|
Contact Information:
Kheel Center for Labor-Management Documentation and Archives
Martin P. Catherwood Library 227 Ives Hall Cornell University Ithaca, NY 14853 (607) 255-3183 kheel_center@cornell.edu http://www.ilr.cornell.edu/library/kheel |
Compiled by:
Kheel Staff
|
Date completed:
August 2011
|
EAD encoding:
Cheryl Beredo, August 2011
|
© 2011 Kheel Center for Labor-Management Documentation and Archives, Cornell University Library
|
Date
|
Description
|
Container
|
|
| 1963 |
Automation reel 1
|
Box 170.1 | |
|
16 mm; 35 min.; June 1963
|
|||
| 1963 |
Automation reel 2
|
Box 170.2 | |
|
16 mm; 22 min.; June 1963
|
|||
| 1963 |
Automation reel 3
|
Box 170.3 | |
|
16mm; 22 min.; June 1963
|
|||
| 1963 |
The Beat Majority (CBS): Part 1
|
Box 171 | |
|
16mm; 27 min.; July 1963
|
|||
|
Before the Day (Social Security Film)
|
Box 172 | ||
|
16mm; 27 min.
|
|||
|
Birth of a Union
|
Box 173 | ||
|
16mm; 27 min.
|
|||
| 1964 |
Building Union Participation in Politics
|
Box 174 | |
|
16mm; 24 min.; May 1964
|
|||
| 1964 |
Burden of Truth; Part 1
|
Box 175.1 | |
|
16mm; 29 min.; January 1964
|
|||
| 1964 |
Burden of Truth
|
Box 175.2 | |
|
16mm; 38 min.; January 1964
|
|||
|
A Case of Insubordination
|
Box 176 | ||
|
16mm; 22 min.
|
|||
|
The Challenge; Print #2
|
Box 177.2 | ||
|
16mm; 27 min.
|
|||
|
The Challenge; Print #3
|
Box 177.3 | ||
|
16mm; 27 min.
|
|||
|
“Contract Contract”
|
Box 178 | ||
|
16mm; 23 min.
|
|||
| 1964 |
1940 ILGWU Convention [copy 1]
|
Box 179.1 | |
|
16mm; 29 min.; January 1964
|
|||
| 1964 |
1940 ILGWU Convention [copy 2]
|
Box 179.2 | |
|
16mm; 29 min.; January 1964
|
|||
| 1964 |
A Conversation with Dr. J. Robert Oppenheimer
|
Box 180 | |
|
16mm; 41 min.
|
|||
| 1963 |
The Count Down
|
Box 181 | |
|
16mm; 27 min.; June 1963
|
|||
| 1963 |
“Crossroads of America”; with Leo Cherne Introduction
|
Box 182 | |
|
16mm; 34 min.; December 1963
|
|||
|
Dress parade
|
Box 183 | ||
|
16mm; 19 min.
|
|||
| 1982 |
The Emerging Woman
|
Box 184 | |
|
16mm; March 1982
|
|||
| 1964 |
The Extremists
|
Box 185 | |
|
16mm; 27 min.; October 1964
|
|||
|
The Global Assembly Line
|
Box 186 | ||
|
16mm
|
|||
| 1964 |
Great Expectations Part II
|
Box 187.2 | |
|
16mm; 34 min.; May 1964
|
|||
| 1964 |
Great Expectations Part III
|
Box 187.3 | |
|
16mm; 37 min.; May 1964
|
|||
| 1965 |
The High Wall
|
Box 188 | |
|
16mm; 30 min.; March 1965
|
|||
| 1963 |
Horizons
|
Box 189 | |
|
16mm; 27 min.; December 1963
|
|||
|
Huelga Part I
|
Box 190 | ||
|
16mm; 24 min.; 2 copies
|
|||
|
Huelga Part II
|
Box 191 | ||
|
16mm; 33 min.; 2 copies
|
|||
| 1964 |
John F. Kennedy’s Last Words to Labor
|
Box 192 | |
|
16mm; 27 min.; January 1964
|
|||
|
Label on Fashion #3
|
Box 193 | ||
|
16mm
|
|||
|
Last Grave at Dimbaza Part 1
|
Box 194.1 | ||
|
16mm; 25. min.
|
|||
|
Last Grave at Dimbaza Part 2
|
Box 194.2 | ||
|
16mm; 24 min.
|
|||
|
Local 100
|
Box 192 | ||
|
16mm; 30 min.; ACTWU
|
|||
| 1965 |
Local 100; Print #2
|
Box 195 | |
|
16mm; February 1965; 2 copies
|
|||
|
Immigration; Maria; Part 1
|
Box 196.1 | ||
|
16mm; 24 min.; Canadian Broadcasting Corporation; 2 copies
|
|||
|
Immigration; Maria; Part 2
|
Box 196.2 | ||
|
16mm; 24 min.; Canadian Broadcasting Corporation; 2 copies
|
|||
|
Maria
|
Box 197.1 | ||
|
16mm; 2 reels, 20 min. and 23 min.
|
|||
|
Maria; Copy B
|
Box 197.2 | ||
|
16mm; 46 min.; 2 copies
|
|||
|
Mobile Health Unit; Tex and Jinx; (no commercials)
|
Box 198 | ||
|
16mm; 16 min.
|
|||
| 1955 |
Mobile Health Unit; Tex and Jinx - bad Kinescope
|
Box 199 | |
|
16mm
|
|||
| 1963 |
Joseph McCarthy
|
Box 200 | |
|
16mm; July 1963
|
|||
|
The Organizer; Reel 1
|
Box 201.1 | ||
|
16mm; 35 min.
|
|||
|
The Organizer; Reel 2
|
Box 201.2 | ||
|
16mm; 30 min.
|
|||
|
The Organizer; Reel 3
|
Box 201.3 | ||
|
16mm; 30 min.
|
|||
|
The Organizer; Reel 4
|
Box 201.4 | ||
|
16mm; 16 min.
|
|||
| 1964 |
The Other Paris (MSA Documentary)
|
Box 202 | |
|
16mm; 24 min.; January 1964
|
|||
| 1952 |
Our Union - Local 91; Original Version
|
Box 203.1 | |
|
16mm; 27 min.; July 1952
|
|||
|
Our Union - Local 91
|
Box 203.2 | ||
|
16mm; 21 min.
|
|||
|
People vs. Willie Farah
|
Box 206.1 | ||
|
16mm; 22 min.
|
|||
|
The People vs. Willie Farah
|
Box 206.2 | ||
|
16mm; 16 min.; CBS
|
|||
|
People, Precincts, and Power
|
Box 205 | ||
|
16mm; 24 min.
|
|||
|
Poverty in the Valley of Plenty
|
Box 207 | ||
|
16mm; 20 min.
|
|||
| 1963 |
Prospect for All
|
Box 208 | |
|
16mm; 27 min.; United Auto Workers (UAW); December 1963
|
|||
|
The Rise of Labor
|
Box 209 | ||
|
16mm; 30 min.
|
|||
| 1964 |
Roots of Happiness
|
Box 210 | |
|
16mm; 22 min.; April 1964
|
|||
|
Si Se Puede
|
Box 212 | ||
|
16mm; 43 min.
|
|||
|
The Stevenson Story
|
Box 213 | ||
|
16mm; 16 min.
|
|||
|
The Story of ‘91; Print #3
|
Box 214 | ||
|
16mm; 18 min.
|
|||
|
Sunday Show: ILGWU President Sol Chaikin
|
Box 215 | ||
|
16mm; 16 min.
|
|||
| 1964 |
Talking Union
|
Box 216 | |
|
16mm; March 1964
|
|||
| 1963 |
Their Great Adventure
|
Box 217 | |
|
16mm; 33 min.; June 1963
|
|||
| 1963 |
This is the SIU; Seafarers Union Film
|
Box 218 | |
|
16mm; 27 min.; December 1963
|
|||
| 1965 |
This Union Cause
|
Box 219 | |
|
16mm; 24 min.; March 1965; 2 copies
|
|||
|
Voter Education Project Count
|
Box 220 | ||
|
16mm; 26 min.; Colburn Lab Inc.
|
|||
|
Danny
|
Box 221 | ||
|
16mm; 27 min.
|
|||
|
What Price Health
|
Box 222 | ||
|
16mm; 27 min.
|
|||
|
A Watch for Joe
|
Box 223 | ||
|
16mm; 38 min.
|
|||
|
When the day’s work is done
|
Box 224 | ||
|
16mm; 28 min.
|
|||
| 1964 |
Wisconsin Story (TV Print)
|
Box 225 | |
|
16mm; 19 min.; January 1964
|
|||
|
Women of Summer
|
Box 226 | ||
|
16mm; 2 copies
|
|||
| 1964 |
Youth Wants to Know (Meany Kinescope)
|
Box 227 | |
|
16mm; 27 min.; April 1964
|
|||
| 1960 |
Fashion Spring Picture 1960
|
Box 228 | |
|
16mm; 24 min.; 3 copies
|
|||
|
Fall & Winter Fashions 1961
|
Box 229 | ||
|
16mm; 26 min.; 2 copies
|
|||
| 1960-1961 |
Fall & Winter Fashions 1960-1961
|
Box 230.1 | |
|
16mm; 30 min.; 2 copies
|
|||
| 1960-1961 |
Fall & Winter Fashions 1960-1961; Workers Unions
|
Box 230.2 | |
|
16mm; 27 min.
|
|||
| 1965 |
Spring & Summer Fashions
|
Box 231 | |
|
16mm; 27 min.; March 1965
|
|||
|
Spring & Summer 1962
|
Box 232 | ||
|
16mm; 27 min.; 2 copies
|
|||
| 1963-1982 |
With These Hands
|
Box 233 | |
|
Includes: French edition, German edition (2 copies), replacement footage,
fragments, television print, Spanish edition, English edition, Cantonese
edition, long Spanish edition, short edition, Greek edition, Italian
edition.
|
|||
| 1978 |
First Aid Course
|
Box 234 | |
|
16mm; 30 min.; American Red Cross; 2 parts
|
|||
| 1963 |
ILGWU Anthem
|
Box 235 | |
|
16mm; 2 min.; July 1963
|
|||
| 1964 |
Americans All
|
Box 238 | |
|
16mm; 16 min.; April 1964
|
|||
| 1975 |
The American Issues Forum
|
Box 239 | |
|
16mm; 19 min.; October 1975
|
|||
| 1987 |
American at Work
|
Box 240 | |
|
16mm; 14 min.; May 1987
|
|||
| 1963 |
Battle of Wall Street
|
Box 241 | |
|
16mm; 19 min.; December 1963
|
|||
|
Meany Barkan
|
Box 242 | ||
|
16mm; 13 min.; AFL-CIO
|
|||
|
Nixon: Broken Promises
|
Box 243.1 | ||
|
16mm; 15 min; AFL-CIO COPE
|
|||
| 1964 |
Broken Promises I
|
Box 243.2 | |
|
16mm; 14 min.; April 1964
|
|||
| 1964 |
Brotherhood of Man
|
Box 244 | |
|
16mm; 11 min.; April 1964
|
|||
| 1963 |
Cast Me Not Off; Print #1
|
Box 245 | |
|
16mm; 16 min.; August 1963
|
|||
| 1963 |
The Congress
|
Box 246 | |
|
16mm; 10 min.
|
|||
| 1964 |
Dedication of Penn Station South cooperative housing
|
Box 247 | |
|
16mm; 16 min.; January 1964
|
|||
|
Does it matter what you think?
|
Box 248 | ||
|
16mm; 19 min.
|
|||
| 1965 |
Dues and the Union
|
Box 249 | |
|
16mm; 16 min.; January 1965
|
|||
| 1963 |
Dutch Team - ECA Film
|
Box 250 | |
|
16mm; 14 min.; July 1963
|
|||
| 1963 |
Earthquake in Ecuador
|
Box 251 | |
|
16mm; 14 min.; December 1963
|
|||
| 1963 |
European Labor Day - Print #1 and 2
|
Box 252 | |
|
16mm; 12 min.; July 1963
|
|||
|
Fight for My Union
|
Box 253 | ||
|
16mm; 10 min.; AFL-CIO
|
|||
|
The Fine Art of Fraud
|
Box 254 | ||
|
16mm; 19 min.
|
|||
| 1962 |
Fall & Winter Fashion 1962
|
Box 255.1 | |
|
16mm; 12 min.
|
|||
|
American Fashions 1962-1963; Fall and Winter
|
Box 255.2 | ||
|
16mm; 11 min.
|
|||
|
Fashions in USA
|
Box 256 | ||
|
16mm; 12 min.
|
|||
| 1963 |
Spring & Fashions USA—Summer 1963
|
Box 257 | |
|
16mm; 16 min.
|
|||
|
Fashion in Action
|
Box 258 | ||
|
16mm; 5 min.; 2 copies
|
|||
|
Fashion Institute of Technology
|
Box 260 | ||
|
16mm; 14 min.
|
|||
|
Many Length of Fashion
|
Box 261 | ||
|
16mm; 3 copies
|
|||
|
Fiddle De Dee
|
Box 262 | ||
|
16mm; 2 min.
|
|||
| 1964 |
The Fight for Better Schools
|
Box 263 | |
|
16mm; 20 min.; November 1964
|
|||
| 1963 |
Dutch Team #2
|
Box 250 | |
|
16mm; 9 min.; July 1963
|
|||
|
The Fourth Battle of Winchester
|
Box 264 | ||
|
16mm; 18 min.
|
|||
| 1964 |
For All The Rest Of Your Life
|
Box 265 | |
|
16mm; 13 min.; January 1964
|
|||
| 1963 |
Highlights of the United Nations
|
Box 266 | |
|
16mm; 11 min.; July 1963
|
|||
|
The Happy Warrior; Gov. Alan Smith’s Life
|
Box 267 | ||
|
16mm; 11 min.
|
|||
| 1964 |
COPE Film #3; Health, Education, & Politics
|
Box 268 | |
|
16mm; 14 min.; January 1964
|
|||
|
How to Bury Taft-Harley
|
Box 269 | ||
|
16mm; 30 min.; July 1963
|
|||
| 1963 |
Local 91
|
Box 270 | |
|
16mm; 12 min.; December 1963
|
|||
| 1963 |
Los Angeles Health Center, ILGWU
|
Box 271 | |
|
16mm; 17 min.; December 1963
|
|||
| 1964 |
Magic State
|
Box 272 | |
|
16mm; 18 min.; January 1964
|
|||
|
“60 Minutes -Made in Japan”
|
Box 273 | ||
|
16mm; 11 min.; CBS
|
|||
|
“Marching Toward Tomorrow”
|
Box 274 | ||
|
16mm; 11 min.
|
|||
| 1964 |
Marvin Has it Made
|
Box 275 | |
|
16mm; 11 min.; April 1964; 2 copies
|
|||
|
Millions of Us
|
Box 276 | ||
|
16mm; 16 min.
|
|||
| 1963 |
Needles and Pins
|
Box 277 | |
|
16mm; 11 min.; July 1963
|
|||
| 1963 |
Neighbors
|
Box 278 | |
|
16mm; 8 min.; July 1963
|
|||
| 1962 |
New Americans
|
Box 279 | |
|
16mm; 19 min.; December 1962
|
|||
| Box 280 | |||
|
Nine to Five
|
Box 281 | ||
|
16mm; 22 min.
|
|||
| 1963 |
Organizing Begins at Home
|
Box 282 | |
|
16mm; 16 min.; June 1963
|
|||
| 1964 |
The Owl and the Fox
|
Box 283 | |
|
16mm; 20 min.; April 1964
|
|||
|
The Phony Issues, The Real Issues, and You
|
Box 284 | ||
|
16mm; 15 min.
|
|||
| 1964 |
COPE FILM #5; Politics and the Rigged Tax System
|
Box 285 | |
|
16mm; 16 min.; January 1964
|
|||
| 1964 |
Montreal Health Center (Camera on Labour)
|
Box 286 | |
|
16mm; 12 min.; January 1964
|
|||
| 1964 |
Power Behind the Nation
|
Box 287 | |
|
16mm; 16 min.; January 1964
|
|||
| 1965 |
The Supreme Court
|
Box 288 | |
|
16mm; 16 min.; March 1965
|
|||
| 1963 |
The Presidency
|
Box 289 | |
|
16mm; 12 min.; July 1963
|
|||
| 1963 |
Report on Japan (This is America)
|
Box 290 | |
|
16mm; 17 min.; July 1963
|
|||
| 1978 |
Rip-off at the Top
|
Box 291 | |
|
16mm; 15 min.; September 1978
|
|||
|
The Rise of Organized Labor
|
Box 292 | ||
|
16mm; 18 min.; McGraw Hill
|
|||
| 1964 |
Shoemaker and the Hatter
|
Box 293 | |
|
16mm; 24 min.; April 1964
|
|||
| 1965 |
Shop Steward
|
Box 294 | |
|
16mm; 22 min.; January 1965
|
|||
| 1967 |
Social Security
|
Box 295 | |
|
16mm; 11 min.; 2 copies
|
|||
| 1965 |
Sam’l and Social Security
|
Box 296 | |
|
16mm; 9 min.; January 1965
|
|||
| 1963 |
Sydenham Hospital
|
Box 297 | |
|
16mm; 9 min.; July 1963
|
|||
| 1963 |
Tall Tales
|
Box 298 | |
|
16mm; 10 min.; July 1963
|
|||
|
They Fought For You
|
Box 299 | ||
|
16mm; 18 min.; 2 copies
|
|||
| 1964 |
They Need to Know (Social Security Film)
|
Box 300 | |
|
16mm; 12 min.; January 1964
|
|||
| 1963 |
This is the Saar (Peerless Treated)
|
Box 301 | |
|
16mm; 14 min.; June 1963
|
|||
|
Unity House
|
Box 302 | ||
|
16mm
|
|||
|
Women's Voices: the gender gap Movie
|
Box 303 | ||
|
16mm; 16 min.
|
|||
|
Hubert Humphrey; “Words from a True Friend”
|
Box 304 | ||
|
16mm; 22 min.
|
|||
| 1964 |
[No Title]
|
Box 305 | |
|
16mm; 15 min.; January 1964
|
|||
|
Your Next President
|
Box 306 | ||
|
16mm; 16 min.
|
|||
| 1965 |
Your Social Security Number
|
Box 307 | |
|
16mm; 19 min.; January 1965
|
|||
| 1987 |
Who makes your clothes
|
Box 308 | |
|
16mm; 4 min.
|
|||
|
Victims of the Veto
|
Box 309 | ||
|
16mm; 15 min.; 2 copies
|
|||
|
We Come to Bat
|
Box 310 | ||
|
16mm; 9 min.; COPE; 2 copies
|
|||
| 1963 |
We the People
|
Box 311 | |
|
16mm; 14 min.; March 1963
|
|||
| 1964 |
What's In a Dress
|
Box 312.1 | |
|
16mm; 11 min.; April 1964
|
|||
|
We've Come on Age
|
Box 312.2 | ||
|
16mm; 14 min.
|
|||
|
[Missing]
|
Box 313 | ||
|
Italo-American in Italia; Mark Starr Montana Italian Pict Rolls
1-2-3; Mark Starr Montana Italian Picts Rolls 1-2-3; Master 14361 Mark Starr
Montana Italian Picts Rolls 1-2-3; Master 14361
|
Box 314 | ||
|
16mm and 35mm; 9 parts
|
|||
| 1958 |
New York Dressmakers Strike
|
Box 315 | |
|
16mm; 43 min.
|
|||
|
Sindicalismo en Accion
|
Box 316 | ||
|
16mm; 2 parts
|
|||
| 1959 |
1959 Convention
|
Box 317 | |
|
35mm; 2 parts
|
|||
|
Convention - Reel 3 Effects 192 - Roll 3
|
Box 319.1 | ||
|
35mm
|
|||
|
Reel 3 Convention – Effects 13
|
Box 319.2 | ||
|
Reel 1 Effects Track Convention ILGWU
|
Box 319.3 | ||
|
35mm
|
|||
|
Reel 2 Effects Track [Probably Convention]
|
Box 319.4 | ||
|
35mm
|
|||
|
Reel #2; Dubinsky; 14+E Positive; B&W Print
|
Box 321 | ||
|
35mm
|
|||
|
Reel #1; Dubinsky Story; B/W Pix
|
Box 321.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky 35mm Composite B&W Prints; Trims
|
Box 321.2 | ||
|
35mm
|
|||
|
Reel #3; Dubinsky; 35mm B&W Positive; 14+E Print
|
Box 321.3 | ||
|
35mm
|
|||
|
Reel #1; M&E Positive; B&W Print; Dubinsky
|
Box 321.5 | ||
|
35mm
|
|||
|
Dubinsky 19 35mm B&W Work Print of Pix with Opticals Reel
#3
|
Box 321.6 | ||
|
Can 7; Dubinsky 35mm Composite B&W Trims
|
Box 321.7 | ||
|
35mm
|
|||
|
Can #8; Dubinsky - 35mm B&W Work Print of Pix With Opticals Reel
#2
|
Box 321.8 | ||
|
35mm
|
|||
|
Dubinsky 35mm Composite3 B&W Print of Trims
|
Box 321.9 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Silent Negative Trims
|
Box 322.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky – 35mm Silent Neg 19 Trims On Animation +
Inserts
|
Box 322.2 | ||
|
35mm
|
|||
|
Can 3; Dubinsky -35mm Silent Negative on Citation Trims
|
Box 322.3 | ||
|
35mm
|
|||
|
Dubinsky -35mm Silent Negative - Trims
|
Box 322.4 | ||
|
35mm
|
|||
|
Can 5; Dubinsky - 35mm Neg Pix of Stills Trims
|
Box 322.5 | ||
|
35mm
|
|||
|
Dubinsky 35mm Neg Trims on Health Mobile + Israel
|
Box 322.6 | ||
|
35mm
|
|||
|
Dubinsky - 35mm B&W Print on Pins +Needles Trims
|
Box 323.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky - 35mm F.G - Master Trims of Israel - Old
Stock
|
Box 323.2 | ||
|
Can 3; Dubinsky - 35mm F.G. -Master Trims on Old Stock Ft
|
Box 323.3 | ||
|
35mm
|
|||
|
Can 4; Dubinsky -35mm Print of Track Trims
|
Box 323.4 | ||
|
35mm
|
|||
|
Can 6; Dubinsky 1935mm Silent B&W Print of Trims On Old Stock
Shots
|
Box 323.6 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Print – Note No Sound Track – Did
Not Use
|
Box 323.7 | ||
|
35mm
|
|||
|
Can 8; Dubinsky - 35mm F.G Master on Cord to Cord; With These
Hands
|
Box 323.8 | ||
|
35mm
|
|||
|
Dubinsky - 35mm A.G. Master Trims For Optical
|
Box 323.9 | ||
|
35mm
|
|||
|
Can 10; Dubinsky - 35mm Composite B&W Print on J. Wingate
Trims
|
Box 323.10 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Print - Note No Soundtrack; Did Not
Use
|
Box 323.11 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Trims
|
Box 323.12 | ||
|
35mm
|
|||
|
Dubinsky - 35mm B&W Print Of Trims
|
Box 324.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky - 35mm Composite B&W Print of Trims
|
Box 324.2 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Trims
|
Box 324.3 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Print on Trims
|
Box 324.4 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite B&W Print of Trims
|
Box 324.5 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite F.G Master of Trims Reels 1 to
4
|
Box 325.1 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite F.G - Master Reel #1
|
Box 325.2 | ||
|
35mm
|
|||
|
Dubinsky - 35mm Composite F.G Master Reel #2
|
Box 325.3 | ||
|
35mm
|
|||
|
Dubinsky - 35mm F.G. Master Composite Reel #4
|
Box 325.4 | ||
|
35mm
|
|||
| 1957 |
Dubinsky - 35mm Composite F.G Master Reel #3
|
Box 325.5 | |
|
35mm; May 1957
|
|||
|
Can 1; Dubinsky; 35mm Neg Trims Silent On Stock F7
|
Box 326.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky - 35mm Composite Neg –On Windgate Trims
|
Box 326.2 | ||
|
35mm
|
|||
|
Can 3; Dubinsky 35mm Composite Negative Pix Trims
|
Box 326.3 | ||
|
35mm
|
|||
|
Can 4; Dubinsky 35mm Composite Neg Pix Trims
|
Box 326.4 | ||
|
35mm
|
|||
|
Can 5; Dubinsky 35mm Composite Neg Trims
|
Box 326.5 | ||
|
35mm
|
|||
|
Can 6; Dubinsky 35mm; Composite Neg Pix Trims
|
Box 326.6 | ||
|
35mm
|
|||
|
Can 1; Dubinsky 35mm Neg Track of Pins + Needles Singing
|
Box 327.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky 35mm Silent Neg Trims
|
Box 327.2 | ||
|
35mm
|
|||
|
Can 3; Dubinsky Composite Neg; No Sound on Track Did not
Use
|
Box 327.3 | ||
|
35mm
|
|||
|
Can 4; Dubinsky Sound Statement Composite; No Track -Did Not
Use
|
Box 327.4 | ||
|
35mm
|
|||
|
Can 5; Dubinsky 35mm Neg Track Of Record -Not Used
|
Box 327.5 | ||
|
35mm
|
|||
|
Can 6; Dubinsky Negative Track From Record
|
Box 327.6 | ||
|
35mm
|
|||
|
Can 1; Dubinsky 35mm Composite B&W Print on J.Windgate
Trims
|
Box 328.1 | ||
|
35mm
|
|||
|
Can 2; Dubinsky 35mm Composite B&W Print on Trims
|
Box 328.2 | ||
|
35mm
|
|||
|
Can 3; Dubinsky Story -35mm Work Print of Track Reel #2
|
Box 328.3 | ||
|
35mm
|
|||
|
Dubinsky 35mm Work Print of Track Reel #1
|
Box 328.4 | ||
|
35mm
|
|||
|
Can #5; Dubinsky Story 35mm Work Print of Track Reel #3
|
Box 328.5 | ||
|
35mm
|
|||
|
Can #6; Dubinsky 35mm Work Print of Track Reel #4
|
Box 328.6 | ||
|
35mm
|
|||
|
Can 1; Dubinsky 35mm B&W Work Print Reel #4 Pix
|
Box 329.1 | ||
|
35mm
|
|||
|
Can #2; Dubinsky Story 35mm B&W Work Print Reel #1
Pix
|
Box 329.2 | ||
|
35mm
|
|||
|
Can #3; Dubinsky Story 35mm B&W Work Print Pix Reel
#2
|
Box 329.3 | ||
|
35mm
|
|||
|
Can #4; Dubinsky Story 35mm B&W Work Print Pix Reel
#3
|
Box 329.4 | ||
|
35mm
|
|||
|
1. Mike Johnson’s Union Label Show in Wisconsin; 2. Change; 3.
Nonflammable Phil gal season union label; 4. DD Degree at Bard (-50’s
Nonflammable)
|
Box 330 | ||
|
16mm
|
|||
|
[NOTE ON LID: Odds and Ends; Many Films; May all be from Fannia
Cohn.]
|
Box 331 | ||
|
16mm
|
|||
|
[Assortment of Films]
|
Box 332 | ||
|
16mm
|
|||
| 1959 |
Mother is on Strike
|
Box 333 | |
|
16mm; 5 min.
|
|||
|
[Dubinsky Anniversary and miscellaneous films]
|
Box 334 | ||
|
Dubinsky Anniversary in two parts
|
|||
|
Mobile health unit; Tex and Jinx bad Kinescope
|
Box 335 | ||
|
DVD copy of 16mm film -- F 199
|
|||
| 1962 |
Dedication of Penn Station South cooperative housing
|
Box 336 | |
|
DVD copy of 16mm film -- F247
|
|||
|
Dues and the Union
|
Box 337 | ||
|
DVD copy of 16 mm film -- F249
|
|||
|
Marvin Has It Made
|
Box 338 | ||
|
DVD copy of 16 mm film -- F275
|
|||
| 1982 |
[Chinatown strike]
|
Box 339 | |
|
DVD copy of VHS tape --V302a. Actually not footage of Unity House, as
original label states. Footage of 1982 Chinatown strike.
|
|||
| 1935 |
Unity House
|
Box 340 | |
|
DVD copy of VHS tape -- 302b
|
|||
|
Triangle Fire monument
|
Box 341 | ||
|
DVD copy of 16mm film -- F331
|
|||
| 1959 |
Mother is on Strike
|
Box 342 | |
|
DVD copy of 16 mm film -- F333
|
|||
| 1958 |
Dressmakers Strike, part 2
|
Box 343 | |
|
DVD copy of 16mm film in box 315, 5780 F; for part 1, see DVD in box 149,
5780 AV.
|
|||