dated June 9, 1949
London; begins "I have solved this / mystery by going to the"
London; concerning the survival of Bernard shaw's private diaries; begins "Dear Mr. Sandford, Many thanks for returning the note book."
7 letters; with carbon copies of four letters, Dec. 15, 1959 - Oct. 9, 1963, to Blanche Patch from Bernard F. Burgunder
3 items; includes a rather gossipy letter from "William," on R&R Clark stationery; they were Shaw's printers
St. Leonards-on-Sea; begins "Dear Mr. Mushlin / This is Edith Patch"
On the original typescript are holograph corrections by Shaw; included is a note by Bernard Burgunder, dated May 21, 1970
Including long handwritten addition by Shaw concerning
London; begins "Dear Mr. Mushlin, Miss Patch tells me that you are"
London; begins "If you could come / tomorrow (Wednesday)"
London; begins "Dear Mr. Mushlin / Thank you so much for / your"
London; begins "Dear Mr. Mushlin / Thanks for letting me know"
London; some confusion as to who signed a letter from Shaw to Mr. Pember, Shaw or Blanche Patch; begins "Dear Sir / We shall be so very"
London; Mr. Pember seems to think that "Blanche Patch" is Shaw's pseudonym rather than his secretary; begins "Dear Sir / I hope you will not mind if I have used"
London? Transcription from a telediphone [sic] recording; Percy was an actor who did some of Shaw's plays; the program was given to the B.B.C.
Concerning publication of a Gujarati translation of
Concerns performances of Eurhythmy; begins "Dear Mr. Bernard Shaw, Thank you very much for your"
Recommending Karel Capek's play
Begins "Dear Mr. Bernard Shaw, Thank you very much for your"
Thanking Shaw for his letter to
Turin; concerns the publishing history of Shaw's works in Italy, as well as the Italian version of Miss Patch's
2 letters; on the bibliography of Shaw's
Included: Epitome of affidavit... (on validity of Shaw's Will) February 8, 1956; Epitome intended to be helpful to lobby correspondents (on Shaw's Will) March 23, 1956; George Bernard Shaw: some facts, February 20, 1957;
Concerns objections to production of
Article on pp. 3-4; the author was founder of the first Shaw Society of Canada; begins "Canadian Vegetarian Union
Surrey; discussion of the making of a film version of
Amsterdam; Mr. Reyding represented the Society of Authors in the Netherlands; the letter concerns translations into Flemish, and whether they copyright those into Dutch; begins "Dear Sir, In answer to yours of the 16th inst. I beg to observe the"
Includes holograph sheets of notes; concerns George Bernard Shaw
London; concerns serializing the letters of Ellen Terry; begins "My dear Mr. Shaw / Is there any chance of getting the Serial"
Request for an article on child abuse; begins "Dear Mr. Shaw, I have read the letter you wrote to"
London; begins "Have written to The Times on receipt of your wire"
Begins "Dear Sir, In Lady Rhondda's absense I am writing to acknowledge"
Wilkes-Barre, and University Park, Pennsylvania; some of the copies are signed
London; adecdote about Shaw and Ayot St. Lawrence; begins "Dear Gene Tunney, I have been staying with my friend Dr. A.L. Rowse,"
Dublin; concerns the history of the Irish Academy of Letters; Shaw was a Founding Member; begins "Dear Alan Wade / P.S. O'Hegarty tells me that some time ago you wrote to him"
Oamaru, N. Zealand; fan letter; begins "Dear Mr. Shaw. I am taking the liberty of"
London; appeal for funds to found a national theatre
Mimeographed, spirit-duplicated, and printed material from teh files of G.B. Shaw, who was a member of the Academic Committee; one item gives the rules of the Committee at the time of tis creation in 1911; others are concerned with producing a phonetic alphabet; includes note on separate leaf by Bernard F. Burgunder
London; begins "My dear B.P. / I am off tomorrow to New York with the Duke of Windsor
London; concerns Miss Patch's dispute with Shaw's biographer, St. John Ervine, as to his use of Shaw's diaries; See: Patch, Blanche Typed Manuscript
Brighton; removed from the copy of Salt's book
Chelsea; with note on separate leaf by Bernard F. Burgunder; begins "Dear Comrade, As there is a probabillity [sic] of"
Belfast; concerns a children's song, "Mother Tabbyskins"; begins "Dear Miss Patch. I remember my"
London; Miss Patch was Shaw's secretary; on the same sheet is another copy of Cyril Maude's letter of November 18, 1950, to Miss Patch; begins "Dear Miss Patch, I was so very sorry to have had to leave immediately"
Parkstone, Dorset; Shavian anecdotes; begins "Dear Madam:- I am thoroughly enjoying your book and would like to"
English translation by the author of an article in Gujarati published in
Hertford; concerning some comments by Shaw on endocrinology; begins "Dear Mr. Clench, Thanks for yours of 26th inst. which came"
Ayot St. Lawrence; begins "I was so touched by the very"
Ayot St. Lawrence; 4 notes + 1 address + 1 list. Forms part of the Ann Elder Jackson Collection.
Ayot St. Lawrence; begins "Dear Rhonndda [sic] / We must & will meet"
Christmas Card; no year is given
34 letters; typed copies made for Shaw of letters by Charlotte Shaw and others concerning edition she helped prepare of
London; both the note and the envelope were found with letters received from George Bernard Shaw by Brentano's; the envelope is presumably to be dated ca. 1916
Ayot St. Lawrence; begins "Why didn't you send down those proofs." Forms part of the Ann Elder Jackson Collection.
[Various places] 4 letters and 5 postcards from 1914.
[Various places; Torquay] 6 letters and 2 postcards from 1915
Ayot St. Lawrence; 3 letters and 5 postcards from 1916. Forms part of the Ann Elder Jackson Collection.
Ayot St. Lawrence; with her Autograph Document "Extract from the Baptismal Register" certified copy, July 11, 1932; and a 4x5 photograph of her (ca. 1920?) taken and developed by George Bernard Shaw; and a printed Memorial Program dated April 5, 1929, for her sister Mary Stewart (Payne-Townshend) Cholmondeley; an explanatory note by Dan H. Laurence has been typed on a separate leaf; gift of Bernard F. Burgunder, Dec. 19, 1978
Ayot St. Lawrence; begins "Dear Mr. Brentano / Thank you for your letter just"
[Various places] 2 letters & 4 postcards from 1917. Forms part of the Ann Elder Jackson Collection.
[Various places] 3 letters & 2 postcards from 1919 to April 20,1920; 1 letter from Sept. 24, 1928. Forms part of the Ann Elder Jackson Collection.
London; begins "Dear Sirs / I enclose a receipt for the cheque"
Copies by Blanche Patch; See: Dunbar, Janet.
Sandwich; begins "Thank you for your letter."
Passfield Corner, Liphook; begins "Dear Mr. O'Casey / G.B.S. & I have read"
Ayot St. Lawrence; begins "Dear Mrs. O'Casey / I am so very sorry, but I fear"
Geneva; begins "Dear Miss Patch / You will have got the telegram"
Triesté; begins "We arrived all safe and well"
Brioni; begins "This is a view of the"
Brioni; begins "Dear Miss Patch, That is indeed good news about the"
Brioni; begins "Dear Miss Patch / Thank you about the Jugo-Slavia things."
Malvern; begins "Dear Mr. O'Casey / How nice of you to send / that telegram"
London; begins "Dear Mr. O'Casey / Accept my most sincere con- / gratulations"
Ayot St. Lawrence; begins "Dear Mrs. O'Casey / I am so delighted you can both come"
London? begins "Dear Mrs. O'Casey / Would Thursday week - 7th Nov. - do"
Ayot St. Lawrence; begins "Dear Mrs. O'Casey / I should have written some / days ago"
Ayot St. Lawrence; begins "Dear Sean / You wrote such a nice letter when I"
Ayot St. Lawrence; begins "Dear Sean / Thank you for your lovely letter!"
Venezia; begins "I sent a wire to say be"
Hotel Lotti, Paris; begins "Dear Miss Patch / I have done very well, & the"
Malvern; begins "Dear Sean / It is delightful to hear of you / even with such"
Ayot St. Lawrence? with typed transcript of part of the extant fragment; begins "Dear Sean / Don't think because I did not write"
Madeira; begins "We sailed for S. Africa on / Christmas Eve."
Cape Town; begins "Dear Miss Patch / Thank you for your 2 notes & the"
Sea Point; begins "I cannot remember whether"
Napoli?; begins "All goes very well."
Empress of Britain, in Bombay; begins "Dear Miss Patch / Thank you for your letter & our mail"
Bangkok; begins "We have been literally 'under the weather'"
Empress of Britain in the China Sea; begins "Dear Miss Patch / A letter from you found"
Shanghai; begins "Some letters turned up here but"
Empress of Britain; begins "Dear Miss Patch / After a long break we got a"
San Francisco
Empress of Britain; begins "All Well New York Immense Success"
London; begins "Dear Sean / Delighted to hear of you & / delighted to"
Ayot St. Lawrence; begins "Dear Sean / You see I got a letter for you"
London; begins "Dear Sean / I think Within the Gates is a wonderful thing."
Ayot St. Lawrence; begins "Dear Sean / It was lovely of you to send"
Roturua; begins "Dear Miss Patch / It seems extraordinary to think this is perhaps the"
London; begins "Dear Margaret / At last the sky seems to be clearing a bit"
Malvern; begins "Your letter has been forwarded / to me here."
London; begins "Dear Eileen / I cannot tell you how delighted I am"
London; begins "Thank you so much for your / letters."
Off Tangiers; begins "All is well. People in attendance"
Durban, S. Africa; seems to have been a 2 postcard message, the second half is missing; begins "Here we are, safe & sound."
South Africa; this postcard is marked II, I is missing, and, as there is no signature, perhaps there was a III? begins "We are getting on splendidly here."
Ayot St. Lawrence; Mr. O'Sullivan was editor of the
London; begins "Just back, still alive, from Eastbourne!"
Penrhyndeudraeth; begins "Dear Miss Patch / I fear this place is certainly a failure."
London; begins "Dear Sean / What grand news to hear you are writing a new play!"
Sidmouth; begins "Dear Miss Patch / I am so very very sorry."
London; begins "Dear Miss Patch / We were delighted to find your note here when we arrived."
London
London; Dear Mr. Ayliff/ G.B.S. says: "Out of the list I know only Eileen Beldon
London; begins "Many thanks for your card."
Droitwich; begins "To greet you on your"
Droitwich; begins "Dear Blanche / Just a line to tell you our news"
Droitwich; begins "Dear Blanche / What a relief! I think now things"
London; begins "Delighted you can come Friday-"
Ayot St. Lawrence; a description of their property at Ayot, probably in response to an inquiry from the government, due to WWII; begins "The house at Ayot St. Lawrence is a gentleman's residence standing on its own"
Ayot St. Lawrence; begins "Dear Sean / The book has come - & its / charming"
Ayot St. Lawrence; begins "Dear Sean / I hope this is the letter you wanted"
London; begins "Dear Gene / It was so delightful to get your charming letter the other day!"
Ayot St. Lawrence; begins "Dear Sir Hugh / I am deeply touched by your letter"
Ayot St. Lawrence; begins "I have been trying to do all / you asked"
London; the body of the document is in Shaw's hand; with note by Bernard F. Burgunder on separate leaf
[n.p.] Adding and subtracting of total amounts may be in Shaw's hand. Included are two notes from B. F. Burgunder with his thoughts as well as what Dan Laurence wrote to him.
[Mainly London]; 17 letters and 2 notes to Ann Elder from Lucy Carr Shaw until
Dec., 1913.
Walmer, Kent & Camberwell Grove, London; 20 letters & 1 postcard from Lucy Carr Shaw to Ann Elder. Forms part of the Ann Elder Jackson Collection.
Camberwell Grove, London; 19 letters until 1917, 1 letter Jan.16, 1920 from Lucy Carr Shaw to Ann Elder, Shaw's secretary. Forms part of the Ann Elder Jackson Collection.
With explanatory note on separate leaf by Bernard F. Burgunder
Shaw selection? for use on
Shenley-Barnet, Herts; typed on Speyer's embossed stationery; at the top is typed: "Copy of a letter to G. Bernard Shaw, by Edward Speyer"; begins "Dear Mr. Shaw, I enclose a copy of the"
Falmouth, England; concerns Miss Patch's book
London; concerning production of Shaw's
Vienna; with Autograph Letter Signed to him by G.B. Shaw December 6, 1929, added at end; concerns the psychological importance of making resolutions; begins "Dear Sir, I beg to submit to you a request / with regard to"
London; on the Labour Party; begins "Dear G.B.S., I was very glad to get your letter because"
Also included are 3 clippings and 2 pages of unidentified notes; Swaffer was the drama critic of
Franfort am Main; begins "Bernard Shaw / Help me to do something to get people interested in an international"
Cairo; with identifying note added on separate leaf; Mishil Takla is the pseudonym of M.T. Guirguis, whose book
London; concerns copyright law; Teleki was an Hungarian literary agent who helped Shaw get his plays translated into Hungarian; begins "My dear Sir, May I be permitted to draw your attention"
London; Mr. Teleki offers to become Shaw's Hungarian agent; begins "Dear Mr. Shaw, It is the general practice on the Continent - not only in Hungary-"
London; includes a holograph note in Miss Patch's hand; begins "Dear Miss Patch, A minute mistake in your / delightful book"
London; probably this is a copy, for C. Thomas's files, of the letter he sent to Shaw; begins "Dear Mr. Shaw, I send you the cuttings from / your last"
London; includes quote from letter of Shaw to Thomas; written across the quote, in a different ink, is a note initialled E.Y.; Yates was editor of
"Copy"; concerns Shaw's "libellous" article on the Bach Choir; with explanatory note added on separate leaf by B.F. Burgunder; begins "Dear Mr. Shaw / I returned you the revised edition"
Wallington, Surrey; begins "Sir, Will you allow me to bring to your notice what appears to be a slight"
Chelsea, London; begins "My dear Miss Patch. I'm so / glad you enjoyed"
London; begins "My dear Miss Patch, Here are the seats / for the"
Hampstead, London; "Daddy" is playwright Henry Arthur Jones, of whom Spielmann was a close friend; with a note by Bernard Burgunder on separate leaf; begins "Dear Mr. Spielmann / Daddy is very seriously ill"
Hampstead, London; announcement and description of the death of her father, Henry Arthur Jones; Spielmann was a close friend of HAJ; See: Jones, Doris Arthur.
Hampstead, London; discussion of her writing of the life of her father, Henry Arthur Jones; begins "Dear Mr. Spielmann / In case you have not seen"
Hampstead, London; begins "Dear Mr. Spielmann / Thank you very much for your kind"
Hampstead, London; begins "Dear Mr. Spielmann / Bless you for your dear kind letter"
Hampstead, London; discusses the question of a memorial to Henry Arthur Jones; begins "Dear Mr. Spielmann / And I forgot a most"
Hampstead, London; concerns the disposal of Henry Arthur Jones' manuscripts; begins "Dear Mr. Spielmann / Many thanks for your long letter"
Hampstead, London; begins "Dear Mr. Spielmann / I simply bulge with things I want to say"
Hampstead, London; begins "Dear Mr. Spielmann / Many, many thanks for the two lots"
Hampstead, London; begins "Dear Mr. Spielmann / Many thanks for your very kind and helpful letter"
Chelsea, London; begins "Dear Mr. Spielmann / So glad to get your letter"
London; at the bottom of the letter is the handwritten reply: Autograph Letter Signed to George Herbert Thring from George Bernard Shaw, May 22, 1924; begins "Dear Mr. Shaw, The British Broadcasting Co. have asked for"
Thring was Secretary to the Society of Authors until 1930; begins "Dear Mr. Shaw, I am sending you a formal letter of invitation to / the International Meeting which the French Society is calling / together at the beginning of June."
Initialled by Thring; begins "Dear Mr. Shaw / Many thanks for your note of the 25th inst. I am / exceedingly sorry that you won't be able to attend the meeting / in Paris,"
Initialled by Thring; begins "Dear Mr. Shaw, Many thanks for your letter of the 27th inst. / with the documents returned."
Initialled by Thring; begins "Dear Mr. Shaw, Many thanks for your letter of the 26th inst [ant] / with the papers returned."
Initialled by Thring; begins "Dear Mr. Shaw, I wonder whether it would be possible for you to / attend an International meeting of the Dramatic Authors in Berlin / on April 16th?
Initialled by Thring; begins "Dear Mr. Shaw, Many thanks for the proof returned. I will / see that twenty-five galley proofs are sent to you"
Initialled by Thring; begins "Dear Mr. Shaw, I have much pleasure in enclosing herewith / the pulls of your letter for which you asked."
Yasmara Poliana, Russia; copies made by Blanche Patch? begins "Dear Mr. Shaw, Please excuse me for not having"
Surrey; a letter by Shaw is mentioned in the body of the letter; begins "Dear Madame / The sum given by you and other friends towards the cost and equipment"
Evian-les-Bains; begins "My dear Colin! On my way home I received here your letter July 13"
Zurich; begins "My dear Dr. Loewenstein / How is our dear friend?"
Harmondsworth; Penguin Books Ltd.; begins "Dear Mr. Farleigh, Penguin Books are preparing"
Harmondsworth; Penguin Books Ltd.; begins "Dear Mr. Farleigh, Since my last letter"
New York; begins "Dear Mrs. Shaw / I was delighted to get your charming and newsey"
Begins "Dear Sister / I have your letter of the 9th and can hardly wait to write and"
A letter of thanks from Tunney, via his secretary, K.M. Skallon, for copies of the letters between Shaw and Dame Laurentia McLachlan; begins "Dear Sister / This is to acknowledge receipt of the copy of"
Queensbury Challenge Cups, Lillie Bridge Grounds, March 17, 1883 (listed to fight is a G.B. Shaw of London); Amateur Boxing Championships, St. James's Hall, April 15, 1882; possibly sent to Tunney by Shaw because of the reference to a G.B. Shaw?
London; Tusa is writing on behalf of the B.B.C.; the letter concerns Miss Patch's radio broadcast on Shaw; begins "Dear Miss Patch, Many thanks for your kind letter."
London
Interview conducted by Viereck at Shaw's home in London; the manuscript bears extensive additions, excisions, and corrections in Shaw's hand; at the end is a holograph note by Viereck concerning Shaw's authorization of publications of the manuscript; with note on separate leaf
Photocopy of the original manuscript in the British Museum: a four-act dramatic version by G.B. Shaw of Voynitch's novel; with explanatory note added on separate leaf by Bernard F. Burgunder
London; informing Shaw of his election to the Art Workers Guild as honorary member; begins "My dear Shaw / It gives me the greatest pleasure to tell you"
London; Verso contained advertisement for "Fanny's First Play".
Winchelsea, England; begins "Dear Miss Patch, Your letter, dated 23rd / arrived"
Uxbridge, England; begins "Dear GBS, After grave anxiety - better news"
5 letters; with typed copies (presumably made by Arthur Bertram) of all but the Oct. 19 letter; these letters deal with a proposal that Mrs. Campbell take part in producting Mrs. Ward's play
Typed transcript by Blanche Patch; begins "On the 17th of December, 1939"
Tring; concerns a resolution to be put to the Society of Authors; begins "Dear Mr. Bernard Shaw, You and I found ourselves working"
London; for transcript typed by Blanche Patch see Wardrop's letter to Shaw, n.d., "On the 17th December..."; begins "My dear GBS--You are a good lad."
London; begins "All right, all right, all right, all right, ALL RIGHT!"
Liphook, England; begins "Dear Miss Patch, I do hope the"
Liphook, England; begins "My dear Miss Patch, So many thanks for your letter of / the"
Liphook, England; begins "Dear Miss Patch, Very many thanks for your letter"
Cardiff, Great Britain; regarding editions of Shaw's "On Going To Church" and other works; begins "Dear Mr. Burgunder, I was most interested to receive, this morning, your"
Concerns
Begins "...It would be lovely to"
Bristol, England; begins "Dear Miss Patch, I'm very sorry / not to have written"
Unpublished B.B.C. talk?
Ayot St. Lawrence; begins "Dear Lady Rhondda / The deadline date for your contribution to the volume in honour of"
Ayot St. Lawrence; begins "Dear Lady Rhondda / I am editing a volume in honour of Bernard Shaw"
London; begins "Dear Sir, We have pleasure in attaching hereto"
Photocopy made from a copy lent by the author; the original was written while the author was a senior at Cornell
London; concerns Shaw's difficulties with the Dramatists Club and more specifically, with Henry Arthur Jones; includes a note by Dan Laurence; begins "Only just got yours / Am leaving town"
For more information, see RLIN AMC record NYCV91-A488; Added entry cards have been made for the following: Pascal, Gabriel; Shaw, Bernard, 1856-1950--Estate; Shaw, Bernard, 1856-1950--Androcles and the Lion; A.P. Watt & Sons; Constable & Co.; Dodd, Mead & Co.; General Cinema Finance Corp.; Great Britain--Board of Inland Revenue--Estate Duty Office; J.N. Mason & Co.; Nuova Rinasciamento Films; Penguin Books; R.&R. Clark; Society of Authors (Great Britain); Theatre Guild; Walter Smee, Will & Co.
Photostat and envelope identified in Shaw's hand; written under the pseudonym "William Watkins Smith"
Six excerpted newspaper articles, dated March 8, 1906, reporting and quoting his talk at the Imperial Institute
In everyman; London; 32 cm; Vol. I no. 8 & 9; pp. 231, 263
Excerpted from
Article printed on p. 291; excerpted from
In Internationale mitteilungen, Richard-Strauss-Gesellschaft. Berlin. 21 cm. no. 11. pp. 22-23; Shaw acknowledges his debt to the German culture
Letter to the Editor dated March 20; reprinted Vol. III pp. 166-7 of
Article written for
Proof for the Limited Editions Club edition, published in 1939; the text of the proof is found on pp. 3-5 of the book, but in a different format; the wood engraving in the proof is found on p. 3 of the book, but in a later state
Article printed on pp. 19-23 of
A letter to the Editor of
In The Saturday Review of Literature, vol. 32, no. 16, p. 10; also contains: Muller, Herman Joseph, 1890- "It still isn't a science: a reply to George Bernard Shaw"
Instructions for compositors, presumably printed by R.& R. Clark, Ltd., for Shaw's contemplated Collected Edition; this is the only copy known to exist
Published Oct. 22, 1890, in
In National newsletter; London; 25 cm.; no. 552
670 numbered leaves, with 39 typescript leaves inserted; corrections are in hand of the editor, Dan H. Laurence
Excerpt of article printed on p. 19 of
Excerpted lead article on p. 1 of
p. 251 of
Excerpted description in
Excerpted from
Printed in
Article printed on p. 309 of the
Excerpted questionnaire interview, in French, printed on front page of the Paris newspaper
Article on pp. 678-680 of
Printed in the
Printed in the
Printed in the
Brief article printed in
Printed in
Article printed in
Printed in the
Printed in
Article printed in the
Edition published by Grant Richards in London, and printed by R.& R. Clark, Ltd. in Edinburgh; with copies
Printed in
Article printed in
Printed on pp. 755-756 of
Article printed in
With a note by Bernard Burgunder and two clipped newspaper reviews of the exhibit
New York; a 4-page leaflet distributed at the first American production of
Printed in
Printed in
Newspaper clipping, describing a Christmas card with picture of Shaw and Frances Day (She in
photocopy on acid-free paper, made from the original article printed on pp. 28-29 of Vol. 48, No. 7 (July 1922) of
Photocopy, on acid-free paper, made from the original article printed on p. 158 of Vol. 38, No. 4 (October 1917) of
Photocopy, on acid-free paper, made from the original article printed on p. 418 of Vol. 38, No. 10 (April 1918) of
Report printed on p. 9 of unidentified newspaper quoting a speech by Shaw in which he criticizes British University education
An interview concerning Shaw's attitude toward psychic phenomena, conducted by Fred Archer, and printed on pp. 1-2 of
"An interview with G.W. Bishop" on pp. 11-12 of
Printed in
Radio talk printed on pp. 73-75, 108 of
Articles printed Jan. 4, 1923 in
Collection of statements by Shaw on the Gaelic revival printed in
Paragraph quoted from Shaw, beginning "Man is the only animal," printed on p. 34 of publication identified in pencil as "R.D."
Illustrated interview conducted by George Sylvester Viereck and printed on pp. 7-10 of
Republication of a speech Shaw made at the annual meeting of the Coal Smoke Abatement Society in 1911; printed in
Revised version of a speech delivered by Shaw to the World Prohibition Federation in Caxton Hall, October 22 or 23, 1931; printed in
Article printed in
Broadside issued by the Theatre Guild at the period of their production of
Photocopy, on acid-free paper, made from the original article printed on p. 20 of Vol. 39, No. 1 (May 1918) of
A fragment of a proof sheet, with note in Shaw's hand: "Cut out of the Fabian reprint of Socialism for Millionaires"; with note on separate leaf by Bernard F. Burgunder
Croydon
Excerpt of an article printed in
Article printed on pp. 628-631 of
Photostat of an article printed on pp. 628-631 of
Consists of responses by Walter Crane, A.E. Fletcher, and Frank Colebrook to an article by Shaw of the previous week printed in
Photocopies of three articles by Shaw, printed in Swedish, in
Half-page article, printed in
Excerpted interview in
Printed in
Quote by Shaw appears for publicity purposes on the dust wrapper of the 1st edition of
A letter concerning
Questionnaire, with Shaw's answers, printed on p. 3 of
Photocopy, on acid-free paper, made from the original article printed on pp. 444-445 of Vol. 46, No. 12 (June 1921) of
Photostats of pp. 395-7 of Vol. XXXV of
Printed in
A single sentence excerpted from Shaw's essay
Printed in
Printed flyer announcing a lecture by Shaw in the Philosophical Hall, Leeds; the date '1905' is added in Shaw's handwriting
Photocopy, on acid-free paper, made from the original article printed on pp. 258-9 of Vol. 39, No. 5 (Sept. 1918) of
Photocopy, edited in hand of Dan H. Laurence
Printed facsimile of Shaw's letter seeking a publisher for his novel
Farnham; holograph identification in Shaw's hand
Printed under the title "London, Shaw, and War"
London; title: "The National Shakespeare Theatre and the New Repertory Theatres;" rather than strictly a galley, this item appears to be a strike-off or off-print; begins "Sir / The anarchist that is latent in every"
Headlined "National Insurance and Political Tactics. Mr. Shaw's Protest;" printed on pp. 9-10 of the London
Printed in
Newspaper clipping; printed under title: "Equality of Income;" begins "Sir / I am not going to let Mr. Leonard Hobhouse out of it / quite so easily as that"
Printed copy of the letter, which was kept from publication by Gordon Craig; includes note by Bernard F. Burgunder
Title here: "Call You This Discipline?" concerns Shaw's
Concerns the Sinn Fein
Title: "The Case Against Chesterton;" begins "Sir / If Mr. Chesterton is righting himself gradually"
Newspaper clipping; concerns proposed execution of Sir Roger Casement; with 2 copies; begins "Sir / As several English newspapers have answered the above question vehemently"
Quoted in "Our Handbook. G.B.S. and the Army Council. Things to Remember"; published in
Printed in
Labeled by clipping service (for Shaw?); refers to Shaw's
London; begins "Dear Mr. Tomalin / I hope you will succeed in getting a substantial endowment for your hospital"
Letter reprinted in the
Correspondence concerning the illustrations to
Titled: The Typography of G.B.S.; Laurence 2565
Contained in body of article in
Part of a letter in shorthand reproduced to illustrate an article in
On Shaw's "Activities in the Great War"
Here titled: "Bernard Shaw 'Relics.' A Warning from the Author. The Locke Annotations;" dated in ink in Shaw's hand (according to Dan H. Laurence)
On American criticism of his play
Article in
Date is in Shaw's hand
Here titled "Bernard Shaw on Casement Diaries;" published on pp. 131-34 of Shaw's
Here titled "The Casement Documents;" published on pp. 134-35 of Shaw's
Titled: "Subsidizing the Theatre"; Laurence 3205
Titled: "The 'Cat' and the Taxpayer"; Laurence 3241
London; an answer to an article by Desmond McCarthy
Titled: "New Shaw Play and Germany" Laurence 3266
Excerpted from the
Titled: "Defence of Authors"; with copy
Titled: "English Usage"; Laurence 3463
Titled: "The Coming Budget: Taxes and the Vicar of Bray"; Laurence 3510
Concerns neutrality of Eire in World War II; begins "When the Irish Free State was established"
Titled: "Basic English and Spelling"; Laurence 3520
Ayot St. Lawrence; a letter on Shaw's pet project of aplphabet reform, for which he eventually left money in his will; with notes by Dan Laurence and Bernard Burgunder; begins "Dear Colonel Controller / I am at present making my will. As I intend leaving"
Titled: "Bringing Up the Child"; Laurence 3532
Titled: "The Care of Children"; Laurence 3537
Titled: "The Atomic Bomb"; two copies; Laurence 3605
Titled: "Budget and Surtax"; Laurence 3616
Titled: "Mr. Raphael Roche"; Laurence 3618
Titled: "Orthography of the Bomb"; two copies; Laurence 3624
Titled: "Caesar and Cleopatra"; two copies; Laurence 3625
Titled: "Medical Practice"; Laurence 3683
Newspaper reproduction from
Titled: "The Doctors' Powers"; Laurence 3670
Titled: "Nuremberg"; Laurence 3683
Titled: "Power from the Tides"; Laurence 3707
Titled: "Farm Management"; Laurence 3716
Titled: "Collective Farming"; Laurence 3720
Titled: "Collective Farming"; Laurence 3723
Titled: "Contemporary Arts"; Laurence 3740
Titled: "Lord Passfield"; Laurence 3757
Titled: "Westminster Abbey"; Laurence 3759
Titled: "Capital Punishment"; two copies; Laurence 3766
Titled: "Rebuilding Babel"; Laurence 3810
Titled: "Rebuilding Babel"; Laurence 3811
Titled: "Basso Continuo"; Laurence 3823
Titled: "The Author's Gamble"; Laurence 3838
Excerpt from
Titled: "Westminster Phonetics"; Laurence 3849
Titled: "The Censorship of Plays"; Laurence 3850
Titled: "'Guest Citizens' of Britain"; Laurence 3854
Titled: "The Wages Paradox"; Laurence 3910
Titled: "Divorce Law Reform"; Laurence 3921
Titled: "Story of British 'Communism'"; Laurence 3929
Two previously unpublished cards to Ellen Terry, one dated January 19, 1920, the other undated, printed on p. 6 of
Various publications; list of articles included in manuscript folder concerning
"Shavian Advice" printed in
"Shaw and the Lion" printed in
Ervine, St. John Greer: "Mr. Shaw's Superb Pantomime" August 25, 1929; Powell, Dilys: "Ideas and the Play" August 19, 1929?; and Purdom, Charles Benjamin: "Another Go At
Four-page supplement from
Trewin, John Courtena y: "Shavian Joke" July 20, 1953; Hoyt, Charles Bamfield, in
"New York Critics on a Shaw Play"
"Buoyant Bernard" published in
One blueprint, one photocopy of designs for production at the Shaw Festival, Niagara-on-the-Lake
Fabre, Eugène. Candida de Shaw. n.d.; J., J. Candida. n.d.; Morgan, Charles. Of Miss Ann Harding as Candida. 1937;
Advertisement from Walter Scott
London; written by Rudolf Bernauer and Leopold Jacobson; English version by Stanislaus Stange;
Stanley Weintraub in the
John Carey in
John Simon in
"Shaw Tells Why He Revised Bard."
Albert White Vorse in
Cullen, Tom. A. "Diaries of Shaw Boring Documents." February 5, 1964
Advertisements from Constable & Co.
Brown, Ivor. "All About All."
Flyer from Constable advertising the first edition
"Shaw's
Unsigned review, in the London
Ervine, St. John. "Mr. Shaw in Despair." October 23, 1921
"Bernard Shaw and a Biographer."
Ein leichtes Spiel mit schweren Dingen (April 17, 1959;
Ad from Book-of-the-Month Club
Books and Bookishness, by C.W. Mason (article inscribed to Shaw by Mason, from
"G.B.S." Opens up New Field; January 27, 1925
Ervine, St. John.
"'Major Barbara' Revived."
Pearson, Hesketh. "The Comedy Shaw Wrote Around his Gospel." n.d.; Eder, Richard. "Shaw Still Has the Power to Captivate." (
8.5 x 11.5 color print for Ann Whitefield's costume in Act IV; with identification added on verso
Pittsburgh, and Appleton
8-page supplement from
Wilhelm Michel in Münchner Neueste Nachrichten, No. 314, July 8, 1908, p. 2; E?V? Knox, in
Ervine, St. John. "The Secret History of
Russell, John. "Mr. Shaw on Dickens." August 14, 1947
Ervine, St. John. "Mr. Shaw Sums Himself Up." August 17, 1934 in
Mander, R., Mitchenson, J. "Shaw's Borrowed Plot." May 10, 1958 in
Ad from S. Fischer, Verlag, Berlin
Noguchi, Yone. Western Drama in the East.
Five newspaper cuttings dated May 22, August 21, 22, 24, 26; the cutting of May 9 reports an interview with Shaw; that of Aug. 24 prints a letter from Shaw to W.B. Yeats dated Aug. 22, as well as letters to and from Lady Gregory
Flyer from Constable advertising the first edition of
"F., R.J." "G.B.S. Defents
"Mr. Shaw at Play." November [1926?] in
Williams, Stephen, "'Widowers' Houses': Play or Pamphlet?" n.d.; Ad from Independent Theatre Series
Advertisements, publisher's catalogues, solicitations, etc.; not related to any particular work by Shaw; filed at bottom of box marked: "Misc. Printed Material" Works of George Bernard Shaw
Article, printed on pp. 94-95 of
Dublin; Official Souvenir of the third (enlarged) edition of the brochure giving the program for the Dramatic Festival in August, 1938.
Announcement of the Abbey Theatre's fund-raising lectures in London, 1921. With not by Dan H. Laurence.
Announcement of the Inaugural Season; plays by Shaw included are
Plays by Shaw included are
The play by Shaw included is
Gift of Dan H. Laurence; with the Second Annual Report (ca. April 1, 1929) and a mimeographed summary, dated June 1960, of the Foundation's activities
In English portraits: a series of...; London, Grant Richards
Excerpted from
Excerpted from
Concerns Archer's "dramatic works." Archer was a close friend of Shaw
Includes an announcement that G.B. Shaw's
Excerpted from
Announces transfer of production of the play
In Columbia library columns. New York. February 1974. Vol. XXIII, No. 2, p. 2; included is an article on the Jack Harris Samuels Library, which contains Shaw material; 2 copies includes reprint
Two bookplates designed by Bell for Jane Patterson
In Der Zeitgeist, Beiblatt zum "Berliner Tageblatt" April 6, 1914
In the Clare Market Review (London). 21cm. Vol. XLVI, No. 2, p. 30-32
Excerpted from
Full-page article printed in
"A lecture by G. Bernard Shaw on "The Jevonian Theory" is scheduled for Dec. 2."
Review of
Berlin?; article in two parts from unidentified periodical, reviewing the book
In
In
In
In
Program and poster for a play (The Van Dam Theatre, New York) about Shaw; with note added on separate leaf from Bernard F. Burgunder; gift of Dan H. Laurence
In
In
In
In
In
Lots 101-132 in the catalog for April 19 are letters from George Bernard Shaw to Arnold Daly; the catalog for May 31 lists the prices realized at the April 19 sale
In
Friends of the Brigham Young Unversity Library Newsletter; article on a copy of Shaw's
Card issued by The Public Trustee Office for the cremation on November 6, 1950
In
Article printed on page 2 of
Article printed, with pictures, on page 11, about the Black Girl Collection
Article printed on page 9 of
A 7-page stapled printed pamphlet including the program for the conference to be held June 7-10, 1921; with G.B. Shaw's holograph notes on back cover; identifying note in ink on front cover by Holbrook Jackson; and a note on separate leaf by Dan H. Laurence
Cover and the table of contents; this is the magazine which contains the letters between Shaw and Dame Laurentia MacLachlan
In
In
In The Sewanee Review; Sewanee, Tennessee, Autumn, 1947. 22.5 cm. Vol. LV, no. 4, p. 627-645
Postcard reproductions of eight paintings bought with the George Bernard Shaw Fund, a part of Shaw's bequest
In
In
In
In
In
In
In
Five programs for plays by G.B. Shaw have been removed from this collection of Everyman Theatre papers and separately cataloged; the remainder includes some references to plays by Shaw; Cf. Mander & Mitchenson, pp. 292-3
London; concerns the war in South Africa; Bernard Shaw and wife Charlotte were members of the Executive
In
London; announcement of a series of lectures; Shaw is listed as giving "A Commentary on the 'Webb Constitution,'" on December 3rd
Announcement of a debate between Bernard Shaw and Hilaire Belloc, January 28, 1913
With an amendment by Bernard Shaw
Announcement of a series of six lectures to be given by George Bernard Shaw in October - December 1914
Review of Farleigh's autobiography,
[n.p.] Shaw's Memorandum of Agreement form, filled out in Shaw's hand for agreement with "Misalliance" and signed, witnessed by Ann Elder. Additional leaf is note [by Dan H. Laurence?] explaining details.
Reprint
Broadside printed on one side only, listing events in his career under dates between 1874 and 1913; with a postcard photograph of Gertrude Elliott (Mrs. Johnston Forbes-Robertson)
In
8-page brochure of G. Fraser Gallie, custodian of Shaw's Corner; with explanatory note added on separate leaf
In
In
In
Signatories include G.B. Shaw, Gilbert Murray, Sean O'Casey, and many others; with related article reprinted from
In
Invitation to submit designs for a new British Alphabet, in accordance with the terms of the will of George Bernard Shaw; Full title here: "Advertisement. re: George Bernard Shaw, deceased. New Proposed British Alphabet"
Includes Shaw's
In
The article discusses Shaw, and his holograph annotation is a response; it was published in
In
London; Speakers include Shaw, Sidney Webb, and William Morris
Announcement of course dealing with Shaw's
In
Announcement of Hamon's lectures on Shaw's plays, and of Hamon's translations of Shaw in
In
New York: Simon & Schuster; eight leaves, stapled; printed after publication of the book; with this is filed the flyer beginning "Special Announcement Regarding Index" which accompanied the book; See: Laurence BB31b (p. 507)
Lectures to be delivered in Tannersville, N.Y.? with autograph pencil note added in his hand, and with identifying note added on separate leaf by Dan H. Laurence; the third lecture concerns in part G.B. Shaw's
In
Based on the 42 letter alphabet of phonetic character which Bernard Shaw provided for in his will, and which was published in a transliteration of
In
In
New York; printed on the back of program for Oliver Goldsmith's
25 pages
In
In
Included are reviews of: Nathaniel Harris,
Poster announcing a lecture sponsored by The Society for the Humanities; with copy of a related letter signed by Michael Kammen
In
In
In
In
In
In
On the back of the program are noted productions of
First on the list, and tentatively scheduled for January 14 & 15, 1917, is G.B. Shaw's
Includes announcement of a series of plays to be published as the Independent Theatre Series, beginning with G.B. Shaw's
Lists plays produced in the first two seasons, including G.B. Shaw's
The 90th birthday celebration features four speakers and "The Musical Portrait of Bernard Shaw" by Theo Dejoncker
Dublin, Ireland; supplement to the
In
Color postcard reproduction of portrait at Shaw's Corner, Ayot St. Lawrence; from the Black Girl Collection
The dislike appears to have begun with Shaw's reaction to WWI
In
Another episode in Jones's attack on Shaw, and an explanation of the non-publication of the former's "Mr. Mayor of Shakespeare's Town"
Separate publication; with a note by Bernard Burgunder; an attack on Shaw's politics, caused by Shaw's opposition to WWI; begins "Sir, Having been much occupied through the last six weeks, I have only"
Titled "'Henry Arthur' Dissects Bernard Shaw"
Concerns Mr. Jones's book
In
Criticism of Shaw's action during WWI
In
Date of broadcast; includes letter to Kelly from Shaw on topics related to the broadcast
Ithaca; exhibit catalog, published by Cornell University Library; this copy contains handwritten corrections by Bernard F. Burgunder
In
3 newspaper reviews of the March 1960 New York production, and program of the production at the Billy Rose Theatre; gift of Frances Tompkins; received from her August 1984 with letters of Mrs. Patrick Campbell to Jennette Cutler Curtis
Program for a production at the Willard Straight Theatre, Cornell; with photocopy of a signed note by Kingsley to Bernard F. Burgunder, and explanatory note on separate leaf
This is the "pamphlet" mentioned in Shaw's letter to Edmund Harvey, p. 111 in
Article concerning Shaw's
New Orleans; Andrew W. Mellon Lecture delivered at Tulane University and published by The Graduate School of Tulane University
Two copies of program for performance in Center for Theatre Arts, Cornell, September 1, 1989; with announcement for this and other special events accompanying the exhibition A Celebration of Theatre, including lecture by Christopher Newton, Artistic Director of the Shaw Festival
Program from The Inn Theatre, Great Lakes Shakespeare Festival; "A Dramatic Narrative adapted and performed by Dan Laurence and Leta Anderson"
Articles by and about Dan H. Laurence
Proof sheets ("Master Set 1st Pass"), with handwritten corrections; inscribed to Bernard F. Burgunder, 30 August 1983
"An Offprint from The Papers of the Bibliographical Society of America"; inscribed to Bernard Burgunder
Article on Shaw's answers to questionnaires; on pp. 52-59 of
Included are: "Writing about a star,"
A selection transcribed into the New Alphabet of George Bernard Shaw
Date of signature by Little; Shaw's presentation copy; reprinted from the West Sussex Gazette June 15, 1922; with a note by Bernard Burgunder
Eight-page brochure stapled in printed wrapper and illustrated with photographs
Review by Sydney Carter in
Article on the printed forms Shaw developed for answering some of his correspondence; stampted at the top: "FOR IMMEDIATE RELEASE Permission is granted to daily and weekly newspapers to reprint up to 200 words of this article with full..."
In
Printed text of address given by Eric J. Batson, November 13, 1951; in May 1952 issue of
London
Printed announcement for a public discussion featuring several speakers including G.B. Shaw; at the top in Shaw's hand is written '1905 (The Irving Incident)'; with photocopy of 25 October 1905
[n.p.] A print, signed by Shaw.
Possibly excerpted from his
In
In
In
"Offprint from / Asher & Henderson, editors / Towards a History of Phonetics / Edinburgh University Press, 1981"
In
Article published in
Illustrated 41-page booklet on the wax museum; a portrait of G.B. Shaw appears on p. 15; a leaflet with text in French is loosely inserted
In
Article printed on pp. 294-297
Included on the program is George Bernard Shaw's
Includes articles about George Bernard Shaw and Edward Elgar; Shaw's
Includes articles concerning George Bernard Shaw and Edward Elgar; Shaw's
Includes articles concerning George Bernard Shaw and Sir Edward Elgar; Shaw's
Found in a
"on the occasion of the Malvern Festival of Plays by Bernard Shaw"
In
Pamphlet of 6 leaves, illustrated, prepared to accompany an exhibit at the Paul Klapper Library, Queens College of the City University of New York; received with the Black Girl Collection acquired by Cornell in October 1984
In
In
Celebrates a Shaw Festival every year
[London; From the Daily Telegraph, March 1, 1949. About Shaw's epitaph.
In
Examination of Shaw's literary criticism
In
London; Shaw was one of two men who put up £500 for Alfred Richard Orage to take over the Press; See: Bernard Shaw: Collected Letters, ed. by Dan Laurence. Max Reinhardt, London, 1972. Vol. II, p. 809; See also: Correspondence between Orage and Clarence H. Norman
Numbers 28 and 29, titled respectively "The Celebrated Buffoon - 1" and "2 - The Spring Heel'd Marcher"; both numbers consist entirely of articles on Shaw
New York; In the program is a photostat print of an Autograph Note Signed by Shaw
In
In
In
In
In
In
In
In
In
Included are: Vol. 38 No.4 (Oct. 1917); Vol. 38 No.10 (April 1918); Vol. 39 No.1 (May 1918); Vol. 39 No.5 (Sept. 1918); and Vol. 41 No.9 (July 1919); these issues, edited by Frank Harris, contain contributions by and about George Bernard Shaw; because of the extremely fragile condition of these issues, they are not to be used without special permission of the Librarian; the articles by and about Shaw, as well as a few other items, have therefore been photocopied on acid-free paper and separately cataloged; they are: (1) Harris, Frank, 1855-1931. The Handwriting of Great Writers; (2) Shaw, George Bernard, 1856-1950. Bernard Shaw on the Golden West; (3) Shaw. Bernard Shaw on the War; (4) Shaw. Shaw's Latest; (5) Harris. Oscar Wilde in Prison - Chapter XVII; (6) Colum, Padraic, 1881-. James Joyce; (7) Shaw. American Patriots and Persecutions: A Letter by G. Bernard Shaw; (8) Shaw. Extracts From a Letter of Bernard Shaw Just Received; (9) Dostoevskii, Fedor Mikhailovich, 1821-1881. The Peasant Marey; (10) Shaw. The War Indemnities!; (11) Shaw. How Shaw and Russell Met; (12) Harris. Bernard Shaw's Latest Masterpiece; (13) Shaw. Bernard Shaw on Religion: An Interview; note: much of the material by Shaw seems to have been extracted from letters by Shaw to Harris; (14) Shaw. Who Is Frank Harris?; (15) Dreiser, Theodore, 1871-1945. True Art Speaks Plainly.
Included are: Vol. 46 No.5 (Nov. 1920); Vol. 46 No.12 (June 1921); Vol. 47 No.1 (July 1921); Vol. 28 No.7 (July 1922); These issues, edited by Frank Harris, contain contributions by and about George Bernard Shaw; because of the extremely fragile condition of these issues, they are not to be used without special permission of the Librarian; the articles by and about Shaw, as well as a few other items, have therefore been photocopied on acid-free paper and separately cataloged
On pp. 11-24 is printed an article titled "George Bernard Shaw" announcing publication of The Shaw Million, the 10-volume set of books by Shaw
In
In
In
In
In
Address marking the gift by Mrs. Dwight B. Strong of a collection of 750 Shaw items to California State University, Fullerton
In
In
In
In
London
London; Listing of Vedrenne-Barker performances at the Royal Court Theatre in autumn (Sept.-Dec.) of 1905.
In The Virginia Quarterly Review, v.27, no.1, Winter 1951, pp. 1-7
In Sixteen designs for the theatre. London, Humphrey Milford, 1928. Limited to 475 copies
In Artists at work. 1933. p. 81-108
In The monthly chapbook. London, August, 1919. 23.5 cm. Vol. I, no.2; "A lecture by Albert Rutherston, delivered at Leeds University, February, 1915"
London; Two copies of Shaw's birthday issue containing 8articles about Shaw and his works, a message from Shaw and a bibliography.
In The Saturday Review of Literature, London, pp.5-7. Also "En route to "Maturity" by Hayden Church as well as a review of "G. B. S. 90" reviewed by Harrison Smith.
London; Special issue of Britain To-Day, January, 1951, no. 177. Features articles by R. A. Scott-James and T. C. Worsley about Shaw and his works and an editorial about Shaw.
Report given at King's College, Strand at 5:30 p.m.
Listing of activities and projected meetings regarding the Committee and the Shakespeare Memorial.
London; Publicity flyer to solicit funds for the theatre.
London; Pamphlet for promotional purposes for the Shakespeare Memorial National Theatre.
London; In The Sunday Times, November 5, 1950; newspaper clipping.
In The Sunday Times Literary Supplement, June 10, 1939, p. 335, review of "Bernard's Brethren" by Charles MacMahon Shaw.
Niagra on the Lake, Canada; Announcements for 1963, 1964, 1965, 1966 Shaw Festival; 1965 and 1966 gives full season information.
Niagra on the Lake, Canada; Announcements for 1967, 1968, 1969, 1970 Shaw Festival; full season information.
Niagra on the Lake, Canada; Announcements for 1971, 1972, 1973, 1974 Shaw Festival; full season information.
Niagra on the Lake, Canada; Announcements for 1975, 1976, 1977, 1978 Shaw Festival; full season information
Niagra on the Lake, Canada; Announcements for 1979, large size and small size of summer season as well as individual programs for each of 5 plays.
Niagra on the Lake, Canada; Announcements for 1980, large size and small size of summer season as well as individual programs for each of 2 plays.
Niagra on the Lake, Canada; Announcements for 1981, large size and small size of summer season as well as individual programs for each of 1 play and 2 advertising items for plays with envelopes.
Niagra on the Lake, Canada; Announcements for 1982, giant size, large size and small size of summer season as well as individual programs for each of 3 plays, plus 11 newspaper articles on reviews of the plays (inside the large program).
Niagra on the Lake, Canada; Announcements for 1983, large size and small size of summer season as well as individual programs for each of 5 plays, plus 1 newspaper articles on a review of the plays (inside the large program). Also 2 copies of 2 issues to "Pshaw" newsletter, 1 advertisement, plus a York University seminar flyer, and "Shawction" brochure.
Niagra on the Lake, Canada; Announcements for 1984, large size of summer season as well as individual programs for each of 4 plays, plus 1 issue of "Pshaw".
Niagra on the Lake, Canada; Announcements for 1985, large sizeand small size of summer season as well as individual programs for each of 4 plays.
Niagra on the Lake, Canada; Announcements for 1986, large sizeand small size and flyer of summer season as well as 1 issue of "Pshaw" newsletter.
Niagra on the Lake, Canada; Announcements for 1987, 3 sizes of summer season as well as individual programs for each of 1 play, plus 3 issues of "Pshaw"; and flyers for York University Seminar, Shaw Winter Season, and the Shaw Shop.
Niagra on the Lake, Canada; Announcements for 1988, 3 sizes of summer season as well as individual programs for each of 5 plays, plus a Visitors' Guide.
Niagra on the Lake, Canada; Announcements for 1989, 2 sizes of summer season as well as individual programs for each of 5 plays, plus 1 issues of "Pshaw"; and 3 items on Eduard Kochergin "A Poet of the Stage", and the Festival Magazine with 1 news clipping.
Niagra on the Lake, Canada; Announcements for 1990, 5 sizes of summer season as well as individual programs for each of 5 plays, with 2 study guides of individual plays, plus a Visitor's Guide, brochure for Shaw Seminars, and 3 flyers for donations, order form for the Shaw Festival Production Record, and a bookmark.
Niagra on the Lake, Canada; Announcements for 1991, 1 size of summer season as well as individual programs for each of 5 plays, with 2 study guides of individual plays, plus an issue of "Pshaw!" and, letter with flyers asking for donations.
Niagra on the Lake, Canada; Announcements for 1992, 1 size of summer season as well as individual programs for each of 6 plays, with 1 advertising postcard.
Niagra on the Lake, Canada; Announcements for 1993, 1 size of summer season as well as individual programs for each of 7 plays, as well as 2 Study Guides, with 3 pieces of advertising materials.
Niagra on the Lake, Canada; Announcements for 1994, 2 size of summer season as well as 1 Lunchtime Theatre program and 1 play program.
Niagra on the Lake, Canada; Announcements for 1995 + 2 sizes of programs + 1 publicity postcard; as well as individual programs for each of 7 plays, as well as 2 Study Guides.
Niagra on the Lake, Canada; 2 play programs for 19.
Niagra on the Lake, Canada; Announcements for 1997, 2 sizes and Souvenir Magazine of same. 4 play programs + 3 publicity flyers.
Niagra on the Lake, Canada; Announcements for 1998; 2 sizes; 2 play progams + 1 Lunchtime Theatre program.
Niagra on the Lake, Canada; 2 play programs + 1 Lunchtime Theatre program.
Niagra on the Lake, Canada; Announcements for 2000, 2 sizes + 3 play programs + 1 publicity flyer.
Niagra on the Lake, Canada; 1 play program + 1 publicity flyer.
Niagra on the Lake, Canada; Announcements for 2003; 1 size.
London; 4 page flyer guiding visitors to Ayot Saint Lawrence and Shaw's Corner.
London; 2 different formats (1 with 2 copies) of the Shaw Society's constitution.
London; Printed agendas giving dates and events of future meetings.
Chicago; Pamphlet of 1958 reading series with 2 programs from plays produced.
Chicago; Photocopies of The Shaw Society of Chicago Newsletter.
Chicago; Flyer of 1960-61 reading series.
Ealing; Post card advertising Sherard's book.
[n.p.] One leaf of letters to and from Sherard discussing how Shaw felt about Harris.
Ytsybinuta University; In Gaidoku-bungaku [Foreign Literature] Reprint of Shimamura's article in Japanese.
New York; In The Trend, May 25, 1925, reprint of 4 page article.
[Canada] In T. P.'s Weekly, article and caricature of G.B. Shaw.
New York; In The Independent, April 24, 1916, pp.135-138. Cover photo of Shaw.
London; In John O'London's Weekly, June 28, 1946, page 137.
London; The Sociological Society explains itself and it members in 38 pages.
Coral Gables, Fla.; 3 issues of The Carrell; Journal of the Friends of the University of Miami Library (June, 1971, Dec., 1971, Dec.1972) The Dec. 1972 issue has the medal on the cover which contains a side view of Shaw; page 26 has a note explaining this.
London; Flyer with program for "Candida" as part of the program. Note from BF Burgunder saying this is the first London performance.
London; Flyer with explanation of the flyer (probably by Dan Laurence)
London; In The New Age, May 18, 1916, v.XIX, no.3, p. 68-69 in Letters to the Editor. See folder 18
London; In The New Age, May 4, 1916, v.XIX, no.1, p. 21-22 in Letters to the Editor. See folder 17.
London; In John O'London's Weekly, May 28, 1954, p. 534,
[n.p.] Clipping about Ellen Terry and Bernard Shaw.
[New York] Advertisement for The Chocolate Soldier starring Oscar Straus with reviews on verso.
London; In Psychic News, Nov. 27, 1943, p. 1-2, interview by Swaffer.
[London] Galley proof of Swaffer's article of Shaw's obituary.
[n.p.] Theatre series listings of matinee movies playing at the Theatre de Lys.
New York; Titles of plays produced on recto; member subscription form for the Theatre Guild on verso.
London; In John O'London's Weekly, Nov. 14, 1952, p. 1032.
London; In The Listener, July 26, 1956, p.119-120; on Bernard Shaw as a music critic.
[Berlin?] Chapter I-II of article, in German.
[n.p.] Article from Zurich on Shaw at 60. Note in Charlotte Shaw's hand attributed by Dan Laurence.
London; In The Bookman, v.LXXX, April, 1931, no. 475, pp.1-3.
Berlin; 2 clippings on Shaw's works in German; 3 flyer advertisements from S. Fischer Verlag; 1 Artemis Verlag (Zurich) flyer advertisement regarding Shaw's works.
[n.p.] News clippings about Trebitsch and his work with Shaw.
London; In John O'London's Weekly, Nov. 10, 1950, pp.585-586, 2 copies.
[London] In The Observer, July 7, 1946, about Shaw.
New York; In Collier's, June 23, 1951, pp.16-17, 51-53.
[Washington, D.C.] 19 page document, annotated by Shaw.
Guelph, Canada; Publicity flyer with program agenda.
Guelph, Canada; Publicity brochure for the Library theatre archives with letter from the College of Arts to James Tyler [Cornell archives staff memeber] dated May 7, 1989 and description of the Dan H. Laurence Shaw Archives at Guelph.
Kent, England; 14 page theatre program for Churchill Theatre, Bromley.
London; In Times Literary Supplement, May 28, 1976, p. 634.
New York; In The New York Times Book Review, August 8, 1971, p. 3, 10. Book review of Weintraub's "The Crucilbe Years of Bernard Shaw, 1914-1918" by Colin Wilson with Leoanrd Lyons review from the Syracuse Post Standard, September 20, 1971.
London; 4 page program for the meeting.
London; In The London Times, [August, 1893]. Clipping pasted onto paper.
London; In The Vic-Wells Association, July, 1956, no.11, pp.1-3.
London; In Radio Times, Jan. 25, 1962. News clipping regarding interview with Blanche Patch.
London; In Daily Mail, September 15, 1937; news clipping about Shaw.
London; Letter to the Editor clipping appearing in some London newspaper after Charlotte Shaw's death.
New York; Dial Press publicity pamphlet of 34 pages. Shaw first on list as "World's greatest Living Author"
[London] Photocopy of The Arrow, August 25, 1909, v.1, no.5; discussing the Shaw play.
[n.p.]1 mounted portrait, signed by Shaw
[n.p.] Modern head photo, postcard on verso.
[n.p.] Shaw at his dining room table, taken by himself. Note is from Bernard F. Burgunder, dated July 26, 1967.
[n.p.] Undated portrait photographs of Shaw
[Italy] Cabinet card photo "touched up" by Max [Beerbohm?]
Juan-les-Pins, France; Newspaper sepia printed photo.
[Cliveden] Shaw with 4 unidentified persons.
[San Simeon, CA.] Printed booklet "Ken Murray's Hollywood", 20 pages. On page [15] appears photo of Shaw with Marion Davies.
[n.p.] Small snapshot, 2 x 2 1/2 inches
[n.p.] 2 postcard photos
[n.p.] Printed photo
[n.p.] Portrait on heavy stock.
[n.p.] Portrait done by Dorothy Wilding.
Dublin; 2 copies with friend, John Thomas Gibbings as well as note from Bernard F. Burgunder, September, 1982.
[Ventor, Isle of Wight] 2 copies of Shaw (aged 20) with his sister, Lucinda Frances Shaw.
[n.p.] 2 copies of portrait of Shaw.
[n.p.] 2 copies of Shaw portrait
Hammersmith Terrace; 2 copies of Shaw on balcony.
[n.p.] 2 copies (1 cabinet card) of Shaw portrait.
[n.p.] 2 copies (1 cabinet card) of Shaw portrait.
[n.p.] Full length portrait, taken by Frederick Evans, plus empty mount it was in.
[n.p.] Shaw standing on window sill.
Studland Bay, Dorset; Nude study of Shaw.
Hindhead; Charlotte and GBS on their honeymoon.
Coole Park, Ireland; Taken at Lady Gregory's house. All of Shaw alone but one with Lady Gregory. Folder holds most of the negatives
Coole Park, Ireland; Shaw at Coole Park
Hindhead; 2 copies of Shaw writing "Caesar and Cleopatra"
[n.p.] 2 copies (1 cabinet card) of Shaw portrait.
[n.p.] Printed newspaper photo of Shaw.
[n.p.] Photograph of sketch of Shaw.
[n.p.] Photograph of sketch of Shaw by George [Lor__?]
[n.p.] Portrait, touched up ; from the New York Herald Syndicate.
[New York] Portrait photo of Shaw.
[n.p.] Steel engraving of Shaw.
[n.p.] Shaw in a bathing suit. Note is from Dan Laurence to Bernard F. Burgunder, Mar.21, 1982.
[n.p.] Portrait photo of Shaw, touched up.
London; Portrait photo of Shaw taken at Widgey R. Newman's film studio; mounted on stiff cardboard.
[n.p.] Shaw portrait taken by Dorothy Wilding. Published in "The Sketch", Oct. 24, 1928.
[n.p.] Photo of Shaw for newspaper release taken by Wide World Photos.
Clivedon; Shaw with Lady Astor.
[n.p.] Publicity photo for Brentano's, "Intelligent Woman's Guide".
[New York] Macmillan publishing advertising catalogue with printed photo of Shaw on front cover.
Ayot St. Lawrence; Shaw and his revolving hut.
Brioni; Shaw with Gene Tunney, Richard Strauss and Dr. A. Lenz
Brioni; Shaw with Charlotte Shaw and Gene Tunney "A Day at the Races"; mounted.
Brioni, Shaw and Gene Tunney "The Master and the Boy"; mounted.
[n.p.] 2 engraved steel plates of Shaw. With note from Bernard F. Burgunder, Aug. 24, 1979.
Queen's Gate, London; GBS at Whitehall Court. Taken by Blanche Patch.
London; GBS walking in St. James Park.
London; Shaw in St. James Park, going under a ladder; on his 74th birthday.
[n.p.] Printed portrait of Shaw from The Sphere; touched up.
[London?] Portrait of Shaw taken by Dorothy Hickling, signed by photographer. With note identifying photo.
[Russia] Shaw with Lord and Lady Astor. Note identifying photo by Bernard F. Burgunder, October 1964.
Victoria Station, London; Photo of Shaw embarking train. Attached note by Associated Press identifies it.
[n.p.] Photo of Shaw taken by the Associated Press.
Malvern; Photo of Shaw and friend discussing "Too True To Be Good"
Hollywood, Calif.; Shaw during California tour; two with Marion Davies.
[New York] Photo of Shaw reading to cameras.
Pompeii, Italy; Photo of Shaw photographing ruins of Pompeii. Taken by Associated Press.
Havana, Cuba; Photo of Shaw arriving at Havana, Cuba aboard the Empress of Britain. Taken by the Associated Press.
New York; Portrait of Shaw, taken by the Associated Press.
London; Shaw and wife, Charlotte at London docks. Taken by the Associated Press.
Kingston, Jamaica; Photo of Shaw aboard the liner Rangitane. Taken by the Associated Press.
[n.p.] Printed photo of Shaw
Victoria Station, London; Photo of Shaw in train leaving for Natal, South Africa. Taken by the Associated Press.
Malvern; Photo of Shaw taken on his 79th birthday. Taken by Wide World Photos.
[n.p.] Portrait photograph; mounted.
Malvern; Photos of Shaw walking
[Miami] Photo of Shaw walking aboard ship. Taken by Wide World Photos.
Whitehall Gardens, London; Photo of Shaw walking in a strong wind in Whitehall Gardens.Taken by Wide World Photos.
[n.p.] Printed photo of Shaw.
Glengariff, Australia; Postcard photo of Shaw standing between busts of Homer and Nero. With Sotheby auction catalog page describing the photo.
New York; Printed photo of Shaw on cover of Life magazine, Feb.7, 1944. Taken by Yousuf Karsh, Otttawa, Canada.
London; Shaw in his sick bed after a fall from his swivel chair. Taken by Associated Press.
Ayot Saint Lawrence; GBS at 90. Inscribed by Shaw to Gene [Tunney] and Polly, signed and dated Christmas, 1946.
[London.] Photo of Shaw with William Maxwell.Taken by The Times.
Shaw's Corner; Photo of Shaw at Shaw's Corner. Taken by Mirror Features.
[n.p.] Portrait photo of Shaw for publicity literature. Taken by Howard Coster.
London; In The Illustrated London News, July 27, 1946, page 90. Article by Sir John Squire about GBS with 4 printed photos.
Ayot St. Lawrence; Photo of Shaw at 90; taken by Associated Press.
[n.p.] Photo of Shaw with unidentified young girl. Taken by H. E. Brooks
Ayot St. Lawrence; Printed photo of Shaw and Gene Tunney on Shaw's 92nd birthday. In The New YOrk Times Magazine, August 15, 1948.
[n.p.] Printed photo of Shaw on his 94th birthday. Taken by Allan Chappelow.
Ayot St. Lawrence; Photo of Shaw at 94 after he fell and broke his thigh. Taken by the Associated Press.
London; In The Illustrated London News, Oct. 14, 1950. A pictorial survey of Shaw's life on p. 761-763, after his death.
[Ayot St. Lawrence] Shaw wiping plate; taken by Shaw.
Maybury Knoll; Portrait of Shaw's face, taken by himself and signed.
[n.p.] [Shaw gives himself away] Photograph of Farleigh woodcut sketch.
[n.p.] Printed photo from "Players of To-Day" in costume.
[n.p.] 16 doubles prints made by rephotographying from Alec Clunes' "Pictorial History of the Arts Theatre Club of London..." Includes only plays not written by Shaw. Included are negatives all in one envelope.
[n.p.] Ainley in costume as Malvolio
London; Portrait photo of Archer.
Ayot St. Lawrence; 4 post card photos, 2 photos of Ayot St. Lawrence, landscapes and buildings.
Ayot St. Lawrence; Photos mainly of family, unidentified; 2 of houses.
[n.p.] 2 portrait photos (1 cabinet card); 1 of Beatty, 1 of son, Mazzini.
[n.p.] Color and black and white photo of painting of Jenny Patterson by Bell. Rumored to have had an affair with Shaw in the 1890's. Note from Bernard F. Burgunder dated, Nov., 1963. Also, note by Dan H. Laurence about the painting and 3 leaves with Bell's biographical sketch. See mapcase B-17 for original Jenny Patterson painting.
Ithaca, NY; 2 photos of Burgunder at Shaw exhibition at the Olin Library, Cornell University in September, 1975.
[n.p.] Cabinet card of Mrs. Capbell as Juliet in "Romeo and Juliet"
[n.p.] Photos of Mrs. Patrick Campbell reclining in a bed.
Postcard photo in costume
[n.p.] 2 copies of Mrs. Pat photo taken by GBS. Enclosed is BF Burgunder note, Jun.3, 1980.
[n.p.] Photo and copy of Mrs. Campbell with her Pekinese dog, Moonbeam.
[n.p.] Photo and copy of Mrs. Campbell with her Pekinese dog, Moonbeam. [Different pose than folder 12]
New York; Photo and copy of Mrs. Campbell seated, in costume.
[n.p.] 2 printed photos in roles; 1 as Juliet, 1 as Eliza Doollittle in "Pygmalion".
[n.p.] Postcard photo of Campbell in costume. Verso has address of Miss H. Abrahams, note from "Victor"
[Carlow County, Ireland] Plaque dedicated to GBS unveiled; persons unidentified.
[n.p.] Photo postcard of Pauline Chase in costume.
[n.p.] Portrait photo of Cobourn; supposedly taken by GBS.
[n.p.] Coffin in costume as Fish.
[n.p.] Coffin in costume as Fish with 2 other identified characters.
[n.p.] Coffin as Fish taking bow with other cast members, not identified.
[n.p.] Cornell in costume; signed. Inscribed to Stella [Mrs. Patrick Campbell]
Ayot St. Lawrence; Photo of Culver, Shaw's bee-keeper, taken by GBS. With note from B.F. Burgunder.
[London] Cabinet card, signed by Forbes-Robertson.
[France] 2 photos taken by Shaw: 1 in 1907 of a sculpture in a french church; the second taken in 1911 of a Joan of Arc statue in Ballon d'Alsace.
Ithaca; Photographs of all on display in the Cornell University Olin Library. Included are preliminary prints and negatives.
[n.p.] 2 copies of Judy, Shaw's first cousin. Married Mr. Musters
Ayot St. Lawrence; Judy, Shaw's first cousin. Taken by GBS.
[Eastbridge?]
[n.p.] Scene from "Anatol" showing Granville-Barker, Lillah, McCarthy, and Sir Nigel Playfair as the characters.
[n.p.] Granville-Barker in the role of cadet in war.
[n.p.] Granville-Barker photo taken by GBS.
[n.p.] Charlotte Shaw and Granville-Barker in the role of cadet in war.
[n.p.] Scene from "Anatol" showing Granville-Barker and Sir Nigel Playfair as the characters.
[n.p.] Granville-Barker around age 14.
[n.p.]
London; 3 different photos of the Harley Granville-Barker bust at the London National Theatre. Made by Jacob Epstein.
Stansted Wrotham, Kent; Photo of Granville-Barker's house; interior.
[London] Portrait photograph.
[n.p.] Granville-Barker in costume.
[n.p.] Granville-Barker in costume.
[n.p.] Granville-Barker in costume.
[n.p.] 2 copies of Gurley. Note dated February 13, 1967 from Bernard F. Burgunder enclosed
[n.p.] Photograph of the home of Hamon, purchased with a loan from Shaw.
[n.p.] Scene from "The Dynasts", an epic drama of war with Napoleon; 15 member of the cast unidentified.
[n.p.] Photograph of gravestone for them. Erected in their memory by Shaw who they served at Ayot Saint Lawrence.
[n.p.] Photo of Irving in costume.
[n.p.] Postcard portrait photo of Irving.
[n.p.] Postcard portrait photo of Irving.
[n.p.] Portrait photograph of Jones.
[Ayot St. Lawrence] Kim, Shaw's cairn terrier. Photo taken by Shaw; with 2 notes of information.
[n.p.] Levetus portrait photo in costume.
[n.p.] Small tin type photo with 2 copies of same, plus negative.
[n.p.] McCarthy in costume as Mercia in "The Sign of the Cross".
[n.p.] Postcard photo of McCarthy.
[n.p.] Photograph of McCarthy as Lady Macbeth.
[n.p.] Photo of McCarthy about the time of her marriage to Granville-Barker.
London; Photo of Mc Carthy in role of Madame O'Kraska in "Tante".
London; Photo of Mc Carthy in role of Queen in "Hamlet"
London; Cabinet card portrait photo of Mc Carthy.
[n.p.] May Morris with guitar photo.
[n.p.] Alma Murray portrait in costume; signed.
[n.p.] Postcard photo of Blanche Patch at "Shaw's Corner" in Ayot St. Lawrence. Taken by G.B.S.
[n.p.] Christmas card with photo of Patch and Shaw on front.
[Winchelsea] 3 postcard photos of the Winchelsea Church where Rev. Henry Patch (Blance Patch's father) was once Rector.
[n.p.] Postcard photo of Noel J. S. Patch grave site at New British Cemetery.
New York; Printed photo of Annie Russell and unidentified little boy (son?)
Dublin; 2 copies of photo taken by Scholefield of Shaw's birthplace. Published in the Daily News, July 26, 1926. Not with information by Bernard F. Burgunder.
[n.p.] Photo of unidentified actor in the ole of Autolycus in "The Winter's Tale"
[n.p.] Photo of the set of the Granville-Barker production of "Twelfth Night".
[n.p.] Photo of a fairy in the Granville-Barker production of "A Midsummer Night's Dream".
[Ayot St. Lawrence] 4 different poses of Charlotte taken by Shaw; postcard has Charlotte on verso with dates 1857-1843. A note from Bernard F. Burgunder says they came via Dan H. Laurence. Postcard forms part of the Ann Elder Jackson Collection.
Park Village West; Photograph of Lucina Gurly Shaw, taken and printed by GBS, her son. With note from B.F. Burgunder.
New York; 2 copies of Lucy Carr Shaw photo. She was GBS's sister.
[n.p.] Postcard photo of Stanbrook Abbey
[n.p.] Portrait photo taken by the Daily Herald.
[n.p.] Postcard photo of Terriss.
[n.p.] Cabinet card photograph of Ellen Terry in costume, signed.
[n.p.] Cabinet card photograph of Ellen Terry in costume as Lady Cecily in "Captain Brassbound's Conversion"
[n.p.] Postcard photo of Ellen Terry in costume.
London; 2 cabinet cards of Ellen Terry taken at same sitting.
Thames north shore photo.
[n.p.] Postcard photo of Viola Tree.
[n.p.] Photo of Tunney in boxing ring; signed.
[n.p.] 2 photos of one house; 3 postcard photos of another
[St. Leonards-on-Sea] Portrait of "Harry"
Guelph; 36 slides and one exhibit flyer on the exhibition of Shaw at Guelph.
[Winchelsea] Commercially published photos of Winchelsea buildings in an envelope.
Winchelsea; 2 photos taken by Shaw of the Winchelsea Church.
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Lillah McCarthy and Shaw during a rehearsal
Regent's Park; Open Air Theatre production
New York; 1 photo of set; 1 advertising postcard with Lillah McCarthy and Granville-Barker.
Niagra on the Lake; Shaw Festival production, July 5, 1984.
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Avenue Theatre; Cabinet cards including Yorke Stephes, Alma Murray and Florence Farr. This is the first production of the play; photos are Shaw's own with his annotations from April 21 until July 7, 1894.
[Herald Square Theatre] Katherine Grey as "Louka"; 2 printed photos pasted on recto and verso of same card..
London; 1 photo of each of the three sets.
Argent Television; Publicity flyer for the London stage production adapted for television.
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of the same photo.
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
[n.p.] Production photo
Circle in the Square; 4 photos
Court House Theatre
Court Theatre; 4 postcard photos; 1 printed photo.
Prague; Sisi Ruzicka as Cleopatra; with letter dated May 27, 1975 from Ivan Ruzicka to Bernard Burgunder.
[Paris?] Production photos
[n.p.] Johnston Forbes-Robertson and Gertrude Elliott in the title roles.
[n.p.] Forbes Robertson as "Caesar"
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Niagra on the Lake, Shaw Festival production.
London, Savoy Theatre;
On Tour; 2 copies of 1 photo (1 cabinet card); single photo of third. Forbes Robertson as "Richard Dudgeon".
London; Harley Granville-Barker
[n.p.] Photo plus note identifying it as the film version and the cast.
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
London, Saville Theatre
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Hollywood; Warner Brothers-Seven Arts film production
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
London; "Picture Post" 7 printed photos of the Arts Theatre production.
[London] BBC television production
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Niagra on the Lake; Shaw Festival 1985
10 Downing St.; Production photo plus note from B. F. Burgunder dated February 17th, 1966. He talks of other photos not in folder.
Niagra on the Lake; Shaw Festival, 1985.
London
[New York]
[London] 3 publicity shots of Frances Rowe who played "Ann Whitefield"
Embassy Theatre
[Tokyo]
Arts Theatre Club; 2 copies of the same photo
Arts Theatre Club; 2 copies of the same photo
Hammersmith, Lyric Theatre; Printed photo.
[London] Printed photo of Shaw and Fanny Brough at rehearsal.
[London?] Fanny Brough as "Mrs. Warren"
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club;
Niagra on the Lake; Shaw Festival 1983
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
His Majesty's Theatre; Mrs. Patrick Campbell as "Eliza Doolittle"
[n.p.] 3 photos of film version of Pygmalion.
His Majesty's Theatre; Roy Byford in role of "Bystander"
Hammersmith, Lyric Theatre; Ellen Pollock as "Eliza Doolittle"
Berlin; "Film-Kurier" supplement, film brochure for the German production. A note describes it.
London; Play production photos.
[New York]
[n.p.] Film production
Circle in the Square; Lynn Redgrave as "Saint Joan"
Toronto; Stratford Festival
[London?] Sybil Thorndike as Joan. One is inscribed by her.
[n.p.] Printed photo.
Malvern; Lanchaster Marionette Theatre; printed photo
Niagra on the Lake; Shaw Festival
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Niagra on the Lake, Shaw Festival, Court House Theatre, 1983
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Malvern; Printed photo in "The Sphere"
[London] New Teatre; Printed photo in "The Illustrated Sporting and Dramatic News"
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Niagra on the Lake, Shaw Festival, Court House Theatre, 1983
Arts Theatre Club;
Arts Theatre Club;
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Arts Theatre Club; 2 copies of same photo
Wyndham's Theatre
Niagara on the Lake, Shaw Festival, Court House Theatre, 1983
[London]Printed material about the Abbey Theatre; with a "List of Plays produced by the National Theatre Society, Limited, in the Abbey Theatre..." (1899-1925) and a selected bibliography of works about the Abbey Theatre.
Printed listing has all editions,publisher and number of copies printed.
[n.p.] Letter to Wynne thought to be a forgery. Includes catalogue description of item originally sold by Charles Hamilton Galleries as authentic.
[n.p.] Carried by Shaw to keep his current writings, etc. His signature and address inside.
[Houston, TX] Advertising lecture by Dan H. Laurence about Shaw and books.
[London and Ayot St. Lawrence] 2 printed Shaw calling cards, one with his London address the other with his Ayot St. Lawrence address.
[n.p.] Black line drawing, sowing Shaw seated on blanket, in bathing suit and hat.
[London] "Vanity Fair Supplement" caricature of Shaw and Pinero.
[n.p.] File card with electric lighting company address all in Shaw's hand. Change noted to North Metropolitan in Jan., 1937.
[n.p.] Typed chronology of Shaw's life and writings
[London] Table cloth with colorful My Fair Lady imprints.
[n.p.] 2 copies of 40h Shaw stamp with note from The Hammersmith Bookship Ltd. saying, "With compliments!"
[Dublin] 2 copies of photo showing plaque "Bernard Shaw/ author of many plays/ was/ born in this house/ 26 July 1856"
[n.p.] 7 commemorative stamps of famous individuals; Shaw is on the 60 stamp.
7 commemorative stamps of famous individuals; Shaw is on the 1K stamp
[Ireland] 1 sheet of odd-sized Shaw stamps marked "12"; caricature of Shaw is from a "Vanity Fair" cartoon of the 1890's. With note from Dan Laurence, who bought them and sold them to Cornell.
9 commemorative stamps of famous individuals; Shaw is on the 40 stamp
Commemorative stamp of Shaw; on the 40 stamp
[n.p.] On page 1, bottom right. Information per Dan H. Laurence, through B.F. Burgunder.
[Various places] 24 items addressed to Shaw plus sheet with some of the return addresses.
[n.p.] Notes on Shaw's monies; 2 page notes on Shaw's wishes regarding Mrs. Shaw's bequests.
[Dublin] Some original and some photostats of Shaw genealogical information. Some of this research was done byH.F. de Courcy Wheeler. One leaf of identification included.
[Rome] Italian announcement of Shaw's death.
Rotorua, N.Z.; Typed notes on what Shaw will eat.
[n.p.] Only the leaf with above notation is in this folder.
[Dresden] Blank postcard with buildings on picture verso.
[Ayot St. Lawrence] 2 photos of Shaw's Corner
[Shetland] Extract from "The Shetland News": an interview with G.B.S.
[n.p.] Shaw hair clipping; with note from B.F. Burgunder identifying it.
[n.p.] Printed cartoon..."the boy who wrote to George Barnard Shaw for his autograph and got it -----! Shaw signed this copy.
[n.p.] Wrapping paper containing prints of famous literary figures, including Shaw.
[n.p.] Well worn hat, with ear flaps, said to be Shaw's. With envelope (which it came in) with Shaw's address on it. Found in the estate of Irving haim, a devotee of Shaw.
[n.p.] Mainly clippings from London newspapers about Shaw. with two AL to Clarabut regarding Shaw's whereabouts.
[n.p.] Miscellaneous references to Shaw.
[n.p.] Miscellaneous references to Shaw, These are deacidified item taken from folder 2 in 1984.
[n.p.] Miscellaneous references to Shaw.
[n.p.] Miscellaneous references to Shaw, mainly London newspapers.
[London] Publicity flyer for Constable, 1914. Shaw's "Doctor's Dilemma" is listed.
[London] Off-print of the "Evening Standard" article about the D.O.T.A.P. Shaw endorsed the proposal. A note explaining how it was added to the Burgunder Shaw Collection.
[London] "Man and Superman" letter to the editor correction.
[London] Clipping from "John O'London's Weekly", November 10, 1950.
[New York] "Saturday Review", November 23, 1963, p. 47-49, book review of several biographical books on Shaw. [p. 49 pasted onto page 48.]
[London] "The Times" clipping on The Shakespeare Memorial Committee.
[n.p.] 2 clippings concerning the bequests of Mrs. Charlotte Frances Shaw.
[London] Obituary of Mrs. Charlotte Frances Shaw.
[London] 3 photocopied articles from the "Daily Citizen" about Shaw's swindle of 525 pounds.
[London] Catalogs from Sotheby & Co., May 25, 1952, and Phillips, Son & Neale, June 28th & 29th, 1949, each containing Shaw items being auctioned off.
[Ireland] Sweeney's Auctions flyer announcing the auction of Torca Cottage, Killiney, Shaw's former home.
[London] Calendar for May 1983, verso has photo of the autograph tree which, among many others, is GBS.
London] "The Times Literary Supplement" for November 10, 1950 having one article on Shaw and a second article which is a letter to the editor about Shaw.
[London] In "Stage" on a birthday visit to Ayot St. Lawrence.
[London] "News Chronicle", July 26, 1944 article.
In "New York Times", July 6, 1924, GBS talking on the use of English.
[Chicago] 2 copies of a program proclaiming the day, "Bernard Shaw Day" in Chicago.
[London] In "Film Weekly", February 12, 1938, p. 6-7
[Palestine] In "Palistine Bulletin", March 15, 1931, p. 1, article on Shaw's visit.
[London] Article with photo.
[Boston] Article on Shaw interview about English.
[n.p.] In "Physical Culture", November, 1929, p. 38-39.
[London] In "The Times", The Times Diary, November 7, 1975.
[London] In "The Irish Times", picture of Carlow Technical School with caption.
London; In "Evening Standard", March 29, 1911 article on Shaw giving evidence in trial.
[n.p.] Card copying one of Shaw's own Christmas card with caricature of Shaw on front.
[London] Article on Shaw and Kaye visiting.
Toronto; Photocopy of book review of "Bernard Shaw" v.1, by Michael Holroyd.
[Hertford] List of Hertford voters, include Shaw and wife.
[n.p.] Postcard sent to B. B. Bergunder from Dan H. Laurence with Shaw on verso, among other Irish literary figures.
[n.p.] In "The Era" an article about Shaw talking about "St. Joan" film.
[London] In "The Sunday Chronicle", June 30, 1946, p. 4.
[London] Program for Shaw's 90th birthday celebration.
[London] In "The Sketch", July 25, 1934, p.164; 4 photos with captions.
[Dublin] In The "Irish Times", July 26, 1941.
Boston; In "Boston Evening Transcript", September 26, 1925, p. 8 of pt. 3.
London; Book review in "The Times Literarey Supplement", October 13, 1966 of Donald P. Costello's and J. Percy Smith's publications about Shaw's productions on film. As well as note from B.F. Burgunder and letter to Burgunder from Ifan Kyrle Fletcher who sent the article to him.
In "The Star", September 23, 1941.
[n.p.] In "Boston Evening Transcript?" article saying Shaw says Fabians must now call themselves Communists.
[n.p.] In "Current Literature", October, 1908, p. 429-430.
[n.p.] In "Welwyn Times", June 4, 1948, announces Shaw's new book, "Bernard Shaw Through the Camera"
[New York] In "New Yorker", January 2, 1989, photocopies of article on Shaw on pages 62-68.
[n.p.] In "Architectural Digest, May, 1982 pp. 180-186. With many photos of Shaw home and surroundings.
[London] 4 page program for an exhibition at the National Theatre.
[n.p.] In "Akhbar El Yom" in Arabic. With note from B.F. Burgunder identifying it.
[London] In "The Times Literary Supplement", July 17, 1956
[London] In "John O'London's Weekly", July 26, 1946; articles include "90", "G.B.S. as Idol", and "The Great Dramatist".
[London] article about Alice Lockett's letters to Shaw.
Boston; In "The Living Age", November 8, 1924, p. 353-354. Also in same issue on page 354 is "Bernard Shaw and the Bulgarian.
[London] In "The Star", October 25, 1924, p. 3; Rough proof of "Pygmalion" mentioned.
[London] In "Cavalcade", July 22, 1950, p.9, 18.
[Ayot St. Lawrence] 12 page booklet on the manor and churches of Ayot St. Lawrence.
[London] Wedding announcement to Charlotte Payne Townshend.
{London] In "Evening Standard"; regarding Shaw turning 91 and view on life.
[London] In "News Chronicle"
[London] In "Daily Mail", July 26, 1949; interview with GBS.
[New York] Publicity flyer for the Berg Collection; mentions Shaw and contains a caricature of him.
[London] Contains mention of GBS.
[London] Three tributes to Shaw upon his death, from London newspapers.
[n.p.] Cipping refering to "Back to Methuselah" production.
[London] 3 copies plus 1 copy of clippings pre-prepared in the event of Shaw's death; with B.F. Burgunder's note explaining them.
[Zurich] In "Neue Zuricher Zeitung?", November 2, 1950. In German.
[London] In "The Sunday Times", July 21, 1946
London; Plan of tables at the Appeal Dinner at the Savoy Hotel with includes GBS and his wife.
New York; In "The New York Times Book Review", September 17, 1989, book review of Michael Holroyd's "Bernard Shaw, vol.3"
[London] In "The London Times Literary Supplement", May 10, 1923, p.1, mentioning Shaw.
[n.p.] Two flyers with quotes from Shaw.
Boston; Discussing censorship of Shaw's work.
[London] 4 page program to commemorate Shaw plaque unveiling.
[New York] "The Saturday Review", July 21, 1956 issue devoted to 100th anniversary of Shaw's birth.
[London] Copies of 4 different letters to the Editor of the "Times Literary Supplement" , 2 by Shaw, 1 each by Alfred W. Pollard & J. Dover Wilson.
[n.p.] 4 different cards, each with a Shaw photo and a quote or a story.
[London] In "The London Sunday Times", June 18, 1939, p.4.
[Toronto] In "Toronto Globe and Mail", September 10, 1988, copy of book review of Dan H. Laurence's "Bernard Shaw Collected Letters, v.4"
[n.p.] Article in "Studies in Bibliography", p.284-293, by Ellen Summers.
[Ithaca] In "Bulletin. Cornell University Libraries, Ithaca, N.Y.", September/October, 1975. 21 pages mostly devoted to the Shaw Collection and Bernard F. Burgunder, donor of the collection.
[Ithaca] Program of events at opening of the Shaw exhibition at the Cornell University Libraries.
Kansas City; In "The Kansas City Times, July 25, 1946.
London; In "Psychic News", June 15, 1963; 1 article on page 1, 6.
[New York] In "The New York Times", May 4, 1927.
[New York] In "The New York Herald Tribune", April 30, 1937 to perform in "The King's People".
[New York] In "The New York Times", March 23, 1951, discusses Shaw's bequests.
[Ayot St. Lawrence] Pamphlet explaining Shaw's Corner, by the National Trust.
[Ayot St. Lawrence] Postcard photo of Shaw's Cornel
[n.p.] Material on Shaw's country home upkeep since his death and Shaw's Corner in particular.
[London] Message made in 1941, asks his films and plays be taken care of.
Houston; in "Houston Post", August 17, 1975, interview with Dan H. Laurence, literary advisor to the Shaw estate.
[n.p.] In "Publishers Weekly", August 26, 1988 under a rhyme book evaluation. Slight mention of Shaw.
Austin; Invitation to the Shaw exhibition with RSVP card enclosed plus copy of newspaper clipping of same.
[London] In "Evening Standard", discusses Shaw's home in Ayot St. Lawrence.
[London] In "Picture Post", 30 July, 1949, front cover photo and article on pages 30-32 with many photos.
[n.p.] Announcement of a William Morris Centenary Celebration.
Included in one folder are 4 empty envelopes; one with Shaw's Ayot St. Lawrence address as the return address, one marked "Letters from LucyCarr Shaw; one marked Arabella Gillmore and one marked G.B.S. Itinerary with Mrs. Chaworth Musters address (all materials within the Jackson Archive). Also included in another folder is an order form for sigle tickets,a Malvern Festival theatre program from 1932 for "The New Play" by Shaw; and a booklet by Sidney P. Albert titled "In More Ways Than One : Major Barbara's Debt to Gilbert Murray", inscribed to Mrs. Musters and signed by Albert. One folder contains Romeike & Curtice Ltd. press service clippings about Shaw sent to Mr. Curnell.
[London] Broadside poster
[Hollywood] Playbill from the film produced by Gabriel Pascall, starring Jean Simmons and Victor Mature.
Waterloo; Playbill from "Major Barbara" production
New York; Garrick Theatre Playbill of Daly's Shaw repertory.
Manchester; Playbill from the production of Harold V. Neilson, Queen's Theatre, Manchester.
[Hollywood] Pressbook for MGM's production, starring Leslie Caron and Dirk Bogarde.
London; Playbill for The Watergate Theatre for Farfetched Fables and 1 leaf publicity flyer.
[n.p.] Fay's poster for "Candida"
Many small size posters for the film production of "Doctor's Delimma".
Houston] Playbill for the Fort Sam Houston Playhouse production of Dan H. Lawrence's presentation.
London; Playbill for the Granville-Barker production of "Twelfth Night" starring Granville-Barker and Lillah McCarthy at the Savoy Theatre.
[n.p.] Playbill for "Heartbreak House" in the Downstage Theatre - Incarnate Word College.
[various theatres] Playbills from Horniman's Company tour in "Candida".
[Hollywood] Playbill for "The Millionairess" film, starring Sophia Loren and Peter Sellers.
London; Playbill for the New Theatre production of "The Millionairess" starring Katherine Hepburn and Cyril Richard.
[Hollywood] Pressbook with possible ads for the 20th Century Fox production of "The Millionairess".
Bath; Playbill from "Mrs. Warren's Profession" Theatre Royal production starring Philippa Gill
San Jose, Costa Rica; Playbill in Spanish from "Mrs. Warren's Profession" production; plus donor letter to B.F. Burgunder from Ivan Ruzicka giving the playbill to the Shaw Collection at Cornell.
Birmingham; Shaw repertory of plays at the Prince of Wales Theatre for The Macdona Players.
[London] Playbill for "Back to Methuselah" production at the Old Vic Theatre, May 27-August 23, 1969.
Hammersmith; Playbill for the Theatre National de Belgique for their production of "Le Heos et Le Soldat" [Arms and the Man] at the Lyric Theatre in Hammersmith, July 20-25, 1953.
[England] Oversize theatre posters for Shaw plays.
[United States] Oversize film posters for films based on Shaw plays.
Niagra on the Lake; Shaw Festival posters in various sizes for various productions.
[Hollywood] Productions based on Shaw plays: Caesar and Cleopatra, Devil's Disciple, and Major Barbara.
[n.p.] 5 programs containing the production of this play.
London; The Mermaid Theatre program for this production.
[n.p.] Programs for mainly London productions of this play; one in Vienna in 1914.
[n.p.] Programs for mainly London productions of this play; one from France and one from Germany.
[various place] Programs from both England and the United States.
London; 1 program for both the Saint Pancras and People's Theatre, Oct.28-30th.
[n.p.] Programs for this play, mainly London productions.
[London] Program frim the Princes Theatre for this production.
[n.p.] Programs from both England and the United States.
[various places] Programs from England, United States and Japan.
[n.p.] Programs from England and the United States.
[n.p.] Programs for the productions.
[London] Program from the Sloane School for their production of "Cymbeline Refinished"
[n.p.] Programs from England and the United States
New York; Starring Katharine Cornell and Brian Aherne.
[various places] Programs from England and the United States.
[Vienna] Program inserted into German newspaper advertising "Ein Teufelskerl". With a note from Dan Laurence who sold it to the Cornell University Library Shaw Collection.
[various places] Programs from England and the United States.
[[Berlin] Programs for German productions.
Liverpool; Program for this production at the Empire Theatre.
London; Royal Court Theatre. This was an explanation for the audience about the play, inserted in the program. Additional not is from B.F. Burgunder describing it.
[various places] Programs mainly from England.
Blacksburg, VA; Haymarket Theatre, Virginia Tech production.
Liverpool; The Playhouse Theatre production program.
[various places] Programs from England productions.
[various places] Programs from England productions.
Arts Theatre Program production.
[London] Vaudeville Theatre production program.
[various places] Theatre productions in England and the United States.
[n.p.] 2 theatrical productions in England and 1 television production.
[various places] Productions in England and Ireland.
[various places] Theatres in England and Ireland. Shaw was the Translator only.
[various places] Theatres in England and Ireland.
[various places] Theatres in England, Ireland and the United States.
[England] Programs for various English theatres.
[England] Various theatres in England.
[England] Various theatres in England.
[various places] Theatres in England and the United States.
London; The Stage Society production plus 3 copies of a photo of same plus the negative and a note from Dan H. Laurence about it.
[various places] Theatres in England and the United States.
New York; Polling card distributed at the first New York perfomance as to whether is "unfit" or "fit" to be presented on the American stage.
[London] The Little Theatre production. Shaw wrote the dialogue for the play.
New York & London; Production at the Mark Hellinger Theatre & Adelphi Theatre.
Hollywood; Warner Bros. film production of "My Fair Lady"
[Various places]
London; Duke of York's Theatre. First professional production. Note by B.F. Burgunder included.
Ayot St. Lawrence; Production at Shaw's Corner.
[various places] Productions in England and the United States.
Louskácek; Translated and directed by Karel Musek.
[London] First production. With a note from B.F. Burgunder inserted.
[various places] Productions in England, Ireland, United States and Canada.
[Africa & Germany] German production took place before English one.A note from B.F. Burgunder is included with the African program.
[Various places] Productions England and the United States and one in Italy.
[France, Italy & Spain] Productions done in the native language.
[n.p.] Program gives the history of the Lanchester Marionettes which includes "Shakes v. Shav.
[Various places] Productions in England and the United States.
London; Open Air Theatre, Regents Park production.
London & Dublin; Productions in England and Ireland.
London; Man in the moon Theatre, Oct. 28-Nov.22.
[Various places] Productions in England and the United States.
[England] Productions in England.
[Various places] Productions in England and the United States.
[Various places] Productions in England and Ireland.
[Various places] Productions involving more than one of Shaw's plays.
[London] Criterion Theatre
Windsor; The Theatre Royal. Production ran from March 21 to April 8.
Stafford; Lyceum, October 28-30, 1895
[London] Kinsway Theatre. Lillah McCarthy was director and actress.
[London] Vaudeville Theatre. Program of the Stage Society's sixth meeting.
[London] King's Hall, Covent Garden
[n.p.] Gaiety Theatre. The role of Phyllis Tuppitt was played by Lucy Carr-Shaw. A note from B. F. Burgunder is inserted.
[n.p.] The Greek Theatre at Bradfield College. Produced on June 11, 14, and 15.
[n.p.] East 74th Street Theatre
[St. Louis, MO] Washington University Performing Arts.
[London} Ambassadors Theatre
[London] St. James Theatre. Program for 3 weeks, Dec. 1-20, 1913.
[London] Savoy Theatre menu and programme with list of those attending, including Shaw and Mrs. Patrick Campbell
Aberdeen; His Majesty Theatre
Haymarket, Theatre Royal
London; Hoxton Hall
[London] Novelty Theatre. First English perfomance
{Italy] First Italian production of "Dear Liar"
[New York] The New Theatre
[London] St. James's Theatre. Produced with John Galsworthy's "The Silver Box"
[n.p.] Produced at the house of Sir Philip Sassoon in Park-Lane. Also produced was John Masefield's "The Sweeps of '98"
Haymarket, Theatre Royal. Performed June 2, 5, 9 and 12, 1908.
[London] Savoy Theatre. Performed with Moliere's ":Le Mariage Force"
[London] Royal Court Theatre. Performed March 2, 7, & 9, 1911.
[London] Savoy Theatre.
[n.p.] Greenwich Theatre
[London] The New Stage Club performed on May 10 and 13, 1905. The Literary Theatre Club performed on June 10 and 18 [n.y.]
[London] Savoy Theatre.
[n.p.] Arts Theatre Club unidentified photos.
[London] Tunbridge-Sedgwick Photographers photos.
[n.p.] Felix H. Mann photographer of folder 7 & 8.
[London] John Vickers Photographer
[London] Wm. Wordsworth Photographer and Tunbridge-Sedgwick Photographers
[London] John Vickers Photographer and Keystone Press Agency Photos
[London] John Vickers photographer
[London] Tunbridge-Sedgwick Photographers
[London] Keystone Press Agency photographers
[n.p.] "Illustrated" Copyright Photographs.
[n.p.] John Vickers Photographer folder 13-14
[London] John Vickers photographer
[London] Houston Rogers, photographer
[London] John Vickers Photographer and Angus McBean Photographer
[London] William Wordsworth and Houston Rogers photographers
[London] Gustave Breslauer photogher, John Vickers photographer, and Kurt Kahle photographer.
[London] Hess of Fox Photography
[London] Houston Rogers photograhper
[London] Angus McBean Photographer and Hans Bauman with Hulton Press "Picture Post"
[Londo] John Vickers photographer
[London] Hess of Fox photographer
[London] Hess of Fox photography
[London] Houston Rogers photographer
[London] Angus McBean photographer
[London] Hess of Fox photography
[London] William Wordsworth Photography
[London] Angus McBean photography
[London] John Vickers Photographer
[London] Houston Rogers photographer
[London] Tunbrige-Sedgwick Photographers
[London] John Vickers Photography
[London] Swarbrick Studios
[London] Houston Rogers photographer
[London] John Victers photographer, folders 5, 7-9; Swarbrick Studios, folder 6
[London] Photographer not identified
[London] John Vickers photographer
[London] Angus McBean photographer
[London] K. Hutton of "Picture Post", foler 7, Keystone Press Agency, folder 8
[London] The Times, folder 9; Angus McBean, folder 10-11
[London] Houston Rogers photographer
[London] Houston Rogers photographer
[London] John Vickers photographer
[London] Hess of Fox photographers
[London] John Vickers photographer
[n.p.] Angus McBean photographer, folder 7-9; Karel Drbohlav photographer, folder 1-6, 10
[London] Russell Sedgwick photographer
[London] Angus McBean, photographer
[London] Angus McBean, photographer
[London] Man Copyright, folder 1-2; S. Demolin, folder 3.
[London] Angus McBean, photographer
[London] Angus McBean, photographer
[London] Photographer not identified, folders 7-11; Tunbridge-Sedgwick photographers, folder 12-14
[London] John Vickers, photographer
[London] Houston Rogers, photographer.
[London] John Vickers, photographer
[London] Hass of Fox photographers
[London]Russell Sedgwick, photographer
[London] Angus McBean, photographer
[London] Tunbrige-Sedgwick, photographers
[London] Swarbrick Studios
[London] Angus McBean, photographer
[London] Hess of Fox photographers
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] John Vickers, photogrpher
[London] Felix H. Man, photograper
[London] John Vickers, photographer
[Paris] Etienne Bertrand Weill, photographer
[London] Tunbridge-Sedgwick photographers
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] Photographer not identified
[London] Photographer not identified
[London] Russell Sedgwick, photographer
[London] Houston Rogers, photographer
[London] Angus McBean, photographer
[London] Angus McBean, photographer, folder 11; John Vickers, photographer, folder 12-13
[London] Russell Sedgwick, photographer
[n.p.] [Various agencies, folder 1; Karel Drbohlav, photographer, folders 2-4
[n.p.] Photographer not identified
[London] Hans Bauman, photographer
[London] John Vickers, photographer
[London] Karel Drbohlav, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[n.p.] Photographer not identified
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] Russell Sedgwick, photographer
[London] Hans Bauman, photographer
[London] Houston Rogers, photographer
[London] John Vickers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] Houston Rogers, photographer, folder 9; The Times, folder 10
[London] Robin Adler and The Times
[Niagra on the Lake] Various plays, at various times] Angus McBean, photographer, folder 12; John Vicars, photographer, folder 13.
[London] Angus McBean, photographer, folders 14-15; S. Demolin, photographer, folder 16.
[London] Chris Ware, Keystone Press Agency, folders 1-3; Houston Royers, photographer, folders 4-6.
[London] Hess of Fox, photographer
[London] Houston Rogers, photographer
[London] Tunbridge-Sedgwick Photographers
[London]
[London] Houston Rogers, photographer
[London] Angus McBean, photographer.
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] Russell Sedgwick, photographer
[London] Russell Sedgwick, photographer
[London] Houston Rogers, photographer
[London] Jean Straker, photographer, Studio House
[London] John Vickers, photographer
[London] Tunbridge-Sedgwick Photographers
[London] Hans Bauman, Photo Man
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] Hans Bauman, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] William Wordsworth, Agent
[London] Hans Bauman, Photo Man
[London] Swarbrick Studies
[London] Tunbridge-Sedgwick Photographers
[London] Angus McBean, photographer
[London] John Vickers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] John Vickers, photographer
[London] Houston Rogers, photograppher
[London] Angus McBean, photographer
[London] Erich Auerbach, "Illustrated"
[London] John Vickers, photographer
[London] Karel Drbohlav, photographer
[London] Angus McBean, photographer
[London] Russell Sedgwick, photographer
[London] Angus McBean, photographer
[London] Russell Sedgwick, photographer
[London] John Vickers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] Photographer not identified
[London] Russell Sedgwick, photographer
[London] John Vickers, photographers
[n.p.] Karel Drbohlav, photographer
[London] Houston Rogers, photographers
[London] Houston Rogers, photographers
[London] John Vickers, photographer
[London] Angus McBean, photographer, folders 6, 8; John Vickers, photographer, folder 7
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] Photographer not identified
[London] Houston Rogers, photographer
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] John Vickers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographers
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] Angus McBean, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] Photographer not identified
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Photographer not identified
[London] Edward Leich, photographer
[London ] Russell Sedgwick, photographer
[London] Angus McBean, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographer
[London] John Vickers, photographer
[London] Houston Rogers, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Russell Sedgwick, photographer
[London] Angus McBean, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographers
[London] Photographer not identified
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Houston Rogers, photographers
[London] Houston Rogers, photographers
[London] John Vickers, photographers
[London] Houston Rogers, photographer
[London] Angus McBean, photographer
[London] Photographer not identified
[London] Angus McBean, photographer
[London] John Vickers, photographer
[London] John Vickers, photographer
[London] Angus McBean, photographer
[London] Photographer not identified
[London] John Vicker, photographer, folder 12; Houston Rogers, photographer, folder 13
[London] John Vickers, photographer
[London] Angus McBean, photographer.
[London] Unknown photographer.
[London] Houston Rogers, photographer.
[London] Unknown photographer.
[London] Unknown photographer.
[London] Unknown photographer
[London] Angus McBean, photographer
[London] Unknown photographer.
[London] Unknown photographer.
[London] Unknown photographer.
[London] Angus McBean, photographer.
[London] Houston Rogers, photographer.
[London] Angus McBean, photographer.
Two reels of film from CBS Television of the Ed Sullivan Show featuring "An Evening with Lerner and Loewe".
Four casette tapes of the Margaret Webster Cassette Theater.
Four casetter tapes of lectures by Howard Stein on 4 of Shaw's works.
One cassette tape of Laurence's lecture on Shaw.
Film version from Peak Film Productions, London and VHS video copied from the Colgate University Library.
Reel to reel tape of the lecture Laurence gave at Cornell
Reel to reel tape. Unsure if tape is actually this title. Records in Shaw collection to go with it (if it is).
Reel to reel tape from television production, narrated by Mike Wallace on NBC-TV.
Microfiche of the diaries of Shaw.
Dr. John Sutherland and Dr. Keith Walker discuss the two titles on a cassette tape from Audio Learning Limited.
One microfilm reel from the British Museum originals of Beatty to Shaw 100 letter correspondence.
On reel of microfilm from the British Museum collection of Shaw materials containing the correspondence to Jenny Patterson, Dame Laurentia McLachlan and other miscellaneous manuscripts and speeches from others.
Metal file box with Burgunder's index of his Shaw Collection
Four VHS video tapes of "Saint Joan", "Caesar and Cleopatra", "Pygmalion"; and "Legendary Personalities" which includes Shaw.
Preface read by Robert Shaw. A 3 record set produced by CMS, in box.
Record produced by Caedmon Publishers, production with "Interlude" and Peoms by Noël Coward included. Stars Noël Coward and Margaret Leighton.
Preface, set of 2 records read by Robert Shaw. A CMS production.
Adapted from Shaw's "The Admirable Bashville", with music by Denis King and lyrics and book adaptation by Benny Green. Produced by That's Entertainment Records.
Starring Claire Bloom Judith Anderson and Max Adrian, directed by Anthony Quayle. Set of 2 records plus production folio, produced by Caedmon Records, in box.
Adapted from Shaw's "Arms and the Man" , starring Risë Stevens and Robert Merrill. A two record set, produced by RCA Victor Records.
Complete preface read by Robert Shaw. A CMS production.
Set of 2 records, starring Charles Boyer, Charles Laughton, Cedric Hardwicke and Agnes Moorehead. A Columbia Records production in box.
Complet preface read by Robert Shaw. A CMS Recors production.
Starring Jessica Tandy, Tony Van Bridge, Frances Hyland, Bill Fraser and Paxton Whitehead, directed by Val Gielgud, at the Shaw Festival, Niagara-on-the-Lake, Canada. A 3 record set, produced by Caedmon Records, in box.
London's Mermaid Theatre production, directed by Alan Strachan. A 3 record set, produced by Caedmon Records, in box.
The complete essay read by Robert Shaw. Produced by CMS Records, 1 record.
Starring Maggie Smith, Robert Morley and Celia Johnson; 3 records plus production folio, produced by Caedmon Records, in box
Complete preface read by Robert Shaw.A CMS Records production.
The London Mermaid Theatre production, set of 3 records, in box. 2 copies.
Complete preface read by Robert Shaw. A CMS Records production.
Adapted from Shaw's "Pygmalion", a musical by Alan Jay Lerner, produced by Moss Hart. Starring Rex Harrison and Julie Andrews, a Columbia Records production.1 record.
Starring Alec McCowen and Diana Rigg, presented at the Albery Theatre, London. A 2 record set with production leaflet, produced by Argo, Delta Record Company, Limited; in box.
Starring Michael Redgrave, Michael Horden, Donald Oleasene and Lynn Redgrave, directed by Peter Wood. A set of 3 record, produced by Caedmon Records; in box.
Starring Barbara Jefford and Alec McCowen. A 3 record set with production folio, produced by Argo Record Company; in box.
Starring Sibhan McKenna, Donald Pleasence, Felix Aylmer and others has been produced for The Theatre Recording Society by Caedmon Records. A 3 record set in box.
The Cambridge Drama Festival Production of "Saint Joan", starring Siobhan McKenna and others. Produced by RCA Victor; in box.
Complete preface read by Robert Shaw. Produced by CMS Records; 1 record.
Two 33 1/3 rpm vinyl record written and spoken by Bernard Shaw with printed booklet explaining the records, produced by the Linguaphone Institute, London.
(Copy 2) Two 33 1/3 rpm vinyl record written and spoken by Bernard Shaw with printed booklet explaining the records, produced by the Linguaphone Institute, London.
One vinyl 33 1/3 repm. The recordings of Shaw from the Archives of the BBC, produced by the BBC Radio Enterprises.
One 33 1/3 vinyl record. A 1937 short wave broadcast on the topics of war, nature, divine providence, Beethoven, emotional experience, woman, primitive societies, pacifist, Lincoln, are we lovable animals?, sending the old to war, civilization, Russia and north America, the class war, and four hour day. Produced by Heritage Productions.
Read by Dame Peggy Ashcroft and Cyril Cusack; adapted and directed by Howard Sackler. Produced by Caedmon publishers; 1 record.
Starring Max adrian as Bernard Shaw; devised by Michael Voysey. A 2 record set produced on Angel Records, Capitol Records; in box
A 2 record set of on-stage performances, including Shaw's "Major Barbara," and other favorite Laughton readings and stories. Produced by Capitol Records.
By Robert James Halls, painted on ivory. Shaw's first lover, a widow 15 his senior and friend of his aunt, Arabella Gillmore.
By Robert James Halls, painted on ivory. Judy Muster's mother
By Robert James Halls, painted on ivory. . Judy Muster's father.
Not identified with certainty.
In leather frame, thought to be Walter, Judy Muster's brother, killed in 1902.
In closed case, wearing a theosophical brooch.
Sitting in a garden
Brown leather bag with straps and lock; leather carrying case inside, with pockets for other items stitched on.
Brown leather case "H.C.M." in gothic script on front.
Bronze cast of Winsten's sculpture. Winsten also sculpted the statue of St. Joan in Shaw's garden, as well as illustrated Shaw's "Bouyant Billions" and "My Dear Dorothea". Currently in the RMC reference room.
Photographs of the 1946 bust of Shaw by Clare Winsten, including a photo of the bust being viewed by Princess Anne and the Mayor of the London Borough of Camden at the official opening of St. Pancras Library and Shaw Theatre on April 2, 1971. Also, the Order of Proceedings for the opening, the Camden Journal issue for April/May 1971, and a flyer on the National Youth Theatre (which provided informal entertainment at the opening). A letter from Shaw to Stephen Winsten suggesting that his wife Clare create the bust (June 13, 1946) is in Box 17. A letter from William R. Maidment, London Borough of Camden, to Mr. and Mrs. Winsten concerning the 1971 opening and the bust is in Box 27.
Pastel by Robert Anning Bell. Shaw's affair with Jenny Patterson, his first lover, lasted from 1885 until 1893.